"i Have The Right Of Way" Was A Form Of Protective Charm Uttered By Urban Travellers In The Early 21st

"i have the right of way" was a form of protective charm uttered by urban travellers in the early 21st century. They believed this phrase acted as a ward against danger and injury, invoking the divine spirit of 'Traffic Law', one of their primary deities.

More Posts from Asymptotic-rage and Others

1 year ago

what is joe biden's plan to deal with british kristen

1 year ago

in recognition of World Down Syndrome Day on March 21

4 months ago

Most nerve racking scenes of Neverafter, the horror season of D20, are hands down any time Gerard has to speak to his wife

1 year ago

Reminds me of the part in A Crown of Candy where Liam picks change as his wish. It’s so silly that a bunch of comedians playing dungeons and dragons can have such a profound impact on the way I look at life.

I simply can't afford to quit on the idea that human life can change for the better.

6 months ago

Trying to explain to my professor why I know so much about tuberculosis without sounding insane.

“Well, you see, popular young adult novelist John Green got really invested in the topic and learned so much about it that he changed career paths and became a non-fiction writer and spoke to the UN and did a bunch of advocacy and I watch his videos so…”


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2 months ago

she had taken all of the pronouns in my poems and turned them masculine. every she was he. every her was him. i wrote about women dipping their hands into the honey of my chest and she had changed it in this stark, violent way. men now, in my work. in my ribs, i guess. how odd, to stare at it.

i write a lot about worshipping at the knees of my girl. what sapphic can resist the allure of chapel-talk, the divine nature of what is ours and ours alone. her hair in your shower. her chapstick melting in your car. when we say holy here, it is a different meaning. it is the smithing of our own haloes from mix-tape cds. no hammer to the anvil - only our own palms, skin scorching. forging every astral ray with the prayer please don't leave. our bible a history that is never taught in high school. we shape a church from the tent of her arched back. what other word for hymn but her voice. her moaning.

a poem can be stripped of its component parts, maybe, but can it still breathe? is it still the same ship? the words this woman changed, biting and spiraling up at me: my man is holy. i worship at his feet. he is the divinity of saturdays and the wheat of my communion and he is the hushed summer's glorious release.

it's common knowledge that you can say a word too-many times, and then it loses meaning. but here was something new: it wasn't that the words had lost meaning, but rather that they had shifted in the air somehow and turned radioactive to me. all of my words were otherwise unchanged, except for the unkind and glowing eye of him.

ivory-tower glowing in my aorta, i thought about talking to her on the sanctimonious and erudite level. telling her: a poem can be changed, can be erased or added to or demolished or reconfigured; but we do try to respect the original author. i would tell her i would have preferred her not change only the pronouns; that her actions felt like censorship rather than collaboration.

in front of me: you cannot cut him out of me, i was made to love him. no scrubbing, no penance. i will always come back to this house, come back to loving men.

i thought about telling her why her actions were cannibalism, not care. i would tell her about being 18 and pressured by my catholic family to accept a man as a partner; how i'd dated him for 5 years before being able to escape. how abusive he had been. how he had made me kneel in front of him - that i wasn't using the word worship idly, but rather as a reclamation. how i had to be re-taught even the concept of faith. how when i learned peace again, it was by the hand of a woman.

i thought about telling her about the wound behind it, the unceasing loneliness. i thought about telling her shape of the small and quiet hours; the fear; the endless and unpretty nature of just being queer. i thought about saying: all of my work comes from a place of pain.

i thought about telling her everything. when i finally found the words, it was only one: why? in that was the summary of all i felt: why not write her own poem? why change it so violently? and why choose my work, if she disliked it so much? why me?

i imagine she shrugged when she responded. all i got was a single sentence: "i really like your work but i want to be able to enjoy it without being made uncomfortable."

on her insta, her pinned post is of her boyfriend - now husband - proposing. they were married in 2023. congratulations. i really do hope she's happy.

i hope one day it stops hurting.

2 years ago

Fuck it I'm bored so here's a ranking of different Peter Parkers by how Jewish they are

Fuck It I'm Bored So Here's A Ranking Of Different Peter Parkers By How Jewish They Are

Dead last, obviously, is MCU!Peter Parker. This version of Peter is the farthest from comic canon to the point of being almost unrecognizable at times. Also, Tom Holland answered the question "is peter parker Jewish" in a Wired Autocomplete Interview a while back with a very baffled "no", cementing him forever as my sworn enemy. So he's actually the only peter parker who, at least by word of God, is canonically NOT Jewish. -1000000/10

Fuck It I'm Bored So Here's A Ranking Of Different Peter Parkers By How Jewish They Are

Next up is Tobey Maguire's Peter Parker. I think this Peter is... fine, at least he's much closer to comic canon than MCU!Peter, but honestly that's not saying much considering how far the MCU strayed from comic canon or even the spirit of comic canon. But like overall, Sam Raimi's movies just aren't particularly interested in presenting Peter as Jewish, so, eh. 1/10

Fuck It I'm Bored So Here's A Ranking Of Different Peter Parkers By How Jewish They Are

By far the most Jewish of live action Peters is TASM!Peter, also by far the most comic accurate of live action Peters. I'd be remiss not to mention the fact that Andrew Garfield is Jewish, and he understands the character so fucking well. He stated on record that he played Peter as Jewish and that he sees Spider-Man as an inherently Jewish character:

Fuck It I'm Bored So Here's A Ranking Of Different Peter Parkers By How Jewish They Are

However, the Webb movies still do not textually define him as Jewish, and the best parts of Andrew's Peter's Jewish subtext are better when viewed in light of the comics. Overall, 6.5/10

Fuck It I'm Bored So Here's A Ranking Of Different Peter Parkers By How Jewish They Are

Next up is the original, our beloved comic book Peter, pictured here saying Happy Hanukkah in a panel from Matt Fraction's Hawkeye. Comic Peter is one of the most heavily Jewish coded comics characters of all time, which is saying something considering how Jewish comic books are as a medium. Obviously he was created and often written and drawn by Jewish writers and artists, but beyond that his driving ethos and values are incredibly Jewish, and as a bonus he's constantly sprinkling Yiddish and Jewish phrases into his speech, alongside things like the above panel where he outright acknowledges Jewish culture in a scene where everyone else is saying merry Christmas. However, despite the extremely heavy coding, Marvel Comics are fucking cowards, and he has yet to be confirmed Jewish, so I must give him a measly 8/10.

Fuck It I'm Bored So Here's A Ranking Of Different Peter Parkers By How Jewish They Are

Finally, the cream of the crop, the most Jewish of all Peter Parkers, Into the Spider-Verse's Peter B. Parker my beloved!!! Peter B. is voiced by Jake Johnson, himself a Jewish actor, and is a phenomenally accurate representation of comic book canon - but he also has the unique quality of being canonically, textually, in the actual movie Jewish! It's a bit of a blink and you'll miss it scene, but when we get introduced to Peter B. in his "one more time" segment, we see his wedding to MJ, where he steps on a glass. This is a Jewish minhag - custom - meant to represent the destruction of our Temple and Jerusalem, as well as remind us that sorrow and joy come intertwined, and is one of my personal favorite Jewish customs. It's a phenomenal moment in the best Spider-Man movie, and while this version of Peter would have been my favorite film version regardless, his Jewishness absolutely pushes him even further up. 13/10, no complaints

2 years ago

Reblog to have something lgbt happen to you this summer

4 months ago

My friend once said that “you have to be both gay and mentally ill to understand Siken. You can’t just be one or the other. You have to be both.” But I think writing is universal. The whole point is to convey the experiences of others and ourselves in a way that people who haven’t had those experiences can understand. But yet, I haven’t met someone who isn’t gay and mentally ill who likes Siken. Maybe I just don’t meet many people who aren’t gay and mentally ill. Maybe we try to find reasons that it’s better to feel the way we do. Like maybe I’m depressed but I can understand Siken. It’s some kind of solace.

What is “understanding” poetry anyway?


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asymptotic-rage - The Void
The Void

Everything that happens in my brain is a trash chute

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