Sinners Become Human | Hazbin Hotel AU

Concept: For one week every month, the sinners of hell take on their human forms and all the good and bad that comes with it.

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Once The Extermination is postponed till further notice, Charlie and Emily work to get sinners interested in redemption.

Unfortunately, they are unsuccessful and they have no idea how to convince sinners to take a chance and better themselves to get into Heaven.

The former humans (Angel, Husk, Alastor, Niffty) at the Hotel attempt to cheer her up by explaining human nature and how Hell and their demonic forms only exacerbate the disconnect from their humanity and make it more difficult to want to do good things.

And that gives her an idea. She can't change Hell itself (yet) when no one will work with her but she CAN bridge the gap...

In place of the Extermination, sinner demons will take on their human forms one week in every month. They will have no access to their powers, deals, or contracts during this duration.

And if you're killed as a human, you can't respawn until the week is over.

Sera and Lucifer are forced to work together once Emily & Charlie enthusiastically propose the idea. And sinners all over Hell wonder what fresh torture this is and if they should consider Heaven just to escape this bullshit.

An exploration of morality, community, perseverance, and what it means to be human. Exploring the concept of dehumanization and how sinners unintentionally view themselves and their fellow demons as less than human because of their demonic forms.

More Posts from Aro-in-danyl and Others

aro-in-danyl

1 year ago

Title card reading [Storyboarding Techniques: A Sequel to "Storyboarding Basics". Brought to you by NU Animation Club, Nov 2023]. A chibi drawing of Feeb holding a stylus waves in the bottom right corner.

Text reads: [Boarding Action Tip: Move characters in Z-space! Beginners have a bad habit of boarding in x and y only. Don't neglect moving in z-space! It can be dynamic and exciting!] A drawing of an axis sits above the text, showing a green arrow pointing up for Y (symbolizing moving up and down), a red arrow pointing right for X (symbolizing moving left and right), and a blue arrow pointing forward (symbolizing moving forward and back). Two examples are shown on the right, depicting Vash from Trigun Stampede drawing his gun. The first one shows him running to the left and drawing his gun, moving in X-space. It is more static and plain. The second one shows him running towards the viewer, drawing his gun when he gets close, moving in Z-space. It is more engaging.

Text reads: [Boarding Action Tip: Go close, then far. Bring the camera close to the character. Pull back without cutting. Moving the camera allows the viewer to feel like they're fighting, too.] The example shows Finn from Archmage Ascending holding up their magic staff, the camera close to where their fist grips the weapon. The second shot shows that the camera has pulled back to have Finn's whole body in view as they swing their staff downwards, causing an explosion.

Text reads: [Boarding Action Tip: lead the eye. Inevitably, action scenes have many moving parts. Use the composition & camera movement to guide the viewer's eye in the direction of the main motion.] The example shows Juri and Utena from Revolutionary Girl Utena engaging in a sword fight. As they move from the left to the right of the arena, the camera tracks their movement. Another smaller set of boards beside the example shows how the camera's view moves to the right, following the duelists.

Text reads: [Boarding Conversations: Perspective is power. The angle/perspective of the camera implies power dynamics. Low looking up: the depicted character has power over the viewer. High looking down: the depicted character is under the viewer's power.] There are two examples, both showing Makima from Chainsaw Man having a conversation with Denji. The first shows two over-the-shoulder shots, both characters on equal level, and is marked [NEUTRAL]. The second example shows Makima from the perspective of a low-placed camera looking up, so she looms over the viewer; and Denji from the perspective of a high-placed camera looking down, so he cowers under the viewer. The example is marked with a checkmark and the note [stronger sense of power imbalance].

Text reads: [Boarding Conversations: 180 Rule. The viewer must stay on the same side of the scene at all times. A way to test this is to make sure the character faces the same side of the screen (left or right) in every shot.] There are two examples, an incorrect one and a correct one, both depicting Dani and Dorian Wytte from Hooky having a conversation. The first example shows Dani on the left facing right, with Dorian on the right facing left. A small top-down diagram below shows that the camera sits on the right side of the twins. In the next shot, Dorian is now on the left facing right, and Dani on the right facing left. The diagram shows the camera has jumped to sit on the left side of the twins; this is incorrect. The correct example starts the same, showing Dani left facing right and Dorian right facing left. In the next shot, Dani is still facing right and Dorian still facing left. The diagrams show that the camera has changed its angle and position, but has remained on the right side of the twins. This is correct.

some storyboarding techniques as a sequel to my storyboarding basics presentation. I focus specifically on tips for action and conversation scenes!

as always, these are general tips and tricks, but rules can always be broken. happy boarding! ✍️✨

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aro-in-danyl

2 years ago

dad bod spiderman can’t drive

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aro-in-danyl

4 years ago

Aaand here’s my Shrunkyclunks alignment chart! 😝

Made it for fun, and I am planning on making one for Shrinkyclinks. I originally made it for myself and lent it for use for the Shrunkyclunks Bang as promo material and also explanatory material.

And yeah, I know that technically, shrunkyclunks can also be just about esthetics, but then I tend to simply call it Twinktank (which is kind of its alternative name when Bucky is only Twink, so like… Modern Bucky purist? lol).

I really had lots of fun doing this one, making all of them a bit special, and keeping things dynamic, especially since I had to keep it small, do it quick…

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aro-in-danyl

1 year ago

Drarry where Harry becomes Snape’s apprentice

⚡️ ao3

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aro-in-danyl

6 months ago

Angy little critter ❤️🤭

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aro-in-danyl

3 months ago

Well put. (Source: Writing About Writing Facebook page)

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aro-in-danyl

9 months ago

A digital sketch for Adventure Time depicting three little blue squares laid out in a row. In these squares are sketchy depiction of objects made to represent characters; in the first square, there is a purple Walkman with headphones lying down beside them mostly out of frame. This represents Betty Grof, who is seen with the same Walkman in Fionna and Cake. The second square shows Hambo, a purple, patchwork bear-like doll with long limbs. This represents Marceline, who was given the toy by Simon/Ice King. The last square shows a purple 00's era phone, with a phone charm in a shape reminiscent of Fionna's white bunny happy. This represents Fionna, who uses this phone throughout Fionna and Cake. Above the squares is written in purple 'who can say if i've been changed for the better but' and inside each of the squares is written in white 'because i knew you' and below the squares is written in purple 'I HAVE BEEN CHANGED FOR GOOD' (lines are from the song 'For Good' from Wicked).

A digital collage of sketches. In the top left corner, is a drawing of Fionna wearing a blue checkered dress with long white socks with two blue stripes are the top, and red shoes; the outfit is reminiscent of the one Dorothy wears in the Wizard of Oz. Behind Fionna are the words 'there is no place like home'. To the bottom right of her are three circles; in the pink one is a drawing of Ice King excitedly wearing the Wicked Witch of the West's black outfit. The blue circle to his left says 'just happy to be included' with an arrow pointing to him. Below this is a light blue circle with a drawing of Simon as the Scarecrow. To the top right of Fionna is a postcard depicting Sydney Harbour, with the words 'AUSTRALIA: UNDOOM YOUR YURI TODAY*' written on it, with a yellow circle below is reading '*may doom the future of humanity'. To the right of this is a depiction of Betty and Simon sitting at a table doing taxes and laundry respectively, with the words 'In another life, I would have really liked just doing laundry and taxes with you' above them. On the table is a white line that divides into two, with the words 'the road not taken' written along it. One of the lines leads to the right where an older Simon watches the scene; his head is haloed by the Earth (within which is written 'je t'aime, je t'aime') and the Moon's orbit. To the right of him is a scene inspired by Eternal Sunshine of the Spotless Mind's cover, with a young Betty and Simon lying on blue, cracking ice. Under them is written 'I hear thee, view thee, gaze o'ver all thy charms, And round thy phantom glue my clasping arms'. Underneath these three scenes is a sketched 'photo' of Prismo, Ice Thing/Gunther (who is waving happily at the viewer) and Golbetty (of course, being so big, we see only their hand doing bunny ears over Ice Thing) all posing with Simon, who is standing awkwardly. An arrow is pointing at him, and under the photo is written 'PRIMORDIAL BEINGS' FAVOURITE LITTLE MEOW MEOW MEOW' and in smaller text underneath '(and honourary god and dad to a whole universe)'. To the left of the photo is a small sketch of Simon holding a pink dandelion (Fionna's World) with 'do you think a depressed person could make this' written above his head. To the left of this is a scene of a grump Fionna wearing her canon blue shirt, dark blue shorts outfit, but now the shirt says 'I MET GOD AND ALL I GOT WAS THIS STUPID SHIRT'. Cake is wrapped around behind her and is looking very happy. To the left of this Prismo and Simon are drinking alcohol, below which is written '(the gods in question)'. Above this is a Fionna-version of the 'I'm Thinking of Ending Things' poster, with Fionna wearing her work uniform in front of a background made of ice mountains and Ice King's crowns.

A digital sketch of a smiling Ice King waving around an asexual flag (black, grey, white, purple stripe) in one hand, and holding a disgruntled Gunther (penguin) to his chest in the other. Behind Ice King is written 'ACE' (horizontally, top of frame) and 'KING' (vertically, to the right of the frame), therefore in full saying 'Ace King', a pun of his name 'Ice King'. There is a purple hue over everything, giving Ice King's infamous blues an almost purple look to them.

A digital sketch depicting a four-panel comic. In the top left square, we are in Marceline's house, with the background made up on her pink and blue living room (angled so that we see the front door). We see Simon with his hair tied back and wearing a white vest and pants over a black sweater (an outfit seen in the Marcy and Simon comics). He has his knees to his chest, and is excitedly saying something to Marceline, who is the right corner of the frame. In a light blue speech bubble, in the font used in the Adventure Time comics, Simon is saying: 'And in that universe, I was in the body of this little cat called Shermy who had a friend named Beth. She was really wise and insightful, and she could make portals!'. The square to the right of this (still in Marceline's house, now from a new angle, so that we see the door to her kitchen) now focuses on Marceline, who is also sitting with her knees to her chest; her black hair is short, cut to the chin, and she is wearing a blue ghost earring, a light blue sweater over a yellow collared shirt, and purple-blue jeans. Simon is the corner of the frame to the left. In a light red speech bubble, Marceline is saying 'Aw dang, Shermy and Beth sound really cool. I wish I could have met them. It sucks that they're in an alternative universe I can never go to'. In the bottom left square panel of the comic, there is a brown banner in the top left corner that says '1000 years later'. The background is now they grey cloudy skies and green hills of 1000+ era Ooo. To the left of the panel stand Shermy and Beth, with Marceline standing on the right, her hair now longer and wearing a brown robe. In a yellow speech bubble, Shermy is saying 'Hey! It's nice to meet you! My name is Beth, and this is Shermy.'. The last panel focuses on Marceline, who is staring up at Beth (who is standing mostly out of frame along with Shermy on the left side of the panel) speechless; the background, however, is covered with her internal monologue in a pink-hued white thick text, most of which is covered by Marceline, Shermy and Beth. The parts that can be seen read: 'WHAT THE FUCK SHERMY AND BETH?? --D SIMON FUCK-- --TIME TRAV-- NT AN AL -- WAIT CO-- --SEE-- --AGA' Beth is also saying something, but all the can be seen in her small yellow speech bubble is the last word 'rebellion?'

A digital sketch that is cut in half by a line; above the line is 1000+ era Ooo, distant grey snow-capped mountains, and dull green hills, with two meeting just to the right of centre of the image. In the top left corner is a distant snippet of the 1000 year old Treehouse ascending into the clouds; in the top right corner, is the tree line of the forest. At the centre, above the line, Marceline floats; she is wearing a long brown jacket, a dull red shirt, ripped blue jeans and black shoes. She has her eyes closed, and she is hugging Shermy to her chest. Shermy also has his eyes closed, his arms resting on Marceline's shoulders. Along the line, rocks jut out. The part of the image of the image below the line is a blue-hued reflection of everything above, with one exception; in the place of Shermy, Simon is the one being hugged (as this is Simon in the body of Shermy, just as he was in Fionna and Cake), his eyes closed as he rests his chin on Marceline's shoulder, and arms hidden in a hug behind Marceline's back; his feet are cut off by the top of the reflection. In the top part of the artwork, written across the background in an old-fashioned cursive font, are the words 'one last goodbye', with Marceline and Shermy floating between 'last' and 'goodbye'. In the reflection, and upside down, is written 'for old friends', with Marceline and Simon standing between 'old' and 'friends'.

My brain got absolutely infested with art ideas this last week so now it's ✨sketch dump time✨

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aro-in-danyl

4 years ago

I started reading for the Ozai goes back in time idea and STAYED for the Zuko also goes back in time trope.

But I gotta say I'm disappointed in y'all. I read through this ENTIRE post and not ONE of you mentioned my girl Yue.

If we're making a time travel fix-it then there are SO MANY characters we could bring into the Gaang. The more toddlers the better.

dumb atla fanfic idea: ozai is thrown back in time—to the time when firelord azulon still sat on the throne. when ursa had not disappeared into the arms of her lover, ikem. when he still had his bending. when the avatar had not reappeared.

when all was right with the world.

ozai’s ready to conquer the world—nine years earlier than planned, nine years before sozin’s comet was set to arrive.

…

what he did not expect was that the one thing standing in his way of success was his eldest son—in the body of a five-year old.

((where ozai and zuko travel back in time and try to thwart each other in every way possible while everyone’s confused by second prince ozai’s great amount of disdain for his only son and said son’s pettiness towards his father))

Tags

atla zuko you know what? atla ozai atla yue Bby!Zuko: yes more toddlers to abduct Aang: *stress intensifies* Lu Ten: superb you funky little fire-starter I just feel like we need more yue Momo with a knife is also a terryifying thought btw what about Ltn Jee and the Wani crew or the 41st division Lu Ten is just vibing Lu Ten for Gaang 2020 let him have his life-changing field trip

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aro-in-danyl

8 months ago