Progress photos of my Nøkken painting back in May.
And here's the finished product. (Although I might always add touch ups because my work is never finished).
i can't bother to finish it for now, its too much work and im too lazy
this was my first time using the grayscale and gradient maps method
This is one of my favorite paintings I've done.
These are Huldra or Hulderfolk from Scandinavian folklore. Hulderfolk are seductive forest spirits and their name translates loosely to "hidden" or "secret". They're said to look like normal women with the only difference being the hole in their back that resembles a hollowed tree and the long cow-like tail which they hide under their skirts. If you encounter a Huldra and treat her with respect, she will be very helpful (sharing the best fishing spots or tending to your charcoal kiln), but mistreat her and the punishment will be severe (being beaten to death with her tail or taken into the mountains never to be seen again).
Okay so I just thought of an idea for a TV show based on Frankenstein where it follows the creature on his journey as he learns about the world, but it focuses on his appearance, specifically his body parts.
Like each episode would be about a different body part that Victor used to make him and it cuts between present day with the creature and the past with the person that body part originally belonged to. The episode goes on to show what that person's life was like, how they acted, and eventually how they died.
For example: the creature's hands belonged to a poor, but talented painter and the episode focuses on the creature using his hands (building shelter, making fire, drawing in the dirt with a stick, etc).
Or the creature's face/head belonged to a beautiful male prostitute and the episode shows the similarities/contrast with how he was treated and how the creature is treated.
Sooo... I don't really do social media. But I want to push myself to try new things and I would like to post some of my art and ideas. More to come...
Once more for those in the back.
I'm really proud of this piece, because it only comes together into a coherent scene like this from a distance - up close it's really hard to make sense of and involved a lot of abstract-seeming shapes and colors. But it all works together!!!
So here me out, if Victor's description of the creature as beautiful when he was making him is true, and Walton’s description of the creature as a hideous monster upon seeing him at the end of the novel is true, perhaps the creature’s appearance changes as a reflection of how he’s treated.
I believe that the creature appears hauntingly beautiful (as beautiful an 8ft man made from the body parts of dead people could be) when he’s brought into the world, but as he faces constant rejection from mankind and is treated as a monster, his looks begin to reflect his perception of himself. And as his innocence is corrupted and he chooses to act like the monster society sees him as, the creature’s appearance gradually degrades. By the end of Frankenstein, he’s killed four people in his quest for acceptance and has trekked through the arctic, so he looks just like the wretched daemon that Victor always said he was.
…this all to ask, if he was treated with kindness and love would he slowly start to look more human?
Nøkken Among the Lilies
Thought I'd post a pic of my summer acrylic painting.
The Nøkken (also known as Näcken, Nøkk, Nixie, or Nix) is a water spirit from Scandinavian Folklore. He is known to reside in still bodies of water, hiding in the lily pads and fern. Nøkken was said to play the violin, fiddle, or harp so beautifully it lured people to the bodies of water where they drowned.
Been reading Mary Shelly’s Frankenstein and I decided to draw my take on the creature. Hope you like him! I’m a big fan of the book so far!
Choupette:
*insert Up On Melancholy Hill playing here*
she/her, 25, artist, INFP, ♎ current hyperfixations: Scandinavian folklore, One Piece, OPLA, and Frankenstein
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