a happy reunion
heard scara's new voicelines already?
Alhaitham has many things about himself he keeps secret, one of them is his direct relation to the Scarlet King. He soon will see the importance of the strength he hides and how he should honor it. Finding the true meaning of his would-be title, "Alhaitham, Firstborn of the King Deshret," impacts his morale and mood towards the life he lives in the modern days of Sumeru. All the books in the world can't answer the coming of his birth and purpose before the death of his mother and father.
TL;DR: Alhaitham has mini identity crises because his parents died a long long time ago.
(Enjoy the story, ciao)
“No matter what I do, how many bodies I put myself in, I’ll never escape this god forsaken planet.”
I haven’t explained much lore between these two, but I like to imagine them with a villain/hero dynamic that chill together once in a while. Though it’s also not exactly like that, since both AM and BE are doing morally correct and incorrect actions as time passes by (in their own way). I don’t rlly mind spoiling stuff from this AU since I’m not planning to develop it as a fic or anything, so I might as well take my time to explain at least what my drawings are meant to represent. Later on I’ll continue posting stuff to connect the dots correctly.
In this situation, AM is devastated to realize that despite achieving to create a body for himself to go to the surface he simply isn’t able to escape himself as he needs his cables to be bound to the ground. He is still able to cause destruction of course (and he does as he hates BE for a few reasons), but both of them try to understand eachother whenever they get the chance to. These small pauses and talks are important for the relationship they hold later on.
Edit: [THIS LORE IS NOT UPDATED]
Vox sure is the demon of broadcasting, huh
There is something about the mirroring of how Ei and Nahida handled their respective Harbinger enemies (abandoning Scaramouche and killing Signora versus reasoning with Dottore and taking Scaramouche in when no one else cares to). It's like.... Nahida had every reason to toss Scara aside and blame him for the wrongs of the Sages, and she IS angry that he has benefitted from the suffering of her people and continues to lash out at both Nahida herself and the traveller. But he's just. He's a puppet and he was made to do things and in the aftermath of the cataclysm he couldn't live up to those expectations, Ei denied him the opportunity. So now he's scrambling for a semblance of purpose and dragging Sumeru into his identity crisis, but Nahida sees the tool he's being used as, sees that he's been denied personhood by those who control him (like her! Her heart (gnosis) powering the akasha while she rots) and she treats him with kindness.
She could kill him. Could send him back to the Fatui. Could have him imprisoned. He's a comatose robot, he doesn't need her to fuss over him but she's!!! She's a kind goddess and she understands what it's like to be tossed aside and denied your birthright purpose.
(And Ei kills and commits to violence and cruelty, but she's also just a product of the trauma she's had. But then did Signora deserve to die? She sowed chaos in Inazuma, but Ei let that happen. Ei killed her not out of anger or malice but cold judgement when she lost the duel, an uncaring punishment where Nahida is overflowing with compassion even for those who've hurt her).
If this receives 50 reblogs ( 🥺✨) I’ll do my best animating that track (probably animatic like this one, dunno) the real question is, my style or Hetalia style?
if you wanna write about one of the idv girls.......... alice deross and a reader who's also a journalist, perhaps working together?
you can wait till she releases ofc!!
📰
hi, sorry for it being so late, but sure yeah i'm open to writing idv girls! to be fully honest, i've never written for alice though (except for one occasion before her release...) but i can try for sure!
request; yes, by anon! requests are closed til i get my current requests taken care of but may open some comms?
wc; 730.
tags; default! journalist (alice deross), jounalist! gn! reader, work relationship, reader admires alice, canon-divergent, first person pov.
summary; an avid reader of alice's columns, you've wanted to be a journalist. and now that you are, for your first assignment, you are to work with alice deross...
rumors spread like wildfire, and this agency was no exception.
i had gotten my dream job as a journalist - since i was still in school, i had always admired a certain writer named alice deross, who wrote articles with a striking amount of detail, as if she herself had experienced what she was writing firsthand (even if such wasn’t the case), while still keeping a certain veil of mystery. that’s why i worked hard to get recruited into the same agency as ms. deross, networking and honing my writing.
and, to say the least, my first day was, indeed, filled with rumors.
rumors about what? why, of course, the famed oletus manor. it’s become a famous place for novelists to center horror stories around, seeing as many strange events are said to have happened there, yet they all seem so wild it’s hard to believe. “participate in a game for a chance to have your wish, no matter its grandness, granted.” who would believe such a thing? was my first thought.
yet, alice deross allegedly was passionate about this very case - everyone else was either scared to enter the unknown or uncertain whether it even existed or if it was a reality warped to exaggeration by the people who spread the rumors.
ms. deross, however, insisted on taking this case.
only she had the resolve to delve into the unknown and only she held such strong beliefs with eyes that could light a fire.
“surely there is something from this manor i can glean. i had prior connections to the manor, so it’s hard to believe such liveliness could be overtaken by these dangerous games,” she had declared to the head editor.
it appeared she had other motivations than producing a good story.
supposedly, it took quite a bit of convincing, but it was only after ms. deross went out of her way to obtain a manor invitation, the reddish wax seal bearing an abstract floral imprint, that the head editor (reluctantly, and much to his chagrin) accepted; clearly, ms. deross was adamant about this case, so as long as she could make a good story, who was he to say “no”?
...must have been what he thought.
i was curious about her said “other motivations” that i was nothing less than certain she held close to her heart, so with the head editor’s approval, i ventured to oletus manor, shrouded in mystery, with ms. deross. my first impression of her was what her writing style conveyed: polite, clear-spoken yet slightly distant. as they say, “style is the man himself,” i suppose.
in fact, i distinctly remember her first question: “i have been curious why you insist on going with me to oletus manor,” she said while i drove through the forested area, “it will likely be a dangerous gig.”
“yes,” i replied back (perhaps my voice betrayed me, for ms. deross shot me a look with a gleam of worry), “i’m fully aware.”
her look of worry diffused then into a wry smile.
“i don’t know whether you are courageous or reckless.”
“maybe both.”
“...regardless, i should warn you: curiosity can kill the cat. i do respect it though, seeing as you even volunteered to come with me.”
those were her last words as i remember parking up at the manor. it was then ms. deross seemed to change her demeanor considerably to the point of tangibility - i could practically taste it.
what had transpired at the manor was already reflected in her eyes before we had even entered its premises.
its happenings are a story for another day. a whole article wouldn’t be enough.
ms. deross handed me an envelope. “remember, (y/n), it is never too late to withdraw. i have a personal matter to settle here, but your life is what should be most important to you.”
she handed me a camera, the black lens reflecting my own face, revealing nothing but the truth at that moment laid bare. when i looked up at ms. deross, meeting her eyes, i couldn’t help but notice a more soft look than usual.
perhaps she had resigned to the fact that, since we both made it this far, i would not turn back now.
“after all, dead men tell no tales.”
(that said, i am alive even now, so for the future, i still have a tale to tell.)
I still find it really funny that Scara got forcefully admitted to the akademiya just because of his natural need to be right about everything
please do write an essay about wanderer one day i would love to read it <3
i love you. he is so <3 (essay under the cut because im crazy)
scara/wanderer/whatever you want to call him is so interesting to me because like. out of the train wreck that was inazuma, he managed to be one of the only well-written characters. and he wasn't even on the playable roster for that nation. incredible. why was inazuma so bad
in a way, his character actually functions to draw attention to a lot of the problems i personally have with the way ei/raiden and inazuma are written, namely that ei sucks and never sees a single consequence for her actions or even like. tries to fix her mistakes in any tangible way. Scaramouche was her prototype puppet, meant to be a test run for the eventual figurehead for inazuma which would run on unchangeable ideals while ei fucked off to her mind palace forever. he was not actually used for this purpose because ei saw him CRY and decided he wasn't fit to rule a country, and instead of like... idk doing anything RATIONAL with him she was just like ok. i'll let him sleep forever i guess. surely he will not wake up and resent me for this and turn evil. anyway. obviously he wakes up and realizes why mama ei abandoned him. he of course does not take this well. he internalizes the idea that his emotions made him weak and useless from. basically the moment of his conception. his emotional response is the reason he wass essentially abandoned by his mother. (to be fair, it's unclear if ei was aware that he retained consciousness, but still. throwing him out like trash because he had EMOTIONS was fucked up). this sets the stage for the way his mental state deteriorates over the course of the next couple hundred years.
so the poor kid has been abandoned by his mother for feeling things. bad start. but another important piece of this story is that, as per ei's original design for a puppet figurehead of inazuma, scara was essentially built to house her gnosis (essentially the heart of an archon.) since he never actually got used for that purpose, though, he feels as though he is missing a fundamental part of himself. as he wanders inazuma, he feels that lack of a heart harder and harder as he attempts to connect to humans and finds that he can't quite connect with them. (this is what i think of as his 'trying to be human' era) He struggles with the idea of mortality--specifically, a child that he befriends dies prematurely, and scara can't help but view it as a betrayal--"how could he break his promise and leave me behind?" he becomes acutely aware of the fact that he is not quite human and not quite god, but something in between--something that lacks the ability to feel like a human but was too emotional to fulfil its purpose as a god.
mortality and emotional response, to scara, become signs of weakness. he was discarded due to his emotionalness. his human friends' mortality took them from him. he grows to despise and reject both, which kickstarts his 'trying to be a god era,' which is how we've seen him in-game thus far. the thing is, he doesn't REALLY want to be a god. he wants to be loved. he wants validation and respect and family--everything that was taken away from him when ei threw him out, and when his human friends abandoned him. he tried it one way, tried playing pretend as a human, and only found more pain and suffering, so he decides to swing hard in the other direction, developing a superiority complex as a cover-up for his insane abandonment issues. No one can hurt a god. no one can abandon a god. no one can call a god weak. a god doesn't need friends or family or love because a god is all-powerful. he is convinced that if only he can attain true godhood--a gnosis, the item he was created to house, he will FINALLY be happy. and he decides that it doesn't matter how many people he has to hurt to do it.
(btw, throughout this entire time, ei has been in her mind palace being a deadbeat mom and deliberately ignoring the havoc her son is wreaking on the nation SHE IS SUPPOSED TO BE RUNNING. he even sends a message of introduction to the raiden shogun at some point ("tell her my name is kunikuzushi") which i can only assume was meant to make it back to ei and maybe get her to CARE A LITTLE BIT ABOUT THE KID SHE BROKE but she either never recieved it because the raiden shogun sucks equally as hard as she does or she heard it and didn't care. ughhhh.)
anyway. obviously this little insane attempt at attaining godhood does not end well for scara. i cant rewatch that sumeru archon quest cutscene without losing all brain function but you know what i mean. he fucks up. his hubris is his downfall. his attempt to bury his emotions and his humanity in order to ascend to godhood give him far too much confidence, and he loses the battle. nahida takes the gnosis and then fucking immediately gives it back to dottore because she sucks. scara's final attempt at finding some sort of place for himself in the world fails spectacularly and leaves him mentally and physically destroyed.
and in 3.3 he is going to wake up and keep going. and i am so so so so excited. i want to know how he heals. I want to see him reconcile with his humanity and his emotions AND with his origins in godhood, and i think having nahida and the traveler help him do that is gonna be so good if they do it right. i LOVE that they're allowing him to still retain a lot of that selfishness and smugness and attitude that makes him compelling as a villain, while ALSO seemingly letting him reconnect with his humanity and become better. i do still hope he gets to beat the shit out of ei tho
4.1
Scaramouche, Scaramouche will you do the fandango?