This isn’t a post going in depth into the new Wonder Woman film. I’ll leave my overall opinions elsewhere, but I cannot stop thinking about the action/fight sequences. People. I love action and fight sequences. My eyes dilate, I squeal and bounce in my seat when watching a good one. Like, I honestly couldn’t tell you the plot of Season 2 Daredevil (zombies?), but I can damn well remember that fight in the stairwell.
They are such a great study of film basics on a micro scale: Pacing, Editing, Blocking, Camera Direction, Character, you name it. It’s fucking thrilling when it’s done well, and beyond frustrating when poorly-executed. Full rant below:
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Besides knowing your anatomy from head to toe, what’s often overlooked is the energetic flow, or movement it conforms to.
Throughout the structure of our body we find rhythm, and it’s what determines whether or not you’re able to bring your characters to life on the page.
Here’s an example that describes what I’m talking about in a visual sense. This especially applies to the dynamic poses you’ll draw for your Comic Book characters, and will help them to maintain their fluidity.
http://anatoref.tumblr.com/post/119355955476/legs-design-reference
Have a productive day Comic Artisans – and keep on creating ;)
-Clayton
One of the deepest feminine pleasures is when a man stands full, present, and unreactive in the midst of his woman’s emotional storms. When he stays present with her, and loves her through the layers of wildness and closure, then she feels his trustability, and she can relax.
Osho (via spirituallyminded)
sure thing! ill throw something together quick (I should really be doing my homework but screw it)
Inspired by @lightheartedsuggestion