Hades/Crowley
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I’m not entirely sure how posting/reposting on Tumblr actually works, so I’m making a post of what was originally a response to this excellent post by ileolai I really think that Aziraphale is given quite a hard time for how he handles things in relation to Crowley leading up to the Apocalypse.
In defence of my BAMF boi Aziraphale (referring to the TV series as I don’t remember all the differences in the book):
No, he shouldn’t have told Crowley at the bandstand that they aren’t friends/are over, he should have told Crowley when he knew the location of the Antichrist, and he might have been naive to think that he could change the minds of God/the Metatron/a higher authority. I hate that he lies to Crowley after figuring out the location of the Antichrist.
Crowley’s (admittedly desperate) plan, however, was romantic af but not any better morally or much worse practically. It would not have worked long-term. It would have been selfish, short-sighted and cowardly and gone against everything they stand for and believe in.
If they HAD actually escaped (for all they know, at least, discounting Adam’s choices), Armaggedon would still have gone ahead, the War would’ve taken place, and one side or the other would have won. The winning side would realise either straight away or eventually that one of their own had deserted from the war. Whether the next day or in a few millennia, eventually, surely, someone from the victorious side would have come across them somewhere.
(Might’ve taken me three run-throughs to capture the screenshot because I kept getting too caught up in watching the scene.)
Also, again, there’s the sticky moral issue of the two abandoning Earth and all the creatures thereof to the sole custody of either Heaven or Hell. The world would have ended, Crowley and Aziraphale would have been together, yes, but always looking over their shoulder, and only for a limited time until they were discovered and punished for desertion/their relationship.
Now, it seems there were two other things they could actually do. First, Crowley’s other suggestion: Kill the Antichrist, murder a child. Comes with its own lovely set of moral dilemmas #utilitarianism. Not something either is particularly keen on doing, although it is Aziraphale who gives it a go: He IS willing, in the end, all other options exhausted, to kill in order to save them and the world. (Granted, it kind of makes sense that he should do it; he’d at least be thwarting evil whereas Crowley would be going directly up against “his side”. But still, it’s going directly against the Great Plan.)
The only option that could possibly, potentially, mayyyybe work is to convince a higher-up to actually get the whole Armageddon called off. It’s the only way to save everything - the world, humanity, Crowley, their relationship; the only potential long-term solution. So, he goes to see the Archangels, to get them to either call off the war or (possibly?) kill the Antichrist. Aziraphale tells them some of what he knows, but he is smart enough not to tell his superiors that he already knows where the Antichrist is. He lies to them too and keeps the information to himself until he knows what the Right thing to do is to save the world.
Don’t think I’ve seen this talked about this anywhere: While speaking to Archangels, he also tries out quite a clever plan to help out Crowley, whose massive cock-up and cover-up in the wrong Antichrist fiasco will be found out as soon as Warlock reaches Megiddo: He suggests to the Archangels that Crowley did it all on purpose to trick Aziraphale and keep the real Antichrist safe.
(adorbs)
He’s not exactly making himself look great here, but it’s worth it if he can convince the higher-ups that Crowley is really a demonic strategic genius who was actually protecting the Antichrist all along.
After the Archangels tell him to piss off and the Bandstand scene (RIP), where he declares that can’t be on their side anymore and Crowley is the one to leave, he tries to get to Gabriel once again, which obviously fails. After Gabriel’s “What are you?”, he looks at him running off towards the bandstand, which is in focus although it isn’t in the rest of the scene and reminds of us him and Crowley, and we get the lovely, romantic (?) “I’m soft”. It’s pretty clear already that he has no intention of fighting in any war (or against Crowley). Then, after telling Crowley’s he’s being ridiculous for wanting to run away (and Crowley saying he’ll run off and forget about Aziraphale), he tries once again to explain why the war shouldn’t happen to the archangel thugs and to get them to see what they, as angels, should be doing and why it is vital that the world (and A and C’s role in it) continue.
He is clearly terrified. The archangels clearly aren’t there with good intentions, and yet he Stands Up to them and tries to make them see reason: They shouldn’t want the war, that’s not what they, the angels are there to do - they should be upholding one side of the moral coin, letting humanity choose between good and bad. (As an aside, I love all the “Aziraphale is terrible at being an angel” fun, but I - and probably god, and possibly even Aziraphale himself - think that he is the best angel: Even with the Arrangement, he has actually been doing the exact job of Heaven and Hell, upholding this careful balance between Good and Evil, allowing people to choose, navigating via his own moral compass, and taking care of humanity ever since giving away the sword, as a good principality should). He’s already saying pretty clearly that he’s on the side of The World, that he doesn’t want the war.
His last hope for actually avoiding the Apocalypse (and saving his and Crowley’s continued existence together) is God herself. Obviously and beautifully, he doesn’t get through, and the Metatron is no better than the other bureaucratic, dogmatic, powerhungry arsewipes in Heaven. He’s exhausted all other options, all hope of a long-term real solution for him and Crowley, and so he calls up Crowley to let him know Adam’s location so that they can go off in desperation and try to stop/kill the Antichrist. It won’t save them, but it might just be possible for them to save the world.
After his discorporation, he takes a very public, burning-all-bridges stand in Heaven and gives a metaphorical two-finger salute as he yeets back to possess people like a demon. He finds Crowley and is very much set on the task at hand - getting to and stopping the Antichrist - even though he and Crowley clearly have a lot of personal shizzle to discuss. At the Airfield, finally, he’s the one who actually does try to kill Adam to save the world.
Also, Aziraphale comes up with the brilliant distinction between the Great Plan and the Ineffable Plan, which implies that Heaven and Hell might be going against God, and that he and Crowley (and Adam) might just under Her protection, and would give Crowley and himself an out if only their bosses were flexible/good enough to see reason.
When it works and Armageddon IS actually avoided, he greets Gabriel coolly and unwieldingly while Crowley tries out a sycophantic (and fabulous) grovelling bow.
He has Taken A Stand and he’s not moving. For all that he frets and wiggles, he’s the guardian; constant, secure with a steady, certain inner moral compass that is much too good and intelligent to constantly align with Heaven. Crowley is the snake; wiley, slippery, flighty, constantly moving (and I mean that in the best way, I love Crowley as much as Aziraphale).
He grounds Crowley. When Crowley is finally giving up, saying goodbye to Aziraphale, refuses to give up, knowing exactly how to get Crowley moving again - pulling out another card in his… infinite variety… of ways to surprise and touch and steady the demon.
Morally, it’s like that old philosophy conundrum, the trolley problem with more heartbreak: If you could only save one, would you save your loved one or a group of strangers? When push comes to shove, Aziraphale cannot let himself throw the random bunch of strangers to the wolves, choosing his own unhappiness over the unhappiness of humanity. Add to that the fact that avoiding the Apocalypse is also the only long-term way to possibly save Crowley their relationship. (TV) Crowley is more concerned with saving Aziraphale and himself. Not a bad instinct; a very human one, in fact. His world IS Aziraphale, he moves around the angel, grounds himself in him. Aziraphale’s own happiness and well-being is contingent on Crowley being in the world, but he is willing to sacrifice that to save the actual world. He IS committed to Crowley, it’s just that Crowley can’t be in Aziraphale’s world if the world doesn’t exist. Aziraphale might owe Crowley an apology for throwing him under the cart for this, but he’s a damn good person/being and a really damn good angel.
I was gonna tie this down better to this thought I’ve been thinking a lot, but this got so long that Imma just gesture vaguely towards it, it’s not hugely related to the events of Armageddon: Aziraphale has to be constantly selfless everywhere except for with Crowley. He gets to be selfish in his relationship with the demon. Crowley, on the other hand, can only ever be allowed to be selfless and good through his relationship with the angel. Aziraphale being selfish allows gives Crowley a space to be giving and loving (in whatever way) and kind.
I know there are already lots of lovely fics out there exploring these things in profound and beautiful ways, but I got started on this essay journey, and I was damned if I wasn’t gonna finish it too.
So *sniffs* yeah.
Happy New Year, the best fandom ever!)
what's something (spoiler-free) that you're really excited for people to see in Good Omens season two?
The Whickber Street Traders and Shopkeepers Association monthly meeting.
In honor of the news about season 2 and the fact that I'm finally reading the book I made ineffable husbands bookmarks!!! Feel free to make your own using the image below!
GOOD OMENS (2019-)
2x01 - The Arrival
Folks let me talk about Crowley and sunglasses, because I have a lot of emotions about when he wears them and when he doesn’t, and Hiding versus Being Seen.
We’re introduced to the concept of Crowley wearing glasses even before we’re introduced to Crowley, by Hastur: “If you ask me he’s been up here too long. Gone native. Enjoying himself too much. Wearing sunglasses even when he doesn’t need them.”
Honestly Crowley’s whole introduction is a fantastic; we learn so much about his character in a tiny amount of time. The fact that he’s late, the Queen playing as the Bentley approaches, the “Hi, guys” in response to Hastur and Ligur’s “Hail Satan”. I like this intro much better than the one originally scripted with the rats at the phone company, but I digress.
Crowley wears sunglasses when he doesn’t need them. Specifically, he still wears them around the demons, and when he’s in hell.
You know where Crowley doesn’t wear glasses? At home.
We never once see him wearing glasses in his flat, except for when he knows Hastur and Ligur are coming. That’s an emotional kick to the gut for me. Here’s one of the only places Crowley’s comfortable enough to be sans glasses, and when he knows it’s going to be invaded he prepares not just physically with the holy water, but by putting up that emotional barrier in a place where he wasn’t supposed to need it.
An argument could be made that Crowley actually never needs glasses. We’re shown that it’s well within the angels’ and demons’ powers to pass unnoticed by humans. Crowley and Aziraphale waltz out of the manor in the middle of a police raid, and going unnoticed by the police takes so little effort that they can keep up a conversation while they stroll through. Even an unimaginative demon like Hastur apparently doesn’t have trouble with the humans losing it over his demonic eyes. The humans in the scene at Megiddo are acting like “this guy is a little weird” and not “holy shit his entire eyeballs are black jelly”
That means that Crowley’s glasses are a choice, just like Aziraphale’s softness. Sure, he could arrange matters so that nobody ever noticed his eyes, but he doesn’t want to. Crowley wants acceptance, and he wants to belong, and he’s never, ever had that. He didn’t fit in before the Fall in Heaven, he doesn’t fit in with the demons in Hell. With the glasses, and with the Bentley and his plants and with the barely-bad-enough-to-be-evil nuisance temptations, he’s choosing Earth. This is where he wants to fit in, perhaps not with the humans, but amongst them.
Even after Crowley is at his absolute lowest, when he thinks Aziraphale’s dead and he’s on his way to drink until the world ends, he takes the time to put a new pair on when the old ones are damaged. He needs that emotional crutch right now, even with everything about to turn into a pile of puddling goo he’s not ready for the world to see his eyes.
Which is why I swore out loud when Hastur forcibly takes them off.
It’s about the worst thing that Hastur could have done. Rather than leading with a physical threat, his first act is to strip away Crowley’s emotional defences. It’s a great writing choice because god it made me hate Hastur, even more than all the physical violence we see him do.
It’s also the moment that Crowley really truly gets his shit together, and focuses all of his considerable imagination on getting to Tadfield and Aziraphale to help save the world. He’s wielding the terrifyingly unimaginable power of someone who’s hit rock bottom and realised it literally could not get any worse than this. He doesn’t put another pair of glasses on after discorporating Hastur, and he spends the majority of the airbase sequence without them.
He puts them back on again, I think, at the moment that he really lets himself hope. When he thinks ‘shit, there may be a real chance that we get through this to a future that I don’t want to lose’.
The vulnerability is back, and he needs Adam to trust him. In Crowley’s mind being accepted by a human means he needs to have his eyes hidden. Someone give the demon a hug, please.
Interestingly, there’s only one time in the whole series that we see Crowley willingly choose to take his glasses off around another person. Only one person he’ll take down that barrier for, and even then he’s drunk before he does it.
Dear God/Satan/Someone that makes my heart ache. Crowley’s chosen Earth, but he’s also chosen Aziraphale. He’s been looking for somewhere to belong his entire existence, and it’s with the angel that he finally feels it.
When the dust settles and the world is saved and they finally have space to be themselves unguarded, I like to imagine Crowley takes off the glasses when it’s just the two of them; the idea of being known doesn’t scare him quite so much anymore.
So in case anyone wonder what I got up to in December and January, BEHOLD.
As a wee birthday surprise for @ashfae, I built Aziraphale’s bookshop as a book nook :) It also lights up:
It is entirely possible I got carried away, but that’s half the fun :D I’ll pop a few of the progress pictures and what i used below, so I don’t entirely flood your timelines, so you can see the sticky mess I made :)
Afficher davantage
Me "Let's draw cats !!". My brain "Let's draw Cat Omens !!!!"
Lost Hat (A short comic)
This was the scene that inspired me to draw the comic. The idea has been in my head since June, after the release of the Good Omens episodes. It went lying in my folders for a while, but I’m glad to finally have it finished! Thank you for reading :)
drawings mostly Good Omens or "original" stuffs they/them french https://linktr.ee/enitnaaezara
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