heyy can we do a sexy roleplay where im a prince from a fallen kingdom and youre the powerful warrior who has taken me for their own pleasure. yes? yipeeee ok so before we start first here's a google doc with the whole history of the fictional land we're both from and the intricate geopolitical workings of the- oh yeah and here's a supplementary doc on the agriculture and trade routes of said fictional land and stuff and yes this is important. the dirty talk has to be lore accurate
This google docs template (created by rukidut) allows you to create wikipedia-inspired biographies for your characters. you need to be logged in to edit it, but all you need to do is go to file > make a copy and you'll have your own version to do whatever you like with.
I've given it some minimal testing and found that the formatting doesn't transfer over to microsoft word, but that it can be saved as PDF with minimal issues.
Click here to try it out.
Just finished a book in which some characters spent a lot of time on horses, and whenever they dismounted after riding all day, they were described as sinking to the floor because their legs can’t carry them anymore, or hobbling towards the nearest chair and collapsing onto it with their whole body aching. It was so ridiculous it took me out of the story every time. These are characters who live with horses and ride nearly every day. They should be fine. They’re good riders, there’s no reason for their legs to be painfully cramped after a day on the saddle. I feel like the author was trying to add realism but only went riding a few times and felt horribly stiff and sore afterwards and assumed that’s just how you feel after a day’s ride no matter what. I promise it’s not!! Your characters should be the kind of good-tired you feel after any other type of satisfying workout your muscles are used to. Drawing on your own experience to write characters that live very different lives is such a bad bet. Maybe someone did tell her it would no longer be so painful if she just kept practising and she dismissed it as obvious horse propaganda
Gelding - An adult male horse (3 years or older) that’s been neutered.
Stallion - An adult male horse (3 years or older) that is not neutered.
Mare - An adult female horse (3 years or older), used interchangeable for both fixed and unfixed female horses.
Pony - A full grown horse under 14.2 hands.
Foal - A newborn horse.
Weanling - A colt or filly that is 6-12 months.
Yearling - A horse between 1-2 years old.
Colt - A male horse under 3 years old.
Filly - A female horse under 3 years old.
Hand - Measurement of how tall a horse is, one hand = four inches.
Tack - Riding equipment.
Halter - Headgear you put on a horse to lead them, can be made of leather or fabric.
Gait - Speeds a horse can got.
Trot - Gait faster than a walk but slower than a canter.
Canter - Gait faster than a trot but slower than a gallop.
Gallop - Faster than a canter, basically the highest speed a horse can go.
Lunging - Exercising a horse by walking them in a circle, usually done with a halter and lunge rope.
Lunge Rope - A long rein/rope used when lunging a horse, typically 20-40 ft long.
Colic - Pain in a horse’s stomach ranging from mild to severe, can be fetal if not treated.
Cribbing/Windsucking - Biting onto a fence post and sucking in air, horses do this when they’re extremely bored.
Farrier - Someone who dresses and trims a horse’s hooves.
Bridle - Headgear used to control and maneuver a horse.
Bit - The metal mouthpiece of the bridle.
Frog - The triangular part of the inside of the hoof.
Rain rot - A fungal infection horses can get on their backs, easily treatable with antibiotics.
Mucking - Cleaning out a stall.
Hot blooded - Extremely energetic, excitable horses. Hot blooded horses are used for more speed driven tasks.
Cold blooded - Very low temperament, very relaxed horses. Cold blooded horses are used for more labor driven tasks.
Draft - Large, working horses.
Feathers - The long, fuzzy fur on a horse’s hooves, usually found in Draft breeds.
(Exerpts from Chuck Palahniuk's article Nuts and Bolts, edited lightly for my own self reference)
Thinks
Knows
Understands
Realizes
Believes
Wants
Forgets
Remembers
Imagines
Desires
Loves
Hates
Is
Had/Have
Are
And many more.
Your story will always be stronger if you just show the physical actions and details of your characters and allow your reader to do the thinking and knowing. And loving and hating.
Instead of characters knowing anything, you must now present the details that allow the reader to know them. Instead of a character wanting something, you must now describe the thing so that the reader wants it.
Your story will always be stronger if you just show the physical actions and details of your characters and allow your reader to do the thinking and knowing. And loving and hating.
Don’t tell your reader:
Adam knew Gwen liked him.
Instead, you’ll have to say:
Between classes, Gwen was always leaned on his locker when he’d go to open it. She’d roll her eyes and shove off with one foot, leaving a black-heel mark on the painted metal, but she also left the smell of her perfume. The combination lock would still be warm from her ass. And the next break, Gwen would be leaned there, again.
Only specific sensory detail: action, smell, taste, sound, and feeling.
Typically, writers use these “thought” verbs at the beginning of a paragraph (In this form, you can call them “Thesis Statements” and I’ll rail against those, later) In a way, they state the intention of the paragraph. And what follows, illustrates them.
Brenda knew she’d never make the deadline. Traffic was backed up from the bridge, past the first eight or nine exits. Her cell phone battery was dead. At home, the dogs would need to go out, or there would be a mess to clean up. Plus, she’d promised to water the plants for her neighbor…
Do you see how the opening “thesis statement” steals the thunder of what follows? Don’t do it.
If nothing else, cut the opening sentence and place it after all the others. Better yet, transplant it and change it to:
Brenda would never make the deadline.
One of the most-common mistakes that beginning writers make is leaving their characters alone. Writing, you may be alone. Reading, your audience may be alone. But your character should spend very, very little time alone. Because a solitary character starts thinking or worrying or wondering.
A character alone must lapse into fantasy or memory, but even then you can’t use “thought” verbs or any of their abstract relatives.
Oh, and you can just forget about using the verbs forget and remember. No more transitions such as:
Wanda remembered how Nelson used to brush her hair.
Instead:
Back in their sophomore year, Nelson used to brush her hair with smooth, long strokes of his hand.
Better yet, get your character with another character, fast. Get them together and get the action started. Let their actions and words show their thoughts. You -- stay out of their heads.
And while you’re avoiding “thought” verbs, be very wary about using the bland verbs “is” and “have.” Instead, try burying your details of what a character has or is, in actions or gestures. At its most basic, this is showing your story instead of telling it.
In short, no more short-cuts. Only specific sensory detail: action, smell, taste, sound, and feeling.
Then, pick through some published fiction and do the same thing. Be ruthless. Find them. After that, find a way to re-write them. Make them stronger.
“If you want to frisk me, I’ll let you, but you got to hurry because there’s a lot of me and we don’t got much time. And don’t be alarmed if I get aroused.”
Futuristic Violence and Fancy Suits - Jason Pargin
Libby - Ebooks, digital audiobooks, and magazines from your public library. Free, but requires a library card. Materials aren't infinite, so popular titles will often have a several week long waitlist. If you're in the US (or sufficiently crafty) you can sign up for a free card from the Queer Liberation Library.
Hoopla - Another service often bundled with a library card. The selection is smaller than Libby, but you have a limited number of instant borrows per month to cash in.
EBSCOhost Research - Ebooks and research materials, usually offered through a college. Where I do most of my reading lately, TBH.
Worldcat - Browse the world’s libraries from one search box. Easiest way to find out where to go to check out a book if you can't find it at your usual spot.
US residents will likely have a public library near them, but if you cannot go in person and sign up, there are a number of public libraries that don't require anything but a local address to get an Ecard. The libraries that offer this change frequently, so ask around.
Also keep in mind that US public libraries don't typically purchase self published material. If you're looking for your favorite tumblr author's book, you might want to try the links below instead.
Open Library - Large collection of ebooks. Some materials may not be available currently due to ongoing legal issues.
Project Gutenburg - Another huge collection of ebooks, probably the most well-known option on this list.
Standard Ebooks - Professionally formatted public domain ebooks (sourced from places like Project Gutenburg but then turned into dynamic epubs)
LibriVox - Public Domain Audiobooks. Extremely limited library, but provides a rare service.
Audible Free Trial - Amazon offers a free trial of their service, with one free title on signup. You need a viable payment method to get access, but you keep the book even after you cancel. Don't give Amazon your money, folks.
I'd also recommend trawling youtube and soundcloud for user-made audiobooks. The quality varies, but I've been surprised at the results.
StoryGraph - A non-Amazon GoodReads alternative, for those who like to challenge themselves to read more or enjoy writing book reviews.
Banned books list - Around since 1994 and currently still updated weekly, this site showcases books that are either banned or have been attempted to have been banned somewhere in the US. Some are available to read for free on site.
i want to coin a phrase that's the opposite of writer's block. call it the muse's fire hydrant. thirty thousand story ideas are being beamed directly into your brain and if you don't write them all at once you will die.
kind of obsessed with the idea of the rest of the gaang leaving Toph and Zuko to watch over some cooking food and when they come back its burned and Katara starts fuming but Toph and Zuko are like “we’ve never stepped inside a kitchen in our lives and only have one eye between us, if anything it’s your fault”
Hi I'm Crow, a 20-something hobbyist writer with a renewed love of reading. I post writing snippets, poetry & quotes from books that I like, as well as useful resources I find around the net. Accessibility and accurate sourcing are a priority. If you see me online, do me a favor and tell me to log off and go work on my novel. Icon by Ghostssmoke.
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