Me: I’m So Tired

the avatar, and the last airbender :: an aang meta

I’ve been wanting to write this meta for about six years, and now seems like as good a time as any, so without further ado: Why Aang Sparing Ozai is the Most Important Scene in ATLA, from both a Character and a Thematic Standpoint.

And with that thesis out of the way, let’s go all the way back to the beginning.

Aang is the titular character of the series, two fold. He is both the Avatar, and the last airbender, and it’s these two facets of identity that inform his arc as much as the duality of Zuko’s scar informs his. So why then, is one arc written about and praised endlessly and the former is rather left in the dust, so to speak? 

There’s a few reasons for that, I think. The first is that Zuko is a more traditionally masculine and therefore Western protagonist. He has a more understandable loss, too. People can relate to losing a parent, or to an abusive household. These are traumas and ghosts, the brooding nature, that we are regularly shown in Western media, over and over again. The angry man who lost his wife/daughter/sister. Who does bad things like burning down villages and kidnapping people, but can’t you see that he’s just sad inside? And I’m not saying that’s all Zuko is. There are plenty of subversive things about him, his arc, and his poignant story of overcoming emotional and physical abuse. He is an incredibly important character and deserves all the praise he gets.

I just think Aang is just as noteworthy, and doesn’t get nearly the amount of credit he deserves. Aang is not a traditional Western protagonist at all. He makes jewelry, is vegetarian, loves animals, cries easily, tries to avoid violence, and has a fun loving nature. Many people deride Aang’s behaviour as childish - and sometimes it is - but the best parts of him, his forgiving nature, his fun loving nature and compassion, isn’t because he’s young. They come from him being an Air Nomad. And without those same traits being displayed towards him, Zuko never would have become the character we know and love (but more on that, later).

So yes, as above, Aang’s arc is about the reconciliation of him being the Avatar, and him being the last Airbender. Each part is equally as important as the other. If you can’t understand that, then you don’t understand the show, full stop. 

Okay? Okay.

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Random mansion generator

The Procgen Mansion Generator produces large three-dee dwellings to toy with your imagination, offering various architectural styles and other options. Each mansion even comes with floorplans:

https://boingboing.net/2019/07/12/random-mansion-generator.html

i might elaborate later but fanfic replies literally develop writer’s metacognition and make them better writers

Classical Pieces You've Probably Heard but Might Not Remember the Name

William Tell Overture- Rossini (Most famous part at 8:45, but why not listen to the whole thing?) I’m adding hints, at least to the ones I recognized culturally. This one is “go, horsey, go!”

Also Sprach Zarathustra- Strauss Slow, dramatic entry scene, IN SPAAACE.

Eine Kleine Nachtmusik- Mozart People running out of a fancy wedding or something. Also known as DUN, dun DUN, dun DUN dun DUN dun DUUUUN.

Symphony 94, Mvt. 2 “Surprise Symphony”- Haydn ?

Toccata and Fugue in d Minor-Bach Halloween organ!

Nocturne Op. 9 No. 2- Chopin Picture a tiny old woman playing piano in a sunlit room with lots of flower vases, about the spill the tragic secrets of her past to some timid young visitor.

Rondo alla Turca- Mozart the babysitter from The Incredibles: “Time for some COGNITIVE ENRICHMENT!”

Sinfonie de Fanfares: Rondeau- Jean-Joseph Mouret Royalty is coming. Or someone is getting married. Or royalty is getting married. Also the PBS Masterpieces theme.

The Four Seasons: Spring- Vivaldi (I just linked to the whole thing because it’s great) Again, someone is getting married, but this one is strings instead and a lot less frumpy.

Jesu, Joy of Man’s Desiring- Bach That one that amateur guitarists love where the notes are all up and down but all the same length. Also used in movie weddings.

O Fortuna (from Carmina Burana)- Carl Orff SONG OF DOOM. Also song of “baby on fire!” in The Incredibles.

Funeral March- Chopin ?

Orpheus in the Underworld: Infernal Galop (A.K.A. Can Can)- Offenbach Well, “aka can-can” says it all.

Pomp and Circumstance (You probably graduated to this)- Elgar Oh yes, Baaaa dun dun dun duun duuuuun… Also if you were a bandie you had to play it for 3 years before graduating to it.

Gayane: Sabre Dance- Aram Khachaturian Comically hectic productivity, a circus clown juggling while standing on a ball, or perhaps a rapidly-approaching termite infestation. Could go any way, really.

A Midsummer Night’s Dream: Wedding March- Mendelssohn The song movies play right AFTER they both say “I do.”

Carmen: Les Toreadors- Bizet I can’t be the only one who remembers when ‘Hey Arnold’ did this. “Bullfights and swordfights, rolling in manuuure!”

The Ride of the Valkyries- Wagner Good song for a naval battle I guess? I can only think of the mini golf course I went to as a kid with the creepy castle on Hole 18 that played this.

Für Elise- Beethoven That one every amateur piano player loves to play because the beginning is just E and E-flat over and over. Also ballet and piano recital scenes in movies.

Dance of the Hours- Ponchielli Hello mudda, hello fadda, here I am at, Camp Granada…

Rigotello: La Donna e Mobile- Verdi More than a few sophisticated movie villains (or snobby good guys) have this playing on a Victrola. Also, tell me you don’t picture Pavaroti no matter who’s actually singing.

Night on Bald Mountain- Mussorgsky ?

Romeo and Juliet: Love Theme- Tchaikovsky More movie-love, usually building up to admitting they live each other.

Entry of the Gladiators- Julius Fucik I have one word for you: CIRCUS.

Lakmé: Flower Duet- Delibes OMG ALIAS. Nadia’s spy  backstory in Film Noir!

Peer Gynt: In the Hall of the Mountain King- Greig Mischievous Tiptoeing in Movies song. Also something growing out of control, slowly at first and then quickly, and (comically) exploding.

Rodeo: Hoedown- Copland The title says it all tbh.

Peer Gynt: Morning Mood- Greig Sunrise/waking up Movie Song du jour.

New World Symphony Mov. [2][4]- Dvorak Well now I’m thinking of “An American Tail” and I’m crying…

Ave Maria (You knew this, but did you know that it was by Schubert?) Nothing to add. I’m not a music snob, really, but if you didn’t know this, YOU SHOULD.

Canon in D- Pachelbel This is the one that the pretty Trans-Siberian Orchestra Christmas song comes from. :-)

Add others if you want! Have fun!

help

Not me romancing Gale so hard in act 1 that even Shadowheart comments about how often our silly sexy wizard is not so subtle about staring longingly in Tav’s direction lmao

So you want to learn to swordfight.

The most common question I see in historical fencing forums and on social media is "how do you get into HEMA?"

If you're like "what's HEMA?" -- that's Historical European Martial Arts -- it's the study and recreation of historical martial arts through weapons manuals written at the time! Many people take a scholarly approach to it -- focused on reading and recreating martial systems -- but many take a sport approach, because martial techniques are designed to be used martially! This means we're fencing -- swordfighting! Think Olympic fencing with bigger swords and slightly different rules, and more colorful gear. In this post, I will be more focused on how to get into the sporty, competition-focused side of the hobby.

Historical Fencing is a martial art! This is a really common confusion from folks who are more familiar with more well-known sword-loving communities. It's not LARPING (though I love a good LARP) -- we aren't playing characters or scenarios, and we don't dress up (usually-- rapier fencers love poofy pants, lol). It's not stage combat or SCA (although there's some community overlap)-- most of us are less interested in recreating periods or aesthetics from history than we are in learning to fence, and compete, with our weapons of choice. Although LARPing, SCA, and stage combat are all cousin hobbies to WMA, the closest analogue to Historical Fencing as a hobby is... Modern Fencing! Kendo and blade-focused Eastern Martial arts, like Kenjutsu, are also much more like historical fencing than SCA is.

Whether you're considering starting longsword fencing because your favorite author uses it as a reference, rapier fencing because it's the coolest weapon in your favorite video game, or just because you think it'd be sick as hell (it is), here's a (noncomprehensive) FAQ for becoming your very own sword lesbian/broadsword bisexual/greatsword gay/spear queer.

I don't know if there are any classes near me, where do I look?

The best place to start is the Hema Alliance Club Finder. You can use it to look up classes and sparring groups in your immediate geographic area.

2. The Club closest to me doesn't offer the weapon I'm interested in. Should I still go?

Yes. Most clubs are "longsword" clubs, but it’s really rare to find a historical fencer that exclusively fences a single system or weapon. Even if nobody at the club fences the system you're interested in, you can 1) probably talk them into it and 2)fencing not-your-weapon will still make you better at your-weapon. My club is a "longsword" club, but we have fencers who regularly do saber, rapier, rapier and dagger, messer, messer and buckler, side sword and buckler, katana, broadsword, spear, and even montante (greatsword). Just ask!

3) The nearest club is too far away. Can I learn just by studying manuals online?

Yes and no. I don’t recommend doing lots of solo practice without having attended a class. It's a good way to engrain bad habits, as well as avoid fencing altogether ("i cant spar yet, my form isn't perfect/ive learned bad habits" or worse, "i don’t need to spar, i know all the manuals inside and out"). This is a really important point: LEARNING TO MOVE A SPECIFIC WEAPON IS LESS THAN 30% OF FENCING, and you will be moving through guards and forms like a pro with only a few months of intentional practice. Your cut form can be picture-perfect and you will still get wrecked in a bout if you don't have experience. Most of fencing is understanding timing, distance, your psychology and your opponent's, and knowing from experience which positions you can get to from what other positions. You can only learn to fence by... fencing. Now, if your thing is studying arms manuals and replicating them picture-perfect, which some people are into, more power to you! But it won't be winning you any tournaments, and I am writing this assuming you want to do the sporty/swordfighty side of things.

4) wait, there are books on swordfighting?

Yes. Check Wiktenauer. Most of them are free. My club does Joachim Meyer; Fiore and Lichtenauer are also fairly common for longsword.

5) I really can't get to classes, though. Am I just out of luck?

Is there an Olympic fencing group nearby? How about lightsaber fencing? No, seriously. Kendo? Boxing? All of these things train the exact skills that are difficult to learn in HEMA fencing -- distance, timing, reaction speed, fight psychology. Some of the best beginners I've ever sparred came from lightsaber, or kendo. If there is no group nearby at all, pick up a copy of Meyer's art of combat and a 12-inch length of steel pipe (it's the same weight as a longsword) to learn how to move the sword (do NOT hit people with this, oh my god), go to kendo for a few months, and you'll be in decent shape for WMA sparring when you can get to a group.

The reason HEMA is fun is because of the community! Even if it's a really intense commute, try to make it to class at least once or twice. You will enjoy it more, you will learn more, and you will fence better. Don't just do it all on your own! Most of the people in these groups have fallen into the common mistakes so YOU don't have to. Utilize them!

6) What do I do if there are no people to spar with nearby?

Why don't you start a group? Purpleheart armory sells foam swords for like $50 each. Get some friends, get everybody a mask and a boffer and get to it! This is how HEMA as a hobby started -- people messing around with foam trainers and a copy of a 16th century arms manual.

6.5) I'm sparring outside of a club -- should we use synthetics, wood, or steel?

Dude, just use foam until you can get a complete steel kit. Keep in mind: synthetics can be as dangerous as steel, wood is MORE dangerous than steel, and steel requires full safety kit for full speed sparring. Don't break your fingers because you wanted to look cool. These things HURT, and can cause serious injury unless used with intention.

7) should I buy a sword?

If you're with a HEMA school, they will have their own cadence for buying gear, and the sword is usually the last thing you get. You should only buy a federschwert (training sword) once you know your style and sword preference. If you're not following a club cadence or planning to attend a tournament, Do Not buy a steel weapon. A full steel spar kit costs like $800 dollars, and without a full safety kit all you have is a $300 wall ornament nobody can use.

And don't buy a blunt, please. Beginners love blunts because they look like "real swords". They also break bones. Federschwerts are standard in the community and nobody is going to think you’re cool for showing up with a weapon designed to snap someone's humerus in half. If you're that twisted about it, Sigi forge sells schiltless feders that look like "real" swords (a feder is a real sword, but I digress).

8) what safety gear should I buy?

Every club and tournament has its own recommendations. Look at the Mid-Continental HEMA Open rules for a very standard list of gear reqs for a reputable tournament. Generally, in this order, it's:

-mask (don't point a sword at anyone without one of these on)

-chest plastron (for preventing unfortunate accidents that might send shards through the lungs)

-gorget (rigid or semi-rigid)

-hardshell gloves (don't do lacrosse gloves or other soft gloves for longsword, you'll break your fingers)

-puncture-resistant jacket

-forearms/elbows

-shins/knees

-back of head protector (concussions bad)

-pants/skirt

-sword

I probably missed something but these are the most common questions-- fellow HEMAists or interested parties, lmk if I missed anything! Happy fencing!

What is plot and why does it have so many holes?

“What is it that the child has to teach?

The child naively believes that everything should be fair and everyone should be honest, that only good should prevail, that everybody should have what they want and there should be no pain or sadness. The child believes the world should be perfect and is outraged to discover it is not.

And the child is right.”

— Rabbi Tzvi Freeman