Something I'm Fond Of Saying Is "The Villain Drives The Plot But The Hero Sets The Tone." Something That's

Something I'm fond of saying is "The villain drives the plot but the hero sets the tone." Something that's very important about this is that the resolution to the conflicts presented need to match the hero's tone. If your story doesn't believe problems can be solved the way the hero wants to solve them... why is this the hero?

If you want your problems to be solved with brutal catharsis, then your hero should be someone who believes in brutal catharsis.

If you want your problems to be solved with forgiveness and reconciliation, then your hero should be someone who believes in forgiveness and reconciliation.

They don't have to begin there. This can be something they come around to over the course of the story, as they grow and change per their character arc. But by the time of their ultimate encounter with the villain, their values should be the values that drive the story forward.

There's this thing in D&D that some DMs do. Where, when you roll enough damage to deplete the monster's hit points, they'll turn to you and say, "That's a kill. Describe for the group how you take the monster down." And you're allowed to come up with some cool maneuver or something that your character did in order to deliver the finishing blow.

The hero's ultimate triumph over the villain is a lot like this. More than any other part of the story, this moment is their apotheosis. It should be a celebration of everything they are and everything they stand for.

You have defeated the villain; Now describe for the group what form that victory takes.

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More Posts from Aceof-stars and Others

11 months ago

Send Me a Character

And I will tell you my:

First impression

Impression now

Favorite moment

Idea for a story

Unpopular opinion

Favorite relationship

Favorite headcanon


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10 months ago

Manfred von Karma!

Thank you for the ask <3 (to every else who sent me a character ask, I'm working on it :)

First impression

I actually never hated him or had strong feelings about him. I was introduced to AA through narumitsu fanfic but I knew I wanted to play the games so I avoided everything with spoilers, including everything Manfred. I guess I just thought of him vaguely as a villain and Miles' mentor/father figure.

Impression now

He's one of my favorite Ace Attorney characters. I have him at 4th but honestly, maybe he's 3rd now?? I have developed an attachment to this ridiculous evil man. I love him so much. I wish there was more canon content of him, but I think he's an interesting character with a lot of room for nuance.

Favorite moment

He doesn't really have many canon moments (and I haven't played AAI). But probably when he gloated Phoenix into cross-examining Polly the parrot and it's implied that he witness-coached a parrot. Manfred, you are an insane person.

Idea for a story

I just want to see a story where Manfred is force-fed a redemption arc. Like for example a no DL-6 AU where Gregory manages to get a Manfred properly investigated for forging evidence. But to ensure he doesn't get another penalty, Manfred tries to frame another prosecutor to throw Gregory off his trail.

Only, Manfred finds out that the person he is framing is actually guilty of forging evidence. Manfred has to follow through with his plan and gets dragged into working with Gregory. Gregory is surprised but grateful that Manfred has been so helpful in weeding out corruption in the prosecutor's office, and wants to befriend/ally with Manfred. Manfred is seething with hatred. (Oh and eventual Shingou :)

Unpopular opinion

Manfred as a character deserves a lot more nuance. There's... a lot to talk about but these are the three main things I have a strong opinion on:

1) He was a flawed parent and I think it's more interesting to explore those flaws than to just label him abusive for the sake of villainizing him.

2) It does not makes sense for Manfred to be sexist/homophobic/etc. Simply because I don't think he cares enough to hate a group of people like that. He is very rational, efficient, and his perfectionism is focused on his prosecuting career. If anything, he discriminates against defense attorneys (lmao).

3) Manfred didn't brainwash or force Miles into becoming a prosecutor. I'm sure Manfred was influential but Miles had his own reason to be a prosecutor that stemmed from DL-6. Miles was also always a perfectionist (the paper cranes thing) and the von Karma family brand of perfectionism just amplified it.

Favorite relationship

Shingou!! <3 (Gregory Edgeworth/Manfred von Karma)

Defense attorney/prosecutor ship, toxic enemies to lovers, doomed romance, or super slowburn (if no DL-6 AU), bitter courtroom rivals turned bickering old married couple (who still duke it out in court), co-parenting Miles and Franziska (before officially getting together).

Favorite headcanon

Manfred did love Franziska and Miles (in his own way). Regarding Miles, Manfred saw him as a symbol of his failures (the penalty Gregory gave him and the shot in his shoulder). So Manfred struggled a lot when he began to actually care about Miles. When Miles's perfect record was broken, Manfred saw it as a threat to his own perfection. (I hope that makes sense. I do need to think about this more to solidify the headcanon. I just love complicated von Karma family dynamics)


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8 months ago

I love that phoenix is a bit of an asshole like he’s the most character ever

but i will not stand for goofy dumbass pathetic Phoenix erasure.

Bro canonically says “YEOWCH!” when he gets stabbed or hit.

He grabs the back of his neck and chuckles when he’s feeling sheepish.

He called himself “Sherlock Holmes II baby!” when sherlock holmes never existed. A HERLOVK SHOLMES DID

He gushes when something is cute or romantic. “You’re too cute to call you just pearl!” “*actively crying at the delite’s love story* thats so romantic…”

He copies his friends’s mannerisms bc he loves spending time with them. (also bc he has adhd. No this is canon and i’m correct about it no one fight me)

Feenie copies a lot of Larry’s mannerisms

Phoenix copies a lot of Mia’s mannerisms

Beanix has a lot of Dahlia’s mannerisms which i wont look into bc i value my mental health

In the anime he copies Ron Delite when he was yelling and that was so funny

theres more but i always write these when i’m half asleep

He loves to gossip with Maya, (like when gumshoe got a crush)

He loves to argue about pointless shit as well like ladders, which kinda leads into him trying to purposely be difficult bc he thinks its funny

idk i feel like people forget that this is the same dude who got amnesia twice and still went to work (once as his actual job: attorneying and once as a friggin baker 😭😭)

theres a TON of goofy cartoony shit that phoenix does! Yes he can be sarcastic, but he’s also a giant loser who is REALLY good at improv.

Phoenix is just as weird as everyone around him. He’s also a goofball who happens to be a big hater.


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11 months ago

Azula's Motivations in ATLA

I haven’t been in the ATLA fandom long enough to know how popular this opinion is, but I think at her core, Azula wants to be accepted, to be loved, to belong.

I think you can tell a lot about a character by finding out what breaks them. Looking at goals can be helpful, but a lot of the times goals can mask true desires.

What truly begins to break Azula is the betrayal from Mai and Ty Lee. She's also strangely bothered by the belief that her mother thinks she's a monster. In the scene where she hallucinates her mother, Azula only breaks down and shatters the mirror when her mother says she loves her. As if Azula desperately wants it to be true but can't believe it, so she lashes out.

In the finale when Ozai leaves her behind to go destroy the earth kingdom, she says: “I thought we were going to do this together” and “you can’t treat me like Zuko”. She’s desperate to belong, to be accepted by her father. And even though she’s had his approval for her entire life, she’s immediately afraid of being cast aside.

While she is pretty obsessed with succeeding at everything she does and doing things perfectly (ie “almost isn’t good enough”), I think the real reason she’s so obsessed is because she believes she must earn her worth in order to be accepted.

Azula hasn't had many experiences with healthy relationships as a child so she makes people stay by instilling fear and proving her worth. Power and success aren't what she truly desires. They are more so a means to an end.

I also think in the last Agni Kai, she breaks down not just because she's defeated, but because Zuko and Katara defeat her together. A painful reminder that other people have support they can rely on, but she has no one.

It's also really interesting to compare her to Zuko because I don't think Zuko has the same motivation at his core. Yes Zuko became obsessed with chasing the Avatar to be accepted by his father, but really it was about his honor. Zuko saw acceptance in the Fire Nation as a means to an end for his own worth and honor.

And that's the reason Zuko isn't satisfied when he's back to belonging in the Fire Nation again in season 3. And he's not satisfied in the Earth Kingdom with his uncle's support, nor satisfied being accepted and trusted by Katara in that cave.

I'm not saying Zuko doesn't care about or want acceptance from people, just that there is something deeper motivating him.

When Azula pushes people away, it's defense mechanism. When Zuko pushes people away, he's yearning for something more.


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1 year ago

Miles Edgeworth is both extremely perceptive about other people’s intentions and motivations, but also terrible at understanding how his own actions affect others. It’s quite an interesting nuance that I think is often overlooked.

When Edgeworth returns in 2-4, he is already aware of what Phoenix is lacking as an attorney before he even knows the full extent of Phoenix's crisis (Maya being kidnapped). In their first conversation, Edgeworth says: "In order to understand this case, you have to understand a certain "truth"". He knows that Phoenix's current motivation for being a defense attorney is flawed (cue his "we are not heroes" line). However, at the same time Edgeworth doesn’t fully understand how his actions of disappearing have affected both Phoenix and Franziska.

Another very obvious example of this is in AAI (I think?). In response to Kay asking: “Have you guys not decided if you are going out, or is it just one sided?” Edgeworth says: “‘Decided’…? Shouldn’t the parties involved naturally just know…?” Edgeworth thinks people in a relationship should instinctively perceive the feelings of the other person without communicating. He doesn’t consider the possibilities of misinterpretation or misunderstanding.

So in the context of Wrightworth, essentially what I'm saying is that unless something like fear is holding him back, Miles definitely knows about Phoenix's feelings. It's Phoenix who's off somewhere deluding himself.


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11 months ago

Oh boy, this is a good observation but there’s one thing you’re missing. The game never explicitly states if Phoenix truly believed Edgeworth was dead. But at the end of Farewell My Turnabout, Phoenix says this: “I decided that the Miles Edgeworth I knew had died. …At least, that’s what I told myself”.

Phoenix lied to himself. Phoenix deluded himself into believing that the version of Miles Edgeworth he had in his head was dead. And then proceeded to act like he was grieving Edgeworth’s real death.

… I will do a full analysis on this one day.

phoenix wright is so funny like he doesn’t see edgeworth for years after edgeworth leaves school after his dad died and was lik e: edgeworth must be dead. ill never see him again.  then he became a lawyer and sees edgeworth and then almost witnesses him die bc of the law and was like: thank god he didnt die. now he’s here forever. then edgeworth quits for a bit  bc of cancel culture and phoenix legit is just like: hes actualy dead again and ill never see him again. hes for real dead like, he has no object permanence  emotionally or physically 


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10 months ago

I'm sorry but as much as I love and ship narumitsu, Miles's "unnecessary feelings" line is primarily about him questioning his morals and methods as a prosecutor. Miles who was believed he was doing good and enacting justice by getting guilty verdicts for all defendants, who lost faith in finding the truth because he couldn't trust anyone anymore. He was shown that the truth is not so unobtainable by Phoenix, and he began to question if he was truly doing the right thing all along. That's why I love the "unnecessary feelings" line so much; it marks the start of Miles's redemption arc.

Of course you can headcanon the "unnecessary feelings" line to have romantic implications. But Klavier gets my vote in this case.


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9 months ago

What I mean by a character being "whumped" is them being on the receiving end of hurt/comfort.

Kind of a follow up to my last poll: here. I removed the "no preference" options because I'm forcing you guys to choose >:) Feel free to explain your reasons in the tags/comments!


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10 months ago
Wheels Slow, The Fumes Die There’s Nobody Left, She’s Alone And Counting

Wheels slow, the fumes die There’s nobody left, she’s alone and counting


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Jen || she/her || 20 I write analysis and meta about my favorite pieces of media! — mostly an Ace Attorney blog [playing AAI2-2]

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