Brigitte Bardot in Contempt ‘Le Mépris’ 1963, dir. Jean-Luc Godard
fingers tap on the bar top, the faerie's head tilting to the side as she watches one dorothy gale spin one too many times. boredom has no true cure, not for someone like faye ━━ it is only dormant, waiting to come back when her latest entertainment loses it's novelty. pudding & pie helps little but it is better than being surrounded by nothing and no one. and who knows? perhaps the opportunity to amuse herself ( and perhaps make someone else's day less than ideal ) will come on a silver platter.
and it did.
hazel eyes focus on the fable, narrowed in both wander and annoyance. faye could not give less of a damn about the dead witch ━━ they barely give a damn about people whose name they do not forget on a daily basis ━━ but there is something dense about such a celebration, not because dorothy is only a few steps away from dancing on the witch's grave, no ━━ who is to say being a witch is why... whoever her name is, is dead?
faye smirks, though it does not quite reach her eyes. "ding dong the witch is dead, yeah?" a scoff, a sip on her drink. furrowed eyebrows paint themselves on faye's expression ━━ a part to play, a reaction that is planned more than genuine. "ever think that maybe there is a possibility it wasn't because she's a witch? you could be the next victim for all we know. and i don't know about you but i like being alive."
" I DON'T KNOW WHAT EVERYONE IS SO FUSSY ABOUT , " dorothy voiced , but the words were spoken between shallow and bitter breaths , having just teetered off the stage from a particularly grim performance ( the town's happenings had left little room for pallet - soothing whimsy , but perhaps her audience could have done without her celebratory merriment about the witch's fate ) . taking the scarlet fingertip of a stain glove between her teeth , dorothy tugged the costume piece off her tawny limb before discarding it behind her on the bar top .
" ─── anyone in their right state of mind would be relieved . feel , , , safer . " it were almost as if dorothy were self soothing ( as she was one to talk about what defined a right state of mind ) , shifting her bite to show her opposing glove the same attentions she had gifted the first . then , swirling on the stool so she was facing bar side , dorothy collected her thick , loose hair and pulled it over her shoulder , beginning to anxiously thread it into a loose plait , only to run her fingers through it and start over .
over . and over . and over again .
her eyes find the occupant of the seat next to her , eyes like that of a sleepy pup's as painted lashes framed droopy lids . she was so tired , their features blurring , a yawn burning her throat that she didn't let surface .
" i think we should give whoever did it a proper thanking . "
a 𝐜𝐥𝐨𝐬𝐞𝐝 𝐬𝐭𝐚𝐫𝐭𝐞𝐫 for 𝘋𝘖𝘙𝘖𝘛𝘏𝘠 𝘎𝘈𝘓𝘌 set at 𝐩𝐮𝐝𝐝𝐢𝐧𝐠 & 𝐩𝐢𝐞 the eve the news broke of the murder . ( @detr1tus , @gravemist , @lcgendaries , @einchants , @daydreambeliiever , @unyearning / @unforsworn )
impatient bartender leaves their place of work before they are roped into doing the final steps of closing up, night plans already sent down the drain. faye would be lying if they said they are looking forward to this empty headed meeting of all of fabletown ━━ a gala to make them all forget that their little safe haven might not be as safe after all. if nothing else, tink is looking forward to whatever drama other fables might cook up ( and it might make up for the lack of good entertainment ).
familiar figure catches the fairy's eyes and, for half a beat, faye considers merely walking past and ignoring the other's existence. and then, he speaks. "the celebration hasn't even started and you're already speaking like you're on your third glass of wine, debbie downer." as if faye has any qualms with the thoughts lancelot is sharing ━━ it's not like he's the only one.
"if any mundanes came tomorrow, i think we'd be alright. i'm not above kicking someone in the crotch. and i found a cute butterfly knife i'm just dying to use." morality is far too expensive these days. if mundanes came looking for a fight, who could blame the fables for rising to the occasion? "what would you do?"
mise en scenè ⸺ the crooked mile, at the juncture between the open arms hotel and the lucky pawn, an hour before sunset.
in a few hours, fables from each parcel of their sequestered town will march their inexorable way to the woodland in the opaque night, beneath the cool balm of stars. the sun will slope beneath the horizon—the world aflame, then put out as if drowned—and the shoulders of the sky will falter, will capitulate to the black sails of darkness. the day’s light, extinguished in but a short breath, a short-lived exhalation of time.
natural occurrences still startle lancelot, but he supposes it is to be expected, even excused: after all, he was only recently roused from an interminable stupor. hanging from a tree for the better part of four centuries will do that to you, king cole had said. the symbol of death marks him still; no signet of valiance or virtue or the life he paraded and prided himself in when camelot still stood tall and unfallen. no fate could be so final and so essentially pathetic. nothing, not even the glory of a name, could absolutely survive death.
this world, this mundane world, had prevailed and thrived long before the fables arrived. it will continue to do so long after they are gone. one way or another, he thinks. how long before their magic is depleted? before the cardinal bond between birthplace and creation is severed completely? until no one who has entered the heart of their collective tale can remember it, can pass it on?
for now, he waits, a sombre sentry hemmed in between the open arms and the lucky pawn. the fleet of footsteps draws neither his eye nor his ear, but he inclines his head nonetheless. “for how long do you think we’ll remain hidden? another decade? another century? tomorrow, perhaps, we’ll wake to the mundane authority storming our homes.”