Doyoulikeslimes - Livilo

Request!! Bendy and Cuphead starting the morning, because canonicaly they're not morning people and i like seeing them like pathetic wet cats

i hope this is pathetic-wet-cat enough for you lmao

they're literally the silliest ever i love them both so much

a comic about wine, a wager, and reconnecting through your weird kids

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this behemoth of a comic is finally done - and just in time for zoros birthday huehue. initially i wanted to make a zolu introspective from an outsider POV and was like you know who would have really funny input on this … mihawk. and then it spiraled into seven pages of mishanks sitting and talking. i thought it would be funny if mishanks ended up doing self imposed couples therapy the day mihawk brought luffys bounty bc well. its kind of hilarious to think abt mihawk realizing shanks was onto something all those years ago after he meets zoro and luffy. like sure this new generation is batshit crazy but my god are they cooking. anyways. cheers. get some kids

i'm so normal about gear 5 luffy (no)

I reread chapter 62 of jibaku shounen hanako-kun and there are things I didn't understand. Did Hanako know Yashiro was in the elevator? How did he know someone was in the elevator in the first place? Later we see him summon it, so does that mean the elevator is his? Honestly, I'm sorry if there are a lot of questions, but I just don't understand how he knew Yashiro was there and the relationship with him in the elevator (I mean, he also had the numbers written down that makes him move)

Hanako planned everything, he knew about the severance, he was the one who did everything alone. He knew how to get out of the boundary of number six, but he stayed there on purpose, in search of his yorishiro.

Still, Hanako waited for the right moment to get out of there. He could have summoned the elevator before, yes, but he didn't. This elevator was the one that guided Nene and Akane to the boundary of number six in the first place.

This is because Hanako wanted to blackmail Akane to get a favor from him (which he didn't manage to do).

In other words, Hanako planned everything and did everything on purpose.

Yes, apparently, only Hanako has the power to use this elevator. We haven't seen any other character summoning it.

The entity calling Kou to the house? Does it mean that Tsukasa is still inside him?

A teacher asked Kou to go to the red house? Amane?

OK SO CAN WE TALK ABOUT THE WHOLE EYES BEING IMPORTANT TO THE CHARACTERS THING. because this chapter had a whole lot of that. ohhh boy it had a lot!!!!! it did!!!!!

FIRSTLY. akutagawa. for a while, his eyes have been pitch-black. last chapter, they regained their light, as he remembered atsushi. and then they're pitch-black again in this chapter-- as the person who brought light to them, to akutagawa himself, is gone.

SECONDLY. dazai. as he tells akutagawa he can "certainly" give him a reason to live, at the same time, he himself looks like he has no reason to live, as if he's not living at all. his eyes are dark and dead. pitch-blacm just as akutagawa's were at the start of the manga, and this chapter, but with none of the determination or bite akutagawa has. just emptiness.

THIRDLY. (child) akutagawa. his eyes aren't empty, nor pitch-black at first. they're dark, with light within. he has not been shown light, nor has he been pushed into the shadows. they become purely fully of light when dazai claims he can give akutagawa a reason to live.

his eyes turn his signature pitch-black with his time in the mafia. he was not given a reason to live. he was given fear, pain, emptiness, and desensitivity to brutality. the chance of light and goodness in his eyes from when he was a child is erased by the port mafia-- by dazai.

his eyes become like dazai's dark, lifeless ones as dazai trains him. any chance at light, or goodness, or happiness, or true life is sapped from him and replaced with violence, abuse, the mafia, dazai, dazai, dazai!

atsushi is what brings akutagawa that light. and when atsushi is gone, the light is gone.

"the light in somebody's eyes" is a phrase meant to refer to someone's spark of life. their reason to live. akutagawa says that killing atsushi "became [his] sole motivation." but when atsushi dies, that takes the light out of his eyes. his reason to live vanishes along with atsushi.

atsushi is akutagawa's reason to live, isn't he?

live laugh luffy

Okay, I gotta dig out my Society of Tinfoil Hattery credentials from the junk drawer for this one piece business, so strap in and get ready for some flow of conscious yapping.

And just to be clear: ELBAF SPOILERS

Okay. So the triptych(?) mural. I’m gonna be very insufferable about the mural because that feels like THE center point of this arc. Not so much the poems, because as far as I know, the translations are still unofficial and I can give my thoughts on them then.

Okay, so, the first third. The “First World”

We see people- we can assume slaves- coming out of complexes with machinery beneath and steam billowing from above. Is this a refinery? A power plant? A reactor, maybe?

We see these people go down deep, and come back up carrying something starlike that they bring to a crowned figure on top of the hill. Ore? Precious stones and metals? Some sort of fuel source? It looks the same as the stars depicted, so… nuclear energy?

We also see beneath the ground- perhaps hidden?- a winged figure (sky islander?), next to a very large ship with animals trailing towards it (Noah??) pointing skyward (to the moon???).

Above the crowned figure at the top of the hill, we see a ship in the sky sending a lightning bolt to the feet of the crowned figure and towards the roots of the tree centerpiece (Uranus? Something like the Ark Maxim and Enel?)

And the central piece to the first world portion of the mural… this “Serpent of Hell” coming up from beneath the earth where the slaves are going down into getting into a conflict with the bird-like creature at the top of the second world’s tree (Nidhogg and Hraesvelgr imagery? Who would be the Ratatoskr of that?). It seems from the fire the two are spitting at each other, that the whole world has become enveloped in war and- if the bit about the Earth God becoming enraged is translated correctly- rendering it uninhabitable (the reason why the sky islander is taking the animals to Noah? The reason why the sky islanders went to the moon to begin with? Was the land irradiated?)

This one is the most dicey for me, but bear with me.

The Second World is a tree with the Hraesvelgr-esque figure perched at the top, warring with the Nidhogg-esque figure going down into the earth beneath the roots. We might assume, though I’m not exactly certain about it, that this tree could be symbolic of this eight hundred year reign of the world government? Its branches don’t stick out very far from the trunk, so this could just be to keep the image from being cluttered, just something that wasn’t thought about, or because the tree is giving shade to only a select few.

This Hraesvelgr looking beast seems to have won the conflict with the Nidhogg one. So the Nidhogg beast might have been symbolic of a rebellion coming up from where the slaves toiled away? (The x marks on the serpent’s sides do make me think of a certain tattooed someone with a certain ophidic moniker with certain unsavory opinions on the Celestial Dragons…)

And then we see the last portion of the triptych. Nika leading the charge with an army at his back against a winged demon holding the sun.

I see Nika and Imu (or maybe even Teach…) depictions here, obviously. I see a whale with two people on it’s back (Laboon, Crocus, and that one dude who was drinking with him that one cover art (that might be the man marked by flames))? I see a Lunarian (King and/or the Seraphim?). I see Emmet. I see Dogstorm and Catviper. I see Shirahoshi and the Megalodon. I see Leo. I see Loki! We see several ships, too! All of these people fighting against one big demon and one tiny ship with just a handful of people. The world has turned on the powerful few.

In conclusion… I think this is a sort of history-prophecy thing like with Alduin’s Wall in Skyrim. These aren’t “worlds” per se, but Ages. It just gives that illusion because it feels like how humanity speaks of bygone eras as totally different worlds. I think this is the Void Century, Imu’s reign (specifically Imu, because clearly something or someone was calling the shots before them. Perhaps the Nerona were ruling? And Imu formed the alliance of the 20 Kingdoms when the Nerona family was being threatened by this “Serpent of Hell”? Maybe Imu was the only survivor of their line and refused to let go of their power?), and Imu’s downfall respectively.

I… really don’t think Nika brings the end of the world. I think he just brings in a new Age.

I’m going to go on my “Imu is an eternal child” soap box when I say that I think Imu is embodying a sort of foil to Nika (a moon god/dess mythical zoan, maybe?). Both Nika and Imu seem… childish to me. Nika is all the positive things we associate with childhood. Play and laughter and imagination. While Imu… Imu is all the negatives. Selfishness and moodiness and “I’ll break my toy so I don’t have to share it” mentality. You get what I’m saying?

Again, this is by no means a comprehensive thing. This purely just me spitballing things.

Thoughts are absolutely welcome.