Happy 10th Bloodborne Anniversary Everyone ! On A Scale Of 1 To "sony Lost The Source Code" How Are We

as a phrase, “she [x] on my [x] til’ i [x]” only is funny if on either side of a spectrum. either the phrase ends so specific to a sexual action it’s a smart joke (for example, “she strogan me off til i beef” uses the word “beef stroganoff’ but also makes a “stroking off” joke, making it clever wordplay.) or it makes so little sense that it ends up funny from the absurdity of deciphering what type of sexual action could even be taking place. (example: when my roomate the other night asked to hand them a sanpelligrino and then said “she san on my pelli til’ i grino” which begs the question of what ‘sanning’ is, what a ‘pelli’ repersents in terms of human genitalia and what ‘grinoing’ could possibly be.)

Oughhh the parallelssss

Comparing the game's nicest npc who literally everyone agrees is the most pure and innocent to Queen Genocide McWarcrime, arguably one of the most divisive figures in the lore, so fucking good

I fucking love this game

Miyazaki i see what you did there

The Hank Pym drama is one of my favorite parts of marvel content tbh

Didn't know which one fit better so i made both versions

Yeah you're probably right tbh

I originally read it as a means to somewhat preserve their culture out of some begrudging respect for them, but the british museum allegory is much more evident after second thought

Thanks for the feedback !

After a bit of time and a hefty amount of thinking abt the lore, SOTE really brings this post to my mind.

It's like. Miquella did love Malenia and Godwyn, but couldnt cure them the way he was. He did want to better the world, but it didnt help him as he retraced his mother's footsteps.

Midra did love, and was loved, he endured for ages in memory of the love he shared with Nanaya, and her entreaty. This didnt stop the inquisitors from ramming the sword of damnation through his throat.

Messmer did love his mother, and he obviously cared for her people. He cared for his knights, even when they betrayed him. He even seems to have cared about the hornsent in some capacity, judging by the amount of hornsent culture that remains preserved in the storehouse. And yet, despite all that, he still is responsible for the slaughter, and utter genocide the hornsent suffered. He still couldnt save the jar saints. He still couldnt get his mother to answer his pleas.

Marika did love Messmer. The amount of blessings she gave him is proof enough. She did love him, but it didnt prevent her from sending him on an endless crusade.

Marika loved her people. It didnt matter.

"Marika bathed the village of her home in gold, knowing full well that there was no one left to heal." "What was her prayer ? Her wish, her confession ? There is no one left to answer, and Marika never returned home again."

By the way, small addendum that is only somewhat related bc i dont want to make a full post abt it

The shaman village ost is the elden beast theme with only the harp, without the grandiose melody.

"Only the kindness of Gold, without Order."

An attempt at analysing the last scene from The End of Evangelion

Warning ! I will be spoiling both the movie The End of Evangelion, as i am talking about the last scene in the entire film, and the original series, since EoE is by necessity taking place after it.

If you're still here and don't remember exactly which scene i'm talking about, or just really want to read this post abt sth you haven't seen, i am specifically referencing the scene where Shinji attempts to strangle Asuka on the shore of the LCL sea. Without further ado, let's get into it.

Shinji is hurting himself here. He is strangling what might be the only other person left in this world, the only being that could give him the affection he craves.

He is strangling asuka, whose facade he interprets as a mirror of his inner self, an arrogant entitled asshole with no consideration for the feelings of others. He is attempting to better himself by physically assaulting a reflection of his past self.

Asuka is trying to help herself here. She is caressing what might be the only other person left in this world, the only being she could open herself to.

She is caressing shinji, whose facade she interprets as a mirror of her inner self, a lonely child who longs to be loved, but cannot open him/herself to affection. She is attempting to better herself by giving a reflection of her past self the affection it deserved.

Shinji drops his façade, and grows into someone who will take action for what he believes to be right.

He sees the both of them as unredeemable, as deserving of punishment.

Asuka drops her façade, and grows into someone who can provide affection and receive it.

She sees the both of them as two children failed by those who should have helped them, as deserving of love.

They see each other, without façades, without pretenses.

Shinji sees asuka, Asuka sees shinji.

They are forced to confront their diametrically opposed yet coexisting statements on themselves and humanity.

Both are right.

Shinji and Asuka were both selfish entitled pricks who consistently let their impulsive actions hurt the people around them.

Asuka and Shinji were both scared, lost children who were denied the love and support they should have been given.

They deserve retribution and love in equal measure.

This is contradictory.

This is true.

This is real.

This is impossible.

This is Adam and Eve, cast from the garden of Eden, grappling with the knowledge of the world they now possess.

This is human.

How disgusting.

can you reblog a two-part post in the correct order?

Elden ring + Shadow of the Erdtree lore thoughts

Alright, so, first off, obviously, spoilers ahead.

I've been thoroughly enjoying and getting my ass kicked by SotE and what ive seen of the lore so i wanted to ramble about it.

I specifically wanted to talk about how Elden Ring explores power and godhood.

In the base game, godhood isnt seen as inherently bad. Marika's golden order is fucked up six ways to sunday, but the blame mainly rests on Marika's shoulders it seems. She's a genocidal homewrecking war-mongerer who threw two of her children in the sewers bc of racism, she's not a good god, but it doesnt portray the problem as her being a god, just her being a mess. The game provides several "solutions" to unfuck everything :

Ranni's ending has you completely throw the system in the trash. She says, fuck it, godhood's the problem, im out of here. She is kinda right, but the lands remain fractured and the power vacuum left behind is going to be immense. We're on the right track but could be better.

The frenzied flame ending is just pure concentrated nihilism so i think we can move past it for this one.

The bunch of other endings are fairly similar : you beat Marika/Radagon's ass and you impose yourself as Elden Lord to keep her in check and fix the issues you see as most important. This doesnt fix anything long-term, the god in power is still the exact same fucking mess but with a chaperone now i guess.

None of these endings are very satisfying, they all leave you with a sense of "it could be worse i guess" (except the frenzied flame one but you get the point). This is where Miquella comes in :

Everything we hear about Miquella sounds great. He's kind, compassionate, against racism, doesnt like violence, etc etc. Cherry on top, he's even one of the characters with a direct shot at godhood, brilliant ! Why cant we just put him in charge, he'll do much better than the absolute wreck we have right now.

And thats where the base game leaves us, Marika is a fucked up mess of a person, and the obvious solution is to put the much better Miquella in her place.

Shadow of the erdtree, on the other hands, aims to set the record straight. The problem wasnt just Marika, the problem is inherent to godhood in and of itself.

In SotE, we see the land of shadow, the realm where Marika came from and ascended to godhood, and the realm where Miquella intends to do the same. And the more we hear about who Marika was before in snippets of lore, and the more we watch Miquella tread the road to godhood, we realise something :

There is no such thing as a good god

It doesnt matter how kind and compassionate you were, what your morals were, who you loved, who you loathed, none of it matters because you cannot grasp the power to become a god without sacrificing who you were before.

In the dlc we see Miquella shed more and more of himself, his flesh, his arms, his eye, his heart, his doubts, his fears and even his love. Miquella has shorn so much of who he was that he formed an entire new person (St Trina) from it. Some of him remains, he still wishes for a kinder world, but he cant sacrifice anymore of himself for it. Now he has to start sacrificing others.

Miquella was always blessed with the ability to charm others, and he sees it as the least painful path to make others do as he wishes. And so he charms his sister, he charms Mohg, he charms Radahn, his followers, Leda, Moore, Thiollier, Freyja, the hornsent, Ansbach, and everyone he can convince to give themselves up for his dream of a kinder world, regardless of the pain they might cause or feel by being enthralled by him.

And oh boy do they feel pain. Mohg is used and discarded like a ragdoll, and his followers and dynasty slowly crumble to nothing as the last pureblood knight watches helplessly, himself entranced by the one responsible after he failed to kill him. Radahn's soul is shoved in a corpse so that he can play consort to a god that is his antithesis, depriving him of his glory and honour as lord of the battlefield. Malenia is left alone to rot after Miquella has no use or help for her, and she endlessly waits for her brother to return. Every one of Miquella's followers has to grapple with those feelings of betrayal, manipulation, and lost memories returning all at once. It is by no means painless.

And so we end up with a god that is not much better than Marika was. On his path to godhood, Miquella has caused as much pain to those along the way as his mother once did, in this very same land that still feels the scars of Marika's ascension.

The only way to gain power is to take it from everyone else, and that cannot be achieved without pain.

Also interesting to note, the minor erdtree incantation specifically separates acts of affection and care from order. Marika's attempts to heal her people are classified as "the kindness of gold, without order", implying kindness, and love, are absent from order entirely.

If chaos is entwined with love, it would only make sense for order, its antithesis, to be divorced from it.

The fact that all of the lords of frenzy became the lords of frenzy for love.

Vyke sought out the three fingers because he didn’t want his maiden to burn.

Shabriri uses our love for Melina as a reason to become the lord of frenzy so that Melina doesn’t have to burn.

We don’t know that exact circumstances with how or why Midra inherited the flame, but he loved Nanaya enough to endure the madness and asks for her forgiveness before he becomes the lord of the frenzied flame.

But also Melina uses the fact that life endures despite hardship, which means that love endures as well, as a reason to not inherit the flame of frenzy.

Chaos and love are entwined with each other.

what do you mean elon musk did a nazi salute on live tv at the united states presidential inauguration twice and is now erasing the evidence off the internet by replacing the footage with the crowd cheering instead?

would be a shame if people reblogged this, wouldn’t it?

WHAT THE FUCK DO YOU MEAN WE COULD HHAVRE HAD A CUNO ANDF CUNOESSE FOCUSED DISCO ELMYSIUM SPINOFF I WXANT LOCUST CITY INJECTED INTO MY VEINS RIGHT FUCKING NOW