a scene can start wherever you want it to
writing isn't real life. You don't need to set up a character walking into a room or two characters greeting each other and talking about the weather or what-have-you in order to lead into the conversation you actually want them to have. just start at the conversation.
hell, start in the middle of the conversation. you could even start at the end and then have one of them leave and the other one left behind to reflect back on what just happened.
writing gets easier when you open yourself up to writing the parts that are interesting, to starting where it's easy instead of where you think you should start.
if it ends up not working? that's okay. you tried it, and sometimes just getting something out of your head is a necessary first step to getting the words right
I miss this show
1) Fenton Work [ID. Sam and Tucker on the roof of the Fenton works building, Danny floating above them, and Jaz leaning out over the balcony below]
2) The Ghost Train Submariner [ID. Sam and Danny mermaid AU]
3) Danny and Sam costume Redesign [ID. Sam and Danny standing together]
big taibani dump of several months of doodles bc i cant be bothered to make separate posts lol
the last three images are an au where apollon doesnt buy out topmag and kotetsu becomes a free agent/vigilante. it involves a lot of nightly clandestine rooftop meetings :^)
I won’t lie that movie changed my life
it’s the primary reason why i went into animation
Part 149 of my bakery “enemies” au!
First / Prev / Next / All
Kofi
Barnaby got the being online in your mid twenties and getting called old by a teenager experience in season 2 so have a shitpost to commemorate the greatest parts of s2
they get 4 hours of sleep per night and look at em they’re fresh
Eleceed
Wooin apreciation post 🛐