“see You In Court Sweaty:)” - An Improv Song By Thomas Sanders, Ben J Pierce And John Cozart

for someone who is fully content hanging out alone I have a huge want of being someone’s most favorite person in their life. 

Deaf West Spring Awakening revival. Reblog if you agree

that part in touch me where everyone is singing and it crescendos super fast like “where I go whErE i Go TOUCH MEEEEEEEEE” reblog if you agree

@AustinThoughts: Third time’s a charm. I’m going to Broadway, ma. 

More little things you notice when you’ve seen Deaf West Spring Awakening too many times

(Part 1)

- Wendla looks at her ‘voice’ for guidance during the hayloft scene, but her voice turns away as if powerless, leaving Wendla to fend for herself. @notresponsibleforlostitems

-Wendla’s voice acts very anxious during the hayloft scene, at one point sitting in a fetal position and jumping up in shock when Melchior tries to unbutton Wendla’s top.

- In the classroom scene, Otto and Ernst (both played by deaf actors) have no idea what their assignment is because the teacher only says it aloud. Otto looks at Melchior expectantly until he translates to ASL, while Ernst has to get Georg to write the instructions down for him. @theta-knight

-Also in the classroom scene, Melchior signs as he speaks behind the teacher’s back so that his deaf classmates can understand. He stops abruptly whenever  the teacher turns around (the teacher punishes the students who use ASL, as deaf education at the time strictly enforced oralism).

- Sometimes Ernst’s “I know” after Hanschen comments on the bells in the vineyard scene sounds like a question because, you know, he probably didn’t hear them. @theta-knight

- The drummer is ‘Gregor the chimney sweep’ and he looks really disappointed that he doesn’t get to explain where babies come from to Wendla. @stepliana

- During ‘The Dark I Know Well’ it always gets me when Ernst runs to the stairs behind the girls and starts signing with them instead of with the boys who approach them ominously. Ernst also hugs the teddy bear before putting it in the trunk during ‘And Then There Were None’ @cocodowntherabbithole

- Only in the Broadway staging, Melchior interacts directly with Wendla’s voice during the beating scene. She stops him from leaving the circle and sternly pleads for him to return to Wendla. (I’m still trying to unpack what this is supposed to mean tbh). In this scene Wendla also stands directly parallel to her voice, occasionally looking over and following her example to gain some boldness  @notresponsibleforlostitems

- At the very end after the bow Austin and Sandra (Melchior and Wendla) always cross the stage towards each other and grab hands and it’s adorable (and one time they kissed?!?) @now-later-soon​

-In the Broadway staging, when Melchior starts singing All That’s Known, the rest of the students lean all the way back in their seats in slow-motion while chanting in Latin. This is a very cool effect, but it is also likely the choreographer Spencer Liff’s deliberate signal to deaf audience members that a song has begun. He said in a recent interview that he watched the show with earplugs to gain the deaf viewers’ perspective, and made changes so that they are able differentiate between the scenes with and without music.

- During The Dark I Know Well, if you look in the background during Ilse’s scene you see Melchior, Moritz, and Otto cracking their fingers almost preparing to go after her @cocodowntherabbithole

During the Desdemona part of My Junk, Marlee Matlin (I think playing Hanschen’s mother?) is painting a picture of him as a child up on the balcony @now-later-soon 

Ernst gives his voice a hug and a kiss before walking off alone with Hanschen @cocodowntherabbithole

Girls who date more masculine girls aren’t dating them because they secretly like boys. They don’t date “girls who look like boys.” They don’t want to be with boys. It’s not the same thing if they dated boys. Stop equating less feminine girls to being like boys. Stop forcing heterosexuality on lesbian couples.

Y'all can like JD and ship him and Veronica if you want, but remember not to excuse his actions. He killed three teenagers and tried to blow up his school, and because he did that he is a terrorist. 

Was his life incredibly sad? Yes. Would things have turned out better if this and that didn’t happen? Yes. But we can’t overlook just how horrible he was by the movie’s end. Heather, Kurt, and Ram were all terrible people, but they were also kids. They were all close to leaving Sherwood, and hopefully becoming better people once they were in the real world, but they never got to know the real world because of JD. 

 And JD abused Veronica. Was JD entirely to blame? No, some fault fell on Veronica, but it was always clear that JD was the mastermind and at the end of the day Veronica was a victim. He tried to get in her head, and convince her she wanted Kurt and Ram dead, he tricked her into helping him murder them. When Veronica was trying to leave him, he pinned her to his couch and forcibly kissed her. When she faked her suicide, he was already climbing into her window to kill her.

JD is a sad character, terribly sad. Certain interactions between him and Big Bud Dean drive me to near tears sometimes, but he’s still a terrorist and he’s still abusive. You can make JD blogs, you can sympathize with him, and you can ship him with Veronica. Just understand that you cannot excuse him, you can’t want a relationship like he and Veronica had, and you certainly can’t want a JD for yourself to fall in love with in real life. That beings said, please take these words to heart next time you watch the movie and musical and imagine yourself with a person like JD. Thank you, I love all.

reblog if you are still not over spring awakening closing