Aziraphale’s Wine

Aziraphale’s wine

It is a truth universally acknowledged in the Good Omens fandom that an angel in need of a drink turns to his secret stash of Châteauneuf-du-Pape in the back room. He picked up a dozen cases in 1921, and a whole century later there's still some left… for special occasions.

Aziraphale leading Crowley to his bookshop under the pretense of extraordinary amounts of alcohol. "I have several ver nice bottles of Châteauneuf-du-Pape in the back. I picked up a dozen cases in 1921, and there's still some left... for special occasions."

Just to put things in perspective, a standard case contains 12 750ml bottles, for a total of 9 liters of wine. A dozen cases equals 144 bottles, or 108 liters of wine. That’s quite a lot for a single purchase, so Aziraphale — the established sherry and sweet drinks connoisseur — must have had a good reason for it.

One potential explanation is the aura of grandeur around this particular wine. The papal connection, rich history of the region, and recognition of high quality products give Châteauneuf-du-Pape wines a very luxurious status, considerably influencing their price tags. And Aziraphale is known to have standards.

Another one is the way in which their taste differs from Aziraphale’s usual choices: Châteauneuf-du-Pape reds are often described as earthy with gamey flavors that have hints of tar and leather. The wines are considered tough and tannic in their youth, but maintain their rich spiciness as they age.

Crowley flirting with Aziraphale at the Globe: "Age does not wither, nor custom stale his infinite variety"

Since everything in Good Omens has a meaning, it never hurts to run through a quick Strong’s Concordance search whenever a date pops up in a dialogue or, even more importantly, somewhere on screen. More often than not the result seems to match the researched topic, as it’s the case here:

1921: to know exactly, to recognize.

Provided examples: I come to know by directing my attention to him or it, I perceive, discern, recognize; I found out. The general usage of the word usually refers to knowing someone aptly, properly, thoroughly, even biblically. Which might be either a wishful thinking on Aziraphale’s part or just another layer of subtext in this already romantically charged scene. The table dressing, multiple candles, and focus on the lamps with Auguste Moreau’s Young Lovers statues in the background seem to successfully communicate what the angel left unsaid.

Too bad that Crowley remained so adorably oblivious for the next eighty years. At least when he finally came to the realization, he responded with an attempted temptation to another vintage red wine @vidavalor already analyzed.

Aziraphale and Crowley making a toast at the end of their 1941 date

But back to Aziraphale’s wine. To be exact, it’s a 1921 Châteauneuf-du-Pape from the domaine de Baban. An actual French vineyard from the Rhône region that still exists to this day, even though a few decades ago it got merged with another estate into what is now known as domaine Riché-Baban. According to the local guides, the 11 hectares on the estate are located in the Châteauneuf-du-Pape designation area in the Bois Lauzon and Mourre de Baud districts. At the moment 90% of the wines produced there are sent to wine dealers.

1920s were quite an interesting time for this region, but not because of the flapper cabarets or drag shows usually associated with the era on the Old Continent. To the horror of European oenophiles, right after World War I the whole of France found itself awash with fake wine. One of the worst outrages was the use of lead that magically transformed cheap, acid wine into something deceptively rich and sweet on the outside and one of the most powerful neurotoxins on the inside. People were already well aware of its effects — the poisoning from drinking sweetened wine probably made Handel go blind and Beethoven go deaf, but it shows how desperate for sweetness they were before sugar became available to the masses.

Aziraphale and Crowley toast in Rome, Aziraphale visibly nervous. Maybe he's just trying really hard to flirt, maybe considering the lead content in his drink

Admittably, it wasn’t a new practice. Far from it — the Romans liked it so much that they even advised to pack lead pans on travels to boil local wine in them to make it sweeter, especially in colder provinces like Britannia. But Aziraphale didn’t buy twelve cases of counterfeit wine for the sake of some good memories of Rome and its many health hazards. No, the fussy angel made sure to get the actually good stuff from the other side of the English Channel.

Henry Tacussel, whose name is mentioned on his wine label, was a French viticulturalist and a close friend of Baron Pierre Le Roy of the Chateau Fortia nearby, a trained lawyer and fellow winegrower from Châteauneuf-du-Pape who established the Winegrowers' Union of the Rhône Valley. Together with the Baron he became one of the founders of Appellation d'origine contrôlée (AOC), a labeling system intended to protect regional products and technologies that is still in use in France and serves as an inspiration to similar solutions worldwide. Their efforts were deliberately centred on Châteauneuf-du-Pape because with such a beguiling name even in comparison to other labels it seemed to attract an undue share of fraudsters at the time.

BTS photo of Good Omens bookshop set, multiple bottles of wine standing on the table with their etiquettes visible to the viewer

Soon after Aziraphale’s shopping spree, the local wine producers led by Le Roy and Tacussel began a very long campaign to establish legal protection for the wine from their commune. The delimited area and the method of wine production were finally awarded legal recognition after a decade, in 1933, but it wasn’t the end of the criminal activities on this front. An undercover investigation by The Sunday Times discovered that most of the “Châteauneuf” in the 1960s Britain was actually blended and bottled in Ipswich.

One question remains: was it a purely human affair, or maybe one requiring a demonic or angelic intervention?

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Mini-Meta Musing (#4)

I've been brooding for a long time about, of all things, Aziraphale's worn velvet vest and the long cream jacket he's kept in "tip top condition for over 180 years now." I love the sweet familiarity, but this is the same angel who popped across the Channel and almost lost his fluffy-topped head in 1793 for dressing like an aristocrat.

"I have standards!"

The Night That Changed An Angel (or, Why Does Aziraphale Still Wear That Shabby Vest?)

He's the height of elegance, extravagance even. A dandy. We've seen the same at the Globe Theater 1601, Edinburgh 1827, and even as a Knight of the Round Table in 527 Essex, where he's wearing a glorious pelt across his shoulders! However, sometime after Edinburgh 1827, Aziraphale's stylish extravagance ends. He adopts the dress of distinguished but modest gentility. No seamstresses strain their eyes for days hand stitching ruffles and trims for him any longer. When we next see him in 1862, his clothing is refined, simple, and serviceable. It becomes his uniform, with only minor replacements. Why? What happened to change him?

Edinburgh 1827 happened. And his encounter with tragedy ran over his sensibilities like a locomotive.

Aziraphale had, we were told, saved his earnings over time and had bought land, invested wisely, and became quite well off. He used real money, not miracles, to build the bookshop, paying the builders well and taking care of bills honestly. He built himself up to a more than comfortable lifestyle, from nearly nothing. And his clothes are real, not miracled from nothingness like Crowley's. (source: original showrunner)

Aziraphale's wealth allows him to afford luxurious tailoring and fancy shoes and ruffles and trims. He'll certainly pay the cobblers and tailors and seamstresses well for their labors. It will be a substantial expense for the era. (The linked post gives a wonderful perspective on 1793 lifestyles and costs.)

https://agoodflyting.tumblr.com/post/753227014283083776/why-aziraphales-white-satin-pumps-are-ridiculous

The angel's Edinburgh multilayered and trimmed top coat, soft leather gloves, matching scarf, jacquard vest, silk cravat, etc., look entirely out of place in the back alleys where the poor huddle. Walking the clean, gas-lit avenues with Crowley and Elspeth, Aziraphale is oblivious to the privilege he has in this world.

The Night That Changed An Angel (or, Why Does Aziraphale Still Wear That Shabby Vest?)

As he strolls along in philosophical banter with Crowley about the "blessing" of poverty, the angel spouts trite pontifications created by the rich to justify poverty. He genuinely believes Elspeth has more opportunities for goodness.  After all, look at Wee Morag.  He respects her goodness tremendously.  It proves to him his “rightness.”  And so he sabotages Elspeth’s attempt to sell the body she dug up in her attempt to support Wee Morag.  Dalrymple gets no body, Elspeth gets no money, and Aziraphale believes he’s saving her soul.

It’s a poignant moment, though, when Aziraphale cradles the jar containing a tumor from a seven year old child who died because there wasn’t enough medical knowledge to save him.  Turning point number one.  It becomes Real, not a philosophical debate.  Selling stolen bodies puts good in the world.  He’s all for it now, and goes back to encourage Elspeth.  Good heavens, he’s even willing to help this time!

The Night That Changed An Angel (or, Why Does Aziraphale Still Wear That Shabby Vest?)

But, as we know, it all goes wrong.  Wee Morag is shot by a grave gun, and dies of her injuries.  Elspeth steals laudanum, and plans suicide.  Crowley drinks the laudanum, saves her in a compassionate Scottish frenzy, and is stolen away by hell because of his kindness.   And it is All. Aziriphale’s. Fault.

Turning point number two.  Another watershed moment where Aziraphale’s world changes again.

One of Crowley’s last earthly acts, before getting plunged into hell, is to have Aziraphale give Elspeth all of his pocket money.  What is pocket money to the angel is a fortune to her, one that can set her up for a better life.  I have no doubt that in the aftermath of the traumas of that night, missing and worrying about Crowley, Aziraphale thinks about all of this.  He considers all of the money he casually spends on fine clothing and expensive tailoring.  He wonders how many lives could change if that money was better spent on helping to relieve the poverty that surrounds him.  He wants to help, and to try to make amends for the harm he caused.  What would Crowley do, if he were free to be kind? And so Aziraphale changes.

I’d love to know the story of how it all played out.  Did he sell his fine clothing and donate the proceeds?  Did he become involved in charitable foundations?  Did he buy the clothing of a simple gentleman and decide to preserve it, however worn it became, as a reminder to himself of his past blindness and vanity?  We see in Season 1 how important it is to him to preserve that coat. (Sure, it's also a fantastic opportunity to flirt and flutter those angelic eyelashes... But, nonetheless!)

The Night That Changed An Angel (or, Why Does Aziraphale Still Wear That Shabby Vest?)

By Season 2, the angel who took too long justifying a life-saving miracle for Wee Morag, and who hesitated to give Elspeth his 90 Guineas, willingly and freely gave Maggie forgiveness for thousands of pounds of debt. I'd love to know what else he's done over the last 180+ years!

Whatever happened, it began that night in a graveyard.

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aezara - Teach or die
Teach or die

drawings mostly Good Omens or "original" stuffs they/them french  https://linktr.ee/enitnaaezara

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