They do bad things because they’re scared.
They’re gullible or misinformed. Example: somebody who has been told the heroes are out to hurt them.
They are desperate for interaction, validation, kindness, or attention, and the dark side gives them those things.
They want to change their allegiance, but are pressured by people close to them to stay evil.
They have an otherwise noble goal that they will do literally anything to achieve. Example: somebody who wants to protect their child, even if it means throwing other children into danger.
Rumi, from “Unseen Rain; Quatrains of Rumi,” originally publ. c. 1986
I don’t know, my favorite was always witch weather. That moment that in a gust of wind or in the rumbling sky or at the edge of a fog bank where suddenly, you feel different. A restlessness, a sense of longing for a place that does not exist. I don’t know if anyone else has felt the electric tense changing of that moment. It calls the magic to your skin. For a moment, you feel ancient and powerful and lonely, as if you forgot something important. Witch weather. For some reason, in that wild instant: you remember you are alive, and that means some part of you belongs to the everlasting.
people who know gansey is going to die: me, you, gansey, adam, blue, the women of 300 fox way, millions of readers
people who don’t know gansey is going to die: ronan
Ph: Guy Lowndes Style: Anda & Masha
There is a specific and terrifying difference between “never were” monsters and “are not anymore” monsters
“The thing that was not a deer” implies a creature which mimics a deer but imperfectly and the details which are wrong are what makes it terrifying
“The thing that was not a deer anymore” on the other hand implies a thing that USED to be a deer before it was somehow mutated, possessed, parasitically controlled or reanimated improperly and what makes THAT terrifying is the details that are still right and recognizable poking out of all the wrong and horrible malformations.
what he says: i'm fine
what he means: You know, I get it. Being raised as a superstar must be really, really difficult for you. Always a commodity, never a human being, not a single person in your family thinking you’re worth a damn off the court— yeah, sounds rough. Kevin and I talk about your intricate and endless daddy issues all the time. I know it’s not entirely your fault that you are mentally unbalanced and infected with these delusions of grandeur, and I know you’re physically incapable of holding a decent conversation with anyone like every other normal human being can, but I don’t think any of us should have to put up with this much of your bullshit. Pity only gets you so many concessions, and you used yours up about six insults ago. So please, please, just shut the fuck up and leave us alone.
andrew minyard: “andrew had made it very clear the first time he kissed neil how important an actual ‘yes’ was. this casual surrender wasn’t genuine consent.” joseph kavinsky: “consent is overrated.” yall: wow! theyre basically the same person omg !!!!!!
Megan Follows as Anne and Schuyler Grant as Diana Barry in Anne of Green Gables (1985) [*], Anne Of Green Gables by Lucy Maud Montgomery (Chapter XV ), Bosom Friends: Lesbian Desire in L. M. Montgomery’s Anne Books by Laura Robinson, Little Ditty About Anne and Diana by Daniel Mallory Ortberg, Interview with Megan Follows