I don't have coherent thoughts
Look at that little face!! đĽ°â¤ď¸
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My heart is full and my soul is healing! đâ¤ď¸
crying
genre: childhood friends to enemies to lovers (a mouthful), smut, humor, Fluffff!!!!,
word count: 13.7k Â
You moved out of Monaco at fourteen with an unrepaired friendship hanging by a thread. Ten years and a whole lifetime later, youâre forced to work with him confront it all over again.
auds here⌠hi hi hi!!!! HAPPY 4k to us guys!!!!! i am so insanely thankful for all of u and i will make this a longer note when i wake up tomorrow because i have so much to say but have this for now. i hope u like it. this was born out of 2 asks, one of which was if u could make ur own score for a fic what would it be? so if ur interested in the playlist to this, LMK. i love love love u guys not proofread thats a job for tomorrow's auds
nsfw warnings under the cut!
18+ because... penetrative sex, semi public sex, praise central, size kink (pretty tame smut in auds world)
You know itâs bad when your assistant-and-friend-aka-friendsistant (her vernacular) Rachel walks in with a free coffee without a quip about how dependent you are on this exact order of coffee (sheâs a millennial, so caffeine and lack thereof are in her arsenal of Funny Jokes). You fear you didnât correctly anticipate just how bad it was going to be when she stays instead of leaving to work on your schedule, combing a few fingers through her fringe and sitting herself on your couch stiffly. Maybe youâre intuitive, maybe you spend too much time with Rachel and you can spot the way she scratches at her eye, maybe bothâbut itâs bad.
You donât take a sip from the Starbucks that sits idly on the coaster, opting to watch the latte sweat instead. You do stare, though, at Rachelâs stagnant posture, scrutinizing her every movement. She takes a few deep breaths and drops the bomb.
âDavid sent me to tell you he has good news. But there is, um. Bad news.â Dread writhes through you at the mention of your manager with bad news, and you clear your throat to compose yourself.
âWhatâs going on?â
She purses her lips. âHeâs on his way over here. JustâŚâ She cocks her head sharply to the glass door of your home office, expression antsy. âSorry. Wait for him. I canât tell you anything yet.â
You take a swig from the pity coffee. âAm I getting blacklisted?â
âGod, you dumbass, noââ She makes an incredulous noise, but before she can open her mouth to elaborate, your manager walks in with an excited expression on his face, pocketing his Juul to take a seat by your table. His smile is the radiant one of a man over forty with a comical amount of Botox.
âRachel told me you hadââyou stifle the adjectiveâânews.â
âThat I do, yes.â He hums, tracing the edge of your table. âDid you enjoy Paris Fashion Week?â
Beside the brash Frenchmen, God-awful timezone differences and consequent calls at half past three, hungover show attendances, posing for pictures until your ankles blistered, and a temporary diet of black coffee, cigarettes, and stale croissantsâsure, it was fun. It was your job to attend anyway, your obligation to shake hands with important people and be photographed in designer clothing and benefit from the PR, but how often could people call work fun?Â
âSure.â You take another gulp off your coffee. âIt was⌠fun.â
âWell, since your movieâs doing well,â David pauses and hums, âhow do you feel about another few weeks of fun?âÂ
âLike Paris Fashion Weekâweeks⌠this month?â You frown, eyebrows knitting together. Is this a new Vogue thing? Youâre not sure how many updates they give the schedule, but you wouldnât mind too much if you could travel again for a little bit. âSo soon after spring? Did Anna want this?â
âIiiitâs, er, Vogueâs new project. Capsule shows in Europe, coastal and summery. She wanted an exclusive guest list. She asked for you by name,â David says smugly. âWell, she called my office, granted. But to ask for youââ
âAre you fucking serious?â You stand up, and if you hadnât had some fix of coffee you wouldâve gotten dizzy. âDavid, tell me youâre serious.â Time seems to have suspended itself as you await his answerâwhich, if affirmative, would be a pretty big deal to you.Â
âYeah, I am.â He plays off a grin. âShe loved your movie with Greta, and would love to send you to Europe to do PR on a few shows and pair up with some guests on a couple features. Exclusive stuff.â
You sit back down, mouth slack. âOh, my God. I canât believe it.â Your eyes dart to Rachel, whoâs caught between a smile and an awkward purse of her lips. âFuck! This is huge, David.â
âYeahâokay, yeah, it is.â David shifts in his seat and crosses, then uncrosses, his legs, then his arms. He stutters for a second. âGood and bad news, remember?â
You blink a few times. Youâd nearly totally forgotten the fact that this good newsâand it is overwhelmingly goodâcomes with a bout of bad news, so bad apparently that itâs noteworthy enough to state alongside this massive deal. But itâs. Fine. Itâs whatever. Worst case scenario, youâre going to need to fucking swim to Europe sans oxygen canister.
âSo⌠the shows? Events, and shit?â He watches, waiting for you to signal that you follow. When you nod, he continues, averting his gaze to the face of his Patek. âTheyâre all in Monaco.â
Wrong.
âMonaco.â You repeat, deadpanning your delivery. Itâs not out of the ordinary, the glitz and coast of the city being a perfect venue for high fashion. But Monaco is different for you, vastly different, and you tend to avoid the place to the best of your abilities. âMonaco. Areâyouâre sure?â
âMmm,â he hums in affirmation. âI know, I know youâre not exactly privy to Monaco because, bleh, childhood shit, whatever. But thisâlike you said, this is huge! And I donât think we should jeopardize that.â He pulls a piece of paper from the folders tucked in his arm and waves it around.
âWellâyeah, I suppose. Iâll deal with it.â
âYeah.â He sucks his teeth, eyes gliding over the scenery of L.A. that your window offers. âOkay, thatâs it, so. Byeandhaveagoodlunch.â He slams the paper onto your desk, jostling you a little, but as he makes his exeunt, Rachel raises her arm to stop him.
âIs that it, David?â She asks, an edge to her voice.
You pick up the paper as they make hushed, stifled conversation, and find that itâs a call sheet of sorts, listing all the collaborators traveling to Monaco and what or who theyâre in charge of, or paired up with, there. Models, athletes, celebrities, influencersâall making TikToks, or appearances, or brand deals, or interviews, or YouTube videos, the whole shebang.
âYeah,â says David dismissivelyânervously? âThatâs it.â
You search for your name. âOkay. Um, hey.â Rachel turns to you, trying to catch your eye, which is busy scanning the sheet. âDid, umâdid David mention youâre paired up with Charles Leclerc for a feature? Because you are. Paired up with Charles Leclerc for a feature, I mean.â
David sucks his teeth. âThank you very much for graciously reminding me of that, Rachel.âÂ
Still half-distracted and growing increasingly worried with the exchange happening in front of you, you make haste in your searchâeventually, you find your name, printed in plain letters beside one youâve wished to never read over ever again.
âWait, my Charles?â You pause and look up, suppressing a yell as your eyes widen, and you blunder over a pathetic self-correction. âI meanâno, sorryâCharles, as in Charles Leclerc? I canât work with him, you know this!âÂ
âWhâwell, Vogue apparently wanted a really good Monaco-born pair and they seriously lucked out on you two. Also,â Rachel says, adamantly defending herself, âyouâre always saying you can work âwith anyoneâ!â She raises two comically vigorous air quotes to further her (moot) point.
âI didnât evâI never say that,â you lie straight through your teeth, mouth dry. You definitely do. You can place all the exact moments. âI wouldâve known if I did. RachâDavidâI cannot, absolutely cannot work with Leclerc. Heâs my⌠weâŚâ You shut your eyes and sneak two fingers upward to massage your temple, slowly caving into defeat.
David makes an oh well face and shrugs passively. âFine. Then itâs either Anna Wintourâs special job that will help the Academy campaign or not meeting the ex-boââ
ââfriend.â You look up to cut him off, eyes narrowed. âEx-friend.â
âAlright, kid. Suuuure.â David leans against the back wall of your office as Rachel comes to comfort you, her eyes already sympathetic and droopy. It shouldnât be so bad, right? She asks sweetly, nudging the latte closer to your catatonic figure. You have seen him since, anyway.
With a despondent gaze, you just remain silent, refusing to state the negative aloud, opting to stare at the latte. At your disagreeable silence, Rachel continues, tone anxious: You have seen him since. Right?
You moved out of Monaco at fourteen, right after the school year finished and your father had gotten the opportunity to transfer out. The whole thing wouldâveâshouldâve, evenâbeen a sentimental affair, full of tears and dramatic caresses of your bedroom wall, whispering thank yous to the city air in French and Italian, but it wasnât. Months prior, youâd been preparing yourself for this kind of goodbye; but when it came to it, you merely kissed your extended family goodbye and slept en route to the airport, silk sleeping mask pulled taut over your shut eyelids. The only thing you left in the city was a letter written only to Gi and Cha about how much youâd miss them, with your email address scribbled at the bottom for an added touch, in case they felt like sending you longer messages.
âDo you two at least get along?â David asks, noting how genuinely aghast you appear.
âItâs not that simple.â You tap a nail against your desk a few times. âBut I think itâll be fine. I hope, at least. We used to be⌠good friends? As teenagers.â
You feel like an alien hearing yourself talk about it, talk about him and the whole circumstance a decade later. Your friendship with Charles was the only thing that mattered to your adolescent self, all lemonade stands and long car rides and stealthy conversations about your futures (racing and acting, respectively). It was happiness, in what you consider to be its truest form, it was lovely and real. And it ended abruptly, no goodbyes, no nothing.
âSo itâs a no.â
âIâm just saying itâs impossible for me to work with him, and in Monaco no less?!â Your eyes are wild with frustration and anxiety at the prospect of your past whipping you in the face, full-fledged. âI donât even talk about the guy or the city, how can I spend time with him there?â
âAre you seriously going to junk this amazing fucking opportunity just because of some petty childhood fight?â Davidâs tone is comparable to that of a dadâs, scolding and horrified, almost. âLook. If you donât take this, career-wise, it doesnât mean much. You get paid a shit ton, youâll surviveâyouâll do well. But emotions-wise? Maturity-wise? Be the bigger person and do itâI mean it.â
You stare back at him because you know heâs right. âMaybe it wonât be a big, long feature?â Rachel offers as some advice, some comfort. âIf you reject it, his team will know, and so will he.â
And yes, you were fourteen, and yes it was petty and unexplainable even for fourteenâbut there was a catalyst to all of this, a reason why the move became easy and forgetting childhood memories became second nature. A reason why youâre selective with who you make contact with from home. A reason why Giada and Charlotte are selective with topics they choose to bring up with you.
So, fuck it, really. Thatâs how you end up in Monaco, booked for the next three weeks, sharing a studio and public appearances and a 24-hour shoot with the last person youâd ever want to be in a room with. Ten years laterâthe person still is, and no doubt will always be, Charles Leclerc.
â
âMAMAN!â Charlesâ voice was loud, loud, and so incredibly loud. You followed not far behind, legs running at full speed to try and leap onto his lanky figure and wrap an arm around his head to quiet him. Itâd been futile: he ended up at the dining table facing his family with a victorious smile on his pink face. He breathed heavy, waiting for everyone to turn their attention to him.
âCharles,â you chimed in warningly, breathing even harder with the effort you had exerted to chase him from the sidewalk to here. âDonât.â
âGuess who got the lead spot in the recital.â He slowly turned to point at to your angry face, and then bent, rifling through his already messy, grubby knapsack for something that he raised with glee: a headress that readâŚ
âBut-ter-cup.â HervĂŠ sounded amused when he looked at your fuming expression. âYou?â
âYes, Papa! Maybe, just maybe,â he sing-songed, using the term wrong yet again, âshe got the titular role!â He walked over to you and placed the headress square on your head, beaming.Â
âThere is no titular role in a school recital,â you seethed, burning with embarrassment. Your stellar academic record had apparently granted you incentive to be centre stage during the routine year-end recital, where years were lumped into twos or threes (in your and Charlesâ cases, Years 8 and 9) and the student body would dance or sing a variety of teacher-selected music.
In your case, it was Build Me Up, Buttercup, complete with choreography youâd be practicing over the next month and a half. Charles laughed at your pouting expression, didnât stop laughing even when youâd both sat down and twirled through forkfuls of spaghetti, didnât stop chuckling even when Lorenzo got the turn to speak and he started talking about how Bringing Up Baby was his movie of the month.
You allowed him to laughâeven laughed yourself at some pointâbecause all day, youâd been absently wondering how youâd break the news about your moving away to him.
â
Charles is not okay. Heâd gotten off a red-eye from a short vacation stint, and now heâs back in Monaco, sleepy and a bit jetlagged, being briefed on brand deals and press junkets he has to accomplish by three p.m. today. âOn the dot, sharp,â said his assistant, like the two didnât just mean the same fucking thing. Heâs patient, though, smiling through the exhaustion, through the dressing room, the tape around his waist and legs to measure clothes for this fashion⌠thing.
âA meeting for Ferrari, two TikToks, a vlog for your personal YouTube channel, three stories by noon⌠oh, and in the next few weeks, youâre going to film a Vogue-sponsored 24 Hours With⌠withââ
âDâaccord, thank you,â he cuts in, already exhausted from the spiel alone. Heâs a professional; no matter what people believed or what gossip rags liked to say about him, he maintains a well-kept reputation of being polite and kind to people he works with. Maybe itâs the jetlag, maybe itâs the lack of sleep, maybe itâs the heat outside, but today he just wants to close his eyes and sleep for days.
But the assistant follows, clipboard and Excel sheet and all, still spouting all his media obligations lest he forget (and mark his words, he definitely will). âSorry,â he says. Heâs new, probably assigned as a part of the Vogue team, lanky and tall and nervous looking. âIâm new. Iâm Greg.â
Briefly, Charles is left alone to stare at his tired reflection while the assistants reconvene and connect. Thereâs several of them, each assigned or already committed to a different celebrity. Charles should know more details, but thereâs only so much reading of a call sheet he can do before heâs conked out on Ambien; he trusts heâll be around people much more famous than he is, probably American or English, actors and athletes alike. Heâll figure it out.
Yeah, sheâs almost ready. Is Charles here? One of the assistants says, a bright-eyed American. They need to be introduced before 11. Her voice is quiet, quick and hushed, and Charles has to focus to hear what sheâs saying. Greg chips in with something he canât decipher; in response, the American whispers, Yeah, Iâll get her to sign it for you. Bring Charles out in five.
In five, he is indeed being brought out to the lobby of this hotel; the outdoor area is decked out with models, cocktail tables, Vogue signage and a carpet for pictures. Itâs even busier inside, wait staff and event coordinators conversing in angry, aggressive Frenchâtable settings, mineral water, extra forks are needed. Greg keeps a steady pace transporting Charles through the indoor throng, and at 10:59, Charles is outside, by the pool.
âUm, right, yeah. Okay, uhâwait here. Your partnerânot really partner, but like, mate? Fuck, definitely not. Um, partner. Sheâs on her way heeereâŚâ He checks his phone. âOkay. You caught her name, right?â Charles nods to fend him off. âOkay. So, wait here.â
There are cameras taking pictures of him when Greg departs, some microphones waved his way; in the distance he spots fans waving crazily, sporting Ferrari merch. Charles is doing what heâs told (waiting, maybe posing a bit) when an even bigger crowd appears, surrounding one person; with their arrival, ameras click even faster, and an uproar follows. Greg waves him over, pointing at the person frantically, so Charles smiles, extends a hand, and when the crowd partsâ
There you are, in all your glory. Pink dress, hair clipped into a bun, a tanline on your exposed skin, lithe hand coming up to shake his. Your eyes are flat but the lack of expression doesnât inoculate them from beauty; they remain sparkling and pretty all the same. Cameras snap the interaction, seemingly innocent, seemingly the first.
He fights, he really does, to keep his hands shaking yours. He forces himself not to hug you, press a kiss to your cheek even if that might look friendly, caress a hand across your cheekbone, brush the tendrils of hair out of your eyes. Itâs a valiant effort.
A valiant effort that pays off because, as soon as youâre ushered into a room by yourselves, your smile turns into a scoff; your hands are kept to yourself, slipping a pair of sunglasses on, and; underneath them, your eyes begin to roll. âI need a drink,â you huff, not even looking at him.Â
Youâre on two couches opposite each other, in what he assumes to be a foyer to a hotel room thatâs much bigger than the one he was in earlier. A-list fame and that. The girl heâd seen earlier scurries off, mumbling something about a martini. Greg, beside him, goes: âDo you need a drink, too?â But he shakes his head.
âAre you voluntarily working for this guy, Greg?â You refer to his assistant by name, offering a sarastic, honeyed smile. You adjust the strap of your dress and he blinks his gaze away.
âOh, no. I meanâyeah. Kind of. I was assigned to him.â
âItâs okay, I donât expect you to do it of your own will,â you joke, crossing your legs.
Charles laughs dryly. âWho asked?â
âSo he speaksâŚâ You ping off his retort without missing a beat, a sardonic smile playing at your lips.Â
âIn the two minutes weâve been around each other, youâve insulted me and my assistant. Iâd prefer silence, your highness.â
âAww, did my joke and asking Greg a question piss you off?â You suck your teeth. âYou must be fun at parties.â
âDo you two, um. I donât want to, like, overstep, but do you know each other?â Charles notices that Gregâs forearm is signed by you and realizes he has no allies here, with an inward grimace. âOr if you donât, like, are you two just⌠not in good moods or something?â
The girl comes in then, saying hereâs the martini and catering you a sweaty glass with a smile. You offer up the empty space beside you, patting the white leather for her to sit down on. Your eyes meet his again briefly, catty and a bit challenging, before you turn back to the girl. âSit.â
Maybe Charles spends too much time with Max, because heâs starting to become more and more inclined to getting the last word in lately. âBossing people around, eh? Fame really does change you.â He offers a smile of his own.
âSheâs my assistant, Rachel,â you say sweetly, but your smile is gritty. âWe need to check my schedule.â
He wants to slap himself. âToo busy to open your calendar?â Nevermind, heâs a god.
Your sarcastic smile drops. âAnd whatâs on yours? P6 this week, P7 next, DNF after?â
Fuck. The tension is so thick at this point, itâs almost steaming hot. Both the assistants stare at you, waiting for Charles to wedge something in, but he bites himself back. Thankfully, right as the silence just begins to settle like oil on water, the door swings open and one of the coordinators steps in, noisily rattling off the weekâs plans and proclaiming youâre both free for the remainder of the day before things pick back upâSchiaparelli show at noon, both of you, front rowâtomorrow.
The four of you filter out of the room, and you make a quip about your autograph on Gregâs arm, which grants your assistant some face time with Charles. She turns to him, combing a hand through her hair and furrowing her thick eyebrows. âHey, Iâm Rachel, by the way.â
âCharles.â
âI know,â she says sheepishly. âListen. I know you two have history, sheâweâsheâs, um, told me about it before. I donât know the whole story, and Iâm not⌠like, Iâm not saying I do, so I respect it, whatever it is. But I hope you can find it in you to work with her properly. Itâs a huge gig for you both. Soâyeah, uh. Great job, and good luck.â
She smiles with a nod before exiting the room, leaving Charles alone and stirring with thoughts and memories woken from wild unrest.
â
âAlors,â Charles had said, not turning from his position in front of your vanity mirror. Heâd been picking at his face, stopping only when you tsked at him not to. âWhat is the problem?â His eyes flicked over to you, your lying figure on the bed exhaling little puffs of frustrated air to the ceiling. âAre you missing the recital?â
âQuoi? Non.â You gnawed at your lip, accepting your defeat. You couldnât lie for much longer, not when youâd been keeping this under wraps for two months. âListen. Charles.â He nodded, clearly preoccupied with something. âCharles.â
âHmm?â
âCan you pleâlook at me.â Your voice hardened.
Heâd noticed it then, the curt cutoff of your voice, the absent look in your eyes. He knows you even through a mirror, even in the low light of your room. âDesolĂŠ. This pimple wonât go away.â
âCharles,â you said, groaning but allowing yourself to laugh. âListen.â
âOkay.â He turned to face you, a spot on his chin red from how long heâd been scratching at it.
You shrugged then, suddenly scared to deal with the realness of it all. You didnât understand why you felt so torn. âItâs something to do with me,â you said.
âYeah.â
âIâm moving.â You rubbed at your nose, the cold draft coming in through the window causing you to sniffle. âOut of Monaco.â
A beat. âWhat?â
You closed your fingers around your necklace, scratching absently at the divots of the pendant. One, two, three little dips in the gold locket, tiny but comforting. âYeah. In a few months, like, after school. Itâs Papaâhis job. Itâs a whole thing.â
âEurope?â You shook your head. America.
âWhat⌠well, what does that mean, then?â His expression didnât waver but if anything did, it was his eyesâdesperate, seeking more answers, wanting them with a guttural, belly-deep desire. Youâre his best friend, so if he has to let you go in this life, he at least needs to know everything about the move.Â
âWeâll keep in touch,â you reassured, kicking your leg to further your point. âYou were bound to get busy with karting anyway, so itâs like. Ăa revient au mĂŞme.â
âIt isnât the same,â he said, his voice thin and cracking.Â
âYouâll be fine.â
âYou have a very misguided idea of who I am.â
âShut up. Come off it,â you laughed, sitting up straighter. âWeâll call everyday, and Iâll meet all the famous people whoâll get me a real acting job, and Iâll come for the holidays or summer or something. Things wonât change. Not that much, at least.â
âMaybe, just maybe.â He pauses. âWill you be here for my birthday, at least?â Heâd made a big deal all year of his turning sixteen on the sixteenth.
âCharles,â you sighed.Â
âNo, yeah. I get it.â He looked down, rubbing his thumbs together, like heâs just been hit across the face. He will tell you one day it felt infinitely more painful than that. But at the time he shook his head and looked up at you, reached his pinky to yours, a thin slip of paper around the finger that matched your interlocked one, and didnât say anything else.
Just: âWeâll be okay.â
â
You could pin a lot of adjectives on Monaco: picturesque, without a doubt; warm, glamorous, but youâd sooner die than pin the word home over it. The city is sprawling even with the little surface area it possesses, and only few things seem familiar. Your lodging is a hotel in Monte-Carlo, a penthouse suite that requires you to travel very little. It feels like a vacation.
And you embody the role of a vacationer very wellâthe first five, six days of your stay in Monaco went great, mainly appearances that lasted a few hours at most and several junkets to promote Vogue and your latest film, before you were free to do whatever you wished. Youâd gone the touristy route already: shopping more times than you could count, trying your immense luck at the casinos, and eating at Michelin-starred restaurants; eventually all the fun blurred into each other and you found solace in naps instead.
Your troubles are not far behind, however, and they finally come after you on Day 7. The event coordinators had informed Rachel, who in turn informed you, that the first of next weekâs agenda would be a photographed tour of the MusĂŠe OcĂŠanographique de Monaco, a grand seaside building right at the edge of the water. Today is, apparently, a day for you to âfraternize withâ Charles, which meant you would once again need to put a façade over your less-than-kind appearance toward him.
Those are the concluding words of Davidâs very firm text, encouraging (read: coercing) you to settle things with Charles into some approximation of civility. You resolve things by calling him to skip over the awkwardness that comes with texting. It takes you all of twenty minutes and twice your body weight in courage to press the green telephone button.
âBâjour,â he goes, his voice quick. French people (he will hate that you called him French, even if it was just in your head; you relish in this) always talk rapidly. After some silence, he clears his throat: âHello?â
Butterfliesâsome form of them, whateverâflutter in your stomach. âItâs me.â
He drops formalities and adopts a disinterested voice. âHuh. What do you want?â The butterflies have rotted to death.
âI need to talk to you.â
âTo insult me again?â He sounds a little amused even over the phone, a breath of laughter landing in your ear. âBah, I get it. We are enemies. You have no interest in reconnecting, et cetera. Câest tout ce que tu as Ă dire? I gotta go.â
Your face warms at his accusatory tone. âWow, leave it to a guy to be charming, huh?â
âWhy should I be charming with you?â
âAt least be polite,â you taunt, but your voice lacks its usual edge. On the other line, Charles lets his own defiant tone ebb downward.
At least be polite. Itâs the least he can owe you after ten years of forgetting. It wasnât as if you two had a mutual agreement then, in 2013 when you moved away, to stop becoming friends. For months before you moved out, he completely stopped talking to you, like heâd forgotten you two were even connected, were even friends. What little words you two shared became petty and abrasive, and suddenly Monaco lost its color. The closeness you had with him, which for so long youâd convinced yourself was once-in-a-lifetime, was ripped from you, robbed from youâby him, no less, which hurt all the more. Youâd given up on finding out why at some point. You waited for him to reach out. Maybe, you told yourself, just maybe, it would take a few months, a year.
Ten years of radio silence. He owes you that: politeness.
âIt doesnât matter,â you say to nobody in particular, in an effort to segue into the topic of your choosing. âLook, weâre supposed to be friends. In⌠on camera, at least. Itâs disastrous if we look like we, you know, hate each other. We need to be professional.â
âFor the cameras,â he says back, solemn.
âYeah.â You wind a finger through your hair. âJust⌠for the sake of civility.â
You hear his little hums of consideration. âDâaccord,â he says after a few minutes. âTruce, then.â
âSure.â You smile a little. âI have to go.â
â
You were halfway through your mess of clothes when your mum peeked through your door, her hair held back by a headband. âCall you yet, poppet?âÂ
âNon,â you said, decimating your voice to a monotonous murmur. You looked up from the dress youâd been folding and offer a half-hearted, sardonic smile. âJe tâai dit quâil ne le ferait pas.â You were right: he wouldnât call. What difference did a month make, anyway? This time, though, the usual victory of being right settled into an ugly disappointment in the pit of your stomach.
You wanted so badly to be wrong. To clamber to the telephone, to your Skype, to your cellphone, any of the three, and see his name flashed across the helm or his voice in your ear. Maybe he was dialing your number now, to ask if you wanted to grab dinner after the year-end recital, or to update you on karting, or to tell you Pascale wanted lunch.
She could tell, as all mothers can, that youâd been upset. The knit in your brows that didnât go away, the bottom lip being chewed, the tight clutch of your fingers over the already-folded dress. She sighed. âIâm sorry, baby.âÂ
âItâs fine.â Your voice came out sharper than you intended and you have to roll it back, recede it, to sound more relaxed, more at ease. âItâs⌠fine. Iâm fine.â She knew better than to pry, closing the door softly to continue packing up the living room.
You heaved a dry sigh to express the nausea that came with his absence. It began a month ago, two days after you first told him about it and poked at the zit on his chin. Heâd buried his head in your shoulder until tears seeped into the cotton sleeve of your shirt, and you let him. You felt guilty, after all, for keeping it a secret for so long. You would leave in September, you told him. We have time.
Two days later he walked you home as always, on the âdangerousâ side of the street, lanky legs skipping to the tree in front of your house. You pointed at the beginnings of clementines on its dewy branches, smiling, inviting him in, but he remained leaning against the trunk, playing with his mop of hair that covered his forehead.
âBah, trop dramatique,â you said, poking fun. Lorenzo had showed you both some art house films he studied in class, and with the bout of French cinema, you and Charles had grown obsessed with making fun of overdramatic stills that often included the classic leaning-against-a-surface. âCome on, Mum made bouillabasse, I smell it.â
âWe need to talk,â he eked out awkwardly. âI have something important to tell you.â
You dropped your knapsack, leather scratching against the concrete of the steps to the front door as you walked over to him. âOuais?â
âIâŚâ His lips moved, wobbled, but nothing left, so he shut them and his eyes, like he was considering something. His breathing slowed into one rhythm you find yourself unconsciously matching, just two kids looking at each other in the dusky breeze of Monaco, the orange sun casting shadows over the clementine tree. You closed your hand over his, a tight clamp over his knobby wrist with certainty. âIâŚâ
âSay it.â
âI want to.â His eyes were shut. Exhale. Inhale, open. âI⌠Iâm going⌠going home.â
You breathed out apprehensively and relaxed. âOh.â You blinked. âThatâs it?â
âYeâouais. Yeah. I gotta.â Already he was climbing to the gate, waving a half-hearted goodbye. âSave some for me, oui? Bye.â
âCharles,â you warned after him, voice tinged with concern. âThatâs it, promise?â Your hand flexed around air.
âCross my heart!â The last thing he ever said with any bit of something genuine.
â
You reunite with Charles at a meeting; under the guise of your truce, he makes the barely-necessary small talk. The rest of the staff file out of the restaurant in due time, but you both stay. You ask about Lorenzo and Arthur, leaving out questions youâd rather not listen to him answer, and he tells you theyâre both alright. That his mum asks about you sometimes. That makes you smile. He asks if youâre still dating the guy youâd most recently been partnered with in Us Weekly.
âGod, no. We never even dated, the⌠um, tabloids always make shit up.â You purse your lips. âAnyway. Is Lorenzo still in film?â You ask, turning your head a little. You donât think youâll ever forget his affinity for cinema.
âNot professionally, but I still sit through hours-long⌠you know, reviews, and stuff.â He laughs when he sees you laugh, eyes half-closed and meeting the ceiling.
âHe introduced me to some of my favorite movies, especially when I got into acting and I was kind of⌠like, I wanted some inspiration, acting-wise. But not my actual favorite movie.â
âWhich is?â He segues into a more personal topic. âIs it still Bambi?â
âOh, it was, for the longest time!â You almost squeal with excitement. âNot anymore, though. Itâs been dethroned, ha ha. I think itâs⌠Iâd say itâs maybe Casablanca now.â
âHow American.â
âShut up.â Your face warms. âItâs so romantic. When he saysâwhen he goes, um. Weâll always have Paris. And then, Godâwhen Ilsa goes, I said I would never leave youâand Rick goes, And you never will⌠isnât it so classic? Romance movies nowadays areâI, I, I⌠I get scripts sent to me that are just so bad, and theyâre either too idealistic or too pessimistic, or too indie or too commercial, and.â You sigh. âItâs like nobody gets love right anymore.â
âUs Weekly disagrees,â he says weakly, after a period of silence.
âStop,â you laugh warningly. âAnd donât act like youâre not being paired up with different girls, too.â
For a minute you sit with the realization that youâve both been keeping tabs on each other all these years, even just a little bit. Itâs a bit jarring, itâs a bit warm, itâs a lot confusing. You make a move to ask for the bill but Charles is quicker, opens his mouth to implore your presence.
âCome see me tonight.â He says it like he didnât mean to, like it escaped him on a whim, a blurted out confession born out of your memories and conversation. His voice is dreamy, faraway. âEarth toâŚ?â
âWhâsorry. Fuck.â You clear your throat and deduce your next words. âWhere?â
âIâll text you. A club, near your hotel.â
âYeah⌠yeah, sure.â You hum an affirming noise and hang up.Â
â
Your name is on the list, though youâre sure it doesnât matter whether or not it was. No ID is needed, and paps catch a bouncer being dispatched to guide you through the nightclub toward the elevated area with significantly less people. Itâs low-lit, smoky, vaguely blue and purple, smelling of flows of alcohol and fresh ice. An Azealia Banks song is playing, pounding through your head.
Tabloids donât care about nightclubs. They care if you come out drunk or with a smidge of snow under your nose, neither of which have happened to you; entering is fair game, a fun affair, especially in a district like Monte-Carlo. You donât have any explaining to do, not even to questions like are you clubbing with your professional Vogue collaborator, Charles Leclerc?
The collaborator in question is the first to greet you, getting up and approaching you with a smile so obviously tense. The picture in front of him is like if heâd conjured up a forlorn fantasy of his to lifeâyour hair fell loosely over black lace, a hand pinched around the hem of your dress. âHey.â
âHi.â
âSo.â He realizes heâs in charge of the socializing, and turns to properly introduce you. âUm, guys, this is myâfriendâyou already knowââhe fusses over your name, which everyone in the world knows, anywayââand these are my friends. Pierre, Alex, George, Lando, Daniel⌠you know Joris.â He points to each guy's face as he goes, eliciting a beam every time he gestures.
You wave with a polite smile before you station yourself beside the only one you know: Joris, with whom Charles shares a longtime friendship. He greets you first, with a side hug. âLong time.â
âYeah, itâs been.â You watch him turn toward the low table, and back around with two shots, offering them to you with haste.
You thank the Lord that he makes quick, dextrous work of it, and before long youâve downed a glass or three of some strawberry four seasons thing, socializing with the different people around the table. One of them, Lando, talks about your latest film for five whole minutes (âI rated it five stars on Letterboxd. I left a review, if you wanna seeâ) before he leans close and asks: âAre you his girlfriend?â His is obviously referencing Charles, and you pull back from the proximity to shake your head.
âNo,â you holler to emphasize it. âWe used to know each other. I grew up here.â
âOh shit! Native!â He whoops, offering you another glass. This must be your fifth, maybe, fifth G&T or Cosmo or something or other of the night. You take it, drinking as you walk, planning to collect your bag to take with you to the bathroomâanother hand takes yours, though, dragging you down the steps. Halfway through, you realize itâs Charles.
âHowâs the drink?â He asks, brows straight.
âThatâs all you wanted to ask?â You raise your voice above the bass. âSomeone needs to teach you fucking⌠proper small talk.â A laugh involuntarily bubbles past your lips, eyes crinkling.Â
He laughs, too, despite himself. âNon, I wasâI was just asking. We shouldâI brought you over here toâso we couldâŚâ He realizes heâs been talking too fast without getting to the point and pauses, resetting himself with a pinched sigh. âDance.â
Your heart pulses. Dance? You hear yourself ask. For whâŚWhy?
âFor the sake of the truce.â His voice is light. âWe should try being closer.â
âWe were close once,â you say, loose. âDid you forget?â
Heâs looking right at you, and youâre warm all over. âHow could I?â
It feels too real. Not the wordsâyes the wordsâbut the alcohol, the alcohol is what youâre referring to, and all those shots and drinks suddenly seem not as harmless as theyâd seemed earlier. You scan the periphery for the WC sign and try your best not to look deranged on your way there, offering the same pretty smile to recognizing passersby. Behind you, Charles calls out; but you wave him off, heaving dryly.
The restroom is clean because the nightclub is outrageously expensive; you push yourself into the available stall thatâs in your direct path and crumple above it. You heave. Heave some more. Nothing comes. The nausea rises and recedes, so you decide to wait it out.
The bathroom door hauls open, bringing with it a few seconds of noise before it swings heavily onto the frame again, sealing the sterile silence. The momentary return of the bass from the dance floor sends your head spinning all over again and you freeze, willing yourself not to wind up hurling your guts into the toilet. Itâs a futile effort, though, because youâre feeling nauseated beyond your limit again, and you need water and maybe a salve or something.
âThis stall is open,â somebody says, a chipper American voice that grows in volume as it nears you. A gasp follows, and then: âOh, my God. Are you okay?â
You turn, your face flushed and lips parted. âIâm so sorry. I justâIâve been nauseous all night.â
âI have water,â she answers, reaching her arm outward, as if seeking it. âCarmen, the water!â A bottle of Evian is thrust into her hand by another girl (Carmen, you presume), and she doesnât hesitate to bend next to you to feed it into your mouth. She stares for a second, then goes: âOn the off chance Iâm lucky, and youâre the famous actress, by the way, I just want to say Iâm a huge fan of your work.â
Eyes wide, you lock eyes with her and pull away from the water. âOh, God. Yeah, thatâs me. Iâm so sorryâthis is so humiliating.â
âItâs notâitâs normal,â she assures, nodding. âWeâve all⌠yâknow, puked into a club toilet before.â From the stall doorframe, Carmen nods. âWhatâd you drink?â
âFruity stuff,â you recall, eyebrows knitting at the memory. âAnd shots.â
They both grimace at the same time, knowing the exact feeling, the exact taste, it seems. âAre you heartbroken or something?â Carmen asks; Lily shoots her a look that can only really mean donât ask the world-famous actress if sheâs heartbroken. But you laugh it off, shaking your head.
âNo. Thereâs a guy, though, and heâs⌠weâre⌠itâs a lot. I think I thought alcohol would absorb all of it, but⌠clearly, it did not.â Your lips simmer into a straight line and youâre quiet for a few moments before remembering youâre on a dingy club floor being supported by two nice girls who are strangers. âAnyway! Sorry. Iâm clearly, um, delirious.â You get up on semi-wobbly feet, swallowing the nausea as you go.Â
You walk to the sink, and behind your back, the girl and Carmen share a telepathic exchange (should we ask her to elaborate? Yes! Should we really? Fuck, no.) You rinse your mouth out, washing your hands and focusing on your reflectionâyour tired eyes, your smudged lip gloss, your fussed-up hair. You turn after rinsing, offering a small smile. âThank you.â
âItâs nothing,â says the first girl, offering her hand and a tube of lip gloss. âIâm Lily, by the way. And just so you knowâIâm so sure that guy has nothing on you.â Carmen, beside her, nods in solidarity, and your heart blooms.
Your smile grows as your hand shakes hers, accepting the lip gloss. âYouâre too kind. Thank yââÂ
âLil? Baby, are you puking?â Comes a disembodied male voice from the door, ajar ever so slightly. Lily visibly cringes and walks over to the door, pulling it open further. On the other sideâthe detective of sortsâhappens to be Alex, who youâd been introduced to a few hours ago. At the sight of you, his eyes widen with recognition.Â
âWeâre fine. Leave us alone,â replies Lily in a conspiratorial whisper. âCarmen and I have a new friend.â She doesnât even need to drop your name; your face alone is enough to make people recognize who you are.
Alex, however, refuses to admit defeat. âTry harder next time.â He pumps his eyebrows. âWe were introduced earlier.â He looks up and waves to demonstrate his truth; when you smile back, Lilyâs jaw drops as she turns to her boyfriend again, aghast.
âWhat the hell? How?â A pause. âNo offense. Itâs like. Two levels of fame, right there.â
He makes a pinched face. âSheâs Charlesâ⌠friend? I donâtâcoworker? Something, something. They were both vague about it. Actually, George and I were talking about it, and we both think something is up. With them.â
âWaitâyou might be right.â Her eyes are hyperfocused, and her voice drops to a whisper for a second. âLetâs talk about it at the hotel.â
You and Carmen watch their hushed exchange, and eventually Alex leaves you three alone again with a loud goodbye, which allows Lily to rejoin your conversation. âSorry,â she says with a smile. âThat was my boyfriend, Alex. I didnât know you two were introduced! He told me you knew Charles?â
âOh.â Your shoulders relax. âYeah, um. We knew each other as kids, but I moved away and we kind ofâwe drifted apart, so. Iâm here on a business trip, and heâs just welcoming me.â You try to reduce the decade-long mess into a sentence.
âSo youâre friends?â
âYeah.â You feel like vomiting all over again.Â
â
The skyâs a searing blue at noon, silver clouds lining the horizon. Charles has to press a finger to the high point of his cheek to test if heâs sunburned from the heat, and the cameras catch it; he doesnât doubt the fans will spin that into something cute later. Youâre somewhere else on the property, this big, massive thing of a museum thatâs crashed into by the waves.
He remembers Andrea first telling him about this whole arrangement. He and the team had deliberately left out any mention of you, like they could predict the immediate veto. He wonders if you knew, or if you, too, had been surprised when seeing him, a ghost of your past looking into your eyes. He wonders if you, too, are now in this endless emotional turmoil. Inside thereâs a photoshoot ongoing, with you but also with some models in varying aquatic-related poses to convey the intent of the building; heâs done his share of pictures already, just needs to sit down with you for an interview.Â
âAnd a B-roll of you guys, um, like, walking, likeâaround?â Gregâs voice invades his head again, the nervous man beside him running through a to-do list like this is boot camp.
Youâd left him hanging at the clubâhe couldnât blame you though. A truce hardly called for the bringing forth of memories you two are now supposed to have buried beneath you. Memories he buried first. But alcohol had loosened him, and maybe you had, too, your eyes in the vaguely bluish light and your smile.
He wishes to apologize. He makes up some excuse and finds you nursing an Evian by a faraway corner, against a screen of stingrays. Your eyes widen when you see him, in recognition. He waves and then, with a thumb, gestures to the catering outside.
You end up by the water eating one of the catererâs churros, a recommendation he deems âvery special.â (âHave you worked with these caterers before?â âNo.â) Itâs also his excuse to cheat on his diet and eat a churro or threeâchocolate dip included, always. You rave over the taste, smile, enjoy the view. Charles realizes this looks deceivingly like a date, and at the same time realizes he would not stop to correct someone if they assumed so.
âOur truce seems to be working.â You say in-between chews, voice flat but eyes bright.
âIt seems so. I owe that to my personality.â
You really laugh at that. âI didnât know you had one. Itâs very fit for someone as unapproachable as I am.â
âWho said that?â
âNo, nothânobody.â You comb a lock of hair behind your ear. âAw, putain. Iâm ruining my lipstick. Patâs going to kill me. I look awful.â There are no reflective surfaces around you to affirm your statement, but you sound so sure of yourself.
He smiles. He enjoys the illusion, the mask that you two seem to wear, albeit involuntarily. The chocolate syrup he squeezes on your little paper box of churros. The muttered back merci when heâs finished. Your flushed face, eyes darting from the delicacy to the ocean, eyelashes fluttering, lips smiling, curving into a laugh at some random realization. Briefly he imagines what he might tell somebody if they stopped to ask if you were dating.
Some old woman, French accent and short in stature. You two are so cute. Si mignon! And she would ask how you two met. Charles would tell her the story. But that is imagination. He blinks out of it and focuses on the beauty in front of him, so very real.
âNo. You are very pretty, you know.â He says then, and itâs taken him all his nerves and then some just to wrangle it out of his mouth and past his lips. Anticipatory, he watches you, waits for your response.
You comb the hair out of your face messily, licking over the cinnamon sugar on your lips; then you smile up at him, turning your head in question. âSorry,â you laugh, and his heartâs frozen because itâs the prettiest sound heâs ever heard. âWhat did you say?â
The wind roars in his ears, so Charles barely hears himself when he says, stuttering, âWhat? Nothing, I said nothing.â
You make a faceâconfused, suspiciousâbut all your allegations quell once you bite into another churro, stepping yourself a path along the area. Having blocked off the building, production staff and models are all that populate your surroundings, big headphones and even bigger cameras, rolling around racks of monochrome and HermĂŠs, Birkins to match Loro Pianas. Itâs easy to get lost in a crowdâin a cityâwhere everyone looks the same, and knows the otherâs name. Perhaps thatâs why, even at nine, you were excited to leave, he thinks.
âThe coast was always my favorite part about the city.â
He notices. The way your eyes have softened, become more fond than when youâre in the centre of it all, in the bustle. Here itâs busy, but less busy; the distinction, perhaps, matters. Your gaze is not one of distaste, of disdain. Itâs nostalgic, homesick, yearning. He supposes he describes this gaze so well because itâs the way he catches himself looking at you over the week.Â
âI wanted toâŚâ He trails off. âI wanted to talk to you because, ah. Iâm sorry. It was foolish of me to put you on the spot last night. I shouldâve been more⌠yeah. Iâm sorry. I hope youâre okay.â
You stare at the sea and nod quietly. Instead of responding, you launch a story: âI alwaysâŚâ Youâre clearly lost in a different sphere of thought, and you have to fall quiet while finding the right words to say. âI remember, um. In Year 3, weâI came here with my mum. And I was super mad, because I got, like, three mistakes on my Maths paper?â You laugh and he does, too, but more because your storytelling is so effortlessly enthralling and funny and he needs to shut himself up.
âAnyway.â You pace around again, and he follows. âSo, Iâm mad, and sheâs trying to cheer me up, buys me glace and everything, but no. So I go sit myself on a random bench. It mustâve been around here, I think.â You look around and point at an empty area. âThere. But itâsâthey mustâve ripped it out. Whatever. So yeah, Iâm sitting there, and moping, and all of a sudden All You Need is Love by The Beatles comes blaring into the entire area.â
Charlesâ eyebrows knit confusedly. âWhat, the bench area?â
âNoâthe whole pier, I guess? Like, it was loud, I almost jumped. And then this guy comes in holding this hugeâthis, um, board? Sign? Poster? And heâs got half the pier in on his whole thing, and Iâm totally⌠it was just⌠yeah.â You smile. Itâs the biggest smile heâs seen on you since you got here and the fact that heâs even around to see it gets him all warm.
âSo what happened?â
âIt was a flash mob. You know thoseâyeah, theyâre usually insufferable, but that one was a little calmer. Nobody was, you know, dancing and yelling. It was just a bunch of people cheering and all, and the guy was actually proposing to his girlfriend. It was so cute.â You sigh a little, a brief exhale of air, and it turns into a smile. âIâd love that.â
He raises his eyebrows and, despite himself, laughs. âVraiment?âÂ
You turn to him, ready to defend yourself, mid-laugh. âHeeey. Everyone says they find big, romantic gestures cheesy, but I think deep down, if you trust the person enough, youâll like it. Maybe not a proposal, thoughâcan you imagine the pressure?â You pause. âBut I donât know. Thereâs something so nice about just knowing that person loves you so much they think itâs worth it to share it to everyone around you. So even if itâs cheesy, I wouldnât mind much. You?â
âItâs cheesy for me,â he disagrees, shrugging. âBut I see your point.â Truth be told, he didnât see you as a romantic typeâbut all heâs ever seen you do lately is work, and even back in childhood, all you ever did was study. He likes learning these little facts, ones you wouldnât share in interviewsâlikes knowing you feel comfortable enough to share with him. âDancing is a bit overboard.â
âOh, definitely.â You throw your head back to laugh, eyes half-shut and crinkled and reflecting the sun. Would you look the same if he was dancing to The Beatles, proclaiming all the words he hasnât had the courage to say?
â
Next question is who your first love wasâweâre rolling in threeâŚ
âFirst love?â You laughed a little, facing the camera to continue your Screen Test interview with W. The questions had been candid and lovely, but they were about your career, which you answered with familiar ease. First love is differentâuncharted, private territory. But youâd realized all this too late, and the director called go, and you let words spill out of you like a bag popped open.
âI want to be funny and witty and say acting, but that would be a lie. Um, my first love was a childhood friend. We lived near each other, our parents were friends, and I⌠I really did, I liked him a lot. But theseâthere were so many factors at tension with each other, like me moving away in 2013âthatâs, what, six years ago now? And us being young and not really knowing how to communicate. When youâre a teenager, youâre kind of just like, oh, no worries, um, thatâll sort itself out, and then you grow up and look back and realize, these things never do. But I miss him a, a, a⌠a lot, and I think of him always.â Your smile didnât reach your eyes when you looked at the camera again. âWe learn a lot from childhood loves.â
Cut. Lovely. Just lovely.
âThank you, Lynn,â you said with a small smile. A pause as silence creeps up onto the room, and then, quieter: âCould we omit that? Iâsorry. I could answer anything else. First kiss, or something? Iâm sorry, I just. Sorry.â For the first time in five years, you realize, youâve conjured his memory again.
â
âOkay. What else do you remember?â
âI⌠do you remember the recital song?â
âOf course I do! The dance is⌠thatâs a different story.â Youâd been at Charlesâ hotel room earlier to go over some video shoot regulations for a 24 Hours With video youâre doing in a few days. You stayed becauseâthatâs beyond you at this point, and youâd rather not delve into the rationality of it all. Youâre content with thinking about how nice this conversation is, a trip down memory lane.
âThe dance, mon dieu, the dance.â He smothers a hand over his face, smiles fondly. âYou were at the center!â
âStop. Stop,â you protest, letting laughter settle into quiet. âItâs crazy, you know? How we⌠like, we share a life. Notâbut like, we had a whole childhood together.âÂ
âAnd nobody knows.â Itâs not something you keep a secret on purposeâitâs just that neither of you feel like name-dropping the other. Some stories have surfaced, but none of you have fully commented. Somehow, thatâs a good thing for you.
âDo people ask?â
âPeople ask, yes.â His accent is a reminder of your pastâyouâd once had the same thick wraparound, the loose reign over English youâve now grown to master. Now your accent is a lot thinner, to the point where itâs barely perceptible, and if it is, your coworkers and fans call it cute, chic, use it as a jumping off point to ask where you grew up. But in this hotel room, legs folded underneath you and glass of wine in hand, you have no coworkers or fans, it feels like; no one to perceive you but Charles. Charles and his accent, nostalgic and so very his, which you wouldnât describe as anything but home.
âWhat do you tell them, then?â Quickly, you add: âThe truth, orâŚ?â
âThat we knew each other as kids,â he says, smiling absently. âThat is the truth, no?â
You cover a smile with the rim of your wine glass, nodding. Thereâs no revisionist history in that statement, but it hides a lot of the truth, the nitty gritty of it. You know it, he knows it, you both know it. âWhat would you want me to say?â His voice is soft and thin and imploring, so different from the boisterous voice he uses in public, from the slurred voice you heard in the club. This sounds real. This sounds like a conversation you wouldâve had years ago in your childhood bedroom before everything wentâ
âNothing, thatâs fine.â You cut your own reverie off, clearing your throat. You even laugh, to alleviate the tension, but he sees right through you so many years later. âUnless youâre privy to telling people how we didnât talk for months before I left.â
He blinks, smothers a palm over his face again, and sighs, eyes meeting yours. âIâm sorry. I donâtâI⌠Iâve wanted to bring it up.â
âIâm not mad.â Itâs a half-lie. âOkay, noâI am, a bit. It justâit wouldâve been nice to hear it two weeks ago.â
âI know.â He doesnât even need to say it, but him saying it sends a low thrum of reassurance in you. Charles has found, in the two weeks of being in your company, that he accomplishes a sense of selfâa sense of quiet, a sense of privacyâwhen heâs alone with you. Perhaps itâs your natural ability to bring out the best in people, to talk and loosen tongues and make everyone around you feel safe. Or, and this is on a likely front, maybe he misses being one of those people.Â
He pretends heâs back to last week after another club rendezvous left you tipsier than the first time, dropping you off at your hotel room with two hands taut at your shoulders, one pinching a keycard. Youâd been muttering something under your breath, stumbling as you wentâyou werenât tripping too much, really; he didnât need to hold you, but he told himself he had toâand leaning against the doorframe of your room, staring at him blankly. When he met your eyes, you said: maybe, just maybe. Just those three words. If he tries to remember right, youâd been smiling, but he was sufficiently tipsy, too, so he could just as well be wrong.
He does remember a few things right. The eyeliner smudged across your lower eye, lipstick smacked to a point where it looked like you wore none, beads of salt by your lip, your hand wrapped around your necklace.Â
The silence is anything but awkward; still, he resolves to break it. âWhen you were drunk last week.â He looks up. âYou saidâyou kept saying, maybe, just maybe.â
A laugh escapes you, stilted and a bit nervous. âOh. That wasâyeah, okay.â
âWhatâs it mean?â
âYou seriously donât remember?â Youâre laughing for real now, your hair bobbing with it, eyebrows furrowed to emphasize your confusion. âOh, my God. Charles, itâs all you ever said in Year⌠what, 7? I donât⌠anyway. But when we were maybe twelve, IâŚâ
Momentarily, youâre stunned by the memories of himâyouâd forgotten they were even there. You press a few fingers to your lips and clear your throat. âSorry. Yeah, I, umâI think you heard it in a movie or read it somewhere, and for ages it was your favorite saying. Maybe, just maybe.â
âI donât understââ
ââYou were always just saying it,â you cut in, laughing, your voices layering as you discuss the origin of his former favorite term. âNo, you reallyââ
âI donâtâI do not ever remember sayââ
ââWell,â you say, âI remember.â He stays silent for a few seconds, the intensity of your stare and the little smile on your face and everything beating down on him. For a split second he thinks of opening his mouth and getting on his knees and telling you everything, all the apologies, all the things unsaid in the months and years you became strangers. He seriously does. The pressure is almost physical, beyond overwhelming.
âI have to go.â You swallow the lump in your throat, disentangle your legs and clamber off the couch, setting the empty glass on his coffee table. âGood?â
âYeah,â he says, blinking. âYeah. Take care. Should I drive you?â
âGod, no.â You laugh breathily. âIâll see you tomorrow.âÂ
He closes the door after you leave, stares at it, as if that will conjure you back to him. It occurs to him, jolts him almost, that heâd almost let slip a quiet utterance of love you as you slipped out. His stomach boils. With thankfulness over not having said it, he wondersâor with regret?
â
âBest friends now, are you?â Lily, Carmen, and Rachel look up to the sound of your voice, their serious faces breaking out into smiles. If you could chart the time you spent here, there are definitely people youâve spent the most time withâthese three are at the top of the list. You hang your coat and drop your Chanel bag on the entryway seat, already picking up on the British noises of Love Island UK from the telly.
âWait, so sheâs hooking up with him?â Lily asks, confused; her train of thought is cut off by your flopping onto the bed. âHiiii. Whereâve you been?â
Muffled by the bedspread: Charlesâ place.
Silence. The television switches off and you hear the precarious preparation of three girls readying themselves for a debrief-or-sobfest of a lifetime, a noise youâve heard and partaken in countless times over your life. You suddenly feel too watched, too spectated; you break the quiet by looking up, displaying your tear-streaked face.
âTalk to us,â Rachel encourages, her voice raspy with unuse (Love Island will keep one occupied and quiet for hours on end). Three of them are touching you in some way or other, reassuring grips on your hair or shoulders. âDid you two fight?â
And, oh Christ, fight? Itâs not like youâre dating. You arenât even halfway to that (not that you want to be, but thatâs a discussion for another time). The idea of a fight with him is so terribly juvenile, so horribly reminiscent of secondary school and Monaco and being together and being friends. You canât fight with a guy whoâs not your boyfriend. You canât fight with a guy youâre not close to, for Chrissake. You squeeze your tears out of your eyes and breathe hiccups out.
âDo you want gelato?â No, no.
âLove Island?â In a minute.
The truth is, you want both, but you really just want to sort everything out with Charles. It was no useâhating each other was futile, but pretending everything was fine in some pathetic attempt at a âtruceâ seemed even worse. You just want to talk everything out, even if it excavates feelings youâd once been able to suppress.
âWhat kind of crush doesnât disappear after ten years?â You ask through tears. Itâs almost funny, but the question comes straight from the heart. âIâve dated guys, lived across the world, started a whole new life pretending he neverâpretending we wereâfuck. Pretending he didnât exist. It wasâIâm not lying, it was easy, pretending. But one glimpseâI see him one time and suddenly it feels like all of it was in vain. Itâs the same crush I had before, coming back, like itâs never going to leave me alone.â
âMaybe itâs not a crush,â says Lily, slowly.
âSo what is it then?â You ask, hopelessly. What is thisâthis revival of memories? This little feeling, this sense that no matter where he is or what heâs doing, youâll be just as in tune when you reunite even if it takes a decade? A decade spurred by months of being given the cold shoulder? What kind of magic is that?
She doesnât answer, because you already know.
â
âHey VogueâIâm here with Charles Leclerc, and weâre here to take you along with us on all our little adventures here in Monaco.â Your smile is rehearsed, the perfectly-orchestrated blend of fun and serious, and when the cameraman calls cut, it falls into a more natural resting face. Itâs the one Charles turns to and observes for any signs of a grudge.
The day is busy, which is precisely why it was chosen as the film day: three shows in the morning, press junkets for your movie and Charlesâ season in the afternoon, and then a gala in the evening, hosted and attended by Anna Wintour herself.
The dayâs business is only trumped by its tension, which reaches its crescendo in the janitorâs closet of the fourth floor of your hotel. Itâd begun with a fight over the color palette, then a fight over last conversation you shared, then a fight over him fucking up the color palette, and then kissing against the door. Ironically enough, this floor houses a fair number of honeymoon suites.
Itâs ironic beause hardly anything about this is or should be romanticâitâs a temporary fix, a pause from the turmoil, his hand squeezing your thigh. Heâs gentle but you feel his possessiveness, lingering longer, higher and higher up until heâs playing with the high hem of your skirt. You knot your fingers in his hair, smell the shampoo and hairspray and cologne in the wispy curls there.
He kisses your jaw, then downward, until heâs licking, nipping at your throat. Charles.
âYeah?â His voice is rough against your pulse point.
âMake itâwe gottaâquicker.â Your hands tremble, heart hammering loud and bold in your chest. His voice is sure, gravelly, quiet, and you have to focus on somethingâso you centre on his hands, up your thighs and slipping under the lace of your skirt, bunching the fabric up around your hips. His hands, big and calloused, fingers resting on your hipbones, on your ass.
Heâs hard against your thigh, straining against his jeans. You could cry. âI want more.â
âI know, baby. I know.â The pet name, so new but so natural, sends you into a dopamine rush.
You squirm when he doesnât let up on his touches, over every inch of your body, groping you. He wants to take his timeâhe hates that he canâtâand counts on the possibility of a next time. You pull him in for a spit-slick kiss, needy and whimpering, sloppy and tongues knotted. It feels goodâfuck, it feels like this was all you were ever made for, his touch.Â
You buck your hips into the air desperately. âWe reallyâfuck. We donât have time.â Cameras, a shoot, a video; reminders ring in your head like alarm bells. He nods, goes I know, and you pick up the strain in his voice as he tugs his jeans down just enough to rub his clothed cock under your entrance, hard and drooling through the fabric.
You moan softly. âPlease, I can take it,â you breathe. Youâve never been this wet, this worked up, this teased. You need to feel him, be full of him; he presses you flush against the door with a hand at the small of your back to keep it from aching too much, and drops forward as he pushes into you. Your noses brush and he goes deeper, air thick and muffled with little moans and whimpers.
His mouth is against your jaw, thrusting slowly to get you used to the size of him. The angle gets you dizzy, draws a burst of wetness out and gets you clenching around him. Youâre flushed and sweaty, moaning. Feels sâgood. So good, Charles, so, so good. He fucks harder, the door rattling, dirty talk cooed from his lips to your ear: Yeah? Feels real good? Youâre so good for me, baby, come on.
Your needy voice, needier movements, are driving him crazy, getting him to fuck you harder, licking over his lips as he watches you fall apart on his dick. Relax, he slurs. You squeeze around him and moan, wretched and raw. Oh fuck, fuck, fuck. Youâre so big. Youâre getting his dick wetter and wetter with every thrust, shiny and drooling with cum.
Yeah? He says it so well, the best kind of reassurance. Come on, we donât have time, baby. Let me feel you cum.
I knowâ you whine. Iâm cummingâit feels too goodâ
You cum first, thighs shaky around him and lip curling into your teeth. You lean forward, mouth to his shoulder, and bite at the cotton. Fuck, he grunts, and releases then, a groan spilled into your hair. You watch, laughing breathlessly, and feel the world click into something different.Â
You two will do anything, apparently, but talk this all through.
â
The gala is big and extravagant and youâre seated not with Charles this time, but with a roster of celebrities straight out of an LAX red-eye. Anna is at the table adjacent, andy you were able to talk to her about the experience, though not without leaving out bits with Charles in them.
Youâre beside Florence and sheâs talking about something, about a new movie sheâs working on, and you chip in with jokes and laughs but your smile doesnât really reach your eyes. Youâre still caught in a web of fragile confusion. âI need to excuse myself for a moment,â you say after a while, after youâve done nothing but smile and push broccoli puree around on your plate.
Consolation comes with isolation, at least tonight, at least right now. You find an empty balcony on the third floor, stare into the black sea. You try and try to remember what life was like three weeks ago, but itâs irrevocable now, the change thatâs come since then. You tap the glass of your beer bottle against the marble banister, solid and probably expensiveâa match for the rest of the hotel, you realize. Itâs starkingly clean and smooth, and white, the kind of things youâd only say about a marble banister when youâre trying to avoid an adult introspection.
Behind you: âAre you okay?âÂ
In response, you say, âWe shouldnât have had sex.â
Charles settles himself into a spot near you, not totally beside but not too farâhe, too, holds onto a bottle of beer. There are fancier drinks around, but somehow the dry taste of ale is all that brings you comfort right now. Your gears turn and, without prompt or question, you spill yourself forth.
âIt was hard, when you didnât⌠when we didnât talk, and you didnât ever tell me why, so I didnât know anything. I keep remembering it, even now, whatâten years later, ha ha, even after⌠I donât know, after the fact. Weâre supposed to have moved on from shit that happened to us when we were fifteen but Iâm finding it to be the hardest thing in the world. It was so⌠like, I had no trouble saying goodbye to anything else but you. And Iâm famous now, my life is a whole thing, aâthis whole party, and Iâm supposed to⌠fuck.â You shut your eyes, and you can feel, through the thick fog of embarrassment and delirium, the tears that stain your cheeks. âItâs like. You know when youâre a teenager and you see all of it in movies and TV, this, like, moment where youâre staring at someone from across a room, and youâre smiling and talking to other people and youâre happy because you know in a few hours, youâll be with that person anyway? At home, rearranging furniture, feeding the dog, eating leftovers? That⌠I always thought youâd be that person for me. Maybe because you were the onlyâyou knowâthe only love I ever knew, and now, what. Four? Boyfriends and ten years later, you might expect me to feel differentlyâhell I expect myself to feel differently, but, unfortunately for you and me, I donât. Sorry. Iâm notâIâm not drunk, or anything.â
He stares at you, his expression soft and unreadable. It feels like itâs just the two of you in the world today, twenty-somethings, ten years later, unearthing all you left buried. âIâŚâ he says, before pausing. âIâm sorry for leaving.â
You nod in response.Â
âI always thought you would forgive me.â His face is sullen and handsome and your heart seizes. âI wanted to be your person.â
âHow could I forgive you without an apology?â Your voice comes out fragile. âI leave in three days. Youâve fuâyouâve⌠youâve kissed me, had sex with me, flirted with me. Youâve done everything but that.â
âI did apologize. I donât think it was enough, butââ
âBut you didnât,â you reply, a jagged response. âYou never said anything.â
âI wrote you.â His eyebrows knit. âI wrote you.âÂ
âYou wrote me.â You repeat, deadpan. Your head spins with it. âWhat, a letter?â
âAn e-mail. Before your first film came outâ2014? A year after you⌠yeah.â Heâs quiet and timid and nervous. âI forced Gi to tell me your address.â
âI didnât⌠I wasnât using that e-mail anymore. I havenât in years.â You pinch your nose and let the silence settle like fine dust onto the room, an unspoken bomb that explodes over the both of you, raining regret and unsaid words. âI have to go.â You push yourself off the banister, turning already to the doors of the balcony. He stops you before you can step any further, a hand closed over your wrist, rough and warm.
âIf you find the message,â he says, âwill you read it?â
âI donât plan to,â you lie. âGoodnight.â
â
From: Charles Perceval Leclerc <cmhpleclerc@gmail.com>
Date: 14 October 2014
To: You
Subject: Urgent!
hey buttercup, I asked Giada for this email address. my bday in 2 days. Will you be home for Xmas this year btw? ill show you some new places that open ed + we can bike around. mum misses u a lot too. parfois je souhaite que tu ne partes pas⌠not sometimes but always. i think i need to edit this a little let me try ag
From: Charles Perceval Leclerc <cmhpleclerc@gmail.com>
Date: 14 October 2014
To: You
Subject: Buttercup
jâappellerais mais je ne pense pas que tu veuilles rĂŠpondre. itâs been more than a year since you moved out, in two days iâll be celebrating my second birthday w/o you. iâve been karting a lot, things are looking up, just like we always said they would :) just want to say i miss you a lot, and i hope youâre doing good. i would say i hate radio silence but i know itâs my fault all this happened in the first place. iâm sorry i stopped talking to you last year when you were moving away. i was being childish, but the truth is it was the only way i could handle it - by pretending we werent friends at all⌠i donât want to make you pity me or anything (ne pense pas que je suis) but yeah youâre my best friend and you always will be. iâm sorry for being a knot head.
i was always scared to tell you but itâs been there since forever: i love you. i shouldâve enjoyed your months here instead of leaving you in the air. i know i ignored you but itâs the 1 thing i regret. shouldâve done a lot more, i know.. but i didnât. we have a lot of promises i broke because i was being selfish. i kept the paper ring to remind me. remember that? we had a âplayground weddingâ when we were 5/6?
tu ne me dois rien - i just want you to give me a chance to make you happy, even if itâs just in the way weâve always been (as friends). if you write me back iâll try and fly there. mum is always asking me if weâve talked yet. if not, thatâs ok. i love you all the same and i will love you as you reach your dreams. this will never change.Â
charles
p.s: est-ce que je te manque?
p.p.s: call me if you can and wish me a happy birthday?
â
âRachel, I would sooner die than wait another two hours for the tarmac to clear again.â You try to up the firmness in your voice but it fails, only serving to make you sound less angry and more agitated. When all you get in response is a muffled Iâm coming! you grumble and hang up the phone. Your plane was delayed all of three times, and the instant it arrives and is scheduled to take off on time, your friendsistant is nowhere to be found.
Lily and Carmen had thrown you a goodbye party the night prior, with sprinklers and music and cocktails, and promised to be on the next flight to L.A. Vogue and David had emailed you for a job done spectacularly, and to watch out for the videos and interviewsâ release dates. Twitter is raving about your movie. Everything should be good, and yet, itâs not.
You check your inbox. IM COMJNG LILTIERALLY IM RUNNING THRU AJRPPRT!!!!!! You scoff again, hoping the plane doesnât somehow take off for the fourth time, and take a seat on the VIP waiting area sofa again, shaking your now-empty chai latte. The room, sectioned off from economy and business, is fairly full.
A woman paces over to you, a bright grin on her face. âHi. Iâm a huge fan.â
âThank you,â you smile, despite your tiredness.
âThis is so embarrassingâbut do you happen to have the time?â
âSureââyou tap your phone openââhalf past four.â
âGreat,â she says. âThanks, Buttercup.â
Youâre opening your mouth to say youâre welcome, but it catches like cotton in your throat. You watch her depart like nothing happened, a strange feeling settling in your chest. You have barely any time to answer it, because a flight attendant is tapping you on the shoulder, addressing you by name, thankfully. She maintains a tone of professionalism all throughout her announcement that the aircraft under your name will have to evacuate the runway in ten minutes or less.
âI know, I knowâIâm just, um. Iâm waiting for somebody. She should be near now, though.â
âTremendous. Merci, Buttercup.â
âWhââ You stutter, blinking and watching her leave. âWhat?â
She doesnât turn, walking to the kiosk to exchange information with her coworkers. You look around the airport, for a camera hidden somewhere maybe. Perhaps youâve been unknowingly listed in some Impractical Jokers skit.
Rach hurry you text instead, leaning back and hoping youâre in some grandiose delusion. Your phone dings. Omw promise! It reads. Then: Look up buttercup
Your head snaps upward faster than you can register what youâve just read, matching the opening notes of a song youâve grown all too familiar with in your lifetime. The opening beat to Build Me Up, Buttercup flows like honey through the roomâs intercom and floods it with life.
Mouth agape, you watch as the staff and guests perform the routine youâd learned at fourteen, complete with hops and turns you were too embarrassed to do even then. Theyâre smiling and whooping themselves and each other as they go, finishing the entire first verse before turning collectively to the entrance of the room. There, in all his glory: Charles, wearing an entirely too-small headdress that reads Buttercup, worn dusty from years of being stored away.
Heâs dancing, too, closer to you. You refuse to budge for the express purpose that he dance some more, which he complies with, though not without an eyeroll and an exasperated sigh. Your heart beats with something irregular and warm. Youâd told him about this before. Heâd listened.
The music settles for a little and the dancers do, too, so he takes the time to raise his sign. Will you forgive me? It reads. No pressure. Except kind of. You laugh, throwing your head back at the gesture, at this entire affair that must have taken some amount of effort to prepare. As the lyric comes on, so does his sign: I need you⌠more than anyone, darling.
He drops the sign when you approach him, arms crossed over your torso. He removed the headdress and places it gingerly on yours. âI believe that belongs to you.â
And, hyperaware of all the eyes and yet the complete lack of camerasâyouâre grateful for itâyou finally, finally, finally pull him in for a kiss. Youâve kissed before, done your worst, but still means volumes to the both of you.
In-between kisses and cheers (from voices belonging to Lorenzo, Rachel, Lilyâso many familiar ones), he says it again: âIâm sorry. Iâll make it all up to you.â
âYou better,â you tease into his lips, smiling. âI know. I love you.â Ten years laterâyour person still is, and no doubt will always be, Charles Leclerc.
Louise GlĂźck, Poems 1962-2012
OH!
letâs all cope with the day by watching Max act sus af the second thereâs red in his peripheral vision.
2023 qatar gp summarized
Summary: Your pack is back home, but things aren't quite as good as you try to make them seem. Some truths get revealed, while others remain in the dark.
Pairings: Poly 141 x reader
Word Count: 9,337 words
Warnings: Alpha/Beta/Omega dynamics, Alternate Universe, a/b/o typical classism and sexism, angst, PTSD, flashbacks, nightmares, '09 Ghost's backstory, mentioned abuse/child abuse, still pretty heavy emotionally, language, finally some of the comfort after the hurt, plenty of fluff
A/N: This stupid fic making me cry again. I may have lied about this one not being quite as heavy as the others...it's still pretty heavy, but there are some sweet moments in there too. There is a bit of a time jump in the middle, it's roughly a week long or so. Not much, but it does cut ahead a bit just for the sake of plot and moving things along. Also yeah, I got it done earlier than expected.
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Youâre warm. Sweat has begun to form in the creases of your body. Youâre wrapped around something solid, something contributing to the intense warmth. The smell of leather and eucalyptus fills your nose as you nuzzle your face against soft fabric. It sends a shiver down your spine despite the heat, your eyes fluttering open. Youâre staring at a blurry mass of black fabric, your brain beginning to catch up as you become more and more aware.Â
Leather. Eucalyptus. Something distinctly alpha.Â
Fuck.Â
Youâre spooning Ghost.Â
He has to be asleep, otherwise he would never let you get so close to him. He would have shoved you off, pushed you back towards Johnny, who youâve traded places with in the middle of the night. You must have gotten too hot sandwiched between the two betas and tried to escape somewhere cooler. That led to you spooning with Ghost, not that heâs much cooler than the betas.Â
You can get away before he wakes up, remove yourself from his personal space before he realizes and forces you away. Avoid the shame and embarrassment of his rejection, his anger at you for crossing that boundary, even just in your sleep. Despite the fact you know that boundary is there, despite the fact you did it unintentionally, youâre not sure you could handle such a rejection right now, even from him.Â
You slowly begin to withdraw your arm from around his middle, sliding it back towards your body. If you go slow enough, you should be able to untangle yourself from around him without waking him and avoid a confrontation.Â
A quiet gasp is pulled from your lips as his hand wraps around your wrist, keeping you from moving.Â
âDonât.â He says quietly.Â
Your heart is thudding in your chest as he tugs your arm back around him, keeping you where you are. Your exhale is shaky as you slowly relax, pressing your face against his back again. Youâre not sure what to do. You were expecting him to push you away, get up in disgust and leave because you got too close, you pushed past the barrier he had placed around himself when it came to you. A barrier that got let down only while youâre training, then itâs put right back up as soon as youâre finished. Now here you are, spooning him after sleeping in the same room, the same nest.Â
You wouldnât have taken him for being a little spoon type.Â
Your eyes begin to droop again as you lay there, breathing in Ghostâs scent. Itâs like a comforting blanket, lulling you into a sense of relaxation, of safety, something you havenât felt in days. For the first time your mind is quiet, not panicking about what happened, or what could happen. You donât have to worry about your pack now, because theyâre here with you again.Â
You drift off to sleep again for a while, sleeping soundly in the cocoon of safety your pack has provided for you.Â
You wake a while later, sticky with sweat. Your back is pressed against Ghostâs, and thereâs something draped across your face. You push it away, blinking your eyes open. Johnny has starfished across the nest on his back, his mouth open as he snores. Heâs stolen your bear, one arm holding it against his chest, and the other arm had been what was draped across your face. Kyle is curled up on his other side, having moved from the middle to the far side of the nest. John is missing, making your brows furrow.Â
You push yourself up to sit, the air in the room almost like a sauna. You rub your eyes, trying to blink away the sleepiness. That might have been the best sleep youâve gotten since your heat. It was likely the exhaustion taking its toll, paired with your brain finally being able to relax while surrounded by your pack.
You feel like you could lay down and sleep for another ten hours.Â
Youâre warm, though, sweat causing your clothes to stick to your skin. The blankets have all been kicked to the end of the mattresses, likely ditched early on in the night. You wiggle out of your sweatpants, kicking them off the end of the mattress as well, leaving you in a baggy shirt that you think is Johnnyâs.Â
You feel suddenly exposed sitting there, your eyes flicking around the room as a chill runs down your spine. John would have noticed if something was out of place, but he could have just brushed it off as you in his room. He had given you permission to be in his space while he was gone, if you needed to. One of them would have noticed if things were out of place in their rooms. Ghost would likely notice, since you havenât been in his room at all.Â
You lay back down on your back, staring up at the vent on the ceiling. The cover is in place, and no matter how hard you look, you canât see a camera hiding in the gaps. It doesnât ease your worry any as you stare up at it, wishing you had your phone so you could at least try to look for one. Though, perhaps it was better you didnât have your phone with you. You hadnât been brave enough to pop it open and look for anything strange hidden inside, though you wouldnât even know where to begin to look, or what to look for.Â
You should tell them. What if someone is watching you right now?Â
You flinch as John appears in the doorway suddenly, five water bottles tucked against his chest. Your skin is crawling from the thought of someone watching, someone listening in on such a private moment with you and your pack. You hadnât even thought about it last night, the stress and your fear had taken over your mind. You push yourself back up to sit as John passes Ghost a water bottle, handing one to you as well. You unscrew the cap as John places the other bottles on his desk. Johnny and Kyle still asleep, unaware of the world.Â
Unaware of the danger.Â
A cold shiver slips down your spine as you gulp down the water. What if someone had entered the barracks last night? You werenât in your room, and the door wasnât locked. Anyone could have just walked in and put up cameras again easily.Â
One of the guys would have heard someone snooping around, right? You were so out of it you likely would have slept through one of them getting up. What if they were also so exhausted from their deployment they could have slept through someone breaching their space as well. Did Ghost lock the door last night? You canât remember.Â
âAlright, sweetheart?âÂ
Your head snaps up to where John is leaning against his desk. His brows are slightly furrowed as he stares at you, and you realize youâve been projecting your scent. With them gone, you didn't have to worry as much. You could stink up a room without a care. It just meant more protection for you. Now that theyâre back, though, you have to be more careful. You canât just go panicking over nothing, not that you should have to panic while theyâre here.Â
Thatâs their job, right? Protect the omega?Â
They canât protect you if they donât know thereâs a threat in the first place.Â
âYeah.â You say, gulping down more water to think up an excuse quickly. âThought I might be dreaming for a moment, that you didn't really come back.âÂ
John approaches you slowly, kneeling down on the end of the mattress with a quiet sigh. He has to be sore after their deployment. You can tell just by the way heâs holding his shoulders, by the stiffness in the way he moves. You canât even begin to imagine the kinds of things they did, the kinds of things they went through over the last week.Â
John takes your hand, pressing it against his chest. Heâs warm underneath the shirt, and you can feel the steady beating of his heart under your palm. âWeâre real.â He says, his thumb gently stroking the back of your hand as he holds it against his chest. âWeâre really here.âÂ
You stare at his hand where it covers yours. Youâve seen it before, many times. Scarred and rough with calluses. His knuckles are dry and just slightly bruised. Did he punch someone? Or maybe he hit it against something else.Â
His hand moves, snapping you out of your thoughts. You fight the urge to flinch as he cups your cheek, his thumb brushing your skin. âYouâre thinking too much.âÂ
You swallow thickly. âWell, I didnât have much to do this last week besides think.âÂ
A smile tugs at the corner of his lips. âWeâll try to make life more interesting for you, then.â He leans forward, pressing a kiss to your forehead. âNow, letâs get these two muppets up for breakfast.âÂ
He pushes himself back up to stand, staring down at Johnny and Kyle, still sleeping. You shift onto your hands and knees, crawling over to Johnny before swinging a leg over to straddle his stomach. You lean forward, planting your hands on either side of his face, his breath catching as he begins to wake up, sensing a disturbance. You stare down at him, watching his eyes flutter before they crack open. The haze of sleep leaves his blue eyes, clarity coming back to him quickly as his lips begin to lift in a grin as he stares up at you.Â
âDidnae expect tae wake up to such a sight.â He says, voice thick with sleep as his hands come to rest on your bare thighs. âA beautiful woman on top of me? I mustâve died and gone tae heaven in my sleep.âÂ
âEven better,â You say, leaning down closer. âBecause Iâm real.âÂ
âThat ye are.â He says, slowly dragging his hands up your legs, pushing the shirt up as he goes.Â
Ghost pushes himself off the mattress, leaving the room so quickly he nearly knocks his shoulder against the doorframe. A frown pulls at your brows as you watch him go, slowly pushing yourself back up to sit on Johnnyâs stomach. Guilt starts to well up in you as you stare at the empty doorway. You hadnât meant to make him uncomfortable.Â
âDonât mind him, kitten.â Johnny says, pushing himself up to sit, sliding you backwards into his lap. âHeâs still miffed he didnât get a greetinâ yesterday.âÂ
âOh,â You say, blinking in surprise. You hadnât even thought about greeting Ghost in that moment. You had been so desperate for your alpha, and then swept up by the betas, it hadnât even crossed your mind to acknowledge Ghost. âI didnât-âÂ
âItâs not yer fault.â Johnny says, wrapping his arms around you. âHe hasnae been the most...open with ye. Itâs his own damn fault for it.âÂ
âOh, well, Iâll be sure to give him a big hug when he comes back in.â You say.Â
âPlease do.â Kyle says, rubbing his eyes where heâs laying next to you. âIâll pay to see his reaction.âÂ
All three of you burst out laughing, Johnny pressing his forehead against yours. âMissed ye, kitten.âÂ
âNot as much as I missed you.â You say, pouting.Â
Johnny chuckles, pressing a quick kiss to your lips. His hands slide to your hips as he presses another soft kiss to your lips, and then another.Â
âLet me get in on some of that.â Kyle says, pushing himself up to sit. He grips your chin in his hand, turning your face to his before pressing his lips to yours.Â
His kiss takes your breath away, deeper and more passionate than Johnnyâs had been. You hum against his lips as Johnnyâs grip on your waist tightens.Â
âChrist almighty.â Johnny breathes, staring at you and Kyle as you kiss.Â
âAlright, you three.â John says as the air in the room starts to turn musky with arousal. âLetâs feed our omega first before we get too carried away.âÂ
Kyle pulls away from you, pressing a quick kiss to your forehead.Â
âCan we...eat in here again?â You ask, wrapping an arm around Johnnyâs shoulders as you turn slightly to look up at John. You had almost forgotten about his presence, caught up in the attention from your betas. The thought of him watching the three of you has a different kind of thrill racing down your spine.Â
âOf course.â John says, bending down to kiss you.Â
Both Johnny and Kyle groan at the sight of their pack alpha kissing you, Johnnyâs cock twitching in his boxers beneath you. You press a kiss to Johnnyâs cheek after John pulls away from you before pushing yourself up to stand. You stretch your arms over your head, the shirt riding up a bit, giving both Kyle and Johnny a good view of your legs. The musky scent of arousal intensifies in the air as they stare at you, Johnny licking his lips hungrily.Â
âAlright, get out of here you cheeky little minx, otherwise theyâll never get out of bed.â John says, gently guiding you from the room.Â
You canât help the smile that tugs at your lips as you leave Johnâs room, stepping out into the hallway. Itâs much cooler outside of the room, goosebumps forming on your legs. You have half a mind to go back to your own room, but you find yourself unable to even approach the door. Memories of the fear and your panic come flooding back, the thought that someone might have snuck inside, someone might be waiting for you in there snapping to the front of your mind. Itâs a ridiculous thought. Someone would have noticed if there was an intruder, if there was someone who shouldnât be inside creeping around.Â
Your gaze flickers from your door as Ghost makes his way down the hallway, his clothes changed from what heâd been wearing to sleep in. You bite your lip as you stare at him, meeting his gaze. Perhaps it's the fear driving you forward, or maybe youâve gone slightly crazy in their absence, but you find yourself approaching him, making him stop in his tracks.Â
He eyes you as you approach, your steps quick as you try to avoid chickening out. Your mind is repeating Johnnyâs words over and over in your head, an explanation for Ghostâs behavior yesterday, and obvious annoyance at you and Johnny this morning. You wonder if heâll take it as a threat as you get closer to him, if he might snap and defend himself. Heâs completely still, not even his chest moving. Heâs watching you like a predator watches its prey, waiting for your next move.Â
Itâs like hugging a tree as you wrap your arms around his waist. Heâs stiffer than a board as you hug him, resting your face on his chest. Leather and eucalyptus and musk all float around you as you press close to him, his scent enveloping you in a hug, even if his body doesnât follow suit.Â
âWhat are you doing?â He asks, his voice rumbling deep in his chest.Â
âHugging you.â You say, tightening your hold around him. Youâve been this close to him before in your training, but this feels different. âIâm sorry for not greeting you on the tarmac. I wasnât really thinking clearly at that point.âÂ
He lets out a quiet sigh, something you probably wouldnât have noticed if you werenât so close to him. You can imagine itâs a sigh of exasperation at Johnny for spilling about his feelings. âItâs fine.â He says, awkwardly patting your back. âDonât know why you would have wanted to.âÂ
âWell, you are part of the pack.â You say. âThat should be enough reason.âÂ
You nuzzle your face against his chest, his scent going straight to the back of your brain. Your omega wants to roll in it, cover herself in it until itâs all you can smell. The intensity of his scent has something in your hindbrain purring, the sound rumbling through your chest.Â
Ghost puts his hands on your shoulders, pushing you back from him. You blink up at him blearily as your mind begins to clear a bit with the distance. âAt least put some pants on before you completely lose it.â He grumbles.Â
A small smile tugs at your lips before it falls at the thought of having to go into your room. You turn to face the door, your vision almost tunneling as you stare at it. You donât want to open it. You donât want to go in there.Â
âGhost?â You say quietly before he can walk away.Â
He turns to look at you, his eyes squinting just slightly as he frowns. âWhat?âÂ
âWill you...will you open my door for me?â You shift your weight, knowing heâs going to want a reason, an explanation for your behavior.Â
He turns fully to face you, shoulders squared as he slowly approaches, suddenly on the defensive. âWhat is it?âÂ
You shake your head. âJust a feeling.âÂ
He steps between you and the door, wrapping his fingers around the handle before he swings it open, scanning the inside. His shoulders relax just slightly and you let out a breath of air. Thereâs no one inside. No oneâs waiting for you. No one broke in last night.Â
He takes a step back before turning to you. âNothing.âÂ
You let out a sigh of relief, staring into the space that was once your nest, your safe place. You can feel Ghostâs eyes on you, waiting for an explanation for your behavior. You canât tell him the truth, despite how easy it would be. You could confess right now, admit to what happened, what you did, the mistake you made. You could drop to your knees right now, beg for forgiveness for what you did.Â
âIt was hard...while everyone was gone.â You say. Itâs not a lie. Not entirely. âMade me uneasy, being alone here. Kept thinking I was hearing things.âÂ
He doesnât believe you. You can see it in his eyes. He knows your lying, he knows youâre withholding the truth from him. You arenât, you just arenât giving him the whole truth. You had felt lonely, you had been on edge even before General Shepherd arrived and your room was bugged. Being alone was hard. Harder than you thought it would be. It would have taken its toll on you, even without the stress of your space being invaded multiple times.Â
You should have told someone. You should have called Dr. Keller right away. You should have never opened the door in the first place.Â
âThank you.â You say, slipping past him and entering your room.Â
He stands there for a few breaths, watching you warily as you open your closet, looking for something to wear. You ignore him, acting like heâs not there, but you canât hide the squaring of your shoulders, the stiffness of your movements. Youâre not sure you could resist if he pressed, if he tried to force you to tell him. Youâd spill immediately, even without him using his alpha against you.Â
The thought has another chill racing down your spine.Â
Your omega is on edge as you change with the door open, not caring as the guys move around, getting dressed to head out to grab breakfast for everyone. You hate how inconvenient it must be, but you still donât think you could handle being in the mess. Not yet. Not so soon. Youâll have to eventually, otherwise theyâll think something is up, happened, and then theyâll start questioning.Â
You couldnât handle an interrogation. Especially not their disappointed and angry faces when you confess to what you did, the mistakes you made, how you allowed someone to walk in so easily. How you left so easily with a stranger. Theyâd never trust you again.Â
They wonât trust you if you keep things from them either.Â
They have to know. They have to know General Shepherd came to base and talked to you. They have to know about you meeting their superior while they were away. A high ranking General couldnât just be on base without someone knowing, and why would he hide it? He had come to check in on your progress and how you were settling in with your pack. He would have included your pack in that questioning as well, right? Besides, there has to be cameras everywhere on base. Someone would have seen you and let them know.Â
Thereâs no way they donât know about it.Â
You stand in the doorway of your bathroom, staring at the cabinet where the broken cameras and recording devices are hidden. Theyâre broken, you ensured that. Theyâre hidden away, buried under enough stuff no one could find them unless they were purposefully looking for something.Â
You let out a breath, trying to relax as you finish your morning routine. Itâs over. Thereâs nothing that can be done now. All you can do is try to move on, try to mend the fraying bonds with your pack, heal the sense of fear and unease surrounding your safe space.Â
Maybe Dr. Keller could help. You could admit everything to her, everything that happened while she was supposed to be watching you. If you had just gone to her office that afternoon, perhaps things would have been different. She would have known, but that wouldnât have stopped the cameras from being put up. It would have just made it easier for them. Maybe they might have finished the job properly, and you wouldnât have even known. Even if you had called Dr. Keller, what kind of argument could she have made against a Commanding Officer?Â
If you told Dr. Keller now, sheâd tell your pack. Sheâs promised to keep everything between you confidential, but would something like this be an exception? Would she tell your pack anyway because she thinks itâs the best course of action to help you?Â
You want to cry. Tears are welling in your eyes as you stare in the mirror. You hardly recognize yourself. You look tired, strung out, sickly almost. Are you not, though? Is that not how you feel? You know omegas can get sick from stress sometimes, if it gets to be too much. You donât want to get sick. You donât want to be more of a burden than youâre already being. They have to be so tired after their assignment, and here you are making things harder for them.Â
âYou alright, love?âÂ
You jump, letting out a shriek as you whip around to face the door of your room. Your heart is racing as you slap a hand over your mouth, staring wide-eyed at an equally surprised Kyle. You let out a breath, slowly lowering your trembling hand as you try to calm yourself. Itâs just Kyle sneaking up on you. Not a stranger.Â
âSorry, didnât mean to startle you.â He says, brows pinching in a frown.Â
ââS okay.â You murmur, turning off the light before leaving the bathroom. âWas lost in thought.âÂ
âThe others left to grab food.â Kyle says. âTheyâll be back shortly.âÂ
You nod, trying hard not to make your trembling too visible, or give any hint at your discomfort. âOkay.âÂ
You stare at him as he leans against the doorframe. He hasnât entered your room. Heâs still standing in the doorway. The thought has a lump forming in your throat. Your bonds have frayed so much he doesnât even feel comfortable entering your space anymore. Thereâs a wall up again, and youâre only forcing it higher and higher.Â
âCome on.â He says, holding his hand out to you. âLetâs go to the rec room.âÂ
You take his offered hand, letting him pull you from your room. The door clicks closed behind you as you let him lead you down the hallway and away from the place thatâs become fuel for your nightmares.Â
Kyle sits down on the couch, pulling you down on his lap. You wrap your arm around his neck as he wraps his arms around you, enveloping you in his warmth and scent.Â
âIâm sorry for startling you.â He says softly, bringing your other hand to his lips so he can press a kiss to your wrist.Â
âItâs not your fault.â You say, leaning your head against his shoulder. âBeen on edge since everyone left.âÂ
âI bet.â Kyle leans his cheek against the top of your head. âWeâre here now. Weâre gonna fix that.âÂ
âWhat happens when you have to leave again?â You ask.Â
âYou wonât be alone again, thatâs for sure.â A different voice says.Â
You nearly jump out of Kyleâs lap as John appears in the doorway of the rec room, Johnny and Ghost right behind him. Kyleâs arms are the only thing keeping you steady as your heart nearly beats out of your chest. Youâre not sure how much more you can take, intentionally or unintentionally.Â
âI spoke with Kate this morning.â John says as he sets the food heâs carrying on the coffee table. âWeâre going to do everything in our power to avoid having you left alone again. At least one of us will be staying behind with you from now on.âÂ
Your brows pinch a little. Is that why he had been absent from the nest earlier? Youâre not quite sure what to feel. On one hand youâre relieved at the thought of not having to be alone again, but on the other hand, you donât want to disrupt their lives, their jobs. You wonder just how hard he had to fight to even get Kate to agree to something like this.Â
You also feel a bit afraid that they know, they figured out what had happened and thatâs the reason they donât trust to leave you alone again. Youâll make another stupid mistake or another risky decision that might cause you actual harm next time.Â
Kyle eases you off his lap and onto the couch beside him. Johnny sits on your other side, squishing you between them as a tray is passed into your hands. You donât feel very hungry as you stare down at the food, but you know after a meager dinner last night, you need to eat. You wonât be doing you or your pack any favors by being hungry.Â
Itâs quiet in the rec room as you eat. Itâs almost eerie how silent it is, aside from the occasional scrape of silverware on the trays. You begin to float back into the time when they were gone, the haunting silence that had settled over the barracks in their absence. Everything had seemed so still, not peaceful, but more like the very walls were holding their breath.Â
Perhaps it was in anticipation for what was to come. Perhaps somehow the very walls knew they would be beached, the safety they once promised would be upended.Â
Or maybe youâve just gone crazy.Â
You shift forward on the couch, careful not to tip your tray over as you grab the remote from the coffee table, turning the TV on.Â
âFinally! I couldnae handle the silence much longer.â Johnny exclaims, letting out a relieved sigh.Â
The corners of your lips pull up in a smile as you pass the remote off to him, letting him search for something bearable to watch on early morning TV. Youâre glad at least you werenât alone in your distaste for the silence. You curl up closer to Gaz, reminding yourself that itâs not a dream, that they really are here. They really did come back.Â
Now you just have to move on and put the nightmare of what happened behind you.Â
As the days pass, things begin to return to normal. The guys start their normal routine of training and running drills almost immediately. To avoid being stuck in the barracks alone, you ask to go with them, blaming it on the distance and your need to be clingy still. At first you were afraid someone would take advantage of the barracks being empty again, but every search has come up empty handed. No more cameras, no more recording devices.Â
Whoever it was who planted them must have given up, or perhaps the risk of doing it with the entire pack back on base was too high.Â
Despite this fact, you spend the least amount of time in your room as possible. Even when you canât go to watch them train or run drills, you spend your time in Johnâs room, or in the rec room. At night you rotate between John, Kyle, and Johnny, opting to sleep with them over spending a night alone in your room.Â
As you discussed, you begin seeing Dr. Keller twice a week. Youâre not quite sure what she told John to convince him it was necessary, but whatever it was, it hadnât given away any of your secrets. It probably hadnât taken much to convince him to say yes, given your current state and his worry about you.Â
You know heâs worried. You can see it when he looks at you, like you might snap if he stares too hard. Youâve seen the way his hands twitch when Johnny holds you too tightly or gets too rough in his affection, like heâs worried you might shatter.
Itâs reassuring to see the distance has not just affected you. Johnny holds you tighter than he used to, Kyle stands closer to you like heâs trying to fuse you both into one. Even Ghost has started hovering closer, using his hands to steer you and guide you when youâre around others that arenât part of your pack.Â
Youâve started eating in the mess again, knowing you can only avoid it for so long before theyâll start getting suspicious and asking questions. You still feel paranoid, being around the other soldiers on base. You canât help but be suspicious that it was one of them that planted the cameras, that it was one of them that tried to get into your room that night. Who would willingly breach such sacred ground and invade an omegaâs space like that, you couldnât even begin to guess. Â
Sure, some of them still stare at you, but most of them now ignore your existence. Youâre no longer a spectacle, not after a few weeks on base, not that youâre a claimed omega now.Â
That wonât stop some alphas.Â
Going up against your pack, though? That would take one hell of a cocksure alpha.Â
Just like the one that invaded your safe space.Â
It had to have been an alpha. Sure, that beta soldier had entered the barracks, but to go so far as to put up cameras and try to come back and get into your room? That takes a special kind of audacity, something only an alpha could possess.Â
So life has gone back to normal, or at least as normal as it can be after what happened.Â
The return to normal hasnât all been good, though. Your nightmares have returned, coming on quickly as soon as you began to settle into routine again. The real nightmare has passed, so now your mind has to plague itself with nightmares that have already happened. Things that canât even hurt you anymore.Â
You start avoiding sleep again, despite your work with Dr. Keller, too afraid to risk having a nightmare in front of one of them again. The last thing you need is to have to spill about your nightmare. You might not be able to stop and wind up spilling about what happened while they were gone too.Â
Unfortunately, things donât work that way. They never work that way for you.Â
Someone is screaming. Your body feels like itâs being constricted by a snake, crushing and painful as youâre clutched desperately against your motherâs chest. Sheâs the one thatâs screaming, the sound hurting your ears. Your face is pressed against her shoulder, into the softness of her sweater. Itâs the pink one, the one she made. Her favorite.Â
Thereâs knocking coming from somewhere, a door handle jiggling. Itâs locked, but you can hear someone trying to get in, multiple people based on the voices from the other side. You donât know who it is. You donât recognize any of them. You canât even make out what it is their saying, if theyâre saying anything at all. The voices sound more like the unintelligible roar of monsters, the ones you used to be afraid of as a child.Â
Everything is muted by the blood pulsing in your ears, drowning out everything but the jiggling of the door handle. Someoneâs trying to break in. Someone is breaking in. You can make out the thuds against the door, the desperate attempts to get inside, to get to you.Â
The arms around you tighten, pressing your face harder into the soft yarn of the sweater. You inhale the familiar scent of brown sugar and vanilla, the scent surrounding you and enveloping you in a sense of safety. Nothing can get you. Nothing can hurt you.Â
Thatâs not true, though. You know itâs not.Â
Thereâs a bang as the door is finally forced open, the screaming getting louder as footsteps enter the room. Youâre shaking, trembling in your motherâs arms as she clings to you desperately, just like you used to cling to her when you thought there was a monster under your bed.Â
The monsters were real, you realize as you desperately cling to your mother, just as tightly as sheâs clinging to you.Â
Hands grab at you, claws digging into your skin, tentacles wrapping around your body, trying to pull you from your motherâs grip. You can hear her pleading, begging, screaming at them not to take you, not to separate you. Youâll never see her again if they manage to pull you from her. Theyâll take you away, hide you away, keep you from the warm comfort of her embrace.Â
You let out a scream of your own as youâre yanked from her grasp, your arms reaching for her as the monsters pull you from the source of your safety and comfort. The last thing you see is your motherâs grief stricken face before the door slams in your face.Â
A scream tears from your lips as youâre pulled from sleep suddenly. Youâre falling, hitting the tile floor with a thud. Your shoulder cracks against the unforgiving floor, making you yelp. The blanket has tangled around your legs, rendering you immobile from the waist down.Â
The frantic pounding of boots on the floor meets your ears, seconds before the four members of your pack are sprinting into the rec room. Their faces look just as frantic as their steps had been, concern laced with fear laced with worry. You hadnât even realized theyâd returned already. They had been at their afternoon drills while you stayed in the rec room watching TV, slowly succumbing to the exhaustion thatâs been plaguing you.Â
âWhat is it? What happened?â Kyle asks, moving to step forward but John beats him to it.Â
âFell off the couch.â You say, pushing yourself up to sit, wincing at the pain in your shoulder. Thereâs tears sliding down your cheeks despite you fighting the remnants of your terror and pain from the nightmare.Â
âI think thereâs more to it than that.â John says, kneeling down in front of you.Â
You want to confess everything. How you havenât been sleeping well for weeks now since your heat, how you keep having horrible nightmares about your past, what happened while they were away, how the nightmares have returned. Your breath catches in your throat as you stare at John, the tears sliding down your cheeks as you give up trying to control them. Guilt plagues you as you stare at the worried face of your alpha. He just wants to help you, he just wants to take care of you, but he canât if youâre keeping things from him, if youâre lying to his face.Â
âI had a nightmare.â You say quietly, your voice barely above a whisper. You clutch your arm to your chest, trying not to move your shoulder too much.Â
John lets out a quiet sigh, his fingers lifting to press against your shoulder, feeling around the joint. You wince as he hits a tender spot, the pain sharp, but not horrible. Youâve certainly felt worse things.Â
He turns to the others behind him, all of them staring at you with equally worried looks on their faces. âGet me an ice pack.â He says before turning back to you.Â
He lifts you off the floor, placing you back on the couch before untangling the blanket from around your legs. Johnny grabs an ice pack as Kyle moves to sit next to you on the couch, draping his arm across the back, projecting his scent to try and help you relax. John sits on the edge of the coffee table, staring at you. Despite the worry still present on his face, his eyes are sharp. You canât help but feel like youâre suddenly in an interrogation. Theyâve done this before, probably many times, though likely not as gently as they are now. Youâre terrified still at the way they shift so easily into the mindset of a soldier. You canât even imagine what it would be like if they were serious in their interrogation of you.Â
âHow long have you been having nightmares?â John asks as Johnny takes a seat on the other side of you, passing you the ice pack.Â
You press it against your shoulder, trying to keep your thoughts straight. You have to try not to spill anything, try not to confess to all of your sins, all of your stupid mistakes now. Your gaze drops to your lap, avoiding the looks of the two alphas staring at you. Ghost has moved to stand behind John, his arms crossed as he watches the exchange. You can feel the pressure of their gaze, the sharpness of it digging into your skin like knives.Â
âA couple weeks.â You admit, unable to even think of a lie. You donât want to lie now, not with them staring at you so intensely. Theyâd know. Theyâd be able to tell before the words even left your mouth. âSince my heat ended.âÂ
âIs that why youâve been avoiding sleeping?â John asks.Â
You wince at his question. Of course he noticed. Why wouldnât he? Heâs been trained to notice weaknesses in others, gauge the capabilities of his men. Of course heâd notice youâre more tired than usual, not sleeping quite as much. He probably even knew all the times you woke up in the night when you slept next to him. Â
You nod, still staring at your lap, too afraid to see the disappointment in his eyes.Â
âWhy didnât you say anything?â He breathes, almost sounding upset.Â
Youâve made a mistake in keeping this a secret. You regret it as soon as you hear the emotion in his voice. He thinks you donât trust them, he thinks you donât trust your alpha. You need to tell him. You need to tell him everything, but the fear keeps you paralyzed. How much more upset will he be when you confess that you kept such a major event from him, from all of them?Â
A quiet sob leaves your lips as you sit there, terrified of the reprimanding youâre sure to get. The shame burns hot in you, the reminder that youâve disappointed them. Youâve let them down and now they wonât even trust you to tell them anything.Â
âWeâre not mad at you, sweetheart.â Gaz says, shifting his arm so itâs wrapped around your shoulders, his thumb brushing the hand thatâs holding the ice pack to your shoulder. Johnny shifts just slightly closer to you, both of the betas projecting their scent around you, trying to cocoon you in their comforting presence.Â
âI just want to know why you felt it necessary to hide something like that from us.â John says, his voice softer than it had been before.Â
âI didnât want to bother you.â You find the words spilling out before you can stop them. Maybe itâs the exhaustion or the fear or your brain finally getting tired of holding everything in. This is your moment to let out a little steam, to finally release some of the pressure thatâs been building. âMy nightmares are nothing compared to the ones you all probably have and itâs stupid and I shouldnât even be having them, itâs been years since the last time I dreamed like this, and I donât even know why theyâve come back now.âÂ
âNo nightmares are stupid.â Ghost says, stepping up closer to the coffee table.Â
âWeâre here to help you.â John says, leaning his elbows on his knees. âWe canât do that if you donât tell us whatâs going on.âÂ
Guilt burns through you at his words. Heâs right. You should be honest with them, tell them everything. They canât help you, they canât keep you safe even from the things that plague your mind if they donât know about them.Â
âWhat are the dreams about?â John asks, blue eyes boring holes into you.Â
You feel small under his gaze, like you're a child again, facing down your father after doing something wrong, after making a mistake. You have made a mistake, though. Youâre facing the consequences of your mistake right now.Â
âThe day I left for the institute.â You say quietly, voice hardly more than a whisper but you know they heard you in the silence of the barracks. It feels threatening, like the walls are silently vowing to tell the truth if you donât.Â
Your pack shifts a bit at your words, sharing looks amongst themselves. They have to know what itâs like, or at least heard stories about the trauma of being pulled from your pack to be taken to a strange place, surrounded by others just like you.Â
âWhat happened that day?â Ghost asks, staring down at you.Â
You can feel his gaze piercing into you, screaming the silent threat that youâre going to tell them, no matter how long they have to sit here and wait. You donât have a choice anymore. You have to tell them.Â
Youâre warm. The ice pack pressed against your forehead does little to soothe the burning under your skin. Youâre thirsty, the two empty plastic bottles on your nightstand were not enough to ease the dryness in your mouth.Â
Hands shift the ice pack, pressing it against your cheek. Your mother is there, seated next to your bed diligently. Sheâs crying, tears sliding down her cheeks, quiet sniffles breaking the silence in the house.Â
âIâm sorry.â She whispers, bringing your hand to her lips. âIâm so sorry,â She apologizes, as if itâs her fault, as if she brought this onto you.Â
She gasps quietly as the door opens, her back stiffening as your father enters. His face is stern, mouth almost twisted with disgust as he stares at you. It feels wrong, having him invade your space. If youâd had the energy, perhaps you would have been brave enough to protest his presence.Â
âCome on.â His voice is gruff, worn down from years of smoking and yelling. âGet up.âÂ
âNo, please-â Your mother attempts to reason with him, but he wonât have it.Â
âShut up and sit down.â He snaps at her, and she has no choice but to sit back and be silent. His voice has something tingling in the back of your neck, almost like a warning. Thereâs nothing you can do, though. Youâre far too weak.Â
He moves to the side of your bed, grabbing your arm and pulling you up from the comfort of your blankets. The ice pack falls from your head, your skin prickling with warmth almost like it hadnât been there in the first place. Your brain is sluggish as you try to comprehend whatâs happening, your legs giving out as youâre forced upright. You canât get your body to work, you canât even force yourself to behave. You want to crawl back under your blankets and lay there for the rest of eternity.Â
You whine as youâre dragged from your room, knees knocking on the floor as you attempt to get your feet under you to ease the pain in your shoulder. Your father drags you into the living room, two people you donât recognize standing next to the front door.Â
âPlease, please donât do this!â Your mother pleads with him, right on his heels as he drops you in a heap in front of them. He catches her before she can rush forward to you. How you wish you could have her arms around you again, holding you and comforting you in your confusion.Â
âEnough.â Your father snaps at her, looking down at you with disgust. âSheâs no daughter of mine.âÂ
You blink up at him, the words seering through the haze, registering in your foggy mind. Tears gather in your eyes as you stare up at your parents, your siblings watching tensely from the living room as the scene unfolds before them.Â
âNo, no!â You cry as hands close around your arms, lifting you from the floor. âMama!â You scream, trying to fight them as youâre pulled from your home, your safe space, your family, your pack.Â
Your mother is yelling, fighting against your fatherâs hold around her, but itâs useless. Heâs stronger. He wants this, so no one is going to stop him. Sheâll pay later for her actions, her disagreement with him. You wonât be here to see it, though. Youâre leaving and you wonât be coming back.Â
The last thing you see as the cool air outside washes over your feverish skin is your motherâs grief stricken face before the door closes, locking you out forever.Â
Youâre dragged into the back of a van parked in the driveway. Two men in uniform climb in behind you before the doors are slammed shut. You curl up in the corner, sobbing uncontrollably. You want your mom, you want to be back in the safety of her arms, the warmth and comforting softness that only she can provide.Â
One of the men approaches you, a needle in his hand. You whimper in fear, pressing further back into the corner as he gets closer to you. He forces you down onto your stomach, the pain brief as he injects you with the sedative before he moves back to take his seat. You curl up in a ball, quietly sobbing as the drugs begin to work, your vision going hazy before youâre forced into unconsciousness.Â
âI woke up hours later at the institute.â You say, wiping at the tears streaming down your cheeks, but it does little against the cascade of tears falling from your eyes. âNever saw or spoke to my family again. They didnât even try to reach me, and I know my dad was the reason why. He hated me as soon as I presented.âÂ
âFucking hell.â Ghost breathes, hands curled into fists at his sides. You can smell the intensity of his scent above everything, the burning ozone of anger rolling off of him. It makes you wince, even though you know itâs not directed at you.Â
âThatâs why he wanted to send you so quickly.â Kyle says, his arm tightening around you.Â
âHow did he get you into FIOT so soon after your presentation?â John asks.Â
You shrug your good shoulder. âI donât know. I didnât even know heâd be sending me, much less so soon until it was happening.âÂ
âChrist,â Johnny breathes, gently taking your hand in his. âNo wonder yer havinâ nightmares, kitten.âÂ
âI havenât had this nightmare since I arrived at the institute. They started there, lasted a few weeks while I adjusted to being there.â You sniffle. âHavenât had them since, until now. Dr. Keller says itâs because I finally feel safe enough to process the trauma of it happening.âÂ
John sits up a little straighter. âIs that why she suggested seeing you multiple times a week?âÂ
You nod. âWeâre working on it. I asked her not to tell you, because I did plan on telling you eventually.âÂ
âIâm glad you told someone, at least,â He says. âAnd Iâm glad you finally told us too. We might not be able to stop the nightmares, but at least now we can help support you in whatever way you need.âÂ
âIâm sorry I didnât tell you sooner.â You say, squeezing Johnnyâs hand slightly. He was the only one that knew you were having nightmares, but you hadnât even confessed to him what was going on out of fear heâd tell the others.Â
âItâs alright, sweet girl.â John says, leaning forward to press a kiss to your forehead. âIâm glad it finally came out and now we can help you.â He wipes the tears from your cheeks, his thumb brushing your skin gently.Â
The moment is broken as your stomach growls impatiently. Itâs past your normal dinner time, your confession having kept you longer than you thought it would. You hadnât gotten in your afternoon snack either, your body having chosen to nap instead.Â
A small smile tugs at Johnâs lips. âHungry, love?âÂ
You nod. âYeah. Didnât get my snack.âÂ
âWeâll go get some food and bring it here, how does that sound?â He asks.Â
You nod. âYeah. That sounds good.âÂ
He pushes himself up to stand, his knees cracking as he does. You fight the urge to say something, squeezing Johnnyâs hand tightly.Â
âIâll stay.â Ghost says, still looking at you.Â
John looks down at you and you meet Ghostâs gaze for a moment before nodding. John presses another kiss to your head, Johnny and Kyle pressing kisses to your cheeks before they get up, leaving the rec room to get dinner for everyone.Â
Ghost moves from his spot on the other side of the coffee table, sinking down at the end of the couch. You fight the urge to stare at him in surprise. Youâre not sure youâve seen him sit anywhere but in the chair the entire time youâve been here.Â
Itâs silent between the two of you for a few moments, aside from the occasional sniffle from you. You wipe the remaining tears from your face, removing the melted ice pack from your shoulder, tossing it on the coffee table. This feels very familiar to you, this position. Youâve been here before, back when you punched the asshole alpha who insulted you.Â
âMy dad was a real asshole.âÂ
You turn your head slightly in surprise when Ghost breakâs the silence suddenly. Heâs not looking at you, his gaze distant, far away. You know that look well. Youâve seen it on him before, and also on a few omegas at the institute. Youâre sure itâs graced your face as well many times.Â
âHe was a trad alpha, real piece of shit who couldnât control his anger. Took it out on all of us. My mum, my brother, me.â He scoffs. âMum took the brunt of it, but Tommy and I faced our fair share of it too. He used to bring dangerous animals home and taunted us with them. Made me kiss a snake once. He did all kinds of horrible things to us.â His voice softens a bit in a way youâve never heard before. Youâve never seen him so vulnerable, not even when he told you about his own nightmares. âIâve never wanted an omega, because of the things my dad did to my mum. I never wanted a pack either, but...maybe something deep down in me did because I said yes to this whole experiment.âÂ
The silence hangs heavy between you for a moment. Youâre not sure what to say, or if you can even manage to say anything in response to what heâs just told you. You had no idea what his life was like growing up, except that he was also a purebred.Â
âI was always too afraid the cycle would continue, that Iâd turn out to be another piece of shit, just like my dad.â He says.Â
âI donât think youâre a piece of shit.â You say, your voice cracking a bit.Â
He huffs out a breath. âThanks.â He stares down at the coffee table, leaning his elbows on his knees. âDid your dad ever hit you?âÂ
You shake your head. âNever directly. He got rough sometimes, grabbing us, squeezing too hard, yanking us around. He never stopped my brothers when they got too rough, though. They liked to wrestle, and I wanted to join because I wanted to spend time with my cooler older brothers. Sometimes theyâd forget I was smaller than them and I got hurt a couple times. He never reprimanded them when it happened. I think he enjoyed it more than anything. He mostly just yelled a lot.âÂ
âTrad alphas only speak the language of yelling and violence.â He says. âIf my father wasnât screaming at us, his fists were getting the message across. Sometimes heâd do both at the same time.â Ghost shakes his head. âReal pieces of shit, trad alphas. Makes me sick, the kinds of things they believe in.âÂ
âIâm sorry about what happened to you.â You say, fishing for anything to follow up his confession with. Nothing feels right, nothing feels like enough.Â
He shrugs. âIt happened. Itâs in the past. He died a few years ago. Left nothing but a stain behind.âÂ
âWhat happened to your mom and brother?â You ask.Â
âTommy got into drugs for a while, but he cleaned up and got married. Mum lives with him now. Still doing well.â He says.Â
Youâre surprised by his words. Youâve always heard that omegas donât last long without their alphas. But what if their alpha was an asshole? Is the relief of their death enough to scrub out the grief of losing your alpha?Â
You stare at the side of Ghostâs head, your heart thudding in your chest. You feel sorry for him, but at the same time, youâre grateful he shared this with you. You have much more in common than you thought you did with the giant aloof alpha. Maybe, perhaps, this can be a way for the two of you to grow closer, maybe you finally have common ground that you can share with him to get him to open up to you more. You know he wants it. The revelation of his disappointment at your lack of greeting, and the fact he let you hug him is enough to tell you he wants something more with you. It might never breach the realm of romance or even a casual fling, but you canât deny the bond is there. You can feel it, the tugging in your chest as you look at him, the butterflies in your stomach when he puts a hand on your back to steer you through the crowd in the mess.Â
You want him to want you. You want him to open up, to peel the layers back and bare his very soul to you. Heâs already started. This confession is the beginning of that kind of bond between you. That he trusts you enough to tell you this makes something flutter in your chest.Â
If only he knew you were keeping something worse from him.Â
You could tell him. Confess to him right here, right now. Spill it all in this sort of mock confessional, this mock therapy session between you. Heâll be mad, but perhaps after everything thatâs transpired today, heâll be lenient. Youâre not sure you could say the same about John, though.Â
âGhost, I-â You start but he cuts you off.Â
âSimon.âÂ
âWhat?â You breathe, blinking in shock as he turns to face you.Â
âMy name. Itâs Simon.âÂ
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