I mean, heck, I am no expert but my need to see this niche ass post is a lot so here goes.
The Prince: Machiavelli- do I NEED to explain this one. Its a seminal text in politics and political philosophy and when you listen to the ideas described in it they can sound a little crazy but once you read it you realise they are still crazy but grounded in something very real. Also its short as heck and an easy read.
Politics among Nations: The Struggle for Power and Peace- Hans J Morgenthau. I had to pick this one up for my coursework last semester and I thought it would be a snooze fest but no. I was drawn in and I haven’t finished it since but I do plan to get back to it at my leisure.
The End of History and the Last Man: Francis Fukuyama- YES, I fundamentally disagree with Fukuyama on so many points. YES, it is still one of my favourite books of all time. it is a very riveting discussion of political philosophy, history and international relations. If you are interested in any of those topics, pick it up. You won’t regret it.
How Democracy Ends: David Runciman- captivatingly written, great arguments, and a very unique voice. Super relevant in today’s international political atmosphere and if you are interested in studying the rise of right wing authoritarian governments across the globe, this is a great place to start.
Thomas Hobbes: Leviathan- another one that I just feel like i don’t need to explain. Again haven’t read it fully yet, but its quite chill inducing and the basis for most of the contemporary discussion on state, liberalism, authoritarianism, rights and so forth.
These were just my recommendations, and I by no means claim that they cover the entire gamut of the field. In fact, I would consider myself a noob still where texts relating to politics or IR are concerned, so feel free to give your recommendations and opinions as well!
Transition Signals:
Transitions are words and phrases that connect ideas and show how they are related.
To repeat and ideas just stated:
In other words,
That is,
To repeat,
Again,
To illustrate an idea:
For example,
For instance,
In particular,
To illustrate,
In this manner,
Thus,
To announce a contrast, a change in direction:
Yet,
However,
Still,
Nevertheless,
On the other hand,
In contrast,
Instead of,
On the contrary,
Conversely,
Notwithstanding,
In spite of this,
Time:
At once,
In the interim,
At length,
Immediately,
At last,
Meanwhile,
In the meantime,
Presently,
At the same time,
Shortly,
In the end,
Temporarily,
Thereafter,
To restate an idea more precisely:
To be exact,
To be specific,
To be precise,
More specifically,
More precisely,
To mark a new idea as an addition to what has been said:
Similarly,
Also,
Too,
Besides,
Furthermore,
Further,
Moreover,
In addition,
To show cause and effect:
As a result,
For this reason,
Thereafter,
Hence,
Consequently,
Accordingly,
Conclusion:
In short,
To conclude,
In brief,
On the whole,
In summary,
To sum up,
Library of Short Stories - A free and accessible collection of short stories from the public domain.
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hello, i don't really know how to describe these, but i was wondering if you knew any poems with slightly specific and 'homey' lines that make you feel warm inside like the line "we're eating pasta (with pesto plus garlic)" from june jordan's poem. it's totally fine if you don't, sorry for being so specific !! :)
do you know, these are my favourite kind of poems and I love that you thought of this line it’s probably one of my favourites lines ever written. these are poems who give me a similar warm feeling:
“West Coast Episode” by June Jordan (“the color of the rug was green / and out beyond the one room / of our love / the world was mostly / dry”)
“In Time” and “Wish” by W. S. Merwin (“and we stood up / and started to dance without music / slowly we danced around and around / in circles and after a while we hummed / when the world was about to end / all those years all those nights ago”)
“Snow and Dirty Rain” by Richard Siken (I'm thinking My plant, his chair, / the ashtray that we bought together. I'm thinking This is where / we live. When we were little we made houses out of / cardboard boxes. We can do anything. It's not because / our hearts are large, they're not, it's what we / struggle with. The attempt to say Come over. Bring / your friends. It's a potluck, I'm making pork chops, I'm making / those long noodles you love so much.”)
“Aubade” by Yanyi
“For Grace, After a Party” by Frank O’Hara (And someone you love enters the room / and says wouldn't / you like the eggs a little / different today? / And when they arrive they are / just plain scrambled eggs and the warm weather / is holding.”)
“On the Back Porch” by Dorianne Laux (“I want to stay on the back porch / while the world tilts / toward sleep, until what I love / misses me, and calls me in.”)
“You made crusty bread rolls” by Gary Johnson (“How simple life is. We buy a fish. We are fed. / We sit close to each other, we talk and then we go to bed.”)
“During the Impossible Age of Everyone” by Ada Limón (“Your shoes are piled up with mine, and the heat / comes on, makes a simple noise, a dog-yawn. / People have done this before, but not us.”)
“when you have forgotten Sunday: the love story” by Gwendolyn Brooks
“Red Brocade” by Naomi Shihab Nye (“Your plate is waiting.” !!!)
“Perhaps the Worlds Ends Here” by Joy Harjo (“The world begins at a kitchen table. No matter what, we must eat to live. (...) Perhaps the world will end at the kitchen table, while we are laughing and crying, eating of the last sweet bite.”)
“This Hour” by Sharon Olds (“Even if we wanted to / we could not describe it, / the end of the second glass when I begin to / weep and you start to get sleepy—I love to / drink and weep with you”)
“Onions” by William Matthews
be - essere / stare there is - c’è there are - ci sono have - avere do - fare go - andare want - volere can - potere need - aver bisogno think - pensare know - sapere say - dire like - piacere speak - parlare learn - imparare understand - capire
Note - Verbs in Italian change all the time depending on the mood, tense and person. Here’s a useful Italian conjugator.
that (as in “I think that…” or “the woman that…”) - che and - e (if the following word starts with a vowel it is preferred that you use “ed”) or - o (if the following word starts with a vowel it is preferred that you use “od”) but - ma because - perché so (meaning “therefore” as in “I wanted it, so I bought it”) - per questo, perciò, quindi if - se
of - di to - a from - da in - in, a, da at (a place) - in, a, da at (a time) - a with - con about - circa, su like (meaning “similar to”) - come for (warning, this one has several meanings that you need to take care of) - per before (also as a conjunction) - prima di, prima che after (also as a conjunction) - dopo di, dopo che during - durante
Note - Prepositions in Italian are joined with the definite articles; e.g. di + la = della, a + il = al, etc.
who - chi what - che where - dove when - quando why - perché how - come how much - quanto/-a, quanti/-e which - quale, quali
a lot - molto, un sacco a little - un poco well - bene badly - male only - solo also - anche very - molto too (as in “too tall”) - troppo so (as in “so tall”) - davvero, molto so much - tanto more (know how to say “more … than …”) - più less (know how to say “less … than …”) - meno as … as … (e.g. “as tall as”) - tanto… quanto… best - meglio, migliore worst - peggio, peggiore now - ora, adesso then - allora, quindi here - qui there - lì, là maybe - forse always - sempre usually - di solito often - spesso sometimes - a volte never - mai today - oggi yesterday - ieri tomorrow - domani soon - presto almost - quasi already - già still - ancora enough - sufficiente, abbastanza
this - questo that - quello good - buono bad - cattivo all - tutto no - nessuno many - molto few - poco other - altro same - stesso different - diverso enough - abbastanza, sufficiente one - uno two - due first - primo easy - facile hard - difficile early - presto late - tardi important - importante interesting - interessante fun - divertente boring - noioso beautiful - bello big - grande small - piccolo happy - felice sad - triste busy - occupato excited - emozionato tired - stanco ready - pronto favorite - preferito new - nuovo right (meaning “correct”) - corretto wrong - sbagliato true - vero
Note - Italian adjectives always have to agree in number and gender with the noun they modify. The above list presents the adjectives in their masculine, singular form.
To know more about the pronouns, check out this post I wrote a while ago.
I - io you - tu she - ella, lei, essa he - egli, lui, esso it - esso/-a formal you - Lei we - noi you (plural) - voi they - essi, esse, loro
everything - tutto something - qualcosa nothing - niente everyone - tutti someone - qualcuno no one - nessuno Spanish - lo spagnolo English - l’inglese thing - la cosa person - la persona place - il luogo time (as in “a long time”) - il tempo time (as in “I did it 3 times”) - la volta friend - l’amico woman - la donna man - l’uomo money - i soldi country - il paese city - la città language - la lingua word - la parola food - il cibo house - la casa store - il negozio office - la oficina manager - direttore job - il lavoro work (as in “I have a lot of work to do”) - lavoro problem - il problema question - la domanda idea - l’idea life - la vita world - il mondo day - il giorno year - l’anno week - la settimana month - il mese hour - l’ora mother, father, parent - la madre, il padre, il genitore daughter, son, child - la figlia, il figlio, il bambino wife, husband - la sposa, lo sposo girlfriend, boyfriend - la ragazza, il ragazzo
Note - Italian nouns inflect by gender (masculine and feminine, with some instances of vestigial neuter) and number (singular and plural).
work (as in a person working) - lavorare work (meaning “to function”, e.g. “the TV works”) - funzionare see - vedere use - usare should - dovere believe - credere practice - praticare seem - sembrare come - venire leave - andarsene return - ritornare give - dare take - prendere bring - portare look for - cercare find - trovare receive - ricevere buy - comprare try - provare start - iniziano stop (doing something) - smettere di (fare qualcosa) finish - finire continue - continuare wake up - svegliarsi get up - alzarsi eat - mangiare eat breakfast - fare colazione eat lunch - pranzare eat dinner - cenare happen - succedere feel - sentire create (aka “make”) - creare cause (aka “make”) - causare meet (meeting someone for the first time) - conoscere ask (a question) - chiedere wonder - chiedersi reply - rispondere mean - significare, voler dire read - leggere write - scrivere listen - ascoltare hear - sentire remember - ricordare forget - dimenticare choose - scegliere decide - decidere be born - nascere die - morire kill - uccidere live - vivere stay - rimanere change - cambiare help - aiutare send - inviare study - studiare improve - migliorare hope - sperare
hello - ciao goodbye - addio thank you - grazie you’re welcome - di niente excuse me (to get someone’s attention) - scusa sorry - mi dispiace it’s fine (response to an apology) - non fa niente please - per favore yes - sì no - no my name is … - mi chiamo what’s your name? - come ti chiami? (informal singular); come si chiama? (formal singular) nice to meet you - piacere di conoscerti (informal singular); piacere di conoscerla (formal singular) how are you? - come stai? I’m doing well, how about you? - sto bene, e tu? sorry? / what? (if you didn’t hear something) - come? how do you say …? - come si dice …? what does … mean? - che vuol dire …? I don’t understand - non capisco could you repeat that? - puoi ripetere? (informal singular); può ripetere (formal singular) could you speak more slowly, please? - puoi parlare più lentamente? (informal singular); può parlare più lentamente? (formal singular) well (as in “well, I think…”) - bene really? - davvero? I guess that… - credo che… it’s hot (talking about the weather) - fa caldo it’s cold (talking about the weather) - fa freddo
FROM THE VAULTS:
Romantic Poets
The Complete Poetical Works of Percy Bysshe Shelley
We look before and after, And pine for what is not; Our sincerest laughter With some pain is fraught; Our sweetest songs are those that tell Of saddest thought.
Poems Published in 1820, John Keats
Oh, sweet Fancy! let her loose; Every thing is spoilt by use: Where’s the cheek that doth not fade, Too much gaz’d at? Where’s the maid Whose lip mature is ever new?
Letters of John Keats to His Family and Friends
Do you not see how necessary a world of pains and troubles is to school an intelligence and make it a soul?
Don Juan, Lord Byron
Tis strange,-but true; for truth is always strange; Stranger than fiction: if it could be told, How much would novels gain by the exchange! How differently the world would men behold!
Poems and Songs of Robert Burns
Had we never lov’d sae kindly, Had we never lov’d sae blindly, Never met — or never parted — we had ne’er been broken-hearted
The Complete Poetical Works of Samuel Taylor Coleridge
Like one, that on a lonesome road Doth walk in fear and dread, And having once turned round walks on, And turns no more his head; Because he knows, a frightful fiend Doth close behind him tread.
The Poetical Works of William Wordsworth - Volume 3
Stranger! henceforth be warned; and know that pride, Howe’er disguised in its own majesty, Is littleness; that he, who feels contempt For any living thing, hath faculties Which he has never used; that thought with him Is in its infancy…
Songs of Innocence and Experience, William Blake
Love seeketh not itself to please, nor for itself hath any care, but for another gives its ease, and builds a Heaven in Hell’s despair.
Recollections of the Last Days of Shelley and Byron, Edward John Trelawny
Any details of the lives of men whose opinions have had a marked influence upon mankind, or from whose works we have derived pleasure or profit, cannot but be interesting. This conviction induces me to record some facts regarding Shelley and Byron, two of the last of the true Poets.
"An Excellent Thing in Woman": Virgo and Viragos in "King Lear" (1998)
Costume Design and Execution of King Lear by William Shakespeare (2010)
Depiction and Function of Madness in Elizabethan and Jacobean Literature (2019)
"Documents in Madness": Reading Madness and Gender in Shakespeare's Tragedies and Early Modern Culture (1991)
Edmund's Redemption in King Lear (1975)
Elements in the Composition of "King Lear" (1933)
Humans And Animals In King Lear (2018)
In Defense of Goneril and Regan (1970)
"King Lear" and Chaos (1991)
"King Lear" and Negation (1990)
Performing Australian Identity: Gendering "King Lear" (2005)
"Service" in King Lear (1958)
See What Breeds about Her Heart: "King Lear", Feminism, and Performance (2004)
“Struck with Her Tongue”: Speech, Gender, and Power in King Lear (2015)
"The Darke and Vicious Place": The Dread of the Vagina in "King Lear" (1999)
The Emotional Landscape of King Lear (1988)
The Emotive use of Animal Imagery in "King Lear" (1962)
The Mirror and the Feather: Tragedy and Animal Voice in "King Lear" (2013)
do u have any advice for ppl who want to study linguistics and languages but couldnt afford to study it at school?? thanks if you answer this, have a great day
yeah! you can easily download textbooks online and study from them AND I do have a dropbox full of linguistics textbooks!
https://www.dropbox.com/sh/qm7x5dz8fu4bdlp/AADshTfRGZG5JZALkDV6wFlwa?dl=0
it includes phonetics/phonology, sociolinguistics, language acquisition, psycholinguistics, morphology, and etymology.
I also have another dropbox folder full of language textbooks:
https://www.dropbox.com/sh/tdm26h60ccl9pe1/AABg0B3mOGaWLG9Kfyuvut6wa?dl=0
As of Sep 20: Includes 76 textbooks including Arabic, ASL, Chinese, Croatian, Czech, Danish, Dutch, Estonian, Farsi, French, German, Greek, Hebrew, Hindi, Hungarian, Icelandic, Italian, Japanese, Korean, Lithuanian, Norwegian, Portuguese, Punjabi, Romanian, Russian, Serbian, Spanish, Swahili, Swedish, Tagalog, Thai, Turkish, Urdu, Vietnamese, and Welsh :)
do you have any recommendations for really scary and/or disturbing books or movies? especially if they are similar in tone to house of leaves!
alright, if you liked house of leaves you might like—
existential void-horror (ihumans driven by ambition or curiosity or circumstance venture into dark places and find themselves gazing into a silent and swallowing abyss and being gazed back into until they crack open and are changed into something frightful and fractured and deranged):
in space: moon; sunshine; solyaris and solaris (remake; i prefer tarkovsky ‘72 but both are disturbing), alien; event horizon; 2001: a space odyssey; pandorum; doctor who episode “midnight”; william gibson, “hinterlands”; peter watts, blindsight; terrence holt, in the valley of the kings; dan simmons, hyperion.
terrestrial: the descent; the abyss; the divide; dan simmons, the terror; cube; jacob’s ladder; thomas ligotti, “nethescurial”; jorge luis borges, ”the zahir”, ”tlön, uqbar, orbis tertius”; h.p. lovecraft, the call of cthulu and other stories; edgar allan poe, “the pit and the pendulum”.
haunted houses & hauntings:
shirley jackson, the haunting of hill house; kathe koja, the cipher; h.p. lovecraft, “the rats in the walls“ & ”the shunned house”; stephen king, the shining; richard matheson, hell house; the orphanage; the devil’s backbone; [rec]; session 9; edgar allan poe, “the fall of the house of usher”; henry james, the turn of the screw; ringu; SCP-087; the changeling.
sinister postmodernist metafiction:
vladimir nabokov, pale fire & bend sinister; paul auster, oracle night and the new york trilogy; cabin in the woods; pontypool (also a bbc radio drama); philip k. dick, the three stigmata of palmer eldritch and “second variety“ and every story he ever wrote; franz kafka, ”the trial” (proto-postmodern); eraserhead.
humans turned monstrous:
robert louis stevenson, strange case of dr jekyll & mr hyde; ira levin, rosemary’s baby; john ajvide lindqvist, let the right one in & let the right one in (swedish film); 28 days later; no country for old men; coraline; cormac mccarthy, the road; dan simmons, carrion comfort; jose saramago, blindness; richard matheson, i am legend; stephen king, salem’s lot, pet sematary, ”the jaunt” (short story); peter straub, ghost story; ian banks, the wasp factory; linda addison, how to recognise a demon has become your friend; octavia e. butler, dawn.
I'd like to preface this by letting y'all know that these have not been checked for languages! Personally, I use few of these, and the ones I use are 100% not languages! I suggest you check out some carrds on non-lang symbs!
﹒ʬʬ﹒⪩⪨﹒⟡﹒ᐢ..ᐢ﹒◖﹒⇅﹒○﹒✿﹒⊹﹒∇﹒✸﹒⟢﹒❀﹒ᵔᴗᵔ﹒♡﹒〇﹒ıllı﹒ᶻz﹒⊂⊃﹒␥﹒⿸﹒ꔠ﹒✶﹒◍﹒▿﹒⤸﹒⬚﹒៶៸﹒△﹒→﹒✶﹒()﹒▥﹒▤﹒▦﹒▧﹒▨﹒▩﹒░﹒▒﹒▓﹒⿴﹒◫﹒⬚﹒▣﹒≧≦﹒ㄑ﹒⎙﹒➜﹒★﹒⨳﹒✿﹒❀﹒✶﹒✸﹕☆﹒◐﹒◉ ﹒◖◗﹒▽﹒ᶻz﹒‹𝟹﹒♡﹒ᐢ..ᐢ﹒﹫﹒⿴﹒→﹒☓﹕ᵔᴗᵔ﹒⺌﹒⪩⪨﹒◎﹒⊹﹒ᶻ﹕→ .(>。☆)﹔⇆﹒ꜛ﹒░﹒❥﹒?﹒!﹒◍﹒﹏﹒✦﹒⟡﹒><﹒◌﹒⿴﹒✧﹒𖥔﹒%﹒﹙﹚﹒◜◡◝﹒ꜝꜝ﹒⟡﹒⪩⪨﹒☓﹒⬦﹒✦﹒◈﹒✶﹒⬙﹒⟡﹒⇆﹒♡﹒﹢﹒ᶻ﹒✹﹒﹢﹒✶﹑〇﹐罒﹢♡﹒⇆﹑⬚﹐ᶻ﹒❀﹐✶﹒▹﹒◖﹒✩﹒∇﹒▨﹐◌﹐❀﹒⿴﹒✿﹢﹐░﹒ᶻz﹐☆﹒⊂⊃﹑ⵌ﹒▦﹒✿﹒⺌﹒◂﹒⿴﹒❰❰﹒♡﹒ᶻz﹒❥﹒⩇﹒⊞﹐ʬʬ﹒♢﹐ᐢ..ᐢ﹐✩﹒ᶻz﹒❥﹒⟡﹒✷﹒✕﹐〇﹐✿﹒Ꜣ﹒⟡﹒˃̵ᴗ˂̵﹒♡﹐≋﹒⊂⊃﹒ᐢᗜᐢ﹒❀﹒﹢﹒⇵﹒⪨﹕↺﹐✿﹒Ꜣ﹒✶﹐≋﹒⇆﹐ʬʬ﹒﹗﹐➜﹒⬦﹕ᶻz﹒✦﹒﹢﹒▢﹒░﹒⭔﹒ʬʬ﹒✿﹒☰﹐◖◗﹒?﹒✶﹒﹏﹒ꕀ﹑ᵔᴗᵔ﹒ᗢ﹒✿﹐⊂⊃﹒ᐢᗜᐢ﹒ꕀ﹐リ﹐口﹐ꕀ﹒(`δ´)﹒口,✿﹐⊂⊃﹒ᐢᗜᐢ﹒░﹒𖦹﹐゛✿﹑(`δ´)﹒イ。ꕀ﹑リ﹐⊂⊃﹒ꔠ﹒口﹐・ᴗ・﹒░﹑リ﹒◐﹐、﹕✧﹒✶﹔?﹐ʬʬ﹒▹﹒❀﹒⭔﹒▿﹒⺡﹒✿﹒﹢﹒░﹑⬦﹒૪ ﹒〹﹒罒﹒ᶻz﹒◎﹐ꕀ﹒◖◗﹒⺌﹒〣﹒ᗢ﹒⺌﹒⿸﹑ꔠ﹒❀﹒➜﹒▦﹒◐﹒✷﹒◉﹒⿴﹒⿻﹒✦﹒★﹒☆﹒ıllı﹢☆﹒❀﹕▧﹒⟡﹒★﹕ıllı﹒▒﹒◎﹐☆﹒ꕀ﹐➜﹒⪩﹒〇﹐➜﹒★﹕◐﹒%﹕▧﹒⊂⊃﹒♡﹒ꕀ﹒ᶻz﹒₊ˎ✧﹒⪩﹒˃ᴗ˂﹕˃ᗜ˂﹕⿴﹒ᶻz﹒☆﹔⿴﹒✶﹒ᵔᴗᵔ﹒➜﹒⭔﹕⪩⪨﹢◒﹒◎﹒✿﹒⊂⊃﹔♡﹒◍﹒✦﹒⪩⪨﹒▧﹒⟡﹕➜﹐▦﹐✦﹒✶﹐﹢﹒ㄑ﹕ꕀ﹒><﹐ꔠ﹐✿﹐×﹐丶﹐>︿﹒リ﹕﹢﹐﹔★﹒ᶻz﹒⿴﹒⭔﹒✿﹒⊹﹒⭔﹒⨯﹒➜﹒★﹒◞﹒◟◝﹒◜﹒﹪﹒→﹐ıllı﹒★﹒✦﹒⌕﹒⌗﹒✿﹒⊹﹒✸﹒❍﹒⭓﹒◒﹒﹏﹒₊﹒▹﹒ᶻz﹒%﹒◖﹒░﹒ʬʬ﹒⿴﹒⫘﹒◎﹒⨳﹒⌕﹕★﹒☆﹒⌗﹐﹪﹐⌯﹐﹟﹐◐﹒▒﹒◎﹒⇆﹒☆﹒❀﹒☆﹒ıllı﹒↺﹒◍﹒✶﹒ᵔᴗᵔ﹒░﹒⇵﹒▧﹒◍﹒♡﹕❀﹑⿸﹕▞﹒✿﹒╰﹒░﹐◎﹒♡﹒◜ᴗ◝﹒˃ᴗ˂ ♡﹐﹅﹒✿﹒⊞﹒ıllı﹒♡﹒⊞﹕▞﹒✿﹒❀﹒⌕﹒⿸﹒✶﹒❀﹒✷﹒✸﹒▒﹒ᶻz﹒✿﹐♡﹐❀﹒░﹒⇵﹒▨﹕◍﹒♡﹒⌕﹒˃̵ᴗ˂̵﹑♡﹒✿﹒◍﹒⊞﹒∇﹒✶﹒ᵔᴗᵔ﹒◎﹒⇆﹒☆﹒@﹒˘ᗜ˘﹒☆﹔⿴﹒⪩﹐ᶻz﹒➜﹒⪩﹔◖﹐❀﹕⿸﹔﹢﹑ᐢᗜᐢ﹒⊂⊃﹑✿﹒◎﹒イ﹐ꕀ﹒˃̵ᴗ˂̵﹒✶﹒ꕀ﹒▦﹐⊂⊃﹒⇆﹒☆﹒⬚﹒❀﹕➜﹒⪩﹒ᗢ﹒◍﹒⊞﹒∇﹒✶﹒ᵔᴗᵔ﹒◎﹒ᶻz﹒⪨﹒✶﹑✹﹒⪩。ꕀ﹒✿﹒リ﹒⊞﹒⟡﹒⿴﹒☓﹐⊂⊃﹒➜﹒⟡﹒⪩⪨﹒・ᴗ・﹒ꕀ﹒ᶻz﹒✿﹒◎﹒☓﹒☆﹔リ﹒˃̵ᴗ˂̵﹒✶﹑ꕀ﹒▦﹒リ﹐⇆﹒☆﹒⬚﹒❀﹕➜﹒⪩﹒〇﹒◍﹒⊞﹒∇﹒✶﹒ᵔᴗᵔ﹒◎﹒ᶻz﹒⪨﹒✶﹑✹﹒⪩﹒ꕀ﹒✿﹔➜﹐﹏﹐★☆﹒┆︎﹒⩇﹒✿﹔✸﹕♡﹐◌﹒❥﹐%﹑〹.ʬʬ﹕੭﹐♢﹒口﹒⇣⇡﹒☆﹔⌗﹒⪩﹐ᶻ﹒➜﹒⪩﹔◖﹐❀﹕⿸﹑ᐢᗜᐢ﹒⊂⊃﹑✿﹒!﹒◎﹒リ﹐ꔠ﹐✿﹑∇﹒イ﹐ꕀ﹒˃̵ᴗ˂̵﹒✶﹑﹒ꕀ﹒▦﹒⊂⊃﹒⇆﹒☆﹒⬚﹒❀﹕➜﹒⪩﹒⩇﹕✿﹒ʬʬ﹕口﹐〇﹒◍﹒⊞﹒∇﹒✶﹒ᵔᴗᵔ﹒◎﹒ᶻz﹒⪨﹒✶﹑✹﹒⪩﹐ꕀ﹒✿﹒⊞﹒⟡﹒⿸﹑␥﹒♡﹕リ﹒☓﹐⊂⊃﹒➜﹒⟡﹒⪩⪨﹒・ᴗ・﹒ꕀ﹒ᶻz﹒✿﹒☓﹒✩﹒⊞﹕❀﹑◌﹒⊞﹒✸﹕⌗﹕★﹒ᶻz﹒✦﹒★☆﹒ıllı﹢☆﹕❀﹒▧﹒⟡﹒★﹕ıllı﹐▒﹒◎﹐☆﹒ꕀ﹔➜﹒⪩﹒〇﹐➜﹒★﹕◐﹒%﹐⊂⊃﹒♡﹒ꕀ﹒ᶻz﹒✧﹒˃̵ᴗ˂̵﹕˃ᗜ˂﹒ꕀ﹒ᶻz﹒☆﹔⿴﹒✶﹒ᵔᴗᵔ﹒➜﹒⭔﹕⪩⪨﹐﹢﹐◒﹒⊂⊃﹔♡﹒◍﹒✦﹒⪩⪨﹒▧﹒⟡﹕➜﹐▦﹒✦﹒✶﹐ㄑ﹕ꕀ﹒><﹐ꔠ﹑ꕤ﹒░﹒◖﹒⟡﹒❀﹒→﹒⿴﹒⿻﹒⊞﹒♡﹒ᵔᴗᵔ﹒︴﹒✶﹒⭔﹐𓆩♡𓆪﹒リ﹒Ꮺ﹒キ﹒ꗃ﹒⿶﹒⌓﹒〹﹒⧅﹒◆﹒▽﹒ᐢ..ᐢ﹒⬙﹒⎙﹒◈﹒▣﹒ᶻz﹒⟢﹒ʬʬ﹒⊹﹒✷﹒◉﹒⿸﹒✶﹒❀﹒✷﹒⿻﹒⌇﹒ᵔᴗᵔ﹒◍﹒▿﹒⤸﹒○﹒░﹒⇵﹒☆﹒@﹒˘ᗜ˘﹒⬚﹒✸﹒▧﹒◎﹒♡﹒◜ᴗ◝﹒✸﹒ᵔᴗᵔ﹒✿﹑⟡﹒❀﹒★﹒➔﹒%﹒ᗜ﹔﹒⌗﹒﹪﹒﹒⟢﹒ᵔᴗᵔ﹒✮﹒^..^﹒✵﹒
cultural academia pt. 2
here’s pt. 1
This is a continuation of spreading cultural books to end eurocentrism in academia. There’s definitely more “dark academia” books that fit the aesthetic this time around! Thank you to everyone who added books in the notes of the first post- I just put all those suggestions together in this list so complete credit to everyone who made these suggestions <3
Chinese:
Shen Congwen
Geling Yan
From Emperor to Citizen
Life and Death in Shanghai by Niem Cheng
Jin Ping Mei by Lanling Xiaoxiao Sheng
Japanese:
No Longer Human by Osamu Dazai
Tale of Genji by Murasaki Shikibu
Sonezaki Shinju by Chikamatsu Monzaemon
The Wind-Up Bird Chronicles by Haruki Murakami
Works of Oe
Tosa Nikki by Ki no Tsurayuki
Torikaebaya Monogatari
Ise Monogatari by Ariwara no Narihira
A Fool’s Love by Tanizaki Jun’ichiro
The Golden Death by Tanizaki Jun’ichiro
Hell Scene
I Am a Cat by Natsume Soseki
The Strange Tale of Panorama Island by Edogawa Ranpo
The Setting Sun by Osamu Dazai
The Golden Pavilion by Yukio Mishima
Flower Tales by Yoshiya Nobuko
Books of Hayashi Fumiko
Books of Enchi Fumiko
The Demon’s Sermon on the Marrial Arts by Issao Chozanshi
Book of Tea by Okakura Kakuzo
Kokoro by Natsume Soseki
Fool’s Life by Ryunosuke Akutagawa
Rashomon by Ryunosuke Akutagawa
Thai:
Garin’s Uncanny Files
Irani/Persian:
Disoriental by Negar Djavadi
Mesopotamia:
The Epic of Gilgamesh
Pakistani:
Poetry of Allama Iqbal
Works of Saadat Hassan Manto
My Feudal Lordand Blasphemy by Tehmina Durrani
The Reluctant Fundmamentalist by Mohsin Hamid
Raja Gidh by Bano Qudsia
Four Tragic Romances of Punjab (Heer Ranjha, Mirza Sahiba, Sassi Punnun, and Sohni Mahiwal)
The Crow Eaters by Bapsi Sidhwa
Indian:
Ramayana by Valmiki
Nonviolent Soldier of Islam by Eknath Easwaran
The Wildlings by Nilanjana Roy
Sivagamiyin Sapatham by Kalki Krishnamurthy
Chitralekha
Chandralekha
Rabindranath Tagore’s short stories
Works of Satyajit Rai
Byomkesh Bakshi
Munshi Premchand (Godan, Gaban, Nirmala)
The River Sutra
Mehlua
(comics)
Nagraj
Chacha Choudhary
Lotpot
Champak
Nandan
Vikram Betal
(poets)
The Golden Threshold by Sarojini Naidu
Gitanjali
Works of Ruskin Bond
Mahadevi Verma
Hajari Prasad Divedi
Arabian:
Hayy Ibn Yaqzan by Ibn Tufail (he lived in Al-Andalus but was Arab I believe)
Filipino:
Works of Nick Joaquin
Smaller and Smaller Circles by F.H. Batacan
The Eight Muses of the Fall By Edgar Calabia Samar
Isabelo’s Archive by Resil B. Mojares
Noli Me Tangere by Dr. Jose Rizal
El Filibusterismo by Dr. Jose Rizal
Indonesian:
Buru Quartet by Pramoedya Ananta Toer
Saman by Ayu Utami
The Years of the Voiceless
Beauty is Wound by Eka Kurniawan
Man Tiger by Eka Kurniawan
(poets)
Sapardi Djoko Darmono
Chairil Anwar
Sustardji Calzoum Bachri
W.S. Rendra
Taufik Ismail
Wiji Thukul
NH Dini
Dee Lestari
Mira W.
Malaysian:
Garden of Evening Mists
Brazilian:
O Ateneu by Raul Pompeia
Ursula by Maria Firmino
The Hidden Cause; The Alienist by Machado de Assis (short stories)
The Sad End of Policarpo Quaresma by Lima Barreto
Barren Lives by Graciliano Ramos
Child of the Dark by Carolina Maria de Jesus
Rebellion in the Backlands by Euclides da Cunha
Macunaima by Mario de Andrade
Gabriela, Clove and Cinnamon by Jorge Amado
Captain of the Sands by Jorge Amado
Auto da Compadecida by Ariano Suassuna
City of God by Paulo Lins
Budapest by Chico Buarque
The Posthumous Memoirs of Bras Cubas by Machado de Assis
Poems by Vinicius de Moraes
The Alchemist by Paulo Coelho
The Hour of the Star by Clarice Lispector
Antologia Poetica by Carlos Drummond de Andrade
Senhora by Jose de Alencar
Colombian:
Works of William Ospina
Chilean:
Works of Isabelle Allende
Mexican:
Poems by Sor Juana Ines de la Cruz
Laura Esquivel
El Vampiro de la Colonia Roma by Luis Zapata Quiroz
(authors)
Gerardo Murillo
Ruben M Campos
Maria Enriqueta Camarillo de Pereya
Aura by Carlos Fuentes
El Llano by Juan Rulfo
La Casa Junto Al Rio by Elena Garro
Amparo Davila
Guadalipe Duenas
Ines Arredondo
Fransisco Tario
Max Aub
Bernado Couto Castillo
Amado Nervo
Adriana Diaz Enciso
Emiliano Gonzalez
H. Pascal (poetry of vampires and ghosts)
Tequila Gotico: Literatura Gotica en Mexico (published in magazine/good intro to gothic lit in Mexico)
Argentinian:
The Invention of Morel by Adolfo Bioy Casares
The Tunnel by Ernesto Sabato
Short Stories of Jorge Luis Borges
Nigerian:
Americanah by Chimamanda Adiche
Stay With Me by Ayobami Adebayo
Malian:
Fatoumata Keita
Senegalese:
Amadou Kane
Cheik Anta Diop
Sudanese:
Season of Migration to the North
Native American:
Works of Leslie Marmon Silko
Canadian:
Half-Blood Blues by Esi Edugyan (Ghanan-Canadian)
Washington Black by Esi Edugyan
Indian Horse by Richard Wagamese (Indigenous Canadian-Ojibwe)
Birdie by Tracie Lindberg (Indigenous Canadian-Cree)
Mexican Gothic by Silvia Moreno-Garcia (Mexican-Canadian)
British:
White Teeth by Zadie Smith (Jamaican-British)
American:
Works of Gwendolyn Brooks
Works of Langston Hughes
A Naked Singularity by Sergio de la Pava (Colombian-American)
Once again, if your country wasn’t included, that doesn’t mean it’s not important!! Please continue to add more books with their countries in the notes and correct me if I’ve made a mistake!!