ꜱʜᴏᴡ, ᴅᴏɴ'ᴛ ᴛᴇʟʟ (ɪɪ)
fear - open mouth - backing away - fake smiles - hugging themselves - long / dragged breaths - rocking
jealousy - snide remarks - darting looks - self-deprication - visible judging - folded arms - arguing a fair point
hurt - steadying breaths - overly bobbing head - teary - anger - trembling - pressed lips - insisting everything is 'fine'
lying (ticks) - picking at nails - touching hair - licking lips - laughing too loud - avoids subjects - won't meet eyes
worry - reaching out physically - pursing lips - looking to others - reassuring smiles - looking you up and down - tilted head - sympathetic nod
shame - will not meet eyes - feet turned away - teary - desperate - fidgeting - begging
humiliation - lashes back - cheeks flush - palms turn sweaty - face frowns -> brows scrunch, lips pull back - teary
love - looks for approval - blushing / turning red - clammy palms - nervous around certain people - laughs hard - turning clumsy - slip of thought
Forehead kisses, and smiling through the kiss
Resting their forehead on the other’s after a kiss
Tucking strands of loose hair behind their ears, with a thumb caressing their cheek
Interlacing their fingers with the other’s when they least expect it
Sleepy back hugs when the other person is busy whipping up breakfast in the kitchen, catching them by surprise
Just doing their own things in the same space; being so comfortable around the other even in their pyjamas
Holding both their hands while holding their gaze gently, just before leaning in for a kiss
Switching positions with the other when walking down a busy sidewalk because your feel the need to keep the other safe
Being playfully clingy in the mornings when one has an off day and the other has to rush to work
Getting them something from the store when they only mentioned it in passing
When one is overseas for a work trip and everything they see reminds them of the other person (bonus: whenever it happens, they take a picture and drop the other person a text.)
Squeezing their hand reassuringly and holding their hand throughout an intense social situation (eg. a large school reunion which the more introverted person is dreading)
Kissing away their tears
^ and letting the other cry on their shoulder even when their t-shirt gets soaked from their tears
Meeting them where they are, mentally and emotionally; never forcing them to do anything they aren’t comfortable with
Wholeheartedly supporting their dreams, and putting that into action by making concrete plans for it to happen
Dropping the other person an encouraging text before an important interview/event
Surprising the other with flowers just because; no occasion and no reason needed
Picking the other person up from work when it’s getting late, and walking them right to their doorstep after
Good morning and goodnight texts
Making the other person a Spotify playlist with songs that remind them of their relationship and growth
Remembering the littlest of things — activities they like and dislike, favourite brands of stationery, go-to ice cream flavour, choice of popcorn
Writing little notes on post-its and leaving them in random pages of their textbook, so that they will get a little endorphin boost when studying
Daily affirmations
I am a freak and that is ok
Anyone who hates on me for my writing has never picked up a pencil in their life
I should be more self indulgent
My characters should suffer more
Oh you give author comment?? You give author little kudos on their fic?? LOVE FOR READER!! LOVE FOR READER FOR ONE MILLION YEARS!!
I need you to understand that when I say "comments are appreciated!" I mean that I will reply to every one of them. I mean that an email with an ao3 notification has a higher priority than a message from my mother. I mean that I will have entire discussions in the comment section if you're up for it. Message me on tumblr and I will have the same discussions on an even more unhinged level. I will dissect entire personalities and ships and fictional political structures and worldbuilding with you. I will become your new best friend. You already ARE my new best friend. At the last battle, I would raise Anduril and say "For my ao3 readers" while a single tears rolls down my cheek, and dive into the fray. I would upload from beyond the grave if someone asked about the next chapter
- A.R Asher
fanfic writers, here’s a friendly reminder that you are not less of a writer if you haven’t posted anything in years, you are not less of a writer if your works aren’t as popular as other writers’, you are not less of a writer if some trolls left you rude comments (they either just want your attention or are simply intimidated/threatened by your talent), you are not less of a writer if you write short one-shots instead of a 100k novel-length fanfic, you are not less of a writer if you’re not satisfied with your writing (I promise you it’s so much better than you think, you should be proud of yourself), you are not less of a writer if you’re not comfortable posting any of your works at all.
you are always as valid as any other fellow writers out there.
another reminder: fanfic writing is not a competition, and it’s not a job. don’t put so much pressure on yourself. always remember, the point of writing fanfictions is that we get to have fun, escape reality into the world we create in which we can write anything we want.
it stops being a getaway and a safe place the second we treat writing fanfic as a job or a competition. no, you’re not writing for anybody. you’re writing for you. this world you create is just you and your blorbos. have fun. it’s your getaway.
List of “cruel ways to push someone away (whether you mean it or not; whether it’s an act or not)” prompts
“Don’t you get it? You were always just entertainment for me.”
“How could you be so foolish to think I ever loved you? Like, really?”
“There’s nothing about you I’ve ever found interesting.”
“Oh, so you actually thought I cared about you?”
“Trust me when I say this but you are not important to me.”
“Realistically, what is there to love about you anyway?”
“So uh, what made you think I cared in the slightest?”
“Actions don’t always speak the truth, maybe you should understand that if you don’t want to get hurt next time.”
“Maybe… You shouldn’t have put your trust in someone else so much.”
“I warned you in the beginning that I wasn’t looking for anything serious, yet you didn’t listen. That’s not on me.”
“It’s not my fault you’re delusional.”
“I don’t… I’ve lost feelings for you.”
“Trust me, there are more important things in my life to worry about. You’re definitely not one of them.”
“I must have given you the wrong impression.”
“You make me want to give up on everything.”
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Writing Tips
Punctuating Dialogue
✧
➸ “This is a sentence.”
➸ “This is a sentence with a dialogue tag at the end,” she said.
➸ “This,” he said, “is a sentence split by a dialogue tag.”
➸ “This is a sentence,” she said. “This is a new sentence. New sentences are capitalized.”
➸ “This is a sentence followed by an action.” He stood. “They are separate sentences because he did not speak by standing.”
➸ She said, “Use a comma to introduce dialogue. The quote is capitalized when the dialogue tag is at the beginning.”
➸ “Use a comma when a dialogue tag follows a quote,” he said.
“Unless there is a question mark?” she asked.
“Or an exclamation point!” he answered. “The dialogue tag still remains uncapitalized because it’s not truly the end of the sentence.”
➸ “Periods and commas should be inside closing quotations.”
➸ “Hey!” she shouted, “Sometimes exclamation points are inside quotations.”
However, if it’s not dialogue exclamation points can also be “outside”!
➸ “Does this apply to question marks too?” he asked.
If it’s not dialogue, can question marks be “outside”? (Yes, they can.)
➸ “This applies to dashes too. Inside quotations dashes typically express—“
“Interruption” — but there are situations dashes may be outside.
➸ “You’ll notice that exclamation marks, question marks, and dashes do not have a comma after them. Ellipses don’t have a comma after them either…” she said.
➸ “My teacher said, ‘Use single quotation marks when quoting within dialogue.’”
➸ “Use paragraph breaks to indicate a new speaker,” he said.
“The readers will know it’s someone else speaking.”
➸ “If it’s the same speaker but different paragraph, keep the closing quotation off.
“This shows it’s the same character continuing to speak.”
The other day I read a series of posts on the Hogwarts uniform and how book!uniform differs from movie!uniform, which is more canonical and whether there’s been/there should be some retconning to unify the books, films and illustrations from different sources. Since wizarding fashion is one of my favourite subjects (particularly since the word “corsets” was mentioned in HBP), I thought I had to write a post about it. So here it goes.
As much as I like the movie uniforms, the way I see it, they’re irreconcilable with those described in the books, which, both because they’re from the book and because that’s how I see them in my head, I consider canonical. Most people point out as proof of this that in a couple of occasions we are told more or less directly that the basic (I’ll talk more about this later) uniform does not bear any house indicator (see the Penelope Clearwater and Crabbe-and-Goyle’d Ron-and-Harry Cases, both in CoS). This is true. However, what I see as a bigger issue is the fact that the movie!uniform is basically a muggle school uniform with robes instead of a blazer, which, considering how often we see wizards struggling with muggle clothing, doesn’t really add up. And given that school uniforms tend to be on the conservative side of fashion, it would make much more sense to have the Hogwarts uniform resemble traditional wizarding attire.
The movie robes are completely open at the front save for one (PoA-onwards) or two (PS-CoS) little clasps, which would take next to no time to do up and undo, so the movie robes would be put on and off like a bathrobe or a coat. However, most (if not all) of the times we see Harry changing into his school robes he’s described as pulling them over his head. To me that implies that the front is not open all the way down, that maybe there’s just a small opening with a few buttons, like a polo shirt. Either that or the robes are open all the way down but fastening and unfastening them is so tedious that students simply never do them up or undo them all the way. In a pre-zipper world, a front opening like that would most probably mean a metric tonne of little buttons, at least (look up some old-timey portraits, particularly of women’s fashion. They took their buttons seriously). No one has time to fiddle with that many buttons, so it would be easier to undo a few of the top ones and pull the robes over your head.
Personally, I think the left-hand version fits the description of “plain black work robes” better. And yes, there’s no indication anywhere in the books that the sleeves are flared or gathered at the top, but they look more wizardy this way, so.
For an even more undeniable piece of evidence that supports the idea of having a closed front, look no further than Snape’s worst memory in OotP. When he gets levicorpused by James, we see his underwear. He’s not wearing trousers. Wh. Why is he not wearing trousers??? Because there’s no risk of accidental exposure of one’s undergarments when there isn’t a massive opening on the front of one’s robes, that’s why. Also, if for some sinister reason he had not been wearing trousers under open-fronted robes, everybody would’ve been able to see his pants already and it wouldn’t have been “funny” when James revealed them.
Moreover, it seems that trousers, even though they are worn in the wizarding world, are neither required nor part of traditional wizarding attire. See the old man at the Quidditch World Cup. Trousers have been adopted to some extent, but they are not considered wizarding clothing per se, but rather a garment borrowed from muggles. So if we go back to the idea that uniforms tend to be conservative, the Hogwarts uniform would have probably been designed to be worn with no clothes underneath other than underwear.
Hats. “One plain pointed hat (black) for day wear.” Day wear. In the films (PS, basically), hats seem to only be worn on special occasions. And I can understand that; On set they’re probably a huge inconvenience as they like to fall off and have to be touched up constantly and may cover something/someone important. Still, canonically, a pointed black hat for day wear is part of the Hogwarts uniform.
Now, do not quote me on this, but I am positive that in one of the books there is a description of a windy day where students grab the brims of their hats so that they don’t get blown off. That’s the one and only time in the whole series (that I can remember) where the uniform hats are said to be brimmed. It makes sense, though, as traditional witch hats do have a brim. Modest brims seem adequate for uniforms. (I do think it is strange to make students wear hats indoors, but oh well.)
(Edit: ‘ “Maybe I’ll skive off Divination,” he said glumly as they stood again in the courtyard after lunch, the wind whipping at the hems of robes and brims of hats.’ - OotP, chapter 17)
Then there’s the winter cloaks. Again, plain and black, this time with silver clasps. No crest, no house colours. And there’s also the protective dragonskin gloves, which seem to be used both as protective gloves for Potions/Care of Magical Creatures/Herbology and as regular winter gloves.
So far we have established that the uniform consists basically of plain black garments: a set of black robes (closed front), a black cloak, a black hat. Hence, by default, there is no way to tell what house a student belongs to just by their attire. Or is there? Here’s where the “basic uniform” I mentioned before comes into play.
It is true that the robes, hats and cloaks are plain black when bought. And yet, there are many points in the story when Harry seems to simply know what house some students belong to, even when he clearly doesn’t know them. We get constant references to “a gorup of first year Ravenclaws” or “a Hufflepuff girl”, and since the story is told from Harry’s point of view rather than an omniscient narrator’s, there must be a way for Harry to tell apart people from different houses without knowing them personally. So how can we reconcile the ideas that some people’s house is recognisable at first sight while other people’s isn’t? It’s quite simple: CUSTOMISATION.
Bagdes, scarves, appliques, ribbons, hat ornaments, buttons, socks, belts, and a long etc, to show your house pride. Just as we can get jumpers and hoodies and caps and whatnot with the name and colours of our uni or specific college, kids in the wizarding world are probably able to buy (and make) house merchandise. These items would be available at Diagon Alley and Hogsmeade, and parents would send them to their children once they’ve been sorted or the kids themselves would be able to get them via owl order.
Some students may only wear a small badge on their chest. Others a scarf+turtleneck undershirt+bandana+animal-shaped hat bauble combo. I love to imagine some kids wearing ridiculously tacky things, like red-and-gold neck ruffles or bee-striped boots. And those kids who are not as inclined to show off their house? They can just wear their basic black uniform.