Elsa Schiaparelli Sundress Ca. 1948-1949 Via The Costume Institute Of The Metropolitan Museum Of Art

So I’ve been reading the Nightwing One Year Later comics, starting with Nightwing: Brothers in Blood, which was weird but not as bad as I was expecting from what I’d seen of people talking about it. I really liked Roy showing up in the last issue to basically bail Dick out and then the two of them proceeding to banter for the rest of the issue, which was just a lot of fun. I also really liked Dick and Cheyenne’s relationship -- or, not liked the relationship, but liked the writing of it, in the sense of “these people are not going to work out due to circumstance and personality and just not meshing but at least one of them wants to keep trying but it’s also still casual” complicated messiness of it. it was a nice change of pace to read a relationship where this was not “the one” and the people in the relationship knew that - i mean, three comics later when dick thinks back on his past relationships, cheyenne isn’t even included. 

i also thought dick and jason’s relationship was really interesting. and, related, loved seeing clancy again. the comics never really expanded on dick and jason’s relationship after their first meeting but before jason died, although there are hints of it. but jason seemed really invested in being brothers with dick, and even if dick seems callous at times (which arguably, fair - all jason’s done since he’s been back is try to kill him and his family) he’s still absolutely determined to rescue jason when he gets captured. also interesting that jason calls dick “dickebird” and “dickie” - i think the only other people i’ve seen call him that are john and mary grayson, and i feel like that parallel would make an interesting/emotional story

Paolo Sebastian, F/W 2015

Underdress

Christian Dior, 1955

The Metropolitan Museum of Art

Coat

Lilli Ann, 1940s

Timeless Vixen Vintage

I’m kinda curious what this is referring to, because I haven’t seen any Really Bad Circus Takes recently (which obviously doesn’t mean they don’t exist, just that I haven’t seen them on my dashboard) and I’m just super nosy. 

(totally understand if you don’t want to reblog the specific post or anything though. like i said, just curious!) 

People in this fandom have no fucking clue about circus life and the culture surrounding it. And it shows

Look.

I have made you a chart. A very simple chart.

People say "You have to draw the line somewhere, and Biden has crossed it-" and my response is "Trump has crossed way more lines than Biden".

These categories are based off of actual policy enacted by both of these men while they were in office.

If the ONLY LINE YOU CARE ABOUT is line 12, you have an incredible amount of privilege, AND YOU DO NOT CARE ABOUT PALESTINIANS. You obviously have nothing to fear from a Trump presidency, and you do not give a fuck if a ceasefire actually occurs. You are obviously fine if your queer, disabled, and marginalized loved ones are hurt. You clearly don't care about the status of American democracy, which Trump has openly stated he plans to destroy on day 1 he is in office.

Ensemble

Azzedine Alaïa, 1985

The Museum at FIT

Red means life.

Central Florida Emergency Trans Care Fund

Equality Florida

ACLU Florida

Tampa Bay Abortion Fund

Dick Grayson and Trapeze

Okay, so I’ve been getting into DC for the past year or so after growing up entirely on Marvel and even more now that I can’t do anything else, and I love Dick Grayson! Because he is awesome, and also a circus person, and I am also a circus person. I’ve done circus for years, I worked at a circus school, it is a huge part of my life, circus is great! But oh my god almost all of the details are inaccurate and it’s finally gotten to me enough that I had to find and dust off my tumblr so I could post a rant about it. Will anyone care? Who knows! But I feel better now.

1. flying trapeze is not a solo act. Flying trapeze is not even a two-person act. Flying trapeze is at minimum a three-person act. You need a catcher, a flyer, and someone on board. Most historical flying trapeze family acts were four people (often siblings, or siblings and spouses) although of course that number varied I’ve included a picture of a rig below that I labeled so you can see what i’m referring to when I say flyer, board, catcher. 

-this is why I am all for the young justice canon where it was dick’s father and uncle and their wives, and then once they grew up dick and his cousin. Siblings and spouses is an absolutely classic makeup of a trapeze family. Alternatively, you could imagine that john and mary worked with other trapeze artists they weren’t related to.

-dick is not old enough to be the third person here. He’s old enough to fly – my school had a minimum age of six for people taking classes, but staff children were exempt from that. Part of the reason for the age was the kids needed to listen, and part was they needed to not freak out. Obviously this doesn’t apply to Dick. But one of the other things is height. With smaller kids (on our rig, anyone under 4’6 I’d say, although you can adjust rigs to the height of flyers to a certain extent) you could not hold onto the bar and keep your feet on the platform. It was too far away. Small kids would grab the bar and their feet would dangle in the air and I’d hold them back by their safety belt. There are a couple of ways around this, including rises, but point being, could dick fly and throw tricks? Sure. Could he work board or drop a return bar? No way.

-there is a type of trapeze called swinging trapeze that is a solo act and uses a similar rig setup to flying trapeze, but you don’t leave the trapeze

-there is also a flying trapeze style called bar-to-bar, which is when instead of flying to a catcher you would catch the bar yourself, and is actually what jules leotard did when he first invented trapeze, but it is very rare (like, the only time I’ve ever seen this is catchers returning to the board) and you’d still need someone to drop the second bar for you. Here is a video of a catcher returning to the board. If you’re doing bar-to-bar instead of having a catcher, then you’d have a different rig set up than with a catcher, with a platform on either end of the net. If you want to compare them, here’s a really cool company that uses a cross setup which has both a bar-to-bar rig and a bar-to-catcher rig incorporated. In Nightwing: Year One, the Flying Graysons are shown using the more traditional bar-to-catcher set up, but Deadman (and presumably Dick when he joins the act) seems to be doing bar-to-bar.

2. you cannot “work your way up” to flying trapeze. There is no mini trapeze, there’s no slow version, there’s no flying trapeze but low to the ground (there are different types of rigs and cross training and if anyone wants me to go into detail I will, but still). “Working your way up to it” in flying trapeze means starting in safety lines and then taking a trick out of safety lines (step three, for the graysons, would be doing it without a net). Even in lines, you have to jump off the platform 20 feet in the air. That is step one, and you just have to dive right in. Feel free to come yell at me about how this influenced Dick as he grew up because I can’t put it into words right now but there’s something in there about Dick’s ratio of planning-to-look before leaping.

3. One of the most common mistakes new flyers make is trying to grab the catcher. This is a no-no. Flyer’s job is to fly, catchers job is to catch. As a flyer, your job is to be there, arms out, hands flat, and easy to grab. The catcher is responsible for grabbing you. If you make grabby hands or try to grab onto them in return before they’ve caught you, you will miss. It’s a disconcerting feeling if you’re starting out – when you’re following through the air, you want to grab at the person reaching for you. You cannot. You have to trust them to grab you.

           -think of this, Dick, who has been raised with this mindset, watching his parents fall. Thing of this, Dick, who has decided it’s his job to catch everyone. Think of this, Dick, falling and hoping someone catches him. Think of the angst. Think of the fluff! The possibilities are endless! (please someone right this and also feel free to ask me questions about this I have feelings)

4. Look, all flying trapeze is built on timing and trust okay!! I remember my hair getting loose and in my eyes halfway through a trick and it’s weird because you’re flying through the air and you can’t see anything and you really would like to be able to see things but it doesn’t actually matter. It didn’t change what I had to do, which was listen to my catcher and let go when they said. I didn’t need to see them, I just needed to trust them and listen. It was a perfectly fine catch! Just, ugh, it’s all about trust!!!!!!

5. While wearing a leotard with bare legs is definitely ridiculous if you’re planning on running around fighting crime, it makes total sense if you’re a flyer and you’re doing any sort of legs catch. (Not if you’re a catcher. Wearing a leotard with no pants is just asking for pain if you’re a catcher. Lots of catchers wear two pairs of leggings so they have extra padding.) Look, one of my friends tried to do a legs catch in full lengths leggings and even though she could connect she slipped out of the catcher’s hands every single time. Every single god damn time. Her form could be absolutely perfect but as long as she was wearing those pants that catch was not going to happen. Bare legs all the way for legs catches. (If you’re not doing leg catches, go nuts. If you’re a beginner, you definitely want the back of your knees covered because you’ll have your knees on the bar a lot. I’ve definitely flown in shorts before, but I also spend a disproportionate amount of time in knee hangs. If you’re not used to doing if, hanging from your knees when it’s just bare skin *hurts*, and having them covered helps). The Flying Graysons poster at the top shows Dick doing what is actually probably a double angel return, not a legs catch, but I don’t think it’s a stretch to say the Graysons had that trick in their show. (I realize that the video I linked shows a legs catch with long pants, so this is obviously a flexible rule, and depends on the material as well. Basically, whatever you want the costume to be, go nuts!)

 If anyone has questions or thoughts, feel free to shoot me an ask. Also, if you’re curious about flying trapeze, circus is more accessible than most people think. Lots of places have circus schools where you can go and take a class, no experience required! (not now, obviously, because we’re in the middle of a pandemic, but in the future). I’m happy to answer questions about that as well.

Dress

Yves Saint Laurent, 1966

Kerry Taylor Auctions

Coat

Dior, 1960s

Timeless Vixen Vintage