Cy Twombly.
Carlo Nangeroni (Italian, b. 1922), Elementi dinamici, 1972. Acrylic on canvas, 80 x 80 cm
Peter Matthews: In Search of the Sublime at Beers London.
Yesterday I visited the exhibit, Everywhen: The Eternal Present in Indigenous Art from Australia at the Harvard Art Museum. It was an incredibly moving experience. The exhibit was designed around these major ideas, transformations, seasonality, performance, and remembrance. The included in the exhibition was a combination of at traditional indigenous Australian art and culture and reactionary contemporary indigenous artwork.
The exhibition was very charged and powerful. You could feel the emotion, importance in each artwork. This was by far one of the best exhibitions I’ve been to in a while, I definitely recommend visiting it if you are in the area.
The artwork pictured:
Photo 2: Untitled (Detail), Naata Nugurrayi, 2006
Photo 3: Hideout, Lena Nyadbi, 2002
Photo 4: Untitled (Detail), Doreen Reid Nakamarra, 2007
Photo 5: Anwerlarr angerr (Big Yam), Emily Kam Kngwarray, 1996
Exquisite Liquid Marble Installation Resembles Moving Water
French artist Mathieu Lahanneur recently revealed his latest installation Petite Loire, a continuation of his Liquid Marble series the in the courtyard of the domaine de Chaumont-sur-Loire, an arts and nature facility in France. Lahanneur’s aim was to showcase the beauty of the green marble, which mimics the movement and flow of moving water.
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Gerhard Richter - details of Fuji, 1996, Catalogue Raisonné: 839-81, oil on alu dibond
See more Gerhard Richter posts here.
Paintings by Sabrina Garrasi
Ooshka