When Charles Bukowski Said, "and When Nobody Wakes You Up In The Morning, And When Nobody Waits For You

automeris frankae

location: mexico

rawest fucking hozier lyrics in no particular order:

i’d suffer hell if you’d tell me what you’d do to me tonight

heat of her breath in my mouth; im alive

i’d be the choiceless hope in grief that drove him underground

idealism sits in prison, chivalry fell on his sword

and when the earth is trembling on some new beginning with the same sweet shock of when adam first came

every version of me dead and buried in the yard outside

the stench of the sea and the absence of green are the death of all things that are seen and unseen

if I was born as a blackthorn tree i’d wanna be felled by you, held by you, fuel the pyre of your enemies

some like to imagine the dark caress of someone else, I guess any thrill will do

before the wave hits, marveling at god; before he feels alone one final time and marries the sea

betray the moon as acolyte on first and fierce affirming sight

i have never known peace like the damp grass that yields to me, I have never known hunger like these insects that feast on me

screaming the name of a foreigner’s god; the purest expression of grief

sweet and right and merciful, i’m all but washed in the tide of her breathing

but you don’t know the hell you put me through; to have someone kiss the skin that crawls from you

so i try to talk refined for fear that you find out how i’m imagining you

my head was war, my skin was soaked, I called your name ‘til the fever broke

be still, my indelible friend, you are unbreaking

remember me, love, when i’m reborn as a shrike to your sharp and glorious thorn

Permanent Style

Benjamin Alire Sáenz, "To the Desert"

—Mahmoud Darwish, from To a Young Poet

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“When Van Gogh was a young man in his early twenties, he was in London studying to be a clergyman. He had no thought of being an artist at all. he sat in his cheap little room writing a letter to his younger brother in Holland, whom he loved very much. He looked out his window at a watery twilight, a thin lamppost, a star, and he said in his letter something like this: “it is so beautiful I must show you how it looks.” And then on his cheap ruled note paper, he made the most beautiful, tender, little drawing of it. When I read this letter of Van Gogh’s it comforted me very much and seemed to throw a clear light on the whole road of Art. Before, I thought that to produce a work of painting or literature, you scowled and thought long and ponderously and weighed everything solemnly and learned everything that all artists had ever done aforetime, and what their influences and schools were, and you were extremely careful about *design* and *balance* and getting *interesting planes* into your painting, and avoided, with the most astringent severity, showing the faintest *academical* tendency, and were strictly modern. And so on and so on. But the moment I read Van Gogh’s letter I knew what art was, and the creative impulse. It is a feeling of love and enthusiasm for something, and in a direct, simple, passionate and true way, you try to show this beauty in things to others, by drawing it. And Van Gogh’s little drawing on the cheap note paper was a work of art because he loved the sky and the frail lamppost against it so seriously that he made the drawing with the most exquisite conscientiousness and care.”

— Brenda Ueland, from “If You Want to Write: A Book about Art, Independence and Spirit”

feeling whatever these three were going through