The Best Mafia Movie To Ever

Anaïs Nin, in a diary entry dated 27 February 1929, featured in The Early Diary of Anaïs Nin: Vol. IV, 1927-1931

I haven’t seen any mutuals talking about The Resort but I want to make it clear that this is a Baltasar Frías stan blog. I love that funky little man and his colorful fashion

tell them why in the tags!

Emily Dickinson

it fucks me up that pupils are black for the same reason black holes are. they have no color because they absorb all color that enters them. each of us carry on our faces endless voids which evade the traditional visible light spectrum, and without them we couldn't absorb said spectrum. They give us knowledge by destroying it. what the fuck is a black hole doing with that color then

Okay, normally, I don't do this kind of thing, but I can not get it out of my head.

Carmilla said the best thing to kill an angel with is to fight for what you love. To fight for something you believe in. And that's what the whole gang does.

Charlie fights for her dream

Vaggie fights for Charlie

Angel and Husk fight for their friends

Lucifer fights for his daughter

Sir Pentious DIED for love and friendship

Guess who doesn't win in their fight?

Alastor can not comprehend dying for friends of all things. He was fighting for power he was fighting for freedom, and he lost his fight.

I think there needs to be more stories about friends who are almost lovers. who are closer then anything in the world. who can read each others minds. who appreciate how beautiful and impressive the other is. and then have them absolutely destroyed by their own personal events and have that bond twist around like a broken electric cable until it snaps under the pressure of incompatible lives. and then that love turns to hate and then to a haunting.

only murders in the building is honestly like The fun little show. it’s so weird and so unlike anything else. the odd trio casting of two incredibly famous comedians in their 70s with Selena Gomez. the main plot revolving around true crime podcasts. the level of complete contrivance and silliness necessary for the entire plot’s existence. certain disability representation i haven’t seen anywhere else on TV. surprise bisexuality. the mystery-comedy-??? genre mix. Jane Lynch as a lesbian lookalike of Steve Martin. the most insane celebrity cameos so sudden and jarring that you get jumpscared at least four times every season. Nice, Hot Vegetables.

One reading of what Mr. Utterson suspects the possible relationship between Jekyll and Hyde, and the 'ghost of some old sin', might be is that Hyde is his illegitimate son, but between Hyde entering through Jekyll's back door (literally and metaphorically), Utterson having a nightmare of Hyde breaking into Jekyll's bedroom while he's sleeping and forcing him to do his bidding in the middle of the night, and thinking of shenanigans around Jekyll's bed a second time, another theory he might have is that Hyde is Jekyll's secret lover, either estranged or ongoing, and between those two possibilities, the latter would be far more dangerous to Jekyll in social and legal terms if it were to be discovered or used to blackmail him.

For historical context, the novella was published in 1886, though as we will later find out, the only information we are given about the temporal setting is that the story is set in the 19th century, though it can't be any earlier than 1850, if you do the math based on Jekyll's age. Homosexuality between men in the UK in the form of sodomy was punishable by death until 1861, during which the Offences Against the Person Act was passed to amend the penalty for sodomy from death to a minimum of ten years in prison; later, and just prior to the novella's publication, the Criminal Law Amendment Act 1885 criminalized any and all acts of homosexuality between men (not just sodomy), including those done in private with no witnesses — even a mere affectionate letter would suffice as evidence for prosecution — to the point where it became known as the Blackmailer's Charter (source); this would later be the act under which Oscar Wilde would be found guilty of 'gross indecency' in 1895 and sentenced to prison.

Meanwhile, it wasn't uncommon for upper-class men to have illegitimate children, and while potentially scandalous, it would not necessarily be life-ruining — though of course, the concern in that case could be that Hyde has other information he is holding over Jekyll's head as blackmail, including possible relationships with other men that would be both scandalous and illegal during this time period.

The most interesting thing to me thus far about this whole goncherov thing is that Tumblr has collectively constructed some pretty convincing side characters for this movie. Katya leaps off the page as this frustrated woman caged by her lack of autonomy, Sofia coyly plays both sides and acts above it all when really she's desperate for the same freedom Katya is. Ice Pick Joe is a less developed character who nonetheless acts as a stand in for the inescapable nature of cycles of violence. andrey, loyal to a fault, gets pulled deeper and deeper into goncherov's orbit until there's no way for him to make it out alive

and yet with all that I have ZERO sense of who goncherov is supposed to be himself. i've see a lot of stuff suggesting that the film is theoretically about loss, including the loss of one's identity, shown primarily through the way goncherov becomes unrecognizable to himself by the time of his death at the end of the film (seeing himself in a fractured mirror is a common motif). it's very interesting to me that we have a fine time coming up with a group of collective blorbos based on mafia movie tropes, but somehow the main character feels unknowable, to the degree that we had to make that one of the core themes of the film.