The Latest Episode Made Me So Excited... Especially The Conversation Between Gabi And Kaya In The End.

Unless a Grain of Wheat Falls and It Dies...

Or, why I am pretty optimistic about the fates of Jean, Connie, Gabi, and all titanized people this chapter, which is also an excuse for me to talk about SnK’s allusions to Russian literature. 

There are strikingly parallel ideas The Brothers Karamazov and Attack on Titan, as well as parallel plot points and imagery to the point where if it isn’t deliberate, it’s uncanny. (NB: before people yell at me about comparing a Japanese and Russian work, Isayama has used Russian names since the start of SnK–Shiganshina is a Russian name.) In particular, there are narrative allusions to a portion of the novel known as “The Grand Inquisitor,” which is a short story within a novel. The central thesis of “The Grand Inquisitor” is as follows: 

nothing has ever been more insupportable for a man and a human society than freedom. 

This parable is told within the story by Ivan Karamazov, a character whose intellectuality is his gift and his curse. He tells his brother Alyosha that the motivation for creating this parable is precisely the evils done to children (oh look, a major SnK theme) and specifically cites an example which was unfortunately taken from real life in Russia and which Isayama has an uncanny parallel:

I want to see with my own eyes the hind lie down with the lion and the victim rise up and embrace his murderer. I want to be there when every one suddenly understands what it has all been for. All the religions of the world are built on this longing, and I am a believer. But then there are the children, and what am I to do about them? That’s a question I can’t answer… If all must suffer to pay for the eternal harmony, what have children to do with it, tell me, please? … if it is really true that they must share responsibility for all their fathers’ crimes, such a truth is not of this world and is beyond my comprehension. Some jester will say, perhaps, that the child would have grown up and have sinned, but you see he didn’t grow up, he was torn to pieces by the dogs, at eight years old…

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“Does Chuuya believe that Dazai is human?”

someone on twitter proposed this question, specifically referencing this scene*:

this scene is so interesting because Dazai is pretending he doesn’t care about what Shibusawa is doing. he’s pretending he does care about reaching executive. he’s pretending he doesn’t have a plan.

everything he does in this scene is intentional, to set Chuuya on track for his plan to take down Shibusawa… which includes riling him up.

yes, Chuuya believes Dazai is human— that’s precisely why it’s such a sensitive subject for Chuuya. he projects onto Dazai what he’s scared of becoming because Dazai is a mirror for Chuuya. when Chuuya looks at Dazai, he sees parts of himself that he tries to ignore staring back at him. (the same is true for Dazai— Chuuya is his mirror)

so Dazai sees this topic as an easy way to get Chuuya mad— to storm off & leave him alone for a few days so that Dazai can go get himself captured (so that Chuuya will have to come save him, putting him in the perfect position to use Corruption & end the conflict once and for all).

but when Chuuya realizes Dazai’s plan (like he always does), he sees through Dazai’s front. honestly part of the reason he’s always so annoyed when he gets to Dazai is probably in part because Dazai keeps pretending to be heartless when he’s really not. Chuuya doesn’t understand why Dazai lets people think he’s “bad” when, in reality, he’s doing something good.

so actually, Chuuya is one of the few people who sees and knows that Dazai isn’t heartless.

he does care.

he is human.

Chuuya’s own projection just gets in the way of him remembering that most of the time (which is totally understandable considering his backstory & the fact that he’s only a kid).

*just for reference, the official translation’s version of those panels reads:

“Well, that was mean of you. I’m human too, you know?”

“Like anyone believes that. Just be glad I didn’t kill you.”

Meta on "Thank you" and "Sorry" in MDZS

Inspired out of spite by a post where someone said Lan Wangji not wanting to hear thank you and sorry from Wei Wuxian in the novel is stupid because healthy couples need communication and this is why CQL is better. LMAOO

OK. Before starting I want to point out that one of the themes of the novel and Wei Wuxian's characterisation is the concept of indebtedness and owings . It is one of the reasons why he is so dutiful towards the Jiangs and why he sacrifices his golden core and the reason he resurrects Wen Ning.

The words Thank you and Sorry are very significant in the story and are very explicitly tied to the above mentioned themes. They are the words Wen Qing says to Wei Wuxian in her parting because she feels indebted towards Wei Wuxian as he has protected her and the rest of Wen remnants and even resurrected Wen Ning on her request. Wen Qing and Wei Wuxian have a cycle of debts where they both believe they owe each other. [Just to clarify I don't think it's just indebtedness that defines their relationship but it's definitely there ].In the next life Wei Wuxian uses the exact pair of words on Jin Ling as he owes him for insulting his parents whose deaths are caused by him.

As you can see these words are explicitly associated with indebtedness and owing.

Lan Wangji loves Wei Wuxian unconditionally. He obviously wants Wei Wuxian to return his feelings BUT he does not want Wei Wuxian to do so out of indebtedness or gratitude. Whenever Wei Wuxian says thank you to him, the narration describes as him being tense and sad, the cause of this is as I described earlier and also because in the past whenever they have exchanged these words they have parted on bad terms.

The text is very explicit about this.

"Lan Zhan you're really scared of me telling you 'thank you', aren't you? I suddenly remembered many of the times we parted ways in my past life, I said 'thank you' to you right before. And every time we separated, I worsened the next time we met"

The time they killed Wen Chao and Wen ZhuLiu at the courier station, the time they met each other through the flowers at the towers in Yunmeng, the time they parted at Yiling's Burial Mound. Every time, he used that word to mark a clear line between him and Lan Wangji, stretching out the distance between them.

The word that finally breaks their makeout session in the inn is one thank you from Wei Wuxian where Lan Wangji snaps as he believes Wei Wuxian is only doing this out of gratitude towards him and not because he returns his feelings. It is insulting and heartbreaking to him and he is angry because of this.

When the conflict is resolved with Wei Wuxian's confession that includes :

"... I swear it's not the heat of the moment or joking around like I have done in the past. I'm not doing it out of gratitude either. Anyways, it's not because of anything else. I really just like you so much."

He deliberately clarifies that there are no feelings of gratitude or indebtedness involved in reciprocating Lan Wangji's feelings.

"Between you and me, there is no need for 'thank you' and 'sorry'."

This line by Lan Wangji defines how he views their relationship i.e without indebtedness or owings. So far all the relationships that Wei Wuxian had been a part of have the feeling of obligation and indebtedness, the Jiangs for raising him and Wen siblings for rescuing him and helping him out . Ofcourse he loves them but indebtedness and his sense of duty to repay them are also his major motivations. He takes drastic steps because of this and we all know how they turned out. Lan Wangji doesn't want this kind of relationship with him, the one he had with others in the past. He wants him to be free of ever feeling like that he owes Lan Wangji something.

Thank you and sorry are not just courtesy words here but carry a hurtful baggage and choosing not to use them isn't a miscommunication but freeing from the feeling of obligations.

Thinking about Buddhism as it relates to Madoka Magica, sadly for the first time as I have no personal frame of reference surrounding the religion as a white Canadian.

I think just as much as Madoka criticizes aspects of Christianity, it is also criticizing Buddhism. Namely that the salvation Buddhists seek in the pursuit of nirvana can rob us of our inherent human experience.

“According to Buddhist tradition, the Buddha taught that attachment or clinging causes dukkha (often translated as "suffering"), but that there is a path of development which leads to awakening and full liberation from dukkha”.

Huh. Attachment and clinging causes suffering… where have we seen-

Homura is the fairly straightforward unideal person in Buddhism. Attachment and clinging in Buddhism is called ‘tanha’, and there are three main pillars of it, each of which Homura represents in Rebellion (and the girls all represent with their wishes):

1. Kama-Tanha: Craving for sensory pleasures. These are usually material things and mostly associated with our base desires, like food, sex, wealth even, etc.

2. Bhava-Tanha: Craving to be something, to exist, to unite with an experience. This one is more difficult to understand; but it seems to relate to the idea of wanting to be important and exist in others’ lives and thoughts.

3. Vibha-Tanha: Craving for non-existence. The desire to not experience unpleasant things, and also the desire for self-annihilation (suicide). Homura exemplifies this one strongly.

Buddhists seek to distance themselves from these things in order to seek nirvana, the cessation of desire and thus of suffering. But when you are left without this ‘suffering’, you are also left without the beautiful things in life.

What is a life worth living without desires? What is life for a god who has no attachments? Madoka Magica through Homura, the antithesis to Buddhist ideals, asks this question blatantly in the Concept Movie Trailer.

What is happiness without delicious food and sunbeams (sensory kama pleasures) or connections and existence (bhava)?

Madoka’s existence as a so called enlightened being in heaven (nirvana) goes against what makes us human beings, and her own happiness in turn.

The cessation of desire, a driving force for basic human emotions, does little but make you emotionless and numb. It disconnects you from relationships. What then is to differentiate you from emotionless Incubators?

Attachment and clinging can bring despair to people like Homura in Rebellion. But in the right circumstances, attachment, desire - it brings happiness and love. It is happiness and love. Without suffering, there is no joy. Is an existence without joy worthwhile?

today i want to present you Gabi ‘i don’t fucking care about Falco’ Braun:

yeah

she doesn’t give a shit about Falco just at all

bonus:

I've been wondering what is going on with William's hand since forever. Why is he holding it like that and staring at it? Drama for the sake of drama? Never a good answer, even for William.

Then it hit me.

He's remembering, and he's remembering this - not just the sickly child Louis was in general, but this specific moment. The memory of bonding so dear to both of them.

When Louis talks about how important William is to him, he talks about this moment when he felt cherished. It's this memory that keeps him afloat thorough loss and uncertainty.

When William talks about his ego speaking, he's referring to this moment when he felt needed. It's this feeling he's desperate to preserve.

We got this scene from both Louis' and William's POV, and we are not supposed to notice until third, fifth, or tenth reread.

But also,

They put William's weird gesture in chapter 10, knowing it would look like unnecessary dramatics up until chapter 55.

This is the subtlety of Yuumori parallels and testament to its planning.

SNK S4 EP13: CHILDREN OF THE FOREST

wine x blood

Lanzhou and Control

[spoilers up to chapter 220ish]

So I’ve been working on a future post and have been rereading my personal chapter summaries and notes. As I refreshed my memory and even reread some specific chapters, I ended up asking google a question that sent me to an interesting Reddit post.

Basically someone said they didn’t understand why Shen Zechuan initiated intercourse in chapters 40-41. Someone else gave a very thoughtful reply which you can read here, but the part I’m focusing on for this post is Shen Zechuan’s relationship with control. The replier shared, amongst other things, that Shen Zechuan gave Xiao Chiye control in that situation.

I actually just reread chapter 40 today and noticed that on page 413 of vol. 1 it says “Shen Zechuan allowed Xiao Chiye to gather his wrists into one hand”. I never really thought much of that phrase in my previous readings of volume 1, but I feel like that it only really sunk in for me after getting better acquainted with their relationship as it developed.

Throughout the story it’s repeated over and over how both leads HATE having their lives out of their hands. Xiao Chiye despises that he was forced away from his family and home. And Shen Zechuan hates how he was held at the mercy of others for years as well; vowing to never be in such a position again. Both of these individuals crave freedom. And yet, Shen Zechuan allowed Xiao Chiye to do as he pleased with him.

Now, their first time being intimate has a lot of nuance to it. They both used that moment to escape reality for a time. And this particular instance of relinquished autonomy literally had Shen Zechuan expecting to be handled roughly. But once their relationship developed into a mutual romance, time and time again, Shen Zechuan surrenders control, letting Xiao Chiye take the lead, and following his whims.

I’m currently at chapter 220 and while some of their unions still have escapist undertones, there are still pure romantic moments where Shen Zechuan completely gives himself up to Xiao Chiye. And I think it shows a key difference in these two’s desire for control: Xiao Chiye likes to dominate by nature while Shen Zechuan feels like he has to for survival. Not to call Xiao Chiye a freak, but bro is literally described as enjoying fights, likes the struggle of taming wild animals, and is possessive as hell! While Shen Zechuan’s need for control stemmed from being abused by others throughout his life. When he’s not in control, he gets hurt. So that told him when he’s in control, he can protect himself.

I have taken mental note of a few scenes during Shen Zechuan’s conquering Zhongbo era where he’s tired or even annoyed by the work that goes into running essentially a country. But why doesn’t he delegate those tasks to others? Because unless he is genuinely incapable of getting the job done himself, he doesn’t trust anyone else to do it. He’s also stated several times that he doesn’t desire to be at the top: two examples that immediately came to mind being in chapter 70 when Xiao Chiye asks “Don’t you want a turn at the top?” and in Shen Zechuan’s conversation with Yao Wenyu in chapter 146. While in both of these instances he was bluffing, part of me thinks there is at least a semblance of truth to the statement.

When he lived with the Jis in Duanzhou, he was content with his simple life. He wanted to be like his brother and become a squad commander one day, but that’s nowhere near as ambitious as taking over and bringing peace to several prefectures. He was happy. And then his world was flipped upside down.

While I don’t think he necessarily regrets the path he is on now, he definitely misses simpler times. In chapter 209 Shen Zechuan says he forced himself to stop thinking about his days in Duanzhou because remembering those times make him cry. He was forcefully removed from a life he loved, and thrusted into the middle of a violent political struggle.

All of this to say, while Shen Zechuan is implied to be a natural leader and has a domineering nature, it isn’t really a position he chose to be in. Every action he takes is deeply calculated from multiple angles for the best possible outcome. Even carefully crafting his persona to attempt to control how he’s perceived. And living your life like that is DRAINING!

Oh man, Shen Zechuan is tired 😩

But when he’s with Xiao Chiye, he can turn his brain off. He can forget about his meetings. Forget about trying to watch everything the other enemy factions are doing. Forget about trying to put up a front as to not scare those around him with his true self. He can melt into Xiao Chiye and think of nothing but him.

I think the real turning point in their relationship was in the Public Ditches arc. Shen Zechuan is literally out of commission for several days due to illness and Xiao Chiye came to watch him every single night. Shen Zechuan had no choice but to let Xiao Chiye take care of him… but the tenderness Xiao Chiye showed him? The genuine concern? The comforting whispers and cuddles? It left an impression on Shen Zechuan.

I think Xiao Chiye’s sincerity truly shined through to him in those moments. None of those actions were necessary, and yet Xiao Chiye ran himself ragged handling his professional work and his silly little guy.

Shen Zechuan being cherished in such a vulnerable moment showed him that he could really trust Xiao Chiye. Half a decade before, people in power took advantage of Shen Zechuan and pinned the deaths of tens of thousands on a confused and delirious teenaged boy, while this big love struck dummy showed Shen Zechuan an intimacy he had never experienced before. And that’s so beautiful I could cry.

Shen Zechuan doesn’t need to be on his guard around Xiao Chiye, and Xiao Chiye likes being a leader. Shen Zechuan has his trusted confidant and Xiao Chiye tamed his falcon. …well, work in progress. His falcon still gets himself hurt carelessly.

Shen Zechuan needed stability and someone to lean on. And he found that in Xiao Chiye.

I have so many thoughts. OMG I’m so unwell about these two. I started writing this at 3am and forced myself to go to bed and finish it upon waking up. They drive me crazy. All the worm in my brain are Shen Zechuan and Xiao Chiye shaped!!!

In my next essay I shall explore why they rolepla—

There is a cyclic tragedy inherent to Mori's character wherein he's actually a deeply lonely man, but it's mostly because his resolve to do morally reprehensible things and think of people as pieces on the game board is something he prioritizes over his relations with those very same people, and this inevitably pushes them away (for very understandable reasons). And it kind of sucks honestly because the most frustrating thing about Mori is that he 100% has the potential to be a fantastic teacher and mentor, and more than that, I think he loves it! Just look at Beast! But for as long as he decides he needs to be the one to make "the hard calls" to "preserve peace", then Mori will inevitably continue in this cycle of alienating all the people he has a fondness for.

I do feel as though Mori's loneliness is something he views as a necessary sacrifice that he is making for the greater good (and if he is so willing to sacrifice, then Dazai's unwillingness to do the same comes out of left field because - "what do you mean? you're supposed to be just like me!").

Anyways.

Mori voice: "I'm so alone"

Also Mori: *continues to prioritize pure logic over the emotions of his people and himself*

The people: *get rightly angry and/or become extremely traumatized and leave him*

Mori voice: "I did what needed to be done"

Mori: "..."

Mori: "..."

Mori: "I'm so alone"

Sir. You are doing this to yourself.

Eren wants to forget. Mikasa chooses to remember.

If Eren really did send all these alternative universe visions to Mikasa, he wants to turn her back so she won’t follow the same bloody path as him. Eren sees their desire to be together as selfish one, because instead of fighting alongside with others and doing something great, they are choosing to live a peaceful life in mountains.

Eren loves his friends, but he is ready to sacrifice his love and humanity for a greater good. He doesn’t want them to remember him and bring them so much pain with his actions. He wants them to forget him so they won’t suffer as he did, when his close ones died.

But Mikasa sees it as the motivation to keep fighting and saving. She chooses to live so she will remember and the memory of her loved ones won’t die with her.

“Once I'm dead, I won't even be able to remember you. So I'll win, no matter what. I'll live, no matter what!”

Actually, before I thought that it was either because of her triggered anxiety, when she loose people she loves or when Ymir/Eren changes something in the timeline, but now it’s because Eren sends her alt. visions that should stop her from following him, but she still continues to move forward and stay by his side. Since she chooses to remember, Mikasa is technically opposing him and when she does, Mikasa gets a headache.

Mikasa’s selfish desire to be close to Eren saved so many people from Yeagerists and titans. Mikasa could simply die back in time and let herself be eaten by a titan. But her desire to love and remember pushes her to fight and simply live. Because of her Gabi wasn’t killed, Louise and her mom weren’t eaten by a titan, Kiyomi and her people didn’t die from hands of Yeagerists and much much more.

For Mikasa, love is a motivation. For Eren, love is a sacrifice.