Sumire/Futaba
(un)happy doomed yaoi day to those who celebrate <33
coincidentally its also snowing today. for the first time this season. funny how that worked out
angsty web weave coming later i need to tweak it a lil
if the version of akechi in the third semester is just Joker's 'ideal' version of him (rather than the og akechi actually being alive) then that implies he likes akechi crazy. He saw akechi's reveal as a complete maniac and thought that was cool.
Akechi comes back in maruki's world just as insane and angry as he was in the engine room and joker LIKES that.
RIP Yusuke's Kyoto excursion/barbecue extravaganza
He wants that barbecue so effing bad 😭
This is why his introduction cutscene is so hilarious to me. It starts with showing this devastating and tragic subway accident on the news, and then the next thing you know there's this silly teenage detective thoroughly disappointed that his coworker is subjecting him to conveyor belt sushi. It's so funny to me that this face is literally him right after his most recent heinous crime broke the news:
P5r has a lot of writing flaws generally But you have to admit. no matter how you view his character “highly marketable anime Pretty Boy who keeps going ‘woaww Protagonist you’re so interesting <33’ is actually a hired assassin and is acting like that because he’s actively planning your murder” is an objectively hilarious plot point
A free gambling addiction with a side of space politics
I cannot help but find this one detail in Strikers endlessly funny. The game introduces Sophia and it's all like "What is Sophia's power? Is it a persona?? Keep playing to find out :3" and it's obviously going to be some kind of reveal or mystery they solve. I haven't finished the game yet, so I still don't know- but the point is her "Persona" skills and gameplay mechanics are the same as the other actual personas, which is an obvious plot hole that leaves no room for a reveal. So you would think that the game would come up with some serious sensical way to rectify this right?
Wrong, they literally just- slap a question mark at the end of all her Persona skills and call it a day.
It's "Dia?" because we think it's Dia, since it works the same, so let's just call it Dia and stop asking questions. It's so funny though from a gameplay perspective, because they could have just left it alone and hoped nobody would question it, but instead they put in the effort to put that little reminder that it's not confirmed to be a persona- but also want the ability to integrate her into the framework seamlessly. They were like "we can't have our cake and eat it too? Watch us" and then did exactly that.
Makoto & Haru!
I want to add to this. I reblogged it before I actually thought of what I wanted to say, but it finally connected in my head. I agree with all of this, but it was mainly the realization that what the fandom calls his sudden "traumadumping", as funny as it is, is literally just him attempting to make Ren feel close to him without any real vulnerability.
He talks about his mom with Ren unprompted, and says he hasn't told anyone this before, and that's true- because he hates feeling pitied. He doesn't want to feel weak, but he does want to be cared for. He wants to be supported, by anyone, but most people would react to his hardship with sympathy that he doesn't need or believe he deserves or earns. So he instead opens up to Ren because he sees them on equal footing. They're on the same page, and he wants Ren to feel a connection to him even if it's entirely fabricated and calculated. It's partially due to habit because, y'know, Detective Prince mask requires him to do this already in general, but also because so much of his real hardship is locked up so seeking a real connection requires the melodrama.
For me, I had this realization remembering when he walked into Leblanc the first time. He sees Futaba and he says "You must be Wakaba Isshiki's daughter" and then after he gets chewed out by Sojiro, he starts talking about how he doesn't feel wanted anywhere. Then seemingly unrelated, he talks about his mom. It feels to me like he's trying to say "if you can care about Futaba, then you should care about me."
He hasn't had a support system, so the need for just someone, anyone to care, even though they don't know him and what he's done, is so strong. He hates being pitied because he doesn't see himself as weak, and he doesn't think he deserves sympathy, so why would he share anything more than necessary? The third semester is the inverse of this. Everyone knows too much, so now the care he craved for so long feels way too exposed. It's too vulnerable, and he never thought he would have earned it if he shared this much, even from Ren. So ultimately the trust he earned has the opposite effect, and now his prior "see me and love me" mask has been replaced by a "leave me alone and hate me" mask.
Just said something about this on twitter but out of everything in 3rd semester that’s meant to show the contrast between akechis behavior pre-engineroom and post-engineroom I honestly think this specific change in sprite expression does it best
The first one looks directly at you because he makes this face when he’s trying to gain sympathy points / connect with whoever he’s talking to. Okay yeah he uses it when he was talking about his mother at leblanc and the bathhouse which definitely drew from a place real sadness but it was still a calculated part of his attempts to endear himself. And the second one is the exact opposite. It barely shows up and when it does it’s only for 1-2 (?) dialogue boxes a piece. It’s the expression he makes when he can’t immediately hide his emotions. The quick turning away / avoidance of eye contact is so you Don’t connect with the little hints of genuineness that manage to slip out for the two seconds that they last. Maybe so he doesn’t have to see your face if you do? Anyway. TDLR I just think it’s nice to focus less on his crazy talk and meangirlisms and acknowledge that they’re 100% also being used to rein in the fact that he’s progressively losing his grip on masking “the real akechi” from sight 100% of the time. At every point in the game he only wants his real self to be seen in tiny, entirely controlled sneak peeks, and only when he thinks it benefits him. agh
Hear me out- I was thinking about how in Strikers all the Thieves have different outfits, and notably Makoto seems to have become much more comfortable in her own skin and expressing herself that way. She's literally wearing a crop pleather jacket, and she ROCKS it. So what I'm saying is, if Haru tried pastel goth, she would be sold. She would be immediately and irreversibly sold and would never go back.
The funniest thing about this to me is thinking about this with makoharu. Whether or not you ship it, it's still funny to me that it's literally just:
Punk biker butch lesbian and her pastel goth plant girlfriend who chops firewood as a hobby and is also secretly a butch.
Like- they are practically a lesbian stereotype checklist, it's so funny to me. I love them so much
Artists of Tumblr, where you at?
I love how Persona 5 solved the issue of train fares. If Ren doesn't have enough money on him to travel in crucial scenes, there's special dialogue where Morgana pipes up and basically calls Ren broke and pays the rest of the fee.
I just find it hilarious because this literally means that not only does your cat have his own savings, but if you don't have enough for the Kichijoji trip with Ryuji, then Makoto literally sees your cat pay your train fare while stalking you. Think about how embarrassing it is, to be so broke that your cat has to pitch in for your transportation.
Killian | 19 | he/him | I am opinionated and right | shuake brainrot
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