Four Kids Play A Game...

Here's my contribution

Part 3

They have one thing in common your honor.

hi!!! I love your artstyle very much!! can you please draw a fanart for waffles's christmas special(very christmas and cute), or, maybe, blue sky alternate noncanon april-fools ending(ouch) ?

It probably would have been better if I had had this done in time for April fools but uh. Two days later isn't bad right

Anyway enjoy Wheatley being jealous of himself!

wip, this lighting set up is messing with my head :'-)

adhd paralysis sucks bcuz im just sitting there and my brain is like

YOU ARE WASTING TIME YOU ARE WASTING TIME YOU ARE WASTING TIME YOU ARE WASTING TIME YOU ARE WASTING TIME YOU ARE WASTING TIME YOU ARE WASTING TIME YOU ARE WASTING TIME YOU ARE WASTING TIME YOU ARE WASTING TIME

no work done no rest gained. literally no point of this at all

one thing i love about portal 2 is the distinct difference in physicality between wheatley and glados. in the core transfer scene, glados, as she does, moves fluently, smoothly; seductively is a good word to describe it. you know how she is. then after wheatley takes over, despite using the same body, noticeably shifts from "I suggest you take a deep breath. And hold it." to "HARR HARR HARR I'M BLOODY FOCKEN MASSIVE INNIT" and i just love that so much. glados smoothly rotates around like a serpent and wheatley starts spinning circles and bouncing up and down it's just great

additionally:

[ID: Reply from user clareironbrook that reads: "Credit where it's due to Karen Prell - best known for her work with the Muppets, lead animator for Wheatley. /End ID]

i had NO idea! credit where it is ABSOLUTELY due, i didn't even mention Wheatley's facial animation as well but it is beautifully done. all he has is a rotating eye, eyelids, a pupil that can expand or contract and some little handles at the top and bottom of his face, but his animation is still impressively emotive. it's really half of the charm of his dialogue honestly, puppeteering is already such a cool skill and it's even more impressive to do it digitally on this little fuck

ADDITIONAL addition: @meow-moment you're a PART of this post now you are FUCKING Correct

[ID: Reblog from @meow-moment that reads "i love in the scene where he tells you you have "a very minor case of serious brain damage" when his eye pops out a little and his handles flare out and it somehow looks like he's adjusting his glasses nervously]

there are a good few additions to this post I'd love to add to it but this one is like. NECESSARY. that is PRECISELY what that conveys and it's fucking magic how well it works. hats OFF karen prell

thinking about scaramouche team dynamics ft scarabedo

Thinking about Blue Sky from Eaden’s perspective in general is really comical actually. Like just imagine: everything’s perfectly normal, la-dee-dah, just your bog-standard day in a post apocalyptic rural town, when that quiet somewhat-mysterious girl who works at the bakery just DISAPPEARS one day without any warning whatsoever– Aaron was literally JUST at her house talking to her a minute ago, and then suddenly nothing! She’s just gone, out of nowhere! Then, the next time you see her is like two days later and she’s been shot in the side and is bleeding profusely, unconcious, and being carried back into town by this darty-eyed human coat rack with a British accent, who you have literally NEVER seen before in your life, but he somehow seems to know Chell pretty well. Neither of them give you any explanation for what on earth happened either- she just completely shakes it off and goes on with her business with the Tenth Doctor here in tow. And boy is he a piece of work, too! Constantly jumping at shadows, acting like he has no idea how to use his arms or legs like he’s only had them for five minutes, talking about things like “anatomical parameters” and “audial processors” and “management rails”, yet he doesn’t know what a dog is. Like, who even IS this guy?! Well whoever he is, Garrett gets him roped into the Foxglove project and– wait what is he doing up there? WHAT DID HE DO IT’S WORKING WE’RE GETTING RECEPTION HOLY CRAP!! Par-taay~!!! And then the next thing you know you wake up in this hotel room or whatever, no idea where the hell you are, with this guy’s voice over an intercom telling you to please remain calm and not leave your rooms because you might be really high up and??? Chell and Garrett go in?? And come back carrying him, passed out, wearing Garrett’s shirt and nothing else… covered in this wierd goo…???

——————————

oh my goodness yes

shoutout to annoying robots that spend the whole game yapping, gotta be one of my favorite genders

mister saxobeat !!!