HELLUVA Boss - Imp/ Blitzø Powers Theory:

The “I fear being abandoned so I’ll push them away first” Family

Season 3 prediction: Andrealphus and Stella will try to set Octavia up in an arranged marriage.

And it will either result in her being put in a position where she is powerless/unable to take her place as Stolas’ heir, or she will renounce her position as heir altogether to avoid said marriage.

As we know, Andrealphus’ claim to Stolas’ position is on a time limit. Not only does Stolas get his power and position back in 100 years (a mere blink of an eye to immortals), but Octavia’s impending 18th birthday seems to also be a point of contention. Especially if Andrealphus wants to keep his position of power.

As things stand now, Stella and Andrealphus really have nothing to fear of Octavia coming of age and inheriting her father’s position. After the events of “Sinsmas”, there’s no way she’d kick her mother and uncle out after her confrontation with Stolas. Octavia will want stability more than anything after that, and she’ll cling to Stella and Andrealphus in desperation for even a chance at that stability/normalcy.

Which makes her the perfect target for Andrealphus and his scheming. There’s no way he’s going to hand over his new position of power willingly, especially not after all the work he put into getting it in the first place. So, what better way to get Octavia out of the way than to make her marry into another Goetia family altogether?

Without Stolas there to prevent it, Stella would happily jump at the chance to further their family’s standing by marrying her daughter off.

Not only would this be the perfect way to reveal to Octavia her parents’ arranged marriage, but it’d also give Stella a good excuse to reveal to her daughter (and us) her own backstory/experiences with the Goetia.

Just as promised for season 3.

A detail I don't see mentioned about the confrontation between Blitzø and Stolas is that while Blitzø is understandably angry and lashing out, he also ends his rant with an invitation to Stolas, imploring, no, demanding he meet him at his level, to get as angry as he is, to FIGHT HIM, right then and there.

We've seen frequently that imps are violent in general, they're originally native to Wrath, and we see that most of their bonding rituals often involve violence and/or bodily harm (just look at how much Millie and Sallie May messed each other up at the end and while being able to laugh about it; a broken bottle fight and broken bones is their version of a light-hearted pillow fight)

While Blitzø is also very self-destructive, even by Hell's standards, it should be noted that he's technically begging for Stolas to connect with him in this moment, to speak a language he understands. "At least respect me enough to fight me! If you care, why walk away? Get real with me, if we can't get physical with our genitals, then at least let us get physical with our fists!"

Unfortunately, Stolas has had the exact opposite cultural upbringing, having been taught his whole life that emotional outbursts are unseemly and improper, so his main go-to for conflicts is avoidance. He avoided confrontation with his father, he basically avoided Stella as much as he could even when she was openly shitting on him at parties; and ONLY just recently has he managed to stand up for himself and when he finally does, it's not to strike back, but simply stand his ground for once, emboldened his new-found love for Blitzø and the knowledge that his daughter isn't fooled by the act anymore and will soon be of age anyway.

It is not currently in Stolas' nature to be confrontational the way Blitzø desperately needs him to be.

Blitzø says: "Please, if you ever actually cared, you'd fight for us Get mad, show me that you care!"

What Stolas hears is just the most literal interpretation with zero subtext, because he isn't attuned to the subtleties of arguing and especially not what it looks like for imps, i.e. he focuses on the "I always hated you" interpretation.

Both gave the other an opening, but only heard dismissal, because it wasn't spoken in a language they were familiar with.

I'm not saying either handled things well here, Blitzø shouldn't immediately respond with anger and Stolas shouldn't default to walking away, that's my whole point.

I just thought it was an interesting angle that their differences aren't just societal (privilege/wealth/respect) but also cultural in how it influences how they each handle emotional confrontation, or, in the case of Stolas, how they don't.

Blitzø lizard crawling on his loved ones.

I find it really interesting how effective human made weapons/technology is against Hellborn. (And even Heavenborn in some cases)

Tranquilizers

Taizers

Truth Serum

Ghostf**ker’s Ghost Sucker 9000

Not even a higher ranking demon like Rolando is immune to human made gadgets. Because Millie specifically called the Ghostf**kers show “earth trash”, implying that the vacuum Blitzø bought was likely human made.

Holy Pendent

I’m not sure if I’m looking too much into it, but my stint in the Good Omens fandom has got me conditioned to expect a Humanity Vs. Heaven Vs. Hell scenario.

As unlikely as that sounds, I can’t help but find it an interesting idea, and I’m interested to see if DHORKS actually manages to become a decent threat in season 3. After all, they still have that portal to Hell they’re working on, and we still haven’t seen who’s actually running the whole operation. Agent 1 and Agent 2 HAD to of made their report to someone to get the funding needed for their new base and weapons.

I understand I've already talked about Blitz both literally and metaphorically brightening Stolas' life in a few different ways in a previous post, but can we talk about the fact that you can see this kind of thing play out with the rest of the I.M.P crew as well?

Like, just look at how much color entered each of their lives after Blitz became entered their lives in some fashion. Just look at the sheer contrast of dark and bright colors between the before and after pictures.

In Defense of the Mastermind Ending

Stolitz is NOT a couple. They both have a lot of issues to work through. The kiss on the cheek was not them becoming canon (AHEM SARCASTIC CHORUS). Blitzø still hates himself. Stolas is still horribly depressed. The kiss on the cheek was Blitzø finally coming to terms with the fact that he can love and that stolas loves him back. The happy music at the end does not mean that Blitzø is happy Stolas is not a goetia anymore, it's bc Blitzø is happy that stolas ISN'T DEAD. Blitzø more than anyone would understand the gravity of the situation Stolas is in. He's been pushed out of his home, shunned by his family and taken the blame for something huge that was not his fault and ripped away from the people (person) that he loves. Who in all of hell understands that better than Blitzø? He wasn't forcing affection or forcing Stolas to talk. He was treating Stolas with the gentleness he NEEDS right now. Blitzø isn't gonna keep him trapped in his one bedroom alone with him and Loona, he's gonna do whatever he can to get him back on his feet after the life-changing day both of them have had. Is he happy he's getting attention and praise for the FIRST TIME in his life? Understandly, yes but he was also protecting Stolas from the other people's vomit and trash so the attention isn't getting to his head and it won't anytime soon because that's not who Blitzø is. The writers aren't making them jump into a relationship. Hell, they weren't in a relationship when they were having sex every month, a kiss on the cheek means something definitely and im so happy about it, but it certainly doesn't mean they're dating. Mastermind was a brilliant episode with a brilliant ending and I'm tired of people complaining about problems that don't even exist.

10 Non-Lethal Injuries to Add Pain to Your Writing

New Part: 10 Lethal Injury Ideas

If you need a simple way to make your characters feel pain, here are some ideas: 

1. Sprained Ankle

A common injury that can severely limit mobility. This is useful because your characters will have to experience a mild struggle and adapt their plans to their new lack of mobiliy. Perfect to add tension to a chase scene.

2. Rib Contusion

A painful bruise on the ribs can make breathing difficult, helping you sneak in those ragged wheezes during a fight scene. Could also be used for something sport-related! It's impactful enough to leave a lingering pain but not enough to hinder their overall movement.

3. Concussions

This common brain injury can lead to confusion, dizziness, and mood swings, affecting a character’s judgment heavily. It can also cause mild amnesia.

I enjoy using concussions when you need another character to subtly take over the fight/scene, it's an easy way to switch POVs. You could also use it if you need a 'cute' recovery moment with A and B.

4. Fractured Finger

A broken finger can complicate tasks that require fine motor skills. This would be perfect for characters like artists, writers, etc. Or, a fighter who brushes it off as nothing till they try to throw a punch and are hit with pain.

5. Road Rash

Road rash is an abrasion caused by friction. Aka scraping skin. The raw, painful sting resulting from a fall can be a quick but effective way to add pain to your writing. Tip: it's great if you need a mild injury for a child.

6. Shoulder Dislocation

This injury can be excruciating and often leads to an inability to use one arm, forcing characters to confront their limitations while adding urgency to their situation. Good for torture scenes.

7. Deep Laceration

A deep laceration is a cut that requires stitches. As someone who got stitches as a kid, they really aren't that bad! A 2-3 inch wound (in length) provides just enough pain and blood to add that dramatic flair to your writing while not severely deterring your character.

This is also a great wound to look back on since it often scars. Note: the deeper and wider the cut the worse your character's condition. Don't give them a 5 inch deep gash and call that mild.

8. Burns

Whether from fire, chemicals, or hot surfaces, burns can cause intense suffering and lingering trauma. Like the previous injury, the lasting physical and emotional trauma of a burn is a great wound for characters to look back on.

If you want to explore writing burns, read here.

9. Pulled Muscle

This can create ongoing pain and restrict movement, offering a window to force your character to lean on another. Note: I personally use muscle related injuries when I want to focus more on the pain and sprains to focus on a lack of mobility.

10. Tendonitis

Inflammation of a tendon can cause chronic pain and limit a character's ability to perform tasks they usually take for granted. When exploring tendonitis make sure you research well as this can easily turn into a more severe injury.

This is a quick, brief list of ideas to provide writers inspiration. Since it is a shorter blog, I have not covered the injuries in detail. This is inspiration, not a thorough guide. Happy writing! :)

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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Blitzø's Realization & Feelings

I like how Blitz is initially confused the moment Stolas arrives on scene and breaks into song...

He understands that Stolas just saved him from getting his head chopped off, but he still doesn't understand what he's doing at the trial.

After all, in Blitzø’s mind Stolas is over him, and moved on the moment he saw Stolas having the time of his life dancing with BTB.

In Blitzø’s memory reel Stolas has his top eyes open, and I think to Blitzø he reads it as Stolas seeing and relishing in that kiss, in that moment. Blitzø doesn't even consider the fact that it was a drunken kiss.

But the moment Stolas takes all the blame for himself, things take a turn...

It clicks for Blitzø, and he's just in pure and utter shock as he sees just how much Stolas genuinely and truly loves him.

It's at this moment where he says the words, "I don't want to live a life without you by my side."

Blitzø takes this time to finally let his emotions pour out like a fucking waterfall.

Whereas compared to Ghostfuckers he just subtly acknowledges it.

His expression drops from realization to pure panic at Stolas' actions. Blitzø doesn't want to die, but at the same time, he definitely doesn't want someone he cares about to take the fall for him.

"What are you doing!? I don't deserve this!"

"I realized too late!" Blitzø acknowledges that he realized both Stolas’ feelings and his own feelings too late in the game.

Blitzø in Apology Tour didn't understand his own feelings, let alone Stolas’ feelings. He tries to, but he can't.

"Don't give your life to clean my slate."

What I love about this line is that it reads as: Don't sacrifice yourself to absolve me of my crimes. Blitzø makes it clear he doesn't want this.

"You’re my heart."

Blitzø breaks down and says these words because to Blitzø this is what Stolas is, the key to his heart that he's kept locked up for years, and someone he wants to give his whole heart too.

Because Blitzø closed off his heart after the fire. His love is something that he believed could hurt someone, but with Stolas, he's worth that risk.

The moment Stolas is wrapped in chains, Blitzø moves on instinct, almost as if he's trying to get out of his own chains so he can run to Stolas.

Felt like it would be a disservice not to show the clip that destroyed me. 😀

Blitzø, the moment he's freed of his chains Blitzø says the words, "No- no!" in disbelief, shock, and desperation.

Blitzø is so desperate to stop Stolas from what he's doing, begging him to do anything to stop this from happening. And if that meant getting himself killed, he'd do it.

Because he doesn't want a repeat of this happening. It's one thing for people to leave Blitzø, he’s used to that, but it's another to have them die, especially in front of him.

He breaks down when he fears his worse fears have come true: that Stolas is dead and he can't do anything to stop it.

It's why Blitzø is so shocked and surprised the moment he sees Stolas alive, because his worse fears didn't happen.

The moment Blitzø gets the reassurance that he's is loved by Stolas he falls into that caretaking role almost instantly, since he knows Stolas is hurting right now.

He's taking steps being extra gentle, extra reassuring, extra soft, even going as far as to fluff the pillow on his couch.

It vaguely reminds me of how Blitzø is able to sorta gage what people's needs are. In this moment, Blitzø was about to shoot Creepzo, but instead he opts to beat Creepzo with the end of his gun once he realizes Fizz is on the verge of a panic attack.

What I love about this shot is that this is the most at peace Blitzø has ever looked in the entire show.

He's just so grateful that he's alive and that Stolas is alive.

~~~~~~

Anyway, wanted to include this bit because I love how Sam Haft pointed out that Blitzø leaves Mastermind more self-actualized.

Whereas for Stolas, he leaves Mastermind more humbled as he gets a taste of how truly privileged he is.

Blitzø's Maturity in Sinsmas

One of my favorite parts about Sinsmas, aside from everything, has to be the amount of maturity Blitzø displays in Sinsmas, or specifically in his conversation with Stolas.

This conversation really goes to show how one of Blitzø's best features is his ability to always say the right thing, when he knows the people in his life truly need it.

He did it with Moxxie and Millie:

"Look, I'm hard on you, because I know what you're capable of, Mox. You care too much about what everyone thinks except for... me, because, y'know, my opinion is correct, but just... keep doing a good job. 'Kay? You shoot 'n kill good, you escape things easy... you can be strategic and cold-blooded when you need to, aaaand don't expect any more compliments; I'm maxed out."

"Millie, I have spent too much of my time, energy, and holes into setting this up for us to entertain your bullshit. I brought you into this company for a reason, okay? You're tougher, smarter, and frankly more capable than anyone I've ever met in any ring..."

"Mind if I steal?" "Today was a lot wasn't it?"

Blitzø starts the conversation with an ice-breaker to lighten the mood because he can tell Stolas is on edge right now.

"I-I- I know you can't see your kid. And I know you did so fucking much just to save my life-"

There are three things I want to point out:

Blitzø makes it very clear that he knows what Stolas just lost, he knows he can't see his daughter.

Blitzø also states that he understands the huge sacrifice Stolas had to make in order to save his life.

Blitzø knows that what happened is a serious situation, he knows how much Stolas loves his daughter, and he doesn't downplay that loss.

"It's okay. Saving you was the right thing to do. And you have risked your life for mine in return. You don't need to feel any guilt for my situation, it was my choice. It was all my choice. I caused all of this."

"She'll understand eventually. You just gotta give her time."

Stolas is mourning the loss of his daughter, and is reflecting on the times he's failed her as her father. And I love how Blitzø states that the simple fact that what Octavia needs right now is time to process things, the same way Stolas needs time to process things as well. And I love how Blitzø says that, "...she'll understand eventually," because it's true. Octavia will understand, eventually.

I think one important thing to note is the fact that Blitzø also doesn't undermine Stolas' statement: "It was my choice. It was all my choice."

Because it's true, Stolas did make a choice...

Stolas chose to give Blitzø the book, thus starting their transactional arrangement.

Stolas chose to give up his own life to save Blitzø from execution.

Stolas chose love, and that is not a bad thing.

"Blitzø, she's gone. For one hundred years, she's gone. And after all that time, she'll never forgive me. I'll be a stranger to her."

"Y'know, my twin sister... She hates me too. For something that I did. And I miss her, every day. We were so fucking close, y'know, we- It's a shitty feeling. But, you just gotta keep trying."

Blitzø, right now, is willingly being vulnerable with Stolas and I think that's beautiful. He encourages Stolas to keep trying to reach out to Octavia, to not give up all hope just yet.

And I love how Blitzø decided to talk about Barbie, and not Fizz, and the reason is simple...

Blitzø can't guarantee a happy ending between Stolas and his daughter, he can't promise any of that. Blitzø states that Octavia will understand him, but he can't promise that Octavia will forgive him.

If Blitzø were to share the fact that he recently rekindled his friendship with Fizz, than that might be giving Stolas a false sense of hope.

And Stolas, right now, doesn't need a success story, he doesn't need, "Hey, I was able to fix my relationship, so you can too". What Stolas needs right now is reassurance that he's not alone, that there is someone out there that understands his pain.

"Sounds likes, uh... they want me back in there..."

"Go enjoy your Sinsmas, Blitzø. I'm fine, you don't have to stay here with me... What are you doing?"

"Well, I can't fucking dance with you without- come here, getting inventive."

I love the Full Moon parallel of Blitzø choosing to stay with Stolas instead of going back to the party. Blitzø knows Stolas is not fine at all.

And while Blitzø can't magically make all things better, Blitzø can at least give Stolas a moment of happiness, a chance to momentarily forget all the pain he just went through, a chance to be with him and him alone.