Leverage Redemption Season 3 Trailer
Sophie loves to go dancing, but she rarely goes with Nate. He takes it too seriously, and he always get involved in the dance hall politics. Plus, as technical and detail oriented as he is, he isn't really good at dancing. He can do the steps, but he doesn't understand how to let himself get swept away by the music.
The first time she asked Eliot, he laughed at her. Said there was no way he was going to spend his night off in some dusty ballroom when he could be at home relaxing. She'd shrugged it off, having anticipated his refusal, and had gone by herself, intending to find a partner when she got there.
Except when she showed up, she found Eliot dressed in jeans and a button-down shirt, his hair pulled back in a pony tail, mumbling something about not wanting her to have to go without a partner.
The next time she asked, he complained about how slippery his shoes were and how handsy Mrs. Gunderson had been during the open dance, but he picked Sophie up at 6 and dropped her off at 10 and smiled most of the time between.
A week after that, she found a flyer for a foxtrot competition slipped under her door, with the note "I'm free on Saturday" scrawled across the bottom.
(They won.)
They go several times a month now. Hardison laughs when he finds out, but Eliot says it's good exercise. Parker is very excited about their trophy but loses interest when she finds out it's plastic. Nate comes to watch sometimes, because as much as he dislikes dancing himself, he appreciates the skill involved.
(Maybe he's picking up pointers. He'll never tell.)
we gotta talk about eliot looking back at his early relationships in the car with parker. the intimacy and detail there between both stories, putting them on the same level as if we should recognize them. there's mention of a rescue mission, without pronouns, and we know of at least one guy who saved eliot after he was shot in the army. what im saying is aimee is obviously story one, and paul orozco is story two. there was a way eliot stumbled over himself, like this is the first time he's saying out loud that paul counts, even if it was purely emotional. and then bi panic. im all for bi the whole time eliot, obviously, but this is my acceptance of him finally opening up.
John Rogers, co-creator + executive producer: "Look, if we told you Eliot's entire timeline or Nate's entire timeline, you wouldn’t be able to have then have enough flexibility to fold that timeline in with Supernatural in your fanfics because they'd be no space for that. The space we leave is the space for you to write your slash! That's super important for us to do! We do that for you, people! The fans appreciate the empty space we leave so you can write your Buffy, Supernatural, NCIS, Criminal Minds, Leverage crossovers."
Geoffrey Thorne, co-producer + writer of this episode: "But don't do any Doctor Who ones because…"
John: "You're writing those."
Geoffrey: "Just don't do it."
Chris Downey, co-creator + executive producer: "You've staked those out?"
John: "He's staked those out."
— Leverage 10 Podcast: 512 The White Rabbit Job
*Kung Fu Monkey blog: LEVERAGE #205 "The Three Days of the Hunter Job" Post-game (August 24, 2009) for the original "I think fanfic is the sign of a healthy show" short essay
I can't stop thinking about this rabbit hole I went down a few weeks ago when I was procrastinating on my Iliad paper.
So basically. In the Lattimore translation of the Iliad (the one we read in class), he has Helen call herself a slut.
"That man is Atreus’ son Agamemnon, widely powerful, at the same time a good king and a strong spearfighter, once my kinsman, slut that I am. Did this ever happen?” (Lattimore 3.178-180)
Naturally I'm like yikes. Then I started wondering whether this was actually what it said in the Greek, and whether other translators disagreed.
(This is not a new thing to wonder about; people talked about this quite a bit after Emily Wilson discussed it.)
To summarize: the Greek word used here is kunops, which literally translates to dog-face or dog-eyed. This word is used precisely two other times in the Iliad: once in book one when Achilles is insulting Agamemnon and once in book eighteen when Hephaestus is talking about how his mother (Hera) threw him out. Surprise surprise, the male translators usually don't use the same word in those two places.
I could have stopped here, but naturally at this point I was like, obviously the best possible use of my time would be to go down into the depths of the library and see what word is used in these three places in every single translation of the Iliad that we have.
Too much time later, I ended up with this:
I think this table kind of speaks for itself.
Just. The way that the male translators all decide that when a woman is called "dog-face," that must mean that she's a shameless bitch, but when a man is called "dog-face," he can just be a dog-face. The bias is REALLY showing through here. I can understand shameless, but where are they getting slut bitch whore?
Lattimore is supposed to be the most literal translation! But then he just has to go and call Helen a slut for no apparent reason! Why would he do this where did it come from I want to scream. why do they assume that a woman criticizing herself has to be about sexual condemnation??
Some things that are worth noting!
As I mentioned, people have talked about this a lot in regards to Emily Wilson's translation! She gave a couple great interviews about her translation of this word (here and here). What many people forget is that she wasn't actually the first woman to translate the Iliad into English, nor was she the first person to translate the word as "dog-face." That was Caroline Alexander, eight years earlier. I love Wilson as much as the next person but let's not forget Alexander.
Yes dog-face is an insult! And yes it arguably is associated with shamelessness! There's a lot to unpack about why Helen was talking about herself this way. But it's really hard to analyze that when the bias of the male translators is bleeding through so much. I appreciate the decision to translate it literally and let readers decide for ourselves what she meant.
I like to think that the Vargas v Live Herbally case is famous in the legal world and that Harry would be in awe to find out that Hardison was "Joseph Miller" this whole time
You guys went all in on becoming better people and you brought me along for the ride.
i think 'I trust you with my life but not your own' as a trope is one of the ones that can always fuck me up no matter what
my favorite hc is that penelope was told by the ladies in waiting to go and stay in her room and not to come out for anyone
and she hears screams and whatnot and is like oh fuck now theyve done it, the suitors are gonna destroy the place
only to hear the screams lessen in volume and being like ? are they killing each other?
but then she hears a scream clear as day "THIS WILL BE YOUR FATE" and she's like🧍♀️no fuckin shot my husband is down there on a murder spree
and she immediately starts pacing back and forth like "LADIES HELP ME PREPARE I NEED TO LOOK DIVINE" and it's a full makeover sequence
and they're posing her and being like "hold on, tilt your chin up a little bit, turn to the side like 12 degrees- BOOM my lady you are serving such cunt"
and then they hear odysseus' loud ass steps going up the stairs and all the ladies scatter while penelope tries to look nonchalant like "AHEM....😳 is it you? have my prayers been answered?"
Losing it at “Carmilla would wake up late, would never eat but would take a cup of chocolate.”
Where is THAT in the vampire lore. We’ve been robbed. “I do not drink…wine. Hot cocoa only.”
she/they | fan of too many things do i know how to use tumblr? not really
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