Listen, I'm having fun playing with the ultra patriotic voice, but after a couple years in blue-collar landscaping jobs, you really do need to phrase things like that.
"I'm pretty sure that fella ain't here legally."
"Well, that ain't your business Chip, it's his."
They hate being preached to. If you pull out words like 'gender wage gap' they'll tell you you're brainwashed by the far left media.
"He's one of them transgenders."
"He got freedoms too, Jimmy."
To The Person At The Bus Stop Holding A Bouquet of Red Roses by Jordan Bolton
Part of Scenes From Imagined Films Issue 3 - Order now on Etsy
oh my god...
so the first screenshot is trying to look this up on tiktok normally, "donald trump rigged election" and it says that search violates community guidelines.
the second screenshot is looking up the same exact thing, but with a (australian) vpn on. canadian vpn didn't fix it fyi.
THIS is exactly the type of censorship to be looking out for on tiktok. this actually is crazy.
If you are a British/UK citizen, there is currently a petition running (with only 125 signatures) that ends in June 2025. The petition calls for the government to make it so that you do not need a diagnosis of gender dysphoria to change your gender.
If you are a British/UK citizen, and would like to sign:
https://petition.parliament.uk/petitions/701159
If you're not a British/ UK citizen it'd be much appreciated if you could share this post !! :)
I'm begging all of you to read the Jeeves books
one of my worst writing sins is abusing my power to create compound words. i cannot write the sentence "The sun shone as bright as honey that afternoon." no. that's boring. "The sun was honey-bright that afternoon" however? yes. that sentence is dope as fuck. i do not care if "honey-bright" is a word in the english dictionary. i do not care if the sentence is grammatically correct. i will not change. i will not correct my erred ways. the laws of the english language are mine.
alright, I’m annoyed with the class that I’m taking. it’s about writing novels, and I thought it would have cool stuff about balancing your narrative and developing themes etc, but instead she spent the first class talking about how every book fits into the Hero’s Journey (the monomyth template). and I was somewhat of a contrarian, and said “can you give us examples of books that don’t fit into this template?” and she said “no. because all books fit.”
but I dunno man, I just finished reading this Korean book where the plot is just the character having a string of hookups and reflecting on them without changing in any way. I don’t know if it’s possible to contort that into the Hero’s Journey.
The Perfect Explanation of Privilege – In One Powerful Punchline
“The Pencilsword” is a comic strip by Toby Morris, an illustrator from New Zealand. His most recent comic, “On a Plate” hits hard at the heart of the issues of concerning wealth and privilege.
How many times have you heard the “I’ve never been handed anything on a platter” argument in regard to social security and other social benefits?
Toby wrecks this argument by showing how two children can grow up, be loved and supported, and yet still have two very different outcomes.
Make sure to follow all the way to the end for the powerful punchline. This comic is an increasingly sad reality for far too many of this nation’s children and families.
“Pratchett went back to older throwaway jokes (like dwarves being apparently unisex) and used them as metaphors to discuss social change, racial assimilation, and other complex issues, while reexamining the species he’d thrown in at the margins of his world simply because they existed at the margins of every other fantasy universe. If goblins and orcs and trolls could think, then why were they always just there to be slaughtered by the heroes? And if the heroes slaughtered sentient beings en masse, how heroic exactly were they? It was a long overdue start on redressing issues long swept under the rug by a parade of Tolkien successors who never thought of anyone green and slimy as anything but a notch on the protagonist’s sword, and much of the urgency in Pratchett’s last few books seemed to be related to them. “There’s only one true evil in the world,” he said through his characters. “And that’s treating people like they were things.” And in the last of his “grown-up” Discworld books, that idea is shouted with the ferocity of those who have only a few words left and want to make them count. Goblins are people. Golems are people. Dwarves are people, and they do not become any less people because they decide to go by the gender they know themselves to be instead of the one society forces on them. Even trains might be people, and you’ll never know one way or the other unless you ask them, because treating someone like they’re a person and not a thing should be your default. And the only people who cling to tradition at the expense of real people are sad, angry dwellers in the darkness who don’t even understand how pathetic they are, clutching and grasping at the things they remember without ever understanding that the world was never that simple to begin with. The future is bright, it is shining, and it belongs to everyone.”
— John Seavey, The Evolution of the Disc (via pornosophical)
I write things sometimes. she/her, but I'll take whatever pronouns suite the bit
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