@whyisthereacentaur Goat alert
a tender heart
Why is this simple fact so hard for people to understand
While on that again, I notice that people do this thing where they're like "TME is useful because it describes how people who are not trans women can and do invent malicious rumors and harassment campaigns about trans women and everyone believes them".
And I'm sorry to point out but it's not just "TMEs" that do this. I have been around here for many years and I can confirm that trans women are just as happy to invent or reblog callout posts and generally do abuse by proxy. Just like everyone else.
There isn't really any kind of identity category that makes someone inherently safe, principled, or progressive.
Full disclosure, I've never actually seen Melancholia, but from your video, I arrived at a very different interpretation of Justine's character… it occurred to me that, if someone was used to hearing that the world was doomed, and had both ruined their own life with their actions and come to full acceptance of the fact that they had nobody to blame but themselves for their situation, that discovering that the entire planet genuinely IS doomed, in short order and quite demonstrably… wouldn't that come as a great relief? None of the guilt or crises would matter any more, because the advent of Melancholia would be so much more immediate… and since nobody can do anything about it, there would be no pressure to try, no pressure to be "productive."
It doesn't quite meet the definition of sanity in the ordinary sense, but when inevitable doom is rushing towards the entire planet, I kind of think the definition of "sanity" would shift, as values and priorities shift, because most of what we think matters… would suddenly no longer matter.
On a weirder note, I used cosmic bliss-horror when I put unicorns into my original high-fantasy worldbuilding project. In that world, unicorns are fearsome interdimensional incursions that cannot abide the impurity of the world's setting… Mesmerizingly beautiful, but lethal without exception. But they also contain a Mr. Toots reference, because I simply cannot help myself. Yes, my unicorn's ultimate ability is a discharge of superheated, rainbow-colored plasma (B308), shot out of its ass. But it's magical plasma, and when it burns you right to the bone, you fall under the Ecstasy spell (M139) as an affliction.
Who's afraid of the big bad eldritch horror?
And what happens when you're not? We made a video on it!
Did I make @homunculus-argument block me, by sending a too-familiar ask, or is their blog actually gone?
Smugfolk: (getting off the ferry) "How are you, this morning?"
Ferry terminal agent: "Cold. Wet."
Smugfolk: (who has already stopped listening) "What?"
(This is a story concept for an episode of an ensemble-cast TV show, or maybe a webcomic or something. @homunculus-argument posted a story concept back in October that reminded me of it, but I decided not to put this on a reblog of that, because really, the only similarity is vibes.)
The story arc revolves around two characters: one is relatively new to the story's Found Family, and absolutely loves Christmas, or at least believes in spending "the Holidays" with people one loves. It helps if they're also either cheerful, a bit pushy, or both. I'll call this character "Willy."
The other character, for self-care reasons, always spends Christmas alone. By their own deliberate choice. For them, being alone at Christmastime is their way of celebrating their escape from their abusive family, or from some other tragic backstory that makes Christmas traditions especially distasteful or triggering. It helps if this is also a fairly introverted or pessimistic character. I'll call this second character "Wonty."
This is Willy's first or second Christmas with the Found Family, and Willy's excited about it, but they also learn that Wonty always chooses to spend Christmas alone. Willy sees this as tragic and concerning, and decides that Wonty needs their sympathy, company, and guidance. Either the rest of the group doesn't realize what Willy is planning to do, or Willy doesn't listen to or believe the others.
Willy prepares a quiet, low-key Christmas experience just for Wonty, designed to "fix" Wonty's attitude toward Christmas, then invites themself over to Wonty's home. You see, Willy doesn't understand that Wonty is enjoying spending Christmas alone. That possibility hasn't even occurred to Willy. In Willy's mind, they are making a noble sacrifice by skipping the Found Family's Christmas party, and instead trying to bring Wonty around to the joy of Christmas.
Wonty, answering their door, declines to invite Willy in. Wonty explains that they prefer to spend Christmas alone, celebrating their safety and independence. Willy brushes this off, and insists on being invited in, insists that Wonty needs this, until finally Wonty relents and decides to try and get this over with.
As Willy practices Christmas upon Wonty (if the narrative is set in modern North America, I like the idea that watching "Die Hard" together is Willy's plan), Wonty just gets more and more miserable every moment. Willy can see this, and gets more and more anxious and desperate to cheer Wonty up and change Wonty's mind.
Eventually, out of frustration and confusion, Willy does something that's inappropriate, something that crosses a boundary of some sort, just to try and reach Wonty in Wonty's deepening funk. This leads to a moment in which both characters are shocked by what just happened, then Wonty firmly asks Willy to leave. This bit probably depends a lot on how the actual characters would navigate this situation, but Willy does leave, whether immediately or after trying to salvage their plan.
Afterward, Willy ends up at the Found Family's annual Christmas party. Willy has themself a pity party over what happened, and expresses deep concern over Wonty's lack of Christmas spirit. The rest of the Found Family, or perhaps just a Heart or surrogate parent character, explains the details of Wonty's tragic backstory and reasons for isolating themself from Christmas celebrations, and lays down some home truths for Willy about boundaries and respecting differences. Some people just aren't going to see the world the way we do, and that's okay, and worth respecting.
There's no real reason Willy can't figure out some of the above paragraph on their own, except the concept has to come through to the audience somehow. Also, Willy now realizes that Wonty did try to explain all of this, but they steamrolled Wonty and didn't listen. Willy spends the rest of the evening processing all of this.
The next time Willy meets Wonty at their shared experience, or some other place Willy can approach Wonty in public, Willy presents Wonty with a thoughtfully-chosen peace offering, something they've found out, after some effort, that Wonty will genuinely enjoy. Willy apologizes honestly to Wonty and acknowledges what they did, promising never to visit them on Christmas or try to "fix" them, ever again. Wonty points out that the honest apology and clear contrition make a great deal of difference, and forgives Willy.
Hooray, everyone is okay again, and we grew in the process! The end.
I kind of doubt that Vivaldi's student orchestra at the girls' school was full of incredibly talented instrumentalists, who could toss off his fast bravura passages without a hitch.
I can't help but imagine them as an ordinary school orchestra, most of whom aren't particularly good or talented... and they all dread orchestra practice, because Fra Antoni refuses to either simplify his masterworks for beginner players, or accept the results. Concerts always sound utterly horrible, everyone slogging through music they barely can play, at various tempos that are all less than Vivaldi is beating, and he's always purple and hyperventilating by the end.
I have thousands of shitposts, rants, and essays sitting in notebooks, left over from decades of not using social media or having many friends. Hold on tight.
166 posts