For when someone has REALLY done you dirty and you just need a quick and powerful burst of baneful energy. This one is powerful, fast-acting, and short-lived, by nature it can really f a person up and can't be undone/reversed once you've cast it. As always, practice responsibly and be safe!
A lemon (naturally.)
A knife to help handle said lemon
A leaf or piece of paper with your target's name/identifying info on it (taglock)
Ginger/Cayenne Pepper to help empower/speed up the spell. Both preferred, but just one can do.
Salt/Black Pepper, good baseline ingredients for most hexes
Anything nasty or spicy you can think of. Hot sauces/peppers, old vegetable juices, lint/dust, dish scum, you name it.
Important note: This is not a spell you want to use needles, nails, or other hard things in. Keep it soft and organic if you can. You'll see why.
Throughout all of this, I find hexes to be a good opportunity to speak your mind, let the target know exactly how they fucked up and how this is the consequence of their actions.
Prepare your taglock and cut an opening in your lemon. Give it some room in the middle.
Roll up or stuff the taglock inside the lemon alongside all of the other ingredients. Be sure to add the ginger and cayenne for best results.
Once it's all in there, give it a little roll/squeeze to make sure those lemon juices permeate all the nasty insides. Let the citrus sting and the spices burn, let the grossness reflect the grossness they've wrought on your own life being sent back.
Chop the whole thing into pieces in preparation for the next step.
Once you're ready, chuck it into the garbage disposal.
If you don't have a garbage disposal, a blender with some liquid should work too. You could even continue using nasties like lemon or pickle juice.
Your lemon is now ground up and liquefied. Dispose of the remains however you please.
When it comes to kitchen magic (or really witchcraft in general), people get too hung up in correspondences, esp when first starting out. And I think focusing too heavily on correspondences is what ends up making people feel like they cant advance their craft.
In my opinion part of it is "you need to make your own correspondences". Sure some rosemary in a stew might work for healing or purification, but do you also associate the herb that way? I think of my beautiful rosemary bushes over the years, tying and drying their branches, the beautiful scent, previous spells I have done. It feels me with a certain feeling of safety that I can then channel into my work.
When it comes to cooking, I feel like it's a lot of energy work. All spell work incorporates our energies in some way, I especially feel it with cooking. Your hands and cooking tools are vessels to transfer your energy. You transfer your energy when you knead bread, cut veggies, wash the rice, stir the soup, you get the idea. Yes you can focus on a specific mantra, but the point is you don't always have to do that. You using your energy to change ingredients into something new, something nourishing for the body, is magic in and of itself.
I also use my energy to charm my tools instead of individual meals/drinks. A special tea cup charmed with a spell to bring me relaxation doesn't need me to do a small spell or mantra every time I make a cup of tea (because I would forget to do that anyways). Instead it holds the calming energies I have already given it until I feel it needs to be charged again. A favorite soup stirring spoon is going to spread my love to every meal I make using it just because it has picked up my own energy throughout its use.
I think just accepting the magic of the everyday and of your energy is esp important for those of us who feel like we have less spoons. Me cooking uses enough of my precious energy, but it's something I do out of love and because I enjoy it. That's where the real magic is.
A very simple spread my friends, to identify what the hecc is happening.
It's a three card draw - any arrangement will do.
first card - "the answer is,"
second card - "that is to say,"
third card - "..and it is not-"
example: "what are these weird vibes I'm getting from my friend?"
first card - "the answer is that your friend feels like they can't relate to your beliefs any more."
second card - "that is to say, your friend is growing emotionally in a direction that makes them question some of your beliefs."
third card - "and it's not that they think your beliefs are actually bad. they're just questioning a lot of things on an emotional level right now."
Some of you may have already come upon this one, but I’ve found that when it comes to objects I want to imbue with magic or bring to “life” (in an animist sense), simply just breathing on them goes a long way. Like a rock can be “dead” and then you can just breathe on it and the little fella just wakes up. Of course you can do this on anything you want, like stuffed animals and figurines and all of your tools. You could even do it on a snowman if ya want. So yeah. :D ETA: Breathing on things can also be fine for quick cleansings. Just blow on ‘em like you’re blowing off dust or whatever.
2013
Since bread metaphors are in, I'd like to express a controversial opinion on correspondences.
As the metaphor goes, if you want to learn how to bake bread extremely well, you may study multiple types of bread from various different cultures, because many of these breads will have something to teach you which you can apply to your own bread.
Additionally, in examining the recipes of a multitude of cultures, you may begin to notice a few common threads.
"Bread," you might then say "Is made with flour." And you would not be incorrect.
"But," someone else might point out, "Flour is for making papier-mâché!" And they would not be incorrect either.
So then, does flour have bread-making capabilities, or papier-mâché-making capabilities? It has both.
And what if someone were to add, "Bread is made with almond flour, which is completely different from wheat flour. In fact, you shouldn't use wheat flour, because some people can't use that bread." ("Well I'm allergic to almonds, so really--")
So, if bread can be made without flour, and flour can make things that are not bread, is there any connection between bread and flour at all?
Obviously, there is.
It's just complicated. If you study the practices of many different cultures, and you find similarities, then you might feel inspired to create your own recipe using some of these common traits-- the ones that you find you like the most.
The correspondences of different things are not fixed-- new ones can be constantly invented. Likewise, your spell can be ruined by a bad combination-- or a bad combination for you.
If something is not working for you, find alternatives.
There are a lot of opinions in the modern witchcraft community about what sorts of things make the best components for spells. Some go simple, some go fancy. Most published sources focus on specialized materials like crystals, ritual tools, or plants you aren't likely to find outside an occult shop or a botanical supplier.
But any broke witch you talk to will extol the virtues of working with inexpensive common materials from everyday shops or even just items you have lying around the house.
So to that end, here is an exercise you can do at home to familiarize yourself with your available resources and brainstorm new ideas.
Select one room of your home. It can be any room you wish. If you're not sure where to start, the kitchen is usually a good place. Sit in the room for a while and thoughtfully examine the objects around you. Open drawers and cabinets if necessary. Select five to ten items and make a list of them.
Write down all the magical correspondences of the items that you can think of. Brainstorm five ways that each item can be used in a magical working. Brainstorm ten ways that the items can be used in combination with each other. If you're feeling extra creative, try to write a spell that incorporates as many of the items as possible.
Repeat this with other rooms and other items. This will help you build a list of ideas of what you can do with the materials you have to have as well as helping you practice identifying magical correspondences.
For bonus points, turn the exercise around by listing five types of spells and sussing out how to cast multiple examples of each one using just the items you can find around your home.
Pro-tip: Don't just limit yourself to herbs and art supplies. Get creative!
Happy Witching!
This guide is intended to be allied to the type of spellwork that draws something towards you or is desirous of change within yourself. The goal here is to create actions throughout our day or week that bring our thoughts back to the magic that we have performed. From my way of thinking, this keeps the stream of magic flowing in the right direction through your returned focus. It can have the added benefit of reminding you to take the actions in the world that are necessary for the success of your spellwork.
There will be a number of examples following but they all have the same theme: doing something during your initial spellwork that you will return to after the spell has been cast to keep your attention focused in the direct on what you want. Some of these things will be very obvious and you will have seen them before - others may be less so and better suited to a person in the broom closet. Some of these are standalone spell techniques on their own; here I am trying to convey that when combined together, multiple types of spellwork can have a greater effect than individually.
The idea is to continue to do the things listed below until your spell has manifested. Yes, there are obviously too many to do all at once. You are, as always, free to pick the ones that fit the spell best or the ones that fit your own lifestyle. Or to disregard all of them altogether.
Create an altar for your spell Say that I was going to create a spell for money to make sure that I could pay my rent on August 1st. I would create a money altar for my spell, do my spell on the altar, and keep all of the spell ingredients (including candle remains and any nonperishable offerings) up for the month of July. If I was going to create a spell to combat the upcoming Venus retrograde, I would keep the altar up all the way through the end of the retrograde. The visual reminder of the altar helps to realign your thoughts toward that spell.
Feed your spell This one goes along with the first nicely. This can look like a lot of different things - it could be adding coins to a money bowl or a spoonful of sugar to a sweetening jar. It could be burning incense on your altar for success on your exams every Sunday. It could be successively lighting small candles to charge your spell for a set number of days, weeks, or on every full moon. If you work with spirits of deities, it could be making repeated offerings while you ask for help with your spellwork. If you are the type of person who sticks to schedules well, make it a scheduled thing. You could align it with the days of the week if you're into that or with the moon cycles. If you're not a scheduler, do it when you remember.
Mantras (and other Spoken representations of your spell) If you are a verbal person, word magic may work very well for you. This can be anything from one phrase to a rhyming couplet - the idea here is that it is something that you remember to repeat to yourself. I think that this type of magic work especially well when doing work on changing something about yourself, but you may find a use for it in other areas that I have not. Ideas for using mantras: say them when you wake up or before you fall asleep at night, say them while looking in the mirror while getting ready in the morning. Or, simply say them when it would be appropriate for the magic that you have worked.
Sigils (and other Visual Representations of your Spell) If you are a visual person, sigils and other types of art magic can help you to augment your magic. The idea is to charge or create your symbol during the casting of your magic and then return to it throughout your days. Depending on your situation, you may able to hang your artwork or sigil on your mirror in your bathroom or even on your fridge. If you cast a spell to get better tips, carry the sigil or wear it when you are working. You can draw sigils on your skin with lotion or other skincare. This can be at once the most obvious forms of magic (think the Bluetooth symbol) and the most discreet. You can incorporate your sigil onto something you handmake like clothing (inside your clothes or out), jewelry, or any number of other charms.
Put it in a Jar (and other Physical representations of your magic) Yes, jar spells and other container magic are a topic all onto themselves. But have you thought about putting the remains of a spell into a jar? This is a very sympathetic view of magic, but it makes no sense to me to cast a spell to bring something toward you and then immediately get rid of the objects used in the spell. It's counterintuitive to throw something away that you want. N'est pas? Instead, put the items you used in the casting of the spell into a jar or bag and keep it somewhere safe until the spell comes to pass. This is where an altar to your spell comes in handy - it's a place to house this object. Bonus: this makes it harder for sneaky people or inquisitive animals to find their way into your spell components. Other versions of this include putting your intentions for the spell into an object such as a stone or a piece of jewelry and carrying it with you every day.
Invoke Your Senses Again, this is strictly my opinion, but magic involves both the unconscious and the conscious mind. The best way to hijack your unconscious mind and keep it aligned with your consciousness is through the base senses like smell and taste. They tap right the fuck in as they are deeply connected to our memory centers. Here I suggest picking a scent or flavor from your spell and incorporating it into your life for the duration afterward. If you use rose petals, buy yourself a rose-scented soap or rose perfume. If you use basil, make yourself pesto once a week or work to otherwise incorporate basil into your meals. As far as food goes, items like jams and simple syrups are perfect for this purpose if applicable. This involves a bit more planning than some of the other suggestions but can be very rewarding (and tasty!). Alternatively, if sound is important to you, you could use a piece of music during your spell and then play it repeatedly to reactivate the feeling of the spell. Or, if you're very musically inclined, you could write your own song or simply set your mantra/words to music in some fashion.
This is a very non-exhaustive list of some of the techniques that I have used to keep the energy of my spells flowing when I am working on a longer manifestation. Mostly, as stated above, these techniques are best used for magic designed to bring something towards you or to change something about yourself but they can be adapted for use with other types of magic as well.
Again, the goal here is to create moments throughout your day or week where your attention is turned back to your magic through repetitive actions such as showering with rose soap or donning a necklace you made with your sigil every morning.
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This post is full of my personal UPGs and stuff. These are just my beliefs and what works for me. YMMV.
Have you ever done a big tarot reading and got really drained? Or focused really intensely on a spirit guide meditation that left you feeling lightheaded and hungry? When we connect to the spirit world it is tiring and energy-intensive. There is no reason to believe that connection on their end is any easier.
A lot of rhetoric gets tossed around that spirits and guides are so powerful and life-changing, etc. And this might be true, but I think it gets construed in a way where we assume that because they're so powerful, it must be very easy for them to appear to us - so any failure of communication is squarely on our shoulders.
This is unfair to both them and us.
Your offerings aren't just token gestures. You are actually providing energy to your spirits - dense, earthy energies they need in order to be able to come through to our world. Fresh water is refreshing and polite, but not really energizing. Food offerings are especially helpful.
This is the point of spirit houses and spirit vessels. You create a sacred object or space aligned to a spirit's energies, and invite them to come inside of it and use it as they please. As a magic-worker, your words of dedication and consecration make a literal foothold for that spirit to more easily come to our world. This also provides a place for the spirit to rest and relax as they speak to you.
Liminal times and spaces make it easier for us to reach the spirit world, and therefore easier for them to reach us. Taking actions such as laying a compass, casting a circle, or reaching trance states can actually be extremely helpful. It's not about "spirits are dangerous so cast a circle first," and it's not about "you have to meditate and clear your mind" (trance can be achieved ecstatically, after all). It's about creating or entering into in-between spaces where our worlds more easily meet.
If you primarily use tools to communicate with spirits, cleanse and charge them more regularly. The spirits can direct the energy within your tools instead of having to use their own.
If you're already using spirit vessels or houses, try gently cleaning them and re-consecrating them. Provide as much energy as you can to the spirit at that time, so that they can more strongly imprint upon the vessel.
Spirits are people too. They shouldn't be treated like invisible humans with cool new skins, but that doesn't mean they don't have autonomy and personhood.
Spirits exist independently of us and they don't disappear and go into the void when we stop paying attention to them. They are living their own lives. Even if you believe the spirits do revolve around you, at some point they have to leave to go find information you're asking about, or review the strands of fate to make sure you're headed in the right direction, or whatever.
You don't expect your human friends to be on call 24/7 and it's rude and inconsiderate to just assume all spirits are going to want to communicate with you every single time you want to communicate with them.
No, the point of this is not "you're clingy and the spirits need space."
The point is that if you're just picking up the spirit phone at any random time, of course some of your communication will "fail" because they're not free to answer!
You might be blaming yourself for having unreliable psychic abilities when the reality is that you're just sending a FaceTime request at a bad time.
It is my experience that this is true even of gods. Sometimes I walk by the shrine of my primary god and it's just empty - he's not there right now. It's not because he hates me or because my psychism failed. He's probably off chasing nymphs or something, he'll be back later.
Try setting a schedule with the spirits if possible, such as determining what time(s) of day they're free to talk, what days of the week or moon phases they're usually free or busy, and so on.
You have times when you're more or less attuned to communication, too. The most random stuff can make psychic senses go haywire. For some, a strong cup of coffee will turn off their second sight like flipping a switch. If you try to get more of a schedule going, it will be a lot easier for you to control the variables contributing to your successes or failures. It's not fair for you to assume your psychic senses are static and you should just be able to turn them on at any time you want.
There are many kinds of spirits. Some we primarily interact with as friends and companions. For them, the reason for them to talk to you is that you're cool, interesting, and they want to spend time with you (all your friends think that about you! I promise!).
Other spirits can hold a much more spiritual or tutelary role in our life. When they speak, they have something important to say - and they're not necessarily going to let that be drowned out by everyday chatter.
Have you ever done a tarot reading you didn't like or understand, and then re-drew the spread to ask again? And the second time made even less sense?
Talking to spiritual teachers can be like that. They tell you something important, and they're not necessarily going to rephrase it. The problem with spiritual teachers and guides is that you still have to be the student and the explorer.
I have often communicated with the gods and spirits of other people. In these situations, I do my best to give them a really good reason to want to talk to me. "Hello, gods and spirits of [client]. I am helping [client] with [their question/problem]. I will be empty, and you can speak through me. I'll do my very best to clearly share everything you want them to know."
No matter what, though, spirits might just not want to talk. And that's ok.
Ask yourself the kinds of relationships you have with the spirits and beings you're attempting communication with. Having a very close and fulfilling relationship with a spirit doesn't mean it's appropriate to treat them like a casual friend (just as I can have a very fulfilling relationship with a professional mentor, but it's still inappropriate for me to call them at 3am after some wine).
Keep an eye on the intention of your communications. Are you unable to "find" your guide when it's about an important spiritual question, but they show up just to chat? Or vice-versa? Ask why a spirit might choose to not respond to some types of communication.
I find that spiritual guides can get irritable and non-responsive if you continually request communication without applying their advice.
In the case of spirits who are primarily friends/companions, try thinking of a fun activity for the two of you to do together, or something interesting to show them. Spirits enjoy novelty, too. Maybe you could read a new book together :)
There is a difference between requesting communication and just vibing with a spirit's vibes.
When you want to communicate with the spirits, do you actually think, say, or sign, "hi, it's me, I want to talk to you today about [topic]"? Or do you just kinda show up like, "I'm here, so... yeah."
I like vibing with the vibes. I like sitting quietly with people and spirits and just existing with them. But I wouldn't sit quietly in the vibes and then say, "okay, so you're just not going to talk to me??"
Other things like manners go an incredibly long way. Spirits have a concept of boundaries and politeness - some more than others.
Active listening and critical thinking helps a lot too (and it's a great way to strengthen relationships with other humans!). Make sure you're treating spirits like a conversation partner, and not a novelty toy that spits out mystic answers to your questions.
One of the best ways to bond through communication is to create the space for the other person to share their thoughts. It's more than reasonable to show up to a spirit with a question.
But if you redirect the conversation always to be what you want to talk about, think your senses are going haywire just because a spirit is showing you something that isn't what you asked about, or only want to talk about yourself or your problems - it's not reasonable to expect that 100% of spirits want to be a part of 100% of those conversations.
Try approaching every spirit communication with clear intent. Just wanting to chat and hang out is more than okay, but be upfront with your interests and needs.
Try asking the spirits if they're free to talk and if they're interested in talking about what you want to discuss.
Make time and space for the spirits to bring up their own topics.
Employ manners at all times, even if you think your communication effort failed. Please, thank you, hello, and goodbye are powerful words.
Be open to the idea that the spirit might not want to talk about your question or your problem, and that they might have something to share with you that doesn't appear to directly benefit you.
As an intuitive witch, I strongly believe in working with the plants that grow in your natural environment. It's a covenant that I have made with my spirits and the spirits of the land - it's invasive, I should use it all up or if it's native, I should help it to flourish and grow.
Enter jewelweed aka Impatiens capensis, Balsam Weed, Slipper Weed, "Touch Me Not"
Jewelweed is native to the American Northeast but is not often a gardener’s friend.
I don’t blame the intrepid gardener who, appalled at the HUNDREDS (literally) of jewelweed plants that spring up in their yard, pulls them all up in a haste to do be done with the voracious spreader (jewelweed is known as “touch me not” because its seed pods go off like a BOMB when touched, spreading its seed voraciously – one misstep with this and you will guarantee yourself months of weeding jewelweed out of every space you have).
Yes, almost every single plant in this following photograph is jewelweed! Dora has recently moved into her ancestral home and is trying to reclaim her gardens back from the mess that her Grandmother made of them to “fit in” with the popular gardening trends of the ’90s.
As often happens when you start to clear out a wild space, the first thing to move in are the “weeds” – in this case – jewelweed!
Still, as a green witch, I know that even the most “obnoxious” plants have fabulous magical, edible, and/or medicinal properties. Jewelweed is a perfect example of this.
Jewelweed is both anti-inflammatory and an anti-histamine and can be used topically to treat eczema, bug bites, stinging nettles, and fungal rashes. It is best known for its ability to neutralize the urushiol compound in poison ivy that causes many people to have that horrible itchy rash. This can be done in one of two ways. Firstly, by applying the raw sap of the jewelweed plant directly to the area that you want to treat. For longer-term use, jewelweed can be made into a salve or tinctured (I am going to put mine into a Thatcher’s Witch Hazel toner because I know that my skin tolerates that well).
Magically, there is less information on the properties of jewelweed. Like many of the native plants to the Americas, there is a dearth of information due to the continued reliance on “old world” herbs in our modern crafts. Due to its healing properties and the wet environment in which it grows, the obvious elemental association is Water. The bright orange color of its trumpet flowers speaks to happiness and joy. I might simplify that plus its healing properties to a sense of “relief”.
My intention is to pick and dry some of the flowers and play around to see how it works out magically. I’ll update you with the results.
I am pleased with the medicinal applications of jewelweed. My partner has both realized their love of gardening and developed quite an intense contact dermatitis to something in my garden, so a jewelweed concoction is right on time. I intend to make both a salve and infuse into Witchhazel – they will ultimately be my guinea pig as to which is better.
In any case, I’m very excited to be making a new plant acquaintance.
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