Ghost Eater

Ghost Eater

Summary: You don't like exorcists. They don't much like you either.

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You’d always thought big restaurants like the Brownie Industry only did well in small, midwestern towns like the one you came from. A year working in LA has taught you that, no matter where you go, people will always love garlic bread and sugar.

It’s your day off which means you’re pulling a double shift. You haven’t had time to wash your hair for the past two weeks so it’s frizzing out of your claw clip and flying wild around your face. The lighting is so dim that you’ve tripped over two black purses already, luckily not while you’re running food. The big dining room sounds like an apiary with the tittering laughter of the later adult crowd that’s filtered in from the theater across the four lane road. The main difference between the Brownie Industry here and the one back home is size. The ceiling soars overhead, supported by a series of concrete pillars separating the dining area into three sections.

Normally it would be three servers per section. Today, it’s just you in yours.

One more hour. That’s what the manager promised you. It might even be true if the host stand quits seating you after the table you’re approaching.

There are three people at the table. A woman whose hair might be light blonde or gray in the light of day, her eyes light and piercing. Her face is soft from age, emphasized by the tight, lace collar of her off-season sweater. She reminds you strongly of your mom’s nemesis on the HOA board. The man couldn’t be more out of place next to her despite their equivalent age. He’s wearing a leather jacket – again, it’s not cold here – and a Norwegian metal shirt underneath. His hair is definitely white, so white it almost glows. He’s frowning at the teenager across the table as if she’s touched his motorcycle without permission.

The teenager might be the first you’ve seen all night who doesn’t have their phone out. She’s decked out in what you consider grandma florals – a t-shirt scattered with daisy chains, a bucket hat made out of nana’s carpet bag, and a hand-crocheted scarf in pastel.  You can’t really see her face under the shadow of her hat and there’s an odd, blurred quality to the way she fiddles with her napkin. You let your eyes skip past her and back to the two adults. Teenagers don’t pay the bill.

“Welcome to Brownie Industry!” you chirp. You’re sweaty and red but the faded yellow light hides that. You’re a service industry pro so none of your exhaustion shows on your face when you ask, “Is this your first-time dining with us?”

If you weren’t so burned out, you’d have noticed before you introduced yourself.

“Are you Grady?” the woman asks. Her voice is more posh than you expected even with her lace collar. “Grady Pace?”

Fuck. There’s a noticeable temperature differential now that you’re close to them. The restaurant is warm from the number of bodies, maybe even warmer than the summer air outside, but stepping up next to their table feels like walking into an ice rink.

“I’m your waitress,” you say. You don’t have time for this conversation. You’ve got five minutes in your cycle to take their order and then you’ve got food to run. “If you need any other services from me, I have a website.”

“We messaged you,” the man says. His lips thin to the point his thick mustache covers them entirely. “You never responded.”

Because you’ve been making more money at the Brownie Industry than your other job. “I’ll take a look at it tonight.”

“Wait,” the teenager says, sitting upright. She looks from you to the adults and back again. When she smiles, there’s no humor in it. “This is why we drove eight hours to have dinner at the Brownie Industry? For her?”

“Katie, be polite—”

“I’m sorry,” Katie says, “It’s just—I found a priest, you know? An actual exorcist priest and you guys want to trust a waitress over him?”

“Ugh exorcists,” you say. The memory of sour cabbage is so heavy on your tongue that you stick your tongue out in disgust. When you see Katie’s look, you backtrack. “Effective! Definitely effective.”

“Your mistakes have cost us too much already,” the man says, shaking a finger at her. “We are not converting just for an exorcism.”

“I normally don’t agree with your father,” the woman tells Katie, “but in this case I would like to leave conversion as a last resort.”

“We wouldn’t actually convert,” Katie says, rolling her eyes.

“Pretty sure exorcists can tell when you lie,” you tell Katie. When her scowl deepens, you clear your throat. “Did you all need another minute to think about the menu?”

“We need you to help us,” the dad says. He scrubs a hand over his face. “Look, I know you’re at work and I’m sorry we’re bothering you.”

“We’re desperate,” the mom says. She reaches for her purse. “We’ll pay you. Triple the rate on your website or even quadruple. We need that thing gone by tonight.”

Katie covers her face. “Mom. You’re embarrassing me. Terry isn’t that bad.”

“Oh, he’s bad, young lady,” the dad says sternly. “A bad influence.”

“We caught her trying to perform another séance yesterday,” the mom confesses to you. She leans forward with a pinched expression. “So Terry’s friend Larry could visit too.”

“Interesting,” you say. The food bell rings, but you think you can ignore it for another minute. You study Katie’s blush. “Why did you do that?”

If she was being compelled, she won’t have an answer to your question. You’ve dealt with a lot of ghosts in your time, but so few are sentient enough – or powerful enough – for compulsion.

“Go on,” the dad says, gesturing at you. “Tell her.”

“Leroy, she’s embarrassed enough,” the mom says.

“No, she’s not, Sarah.” The dad – Leroy – gestures to you again. “Tell her.”

Katie huffs, clearly resistant. But when her dad huffs back, she caves. “So,” she says, “I have this YouTube channel—”

“I’m off in an hour,” you interrupt. You don’t care that you’re being rude. Your patience ran out as soon as she said YouTube. “I’ll meet you in the parking lot.” You turn to go.

“A moment!” Sarah shakes out her menu. “How’s the nicoise salad?”

Of course they’re going to order. They’d better tip too if they want you to help them with their ghost problem.

----.

“You said an hour,” mom Sarah says when you leave out the employee entrance. She’s shivering next to her daughter. Leroy is off smoking behind his motorcycle, parked next to the Tesla Katie is leaning on, but he stubs out his cigarette on the asphalt when you walk up. “It’s been two.”

“I had side work,” you say instead of it would have been one if not for you. You rub your bare arms when the familiar ghost chill washes over you. You want nothing more than to go home and wash the scent of garlic and brownie batter out of your hair. “Was there something wrong with my service?”

“No?”

You try to make your voice light. “I see.”

Sarah frowns at your tone anyway. “Why?”

“You tipped five dollars.”

Katie jolts like a scalded cat. “Mom!”

Leroy scrubs a hand over his face. “Sarah…”

“What?” Sarah throws up her hands. The parking lot lights catch on her Swarovski charm bracelet. “I tipped!”

“Like ten percent,” Katie says. She pulls her bucket hat over her eyes for a beat and then peeks at you from under it. “I’m so sorry. It’s not you, she’s always like this.”

“It was actually a six percent tip,” you say. You’re getting a clearer picture of this little family now. It’s becoming more and more understandable why Katie might have started summoning ghosts. “If you want to be precise.”

Leroy reaches for his back pocket. “Let me.”

Sarah swats at his hand. “We’re about to pay her a lot more than that!”

“For a completely separate job,” Leroy says. He pulls a twenty from his wallet and hands it to you with a grimace. “Sorry, Grady, I should’ve checked.”

“You should’ve paid if you cared so much,” Sarah retorts. She folds her arms over her chest. She taps her cheek and widens her eyes. “Oh wait… you never pay.”

“Sure,” Leroy says. This time it’s his turn to throw his hands in the air. “Sure, Sarah. I don’t pay for anything to do with our daughter’s private school or her dance classes or her health insurance—”

“If the court hadn’t mandated—”

“You make twice as much as me—"

“Guys!” Katie says loudly. Her mouth is a thin line of upset when she says, “Argue about what an expensive burden I am later when we don’t have an audience, okay?”

Her parents speak at the same time.

“You’re twisting my words,” Sarah says. “I never said—"

“Sweetie, you’re not a burden—”

“Can you just get this ghost out of me?” Katie asks you. She goes for nonchalance and falls short. “My parents haven’t been in the same room for the last five years for a reason.” She fakes whispering. “They don’t play nicely with others.”

Sarah bristles. “Katie.”

“God, I know how that is,” you say. The whole interaction is giving you the worst case of sympathy for Katie. Before her parents can say anything else, you change the subject. “How long have you been haunted?”

“Six months,” Katie says. She fiddles with her bucket hat so that you can see her eyes for the first time. They’re brown, like her dad’s, and have heavy bruises underneath. She shrugs. “They only noticed a month ago though.”

“I noticed your behavior had changed,” Sarah defends. Like her daughter, she fidgets. She plays with her bracelet and clears her throat. “I thought it was a teenage thing.”

“What signs did you notice first?” you ask the parents. They glance at each other and then away.

“Let’s just say we noticed different things,” Leroy says dryly. He pulls out his phone.

“Moodiness,” Sarah says. She ticks them off on her fingers. “Laziness. Disrespect. Over-sleeping.”

“Those are just teenager things,” Katie says with an astounding level of self awareness. She shrugs. “I’m a senior now. They’re lucky it didn’t start sooner.”

“I,” Leroy says, “noticed this.” He turns his phone towards you.

“Ah,” Sarah says, “Yes. That.”

You examine the picture. It’s of Katie on a small dirt bike. She’s wearing a helmet in the picture, but you recognize the fashion sense in the floral boots she’s wearing. The scene behind her is of the hills, low scrub brush recognizable to someone who’s lived in LA for the past five years. On the bike behind her is a smudge. It could be a cloud of dirt blown into frame or maybe a camera glitch. It could be if it weren’t for the leering face emerging from the cloud right behind her head.

“I just want to say I did not agree to getting her a motorcycle,” Sarah says.

“Mom, not the point,” Katie says.

“Look how close that creep is to my daughter,” Leroy says. He jabs a finger at Katie’s waist in the photo where you can see a ghostly hand. “I want him gone.”

“Dad, he didn’t mean anything by it!” Katie turns to you earnestly. “Terry never rode a bike before and I thought, like, what if he moved on after he got a chance to? It was a philanthropic effort!”

“Plant a tree if you want to be a philanthropist,” Leroy growls. “I want this guy away from my daughter.”

“He doesn’t mean any harm really,” Katie says. “He would move on if he could! He says he’s stuck to me because of how I summoned him. He’s like, really sorry. He even spelled out Sorry in the bathroom mirror once.”

“What,” Sarah says in a dangerous voice, “was Terry doing in the bathroom with you, Katie?”

Katie splutters. “Mom, don’t be gross!”

The family descends into bickering. You have heard about ghosts being stuck to a person before, but usually that’s when the person has some sort of psychic powers. Katie’s wearing crystal in her ears, but they aren’t charged. She might develop some talent later in life, but right now she’s a normal girl.

The parking lost is nearly empty now. You recognize a few employee cars, but very few customers. The kitchen will be cleaning for another half hour before they’re ready to go home.  The reality is that, if Terry is stuck, you might not be the best way to handle the situation. If he’s not…

Well.

It’s time to talk to Terry.

Opening your ghost sense is hard to describe. Some psychics liken it to a third eye, right in the middle of their forehead. You’ve always thought that sounded really cool like maybe the world gets cast in a blue hue when they do it and the dead appear like they do in movies. You’ve met other psychics who say it’s like a sixth sense. They know where the ghost is and it’s like they download all that information until their minds can just sort of conjure their image.

For you, it’s like letting your body remember it has a second mouth. Cats have an extra sensory organ on the roof of their mouth that lets them detect scents better. Your second mouth is a bit like that. You can still smell brownies and garlic and the city air of LA, but you can also smell/taste something else.

Something like…pepper?

Your eyes water and you sneeze so viciously that your eyes close. When you open them again, four people are staring at you in surprise.

“Gesundheit,” Leroy says.

“You sneeze like Dad does,” Katie says.

“Did no one ever teach you to cover your mouth?” Sarah asks in disgust.

“I wish you would’ve sneezed on her,” Terry says, nodding to Sarah. “She’s such a bitch.”

“Thank you for the commentary, everyone,” you say. You wipe your nose with the collar of your shirt as you consider Terry. It’s dirty anyway. “Terry. Interesting name for a ghost.”

Terry hasn’t noticed that you can see him yet. He’s floating behind Katie, one arm casually flung over her shoulder. It’s hard to place when he died based on his appearance alone. His hair is chin length, emphasizing the width of his jaw. Squire cuts have been popular for several decades and the bowling shirt he’s wearing could either be a modern fashion statement or a dated uniform. He looks to be in his mid-twenties, sun-kissed and with the air of someone who tells a lot of jokes at the expense of others. His arm around Katie strikes you as possessive, the glare he gives her parents venomous.

“I didn’t name him,” Katie says. “He said it’s short of Torrance.”

You blink. “Wouldn’t he be Torri then?”

“That’s a girl’s name,” Katie and Terry say at the same time. Their cadence is so close that it actually sounds like Terry’s baritone comes out of Katie’s mouth. For a moment, his arm flickers, clipping into her shoulder like a bad animation. When it does, Terry’s form grows brighter, more solid. Then Katie shivers and he’s forced out of her.

You and Terry click your tongues at the same time.

You remember how Katie’s hands seemed to blur at the dinner table. Terry’s not just haunting Katie. He’s trying to possess her. You wonder if that’s why Katie looked up an exorcist rather than a simple spiritual cleansing. Did she know how much danger she was in?

“Okay,” you say. You tear your attention away from Katie and Terry for a moment. Business first. “Sarah. Leroy. Who was it that found my site?”

“I did,” Sarah says. She raises her chin when you can’t hide your surprise. “When Katie was looking up exorcists—”

“She didn’t mean it,” Terry says. He pats Katie’s hat. “Right?”

“—I looked up alternative solutions,” Sarah says, not having heard Terry. Her confidence falters for a moment and she rubs her arm. “I have had some… negative experiences with exorcisms. I don’t want my daughter to go through that.”

Katie’s head whips towards her mother. “What? I didn’t know that.”

“It was a long time ago,” Leroy says. For the first time, he reaches out and hugs Sarah with one arm. You don’t know what surprises you more; Leroy hugging Sarah or Sarah leaning into his side. “When Sarah told me, we decided to put our differences aside. I vetted you through some of my contacts and they all agreed you’d be a safe bet.”

“I am,” you say. You’re not bragging either. You’re probably the safest bet in half the western states besides your older sister. “There are some…peculiarities in my method.”

“Charlatan,” Terry whispers in Katie’s ear. He’s grinning now. “Only charlatans are that confident. Look! She can’t even see me!”

Katie looks doubtful.

Usually, you’d try to talk to Terry at this point. Sometimes spirits can be negotiated with. They can be encouraged to move on or to take on a less aggressive form of haunting. Those that are truly stuck can be helped with the right sort of ritual work. But the way Terry’s affecting Katie’s mood and that fucking arm around her shoulders…

You don’t really want to talk to Terry.

“We can ask Terry to move on,” you tell the family.

“Nooooooo,” Terry says and flips you off. “Pass!”

“Sometimes spirits don’t realize how deeply they’re affecting their hosts,” you say.

“You don’t even know how deep I’m about to be,” Terry jeers at you.

“Many ghosts are confused when they’re called to interact with the living,” you say. “It can blur their understanding of death and, as a result, they cling to life. If they stick around long enough, their presence will affect the living like what’s happening to Katie. It’s not always malicious. It can be a symptom of that confusion.”

“Katie, tell her to piss off,” Terry hisses in the teen’s ear. “I’m not confused, I’m bored.” His voice deepens. “Tell her we don’t need her help. Tell her we’re going home.”

Katie opens her mouth robotically. “That’s…” Her brow creases as she tries to figure out what she was going to say. “It seems like we don’t need help then. Terry will move on when he’s ready, like I thought.”

“We aren’t paying you for a ghost therapy session,” Sarah snaps. It’s only because you’re really focusing that you can see the unease under her anger. She’s noticed something wrong with Katie. “Katie, Terry is going away today.”

“Fuck you,” Terry says.

“Fuck you,” Katie says.

Leroy’s head rears back. “Katie, you don’t use that language with your mother!”

“Fuck you too,” Katie and Terry say. The parking lot lights flicker.

“No, fuck you, Terry,” you say, stepping between Katie and her parents. Leroy starts like he’s going to pull you out of the way, but he doesn’t.

“Terry?” Leroy asks. He looks scared. “Terry said that? Is Terry possessing my daughter?”

“Not yet.” You eye Terry’s arm and the way his fingers are sinking into Katie’s arm.

“Oh fuck,” Terry says. He doesn’t look scared. Not yet. Instead, he grins. “You can see me.”

“Not every ghost is malicious,” you tell the parents without taking your eyes off Terry. “But some are.”

“I’m not malicious.” Terry runs a hand through his hair, still grinning. The parking lot lights flicker overhead again. “I care about Katie a lot.”

“Terry’s never hurt me,” Katie says.

You ignore her. She’s not even shaking Terry off now. Her gaze is dull on your face when you say, “I don’t mean to sound like I’m some sort of ghost therapist. However, it’s important to differentiate between malicious and non-malicious hauntings in my practice. My methods are unconventional and, if used indiscriminately, I can get in a lot of trouble.”

“We won’t tell anyone,” Leroy says. He steps into your periphery. His gaze flicks from you to the spot you’re staring at over Katie’s shoulder. “We want Terry gone.”

“Not a soul,” Sarah promises. She comes up on your other side. “Please help our daughter.”

“Terry,” you say. Your second mouth is yawning wide somewhere in the back of your brain. The taste of pepper isn’t as overwhelming now. “Last chance. Renounce your claim on Katie’s soul and slither back into whatever hole you came out of.”

“We’re soulmates,” Terry says. He bares his teeth at you. “Go on, Charlatan. Call on your God to banish me. I’ve been around for decades and no exorcist has ever been able to put a scratch on me. And when they manage to push me out?” He laughs and the temperature drops another ten degrees. An unholy light flickers in his eyes. “I just come right back.”

“Then I guess I won’t feel guilty,” you say.

“Guilty?” Katie asks.

You walk forward two steps and grab Terry’s face. Terry’s skin is soft and jelly-like. His facial bones undulate like rubber under your grip. “Hi, Terry.”

Now Terry’s afraid. “What the fuck, you can touch—?”

“Bye, Terry.” You drag him towards you. His fingers pop out of Katie’s arm with a wet sucking sound, and he claws at your wrist.

“Wait! Waitwaitwaitwait--”

You eat Terry.

People come from all around to eat at the Brownie Industry. They love the density of the desserts and the heaps of garlic spread over home-baked (shipped frozen) rolls. It’s a treat to know you’re always going to enjoy the meal even if you’re far from home or eating at the same location a hundred times. It’s consistency, sugar and butter. An easy addiction to have.

Eating ghosts is like that for you. They fizz in your second mouth like champagne and melt like fudge. It’s hard to describe and the ephemeral quality of it sends shivers down your spine. Somewhere Terry is screaming in anguish, maybe crying. You think that the family you’re helping is screaming something too, but the sensation of eating is so consuming you can’t hear the words.

Terry is younger than other ghosts you’ve eaten. He doesn’t have the depth of flavor you’d once been addicted to back in Illinois. The best ghost you’ve ever eaten had been like a six-course meal with all the centuries she’d been carrying. In comparison, Terry is like a bag of pepper chips. Interesting, but gone in a moment. Still, he hits the spot.

When you’re done, you burp a purple cloud of ectoplasm into the still night air.

Leroy is the first to speak. His eyes are so wide you can see the whites all around them. “Pay her, Sarah,” he says breathlessly. His hands shake as he reaches for Katie, steadying her on her feet. “Now.”

You smack your lips and graciously accept the wad of cash Sarah hands you. You raise your eyebrows. “This is more than three times my rate.”

“Consider it a tip,” Sarah says. She’s more composed than Leroy, but still pale. She studies you. “That was…revolting.”

“You didn’t have to watch,” you say. You put your money away and then perk up at a sudden thought. “Hey, if you can, can you leave me a review on my site?”

“I thought you didn’t want us to tell anyone?”

You wave your hand. “Secrets are bad for business. Besides, Terry deserved it. I’m sure they’ll understand if you write that in your review.”

“They…?”

You smile and don’t answer.

The family don’t ask many more questions after that. The parents promise to leave a review and Katie just stares at you as if concussed. You assure the parents that she’ll be back to normal as soon as the soul-shock wears off. 

“And if it doesn’t?” Sarah asks.

“Message me,” you say.

“You don’t check your messages,” Leroy says.

“Oh,” you say, patting your stomach, “I’ll be checking them a lot more often now.”

You’re hungry again.

---

(Patreon)

More Posts from Magsintherain and Others

2 months ago

ATTENTION

If you see this you are OBLIGATED to reblog w/ the song currently stuck in your head :)


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8 months ago

Leverage timetravel, pre pilot/child ot3 meet their redemption era selves

(I took some liberties re: /meeting/) In hindsight, visiting the US Patent office was probably not their smartest move.  Never return to the scene of the crime, and all, at least not if the job was finished. 

But they'd put a pin in going back for the time machine, and not even a really bad idea could deter Hardison from an actual time machine. Well. Portal, like Eliot had said. 

It hadn't come with an instruction manual, but the three of them, Hardison, Parker, Eliot were professionals at figuring things out on the fly . Even lost in the past. Even scattered. 

Hardison knew he just had to wait, though. They'd find each other. They'd lived through the past once, they could deal with it again, especially knowing everything they did. And it wasn't like they had to live through the whole span of years, either. They just had to find each other, put the pieces back together, scattered with them, and go home. Easier said than done--he was starting to think they might have ended up in different times--but still, the Estimated range was fifteen to twenty years, so that was only five max before they met up, right?

Hardison had gotten right to work. Ads in every major newspaper in the heartland cost plenty, but he had years of criminal practice on top of knowing what tech to invest in, so he really wasn't that worried. He guessed Eliot would be betting on sports games, like in Back to the Future. Parker... well, it was hard to guess where she was. Once he and Eliot met up, they'd have to wait for her to get to them. He did have a few things to do, first.

He knocked on Nana's door, feeling like maybe he ought to be wearing a bow tie. 

"What is it? You from the county?" she asked, when she opened the door. He could see behind her a few curious faces, including his own. Damn, he'd been so tiny. 

"Yes, Ma'am," he said brightly. He could remember this day, vaguely. The box he held was more familiar than his adult face. "I'm here to install your new computer."

"I didn't order any computer," Nana said. "Run your scam someplace else."

"It's not a scam!" he heard his own voice say. "I entered a contest at school."

He had. And he'd lost. Stupid Jake Puckett had won, a kid who could have easily afforded a computer. Alec hadn't known that though, until Hardison'd checked idly. And he wasn't about to just let all of history change. Well, all his own history. 

"You got some proof of that?" Nana asked, and Alec went  scampering off to his room to find his copy of the essay.

Satisfied with the expertly forged documents (wow! it was much easier to forge past documents when you were in the time they were from!) Nana let him in and pointed to a corner desk near an outlet. 

"You ever use your own one of these?" Hardison asked Alec, who shook his head. " just the one at school. I really won?"

"Sure did. Now, let me show you what this thing can do."

~

Eliot stood at the edge of the field, a newspaper crumpled in his hand. Hardison was in Boston, if the ad was right, and of course the ad was. No one else put that much effort into a coded message. 

He watched the football fly. In two weeks, the kid throwing it would be on a bus to boot camp. He closed his eyes. There were options.  Kid wouldn't believe him, of course. There were no secrets yet, to spill as proof. And he was too stubborn to buy the warning.  A good solid tackle, though. Break his arm bad enough...

He'd thought about it. And then about the what ifs. The blood would still be spilled, he knew that. Someone else would end up on Moreau's chain. Someone else would end up with a half dug grave for Flores, and maybe keep digging it.  Everything he'd done for money, the money'd go to someone else. Job might not get done, or it might. 

He'd be there for his mother's funeral. He'd miss Katherine Clive's. Rebecca Ibanez.  the way the drinking might have gone... he'd miss Nate Ford's.  He'd go to school, like his dad wanted, never play college ball. Study something-- art history, maybe -- but no, that was him now. Not him then. Him then would be angry and broken. Him then wouldn't have... his people.

He crumped the paper further. "Dammit, Hardison," he said quietly, and walked away. 

~

Parker had a code. Some things, you just didn't do. Some were big and flashy and obvious. Some were smaller, quieter. 

Hardison would say she shouldn't do this, she knew, and she usually listened to Hardison. He knew what he was talking about, most of the time. You can't change the past. That'd been part of the lecture before they'd gone to steal the time machine.  You can do things, sure, but you always did them. 

Well, Parker hadn't done this. No one had, back the first time she'd lived through this day. But she was doing it anyways, breaking his rule and her own. You don't steal from kids who don't have anything. 

Carefully, she picked the lock on the child's bicycle chain. 

2 months ago

Every poll on this blog is about fictional characters only. This request was sent to us and we made a poll in response to it. Send any Blorbo-related question you want to our inbox and we’ll make a poll on which people can vote with their own Blorbos in minds


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1 month ago

I hope fifteen or twenty years after redemption ends we get another reboot of leverage in which Breanna leads a completely new crew who only ever heard of the original leverage team as heros of legends.

And they tell stories of them like they are mythical figures.

They tell stories of Nate Ford and Sophie Devereaux, how they chased each other across the world before joining sides in the middle to bring together the first leverage team. (They have the Old Nate painting in the current headquarters. Everyone in the new team knows without a doubt that is Leverage Founder Nathan Ford.)

They tell stories of Alec Hardison, Eliot Spencer and THE Parker, the trio who can make anything happen, who made this organisation into what it is now, the patron saints of every leverage team. If a job goes really sideways, they will come to save you, you don't even have to call them. They know.

(The stories range from mildly simplified to wildly inaccurate. Breanna finds this whole mystification fascinating to see, she even kinda gets it on some level, but it's also really weeeiiird. that's just his brother and his insane partners. She just gifted them matching plushies the other day. (She does know where they live and how to reach out to them but she never ever in no way would ever call them for a job. She can do this without them dammit) (but of course they'd still come out once or twice in every season sorry breanna i need my cameos dammit))

8 months ago

What's in a name:

The team leveraging Hardison's first name to get him to take them seriously.

It started with the Grave Danger Job. With Parker's panicked "I need you. Do you hear me, Alec? I need you!" It isn't something that's conscious or anything, but all of them lean into it occasionally.

"Alec, just drop it," Nate stares at Hardison, watching the young man realize maybe he'd been pushing Nate too hard on a topic that was a sore subject. Alec nods grimly and backs down.

"Hardison, how long have you been up?" Sophie asks gently, watching the genius wipe the grit from his eyes, his latest forging project laid out around him. When he mumbles something about not remembering, needing to finish, Sophie catches his chin in a manicured hand and holds his attention. "Alec, go to bed." He goes.

"Come on, man, get off the screen for a little while, let's go get some sun," Eliot pokes him after a long job on top of a new World of Warcraft update. Hardison can't even remember what he said back, something glib he's sure, but he remembers the hesitation in Eliot's voice. "Alec, please. You're gonna fuck up your eyesight before you're thirty, staring at blue light a foot away from your face. Please?" Hardison goes with him. They go to an outdoor gun range. Hardison rags Eliot about them both not liking guns, but listens as his best friend talks him through focusing on targets of different distances. He'll never have Eliot's skill, but it's a quick way to help his eyesight and he turns out to be half decent with practice.

"Alec, I'm serious!" Parker pleads with him, a picture of some conspiracy theory held up in her hands. "I need to know if this is real or not, please. Because it doesn't seem real and then it does seem real and Eliot won't give me a straight answer and Nate won't give me any answer at all, and I need to know if-" if I'm going crazy, she doesn't say, but he hears it now. He lays a hand over hers and explains that it's not real, explains the joke patiently until she understands and can laugh at it and "yes, and" Eliot when that particular theory comes up again.

"Hey y'all, it's Alec," he says, a gun to his head and a phone in his hand, one chance to get it right, to make them understand that this is serious. He can practically hear them all sitting up in the tones of their voices, in the grimness of the rapid fire questions, and he breathes a sigh of relief. They'll come get him. They know it's serious.

6 months ago

hope is a skill


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8 months ago

i think one of the nate eliot things is that they're both fucking unhinged. there's something feral about them, something that's capable of disregarding basic humanity. we know eliot is a killer, and a ruthless one at that, and he's not afraid of being in those kind of situations, which in a way dehumanises him, this inability to feel fear.

and nate. nate!! that man is terrifying! get in line, or get out of the way is his motto, and he applies it to absolutely everyone. especially in the earlier seasons, and yes he applies it to sophie (who is unarguably closest to him) too! for maggie he decides that she will get out of the way (because falling in line with him would mean that she would break the law, and she's a Good Citizen, not a Criminal or a Thief, and it never occurs to him that it's not a black and white situation... or that his ex wife matches his crazy).

and if you do neither, he ends you. simple as that. he doesn't kill you and he doesn't physically harm you, but what he does is arguably worse, because he ruins your life in ways eliot can't.

and they very quickly recognise each other as apex predators and both allow the other to use that for their crusade. eliot is a weapon that needs pointing in the right direction, that's what he's getting out of their relationship; and nate needs someone who'll have a go at him and who he can't actually hurt. because nate ruins lives by ruining their reputations, and what reputation does eliot have to lose? and conversely, not even nate ford could convince the world that eliot spencer isn't really fucking dangerous

(sidenote: that's why making moreau watch eliot spencer decrying the evil presidential dog fights is so fucking funny. there's an excellent post about it somewhere on here)

eliot thinks he's further along the path of being something inhuman, and he also thinks nate can still be saved from becoming that too. being an insurance cop, a "good guy" (btw a very laughable concept about how working in insurance makes you a good person. like. if that were the case then how come the same "good guys" let nate's son die so they didn't have to pay for his treatment?), was what kept nate on the straight and narrow before, and now giving him something to do might stop him from going completely off the rails ("how long until you fall apart again? a guy like you can't be out of the game, that's why you were a wreck. you need the chase" is what eliot's saying to convince nate to stay with the team).

unfortunately running with criminals doesn't fix nate the way eliot would like for it to, because the guy suddenly stops recognising any and all societal rules and overcompensates by trying to keep full control of everything all the time. he is so unreasonably mad at sophie for trying to help her friend teresa who got screwed over by marcone.

"she should've known what she got into, her husband working with the mob" and cpl perry from the ep before should've known what he got into, joining the military, but for some reason he's worth helping because he didn't "choose" to become a criminal. did teresa choose to get in with the mob or did she and her husband just not have another chance?

and when the entire team agrees they want to take that job, nate throws a hissy fit. tells them all to walk if they don't like the way he runs the team.

so does leverage fix nate? maybe after five seasons. but at first it makes him worse because between "not having to abide by normal human laws anymore" and the alcohol he completely loses his restraint

and eliot gets that. eliot has been there, has completely lost any and all principles (working for moreau mostly) and is now trying to glue the pieces of himself back together into something that isn't horrible. but nate isn't there yet. nate is still violent and dangerous, and eliot is the only one on the team who isn't disgusted by it. sophie certainly is. hardison and parker are too, even if they don't say it out loud. eliot may not like it, but he gets it.

and in return, nate is the only one who knows about what happened in the big bang job. he can hold eliot back with as little as a gesture or a look and it's not a slight to eliot at all. eliot trusts nate to point him in the right direction because they both need the same thing:

to be a good man.

also:

eliot: what, you think the only thing i know how to do is bust heads? nate: no... well, yeah. eliot: hold a knife like this, cuts through an onion. hold a knife like this, cuts thought like eight yakuza in 4 seconds. screams, carnage... nate: yeah good point actually

like apart from how it's funny, any normal person would react with some version of "that's so fucked up". and nate is just like yeah nah that tracks actually, fair enough, do carry on

also @scotchiegirl something about nate and eliot and violence? sorry for tagging you aslkdjfhasdlkfj i just had ThoughtsTM


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7 months ago

decided to rewatch the carnival job tonight and as much as i love when the cons get goofy, or there's a really satisfying gloat at the end, my most favorite thing is the way this episode goes from "this is a standard con" to "kid's missing? scorched fuckin earth baby" in less than 30 seconds


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2 weeks ago

god. it’s eliot fucking spencer.

because it always has been eliot spencer.

eliot, who let himself be tortured, who resisted torture, in a situation he could get himself out of in five minutes, because they were torturing homeless veterans.

eliot, who only counts himself as saving someone’s life two and a half times because that half time he was the one sent to kill him.

eliot, who was willing to take down a billion dollar corporation, who begged nate to do everything he could, because of one guy with a hardware store and one near-closing grocery store.

eliot, who offered to kill a man for parker in less than a breath because she asked, who broke his rule on killing because nate could take down his biggest demon, who ran toward a bullet because he knew parker could take care of a city-killing virus.

eliot spencer, who started this season stabbed and bleeding, who was told someone didn’t want him to keep taking hits meant for him.

eliot, who was tired and just wanted his own bed.

he wakes up every day and acknowledges that he still has work to do.

and he never, ever, needed convincing to take down a corrupt mayor who was running drugs in his town. he knew that it needed to be fixed, what needed to be done to save the town, that this is the worst of it. he wanted more time. to do it right. so the surprises wouldn’t happen.

and if you’re looking at it, really looking, i think, parker doesn’t try to convince him to stay.

she knows he’s in.

because it’s who he’s always been.


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7 months ago

i got to the morning after job on my leverage rewatch and watching eliot as they get closer and closer to moreau is so good.

eliot says he's watched tapes of vector fighting because "you never know if you're gonna have to fight a guy on ice." ...liar.

so. yes. to be fair it is in character for him to spend his free time watching fight videos just to be prepared. there's something there about the "very distinctive" catchphrase and how much research he must have to do to know all that. however.

in this particular case i think there's something else going on. he knows how vector fights because that was relevant back when he needed to know everyone he might be working with, or he knows how vector fights because he makes a point of knowing moreau's guys now so he knows what he'd be getting into, or both. he's deflecting.

(in my personal opinion there are a number of moments where eliot says mildly odd things that we take at face value when he could fully be lying. he sleeps for 90 minutes a night? uh huh. sure. or he's just bullshitting the team for fun.)

of course there's also "this guy definitely works for moreau. that's how he does things." i've seen this talked about before and,,, yeah. this is 100% intentional foreshadowing. it's so good. why does no one else question how exactly eliot knows this?? are they all too busy with everything else going on to pay attention? do they assume this is just common knowledge among hitters? does eliot not think before he says it? is he hoping they'll notice?

to be fair, iirc I also didn't notice this the first time I was watching so it's maybe a lot to expect of them. but if you watch sophie at the end of the episode she looks like she's Thinking Thoughts, so i wouldn't be surprised if she had a hunch and just kept it to herself.

and finally when eliot is dragging vector away and he whispers in his ear "moreau would like to speak with you." !!! god. you know he must have said that line Before. he knows how to say it convincingly because he was that guy. now he essentially has to be that guy again for a second to deliver the line right. what's going on in his head?? what's it like to deal with those memories and emotional baggage on top of everything else going on right now?? there's so much there.

i just. i love season three and i love the moreau arc and i love the foreshadowing.


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