That One Series Of Unfortunate Events Quote

That One Series Of Unfortunate Events Quote
That One Series Of Unfortunate Events Quote

That one Series of Unfortunate Events quote

[ID: A Mob Psycho 100 comic. Muraki gestures to Sakurai, who's glaring and surrounded by an ominous red-black aura while holding up a sword, and says, "You must understand-- he had a terrible childhood." Mob stares at him, dead-eyed, and replies, "Yes, I understand. I'm having a terrible childhood right now." Reigen is lying twisted behind him in the Family Guy Death pose. End ID]

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The photo has three sections. The top one is Lawrence Gordon crawling out of the bathroom with text that says “enough of the will to go on”. Underneath is a Adam listening to Zep’s tape at the end of the film with text that says “or not go on”. The third is a section of a screenplay, that says, “VOICE (from tape): Rise and shine, Adam. This is a game. So many days you have wanted to die - today your aim is to live. To get out of this room alive. Either way you win, yes?
The top half of the image is Lawrence on the ground with his face down, weeping after shooting Adam. The text says “enough of the kneeling”. The bottom half is Adam with the toilet tank lid lifted over his head, mid swing. The text says “and the rising”.
The image has three sections. The top is Adam looking at the shard of two-way glass with text “and the looking inward”. The middle is a shot over Lawrence’s shoulder of him screaming at the camera for his family’s safety with the text “and the looking up,”. The bottom is a section of a screenplay, which says, “The lens stares back at the men. ADAM: now we’re on T.V. (beat; voice lowers) I feel sick. I feel like a lab rat.”
The image has three sections. The top is a close shot of Lawrence sitting in his office with a diploma in the background, and text that says “and the ego”. The middle is a section of a screenplay, reading, “LAWRENCE: How did I get here? I had everything in perfect order. My whole life was in order.” The bottom is a photo of Lawrence standing in the bathroom with Adam’s photos of him in midair in front of him with text reading “and the obliteration of ego”.
The image has four sections. The top one is a close up of Adam holding the photo of Alison and Diana Gordon held hostage with the text “enough of the mother and the child”. Next is a screenplay segment reading, “The machine beeps behind him, playing the message. WOMAN’S VOICE (from answering machine): Adam, are you there? Please pick up if you’re there. (beat) Your father’s not angry anymore. We just want to know if you’re alright.” The third section is of Lawrence sitting on Diana’s bed. They are smiling at each other, and text reads, “and the father and the child”. The bottom section is more screenplay, reading, “Adam looks up. He writes himself a note - call mom. Looks at it. Adds a question mark to it. Call mom?”
The top half of the image is Adam flinching from the bright bathroom light, his face obscured by his own hand. Text reads “enough of can you see me”. The bottom is Lawrence laying unconscious on the ground after being electrocuted with the text “can you hear me”.
The image has three sections. The top is Lawrence laying on his side, staring distressed at the photo of Alison and Diana with the text “enough I am human”. The middle is Adam laying on the ground with one bloody hand outstretched as he cries and reaches for Lawrence with the text “and I am alone”. The bottom is a section of screenplay, reading, “Adam splays on the floor in a crumpled heap, listening until he can no longer hear Lawrence. The silence without him is almost too much to bear.”
The image has three sections. The first is a shot of Lawrence on the ground with his hand outstretched towards the cell phone which is just out of his reach. The text reads “and I am desperate,”. The middle is a section of screenplay, reading, “After an expectant beat, we remain in darkness. The man begins whispering to himself; childlike, primal. MAN (V.O.): God, please help me, I’m be a better person, I swear - I will do anything you want. Please just get me out of this—“. The bottom is a shot of Lawrence pointing the gun at Adam, looking distraught and gaunt. Text reads “enough of the animal saving me,”.
The top half of the image is mostly black, with a section of Adam’s closed eye and face illuminated by a small flashlight in the water. The text reads “enough of the high water”. The bottom is Lawrence sitting hunched over, leaning his chin on his hand as he looks on distressed at the photo of his wife and daughter. The text says “and the sorrow”.
The image has three sections. The first is a section of screenplay reading, “ his eyes abruptly flick open, wide with terror. He takes a breath, swallowing only water, thrashing and expelling bubbles. He kicks out, hitting something. He sees a bath plug beneath him. He is in a bathtub. The middle is a dark shot of the lower half of Adam’s face as he gasps for air after sitting up in the tub. Text says “enough of the air and its ease,”. The final image is of a bloody Adam and Lawrence, forehead to forehead with Adam’s hand gripping Lawrence’s shoulder and Lawrence’s on Adam’s far cheek. Text says “I am asking you to touch me”. End ID.

“For the first time, they touch, when Lawrence takes Adam’s hand.”

saw 2004 (dir. james wan) | original saw screenplay by leigh whannell | the end of poetry by ada limón

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cmfd99 - coconut
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he / she ・eng / learning jp・🇵🇭・i post art once every blue moon

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