To Anyone Who Was Born In One Country And Grew Up In Another,

˗ˏˋ ꒰ some tgck fanfics that I recommend; a thread ! ꒱ ˎˊ˗

1- For You by dynamighttiddy (Honeygothic)

2- On Monsters and Lesbians and the Inevitable Overlap Between the Two by mor (mornin)

3- Take a Bite by ghostinurattic

4- be an anchor for you by a_sentimental_man

5- Kidnapped by a pretty little dead girl by lexistentialcrisis19

6- holding on tight, don’t slip away by summershouto

tags: @birdsandbeetlesandmoths @ray-the-human @dyn3m1ght @luisaloveshoney @btxtyuri @harbingerofsillies-reblogs @echoelena-ing @ihaventsleptinweekz @magical-grrrl-mavis @pitifulbinx @thisisgrass @beeeepsi @mafuyuchii @morallygreykoifsh @mylittleponywithblitzo @sophia-romantica

@aight-griffin @themantheguytheloser @amygdalabeandip

please, read the hashtags!

In modern Japanese, camera is just called 'camera' = カメラ - the same as English, it is a borrowed word.

But Sukuna is old af. He calls it 写真機 (shashinki) - literally 'photography device' - an outdated word from Meiji period I don't think anybody uses anymore.

Aw, A++ writing, my inner linguist nerd is purring

#louder for the people in the back

#all fandoms are a little cringe and thats okay

#embrace the fucking cringe

"Waa why aren't fandoms fun anymore" because you keep policing people's headcanons, make fun of cosplayers,make fun of selfshipers, make fun of beginner artists and just make fun of people for having fun 😐

The first real conversation Katniss has with Peeta is when he tells her that he wants to die as himself, that he doesn't want the games to change him into something he's not, and that he wants to keep his identity and prove he's more than just a piece in their games because that's the only thing he has left to care about.

The first time we see Lucy Gray she sings a song that basically says that nothing they could take from her was worth keeping. "Can't take my past. Can't take my history... You can't take my charm. You can't take my health."

The capitol has taken everything from them both, but at the same time, they could never take away who they are.

They are both likeable charismatic and funny, with the kindest hearts, and incredibly loyal to the people they care about.

At the same time, everything they do before the games, and during is calculated. Lucy Gray singing a love song and winning the hearts of the capitol. Peeta confesses he's in love with his district partner, therefore cementing her identity as desirable. Both of them know how to sway people with words, how to charm people, and how to manipulate crowds. Neither of them has any problem doing so to keep themselves, and the people they love safe.

Lucy Gray's song The Old Therebefore, about learning how to love and live her life to the fullest before death, a final and calculated stroke in a last-ditch effort to save herself from the arena. This evokes enough emotion in the watchers to get them to rise to their feet and plead for her life alongside Snow.

Snow, watching the 74th and preparing for the 75th Hunger Games sees Lucy Gray in Katniss. A young girl, from the 12th district. Unafraid at the reaping. Selling a false love story, manipulating a boy who loves her in order to get out and supporting the revolution with the mockingjay as her symbol.

He threatens her family to get her to sell that she and Peeta are in love, to prevent the revolution, because obviously, she's pretending. He's had experience with a girl just like her before. He has no doubt that she has the acting ability to sell this story because clearly, she manipulated the first Hunger Games in her favor, the same way Lucy Gray manipulated him.

Watching the interviews for the 75th Hunger Games he realizes-

Katniss is just an impulsive girl, in a Mockingjay dress she didn't know about, made by someone who supports the revolution.

Peeta is a boy who has the ability to move people with just his words. He made Katniss desirable, he was the one who sold the love story, and he was the one to make their romance seem real. Katniss only started the revolution because she would rather risk dying with him than live without him. A concept President Snow was completely unfamiliar with. And it is with all these realizations crashing around him Peeta drops the baby bomb. He knows the baby's not real, and so does Snow. But it evokes enough emotion in the watchers to get them to rise to their feet and plead for the lives of the tributes.

Is it Lucy Gray or Peeta?

By the time Snow realizes he's made a mistake, it's too late.

Peeta is still charming and manipulating the capitol. Katniss is in love.

He goes up against a kindhearted boy expecting to beat Sejanus again, only to find out that it's Lucy Gray he's fighting; knowing he will never be able to escape their ghosts.

-from a conversation i had with @grandtyphoonpoetry breaking down every character in the hunger games.

On Feeld, where curious people come to connect, you can now add a ✨celibacy✨tag to your profile—and search for others who do the same. Find your thing. Find everything when you download Feeld. 

Finally, an explanation

Part of why I dragged my feet on ever checking out JJK was the reputation I heard was that it's a BRUTAL grimdark story where ANYONE can DIE in a snap and the author says FUCK you. And after finally catching up with the anime that just... Isn't the tone at all?? Like, Game of Thrones, Gantz, Attack on Titan, etc other cornerstone grimdark reference points, I think one of their defining hallmarks is not just that characters die suddenly and violently, but that human life is nasty, brutish, and meaningless, and it's your own fault for being stupid enough to get attached.

Jujutsu Kaisen on the other hand, I don't know how you can look at one of the most recent casualties circa S2Ep20 of the anime where that character gets a full entire episode reminiscing about their childhood, and the moments and people that meant most to them, and come away thinking the author's intent was to treat life as meaningless. The amount of screen time devoted to the following character who gets badly maimed, the audience gets enthusiastically shoved neck deep into their insane kaleidoscopic passion that is never once undercut or subverted. Both of these characters, far from being callously snuffed out and dumped in the trash, were shown immense love. What we got was not a statement of their life being disposable, but a celebration of life, a reminder of who they are, what they cared about, what made them special, who they loved and who loved them and will remember them in turn.

This is a story about curses born of misery, hatred, and malice. It is also a story deeply concerned with dualism, especially when it comes to attachment and desire. Misery stems from worldly attachments, but it is not weak or foolish to become attached to things in this world. To love something is to set yourself up for the pain or anger of losing it, or sadness of having it denied. But that love is what makes life worth living anyway, and what makes it worth it to keep fighting. We as the audience are sad because we are attached to these characters who have met terrible fates. We see enough of them to be able to clearly picture the whole rich life they could have lived surrounded by friends and feel the sting of that path cut short. It is a story about how it was worthwhile knowing them well enough to be attached anyway, even if it meant unavoidable heartbreak.

This is true of both the human protagonists as well as the curses! Volcano Man and Mahito are ruthless killers who cruelly take lives without a thought. They also have hopes and dreams that they earnestly try to protect and follow through on, and face heartbreaking despair upon defeat. They feel pain just like we do, but must nevertheless be killed. Humans face pain through the very act of living, but nevertheless must live.

In true grimdark fiction there is rarely anything good in life for characters to return to once the battle is over. In Jujutsu Kaisen, on the contrary, there is enough good in life that we see it even amidst the battle. I can see that no other way than an expression of genuine affection. Truly bleak fiction leaves me wondering why everyone involved doesn't just put a gun in their mouth and be done with it. JJK provides an answer--because you'll get to laugh about ruining an expensive shirt, because you'll meet an acquaintance's hot mom, because the next human earthworm movie is coming out, because your favorite idol is doing a meet and greet this weekend, because maybe someday you'll finally go to Malaysia. There are many answers, and none of them are stupid.

They knew what he was the moment he opened his eyes. Or rather, what he would become. What they would make him.

When the word spread, they called him different things. A sign from above. A savior. The strongest sorcerer this world has seen in centuries. The pride of the Gojo clan. The wielder of the Six Eyes.

The titles were pretty, but they all meant the same thing. From the moment Gojo Satoru opened his eyes, he was a weapon.

A weapon does not need to love or be loved. Love is vulnerability. A weapon cannot be vulnerable.

A weapon does not need to care, only kill. When they tell you to. Whatever (or whoever) they tell you to. A good weapon asks no questions. A weapon does not care.

A weapon does not need to be happy. Happiness is having friends and laughing at stupid things and playing in the sun. Happiness us for children. A weapon is not a child.

Gojo Satoru was a weapon. The best one in centuries.

Until he wasn't.

Until Geto Suguru looked at his eyes like they were beautiful. Like he was beautiful. Weapons are not beautiful. But he looked at him like he was not a weapon. And he made him want to believe it.

And then they gave him the order to execute him. But the weapon was no longer a weapon. Weapons did not have hearts. Suguru may have left it bleeding and broken in the wake of his departure, but it was still the greatest gift he had given Satoru. A weapon did not know love or care or happiness. Satoru was not a weapon.