Orangesandlemons3 - Orange The Ace

Why do so many people make tiktoks while they're clearly driving. What the fuck. Stop that shit, you're gonna kill someone.

So a free tool called GLAZE has been developed that allows artists to cloak their artwork so it can't be mimicked by AI art tools.

AI art bros are big mad about it.

In time travel movies, when the time traveler asks 'What year is this?!?' they're always treated like they're being weird for asking.

When in reality, if you go 'What year is this?!?' people will just say '2024. Crazy huh.' and you go 'Wtf where has my youth gone.'

And if you ask 'And what month??' people won't judge you, they'll just go like 'SEPTEMBER!!! Can you believe it?!?!' and you go 'WHAT?!? Last time I checked we were in May?!?'

In light of the fact that the theory that Aurora is a Megabird has become popular in the fandom, I came to express my own opinion on this. I am not questioning that Aurora is a deity (this is obvious), I am only questioning that she is powerful enough to be a force that rotates the universe. And so let's figure it out in order:

1. ORBrora

Our brains all exploded when suddenly Aurora covered the Colosseum with her power and transported us to some other place. It also exploded for me, but when I put it back together by the middle of the song, I began to think about how she did it. And the game itself gave us the answer. Bubble.

The same bubble that she creates before the start of each song.

Her power is limited on the outside, but inside the orb built by her voice, she creates reality herself. So during "Runaway" she showed us the Isle of Dawn even before it became a desert, because this is how she saw it, and this is how it looked in the time of Alef. In fact, we did not leave the Colosseum, otherwise how can we explain that we never moved during the entire concert, although it would seem that we flew half the world. Aurora only takes our mind on a journey while the body remains in still.

Inside the bubble, she is god, and this smoothly takes us to the next argument.

2. Color theory.

Someday I will explain how such a distribution of colors goes into the roots of the lore, and explains the reason why the Storm started and why Skykids are powerless in front of it. But we have come to talk about Aurora and her divine origin.

Yellow is the color of light, the color of a Megabird. And everything that came from her has a yellow accent on it. Well:

What color is Aurora in her bubble?

Boom. Megabird.

What color is Aurora in reality?

Boom. Classic spirit.

What color is Aurora in its true form?

Bo-what?

Yellow is not completely gone. Only half. No other spirit has a yellow color (and a divine form). So Aurora stands above simple spirits. Even above the constellations guides. But then who the hell is she???

Here is my answer:

Aurora is a guide for us Skykids.

No, well, you judge for yourself.

1. The symbol of Aurora is golden wings. What does it mean? The symbol of the season always has a special connection with its participants. But no one except Aurora has wings.

And now remember where else we have seen similar wings.

Does it look similar? But that's not all.

2. Aurora can talk to us.

In all of history, only the Little Prince could talk to us. Because he's our friend. Does this mean that Aurora is also our friend. That's what it means. But what distinguishes her from Prince is that she seems to be able to understand us. She calls the Skykids to dialogue. And if she really understands our speech, then that makes her the ONLY character capable of it. It seems she has a special connection with the Skykids. She knows who we are, about our mission and how it will end. She has seen the Orbit and is able to rebuild it in her simulation. Moreover, it takes us to the real Orbit. She is the voice that greets us at the beginning of our journey and she also guides us to its end. She is our guide. It is not for nothing that we are told this phrase at the beginning of the game:

3. The essence of the Skykids.

Skykids are sensitive to sounds. They do not know how to write, read, draw, but they know musical notation from birth and are able to use various musical instruments. That's why we follow the ringing of the bells, and Aurora calls us with her voice (both in seasonal quests and at a concert). Skykids love music. And Aurora seems to know that.

And that we have:

Mega Bird is the patron saint of nature and animals.

Aurora is the mentor of the Skykids.

"But how is that? We can't have two gods of light!"

How not? How can it not be, my dear ones?! When in the season of Shattering we were confirmed that there were TWO MEMORIES on the side of the light!

It was right under our noses, and we didn't pay attention to it! And if you look at the trees of the essences of light from the season, you will notice that one of them is longer than the other. So one of the entities is more powerful.

That's my verdict. Aurora is not a Megabird, but an ally of Megabird. She also has a certain power, but she is weaker than the main god of light. And she's also a great singer. It's all. Thank you all for reading this.

Asexuals be like: you’re fit but I don’t give a shit

i think i like the four swords manga so much bc there is some just. very up my alley character and ship archetypes in there, but also the message itself and emotional beats hit surprisingly hard?

(long analysis below)

i like the idea of this character who is so ATTACHED to the idea of being an outsider and harming others, because he believes that he will never belong in the light with them. over the course of the manga, shadow link develops genuine fondness for vio, shows vulnerability through that fondness, and gets betrayed. no matter how real the feelings were between them, vio couldn't bear to hurt his friends or the world. it devastates shadow link; really gets to him. i wonder if he even knew he could have these feelings, falling for the very ruse he attempted to use on vio to get him on his side. while shadow is very ridiculous and theatrical in general, it doesn't seem fake when he expresses that he's glad vio has joined him. it also seems very real when he breaks down after the betrayal.

zelda choosing to be kind to shadow rather than mock him for being foolish is like the final straw that shatters his world view. she asks if he really thinks the light will hurt him, and challenges the notion that he isn't a hero deep down. she's not making excuses for him or telling him who to be; she's naming his deepest insecurities loud and clear and telling him it's okay to be scared. she's not rubbing salt in the wound of vio's rejection, but instead suggesting that shadow could find belonging with others if he took a leap of faith and tried to be their friend without an ulterior motive. shadow gets so giddy about the idea of doing havoc with vio, and it's like buddy, you're experiencing happiness because you like vio, not because you like being evil. i think deep down, we all just want to find Our People. and i can't stand to be cynical enough to suggest that we all don't have at least someone out there for us. it's just harder for some people to belong than others, as is the case with shadow.

shadow link is messed up and destructive to the people around him, unable to even imagine belonging in the light so he settles for chaos in darkness--but he submits, by the end of the comic, to the terrifying truth that he is deserving of love and capable of loving. i say terrifying because in an allegorical sense, it's kind of the equivalent of saying "i'm gay/mentally ill--i can't change that the world is harder for me, and it will be harder to find people who understand me, but i'm doing a disservice to myself and anyone i could hypothetically love by not trying to be my best self." it's a great and fairly uncommon message, especially for teenagers and young people in general.

i mean dude, talk about a bizarre but weirdly resonant reflection of the "gay teenager developing feelings for their best friend" experience. shadow link sets out to manipulate vio at first by appealing to his ego, no personal stakes in the game, but almost IMMEDIATELY falls DOWN BAD for this guy and becomes incredibly emotionally vulnerable around him. shadow link is genuinely LIVING for the time he gets to spend with vio, being as chaotic and theatrical and unrestrained as he pleases. he really believe that vio sees him, and likes him for who he is (which for the record i think is true, but vio also cares about his friends and the fate of the world, things that hold no meaning to shadow).

vio betrays shadow and it genuinely hurts, and that's kind of incredible for a short comic with a lot of goofy moments. and then shadow's resolution is vindicating too, he has agency in the choices he makes, and he does the right thing because he finally believes he doesn't need to remain in the darkness. he disguises himself to help the four because he knows they don't trust his face, really demonstrating the selfless desire to end all the magic shit that put him and the others in archetypical dark/light boxes. shadow link changes a lot in a short period, but the fact that to the end he believes that he still isn't like the others is negated by them saying he's part of "the body" and their friend. his "death" is very simply put in the text--"when a shadow turns to light, it disappears." it's not like a real death. it's a permanent and meaningful statement on how much shadow has changed, and found belonging and acceptance. if shadow's physical form came from feelings of spite and resentment, it makes sense that it no longer needed to exist.

and to TOP IT OFF, he does "end up" with vio and the others, if we're viewing The Full Link as an allegorical friend group or community. he's not quite as homogenous as they are, but rather serves as a shadow of the four. i love the panel where he's giving a thumbs-up from link's shadow so much. that's so simple and obvious, but honestly poetic. because like, in some ways you're never going to be just like everyone else. finding friends who are also gay or mentally ill doesn't make you any less of who you specifically are, and in at least some ways your friends and loved ones are always going to be different from you. i don't like it when the ultimate takeaway from a story is "once you live happily ever after, the darkness will be all gone," because hello??? some things never go away, and the darkness has, for better or for worse, made you who you are! qualities i see in shadow link are sardonic humor, unusual expressiveness, and a deep sense of caring towards His People/Person. those are fueled partially, but not entirely, by his not-great circumstances and deepest fears... but they're also where he shines.

you can be different from other people without resigning yourself to an lonely and unhappy life. coming out doesn't make you any less gay; seeking treatment doesn't magically cure mental illness; but acknowledging yourself for who you are is life-changing liberation, and necessary in the pursuit of happiness. these are huge and scary steps that especially young people are struggle to take, settling for resentment over the possibility of rejection. shadow link takes a chance and finds belonging, but still maintains the parts of himself that give him such a distinct personality. he is accepted for who he is, and at the end of the day who he is is not dark force whose sole purpose is to ruin lives, but just a strange gay-ass little dude who's a little bit extra but good at heart. and vio, as well as the others, appreciate that wholeheartedly. at the end of the day, the Whole Link just isn't the Whole Link without his shadow.

i don't know man, it's always special to me when an angsty character is written not as a joke, but as an opportunity to give people hope. even in the most obscure of places, even in ways that i can analyze endlessly but mean nothing to the average person. maybe none of this was the authors' intention. even if the manga was just, like, a shallow implementation of tropes and characteristics i'm a SUCKER for, i'd still love it to bits.

but i do see something a little deeper here, i can't help it. clearly the story has resonated with a small but dedicated group of fans, many of whom read the manga as kids or teens. i'm... honestly a little jealous of that. it's the kind of story i needed, and the kind of story i wish to tell. this series is truly a gift that keeps on giving.

25 years ago an unknown Chinese protester stood in front of a tank in defiance of the government. No one knows the identity of the man but he was given the nick name “Tank Man”. This is one of the most iconic photographs of the century.

Being an Aromantic Asexual is Weird

Being an aromantic asexual is weird. We defy not one, not two, but three societal norms; heteronormativity, compulsory sexuality, and amatonormativity. It gets even weirder when you’re indifferent (even favourable!) when it comes to sex and romance because you think your experience is universal, that everyone feels the way you do. It’s not feeling wrong and broken and out of place. It’s feeling normal, and then realizing that you aren’t.

Thinking (read: assuming) that you’re straight for most of your life and then finding out you’re not is weird. Mostly because once you realize you’re not straight, it dawns on you that you feel the same way about boys that you do about girls and non-binary people. And then you wonder if you’re pansexual because they’re attracted to all genders, and you have to be attracted to someone, right? And then that thought is immediately dismissed because you don’t feel attraction, at all. But it doesn’t stop you from contemplating every other sexuality and romantic orientation, because you’ve been taught that everyone wants sex and romance.

And then you remember: you like sex and romance in fiction. You like seeing your friends in happy, healthy, consenting relationships, and you’d always assumed that one day, you’d be in one too. But you’ve never pursued one. You never had more than a fleeting interest in boys, and lingering but still platonic affection for your female and non-binary friends. Those “crushes” that you had in elementary school? Maybe not crushes after all, because God knows you haven’t had one in nearly eight years. The most powerful feelings you’ve had for another person have been squishes so intense that you had to look back and question if it was actually romantic attraction (spoiler: it wasn’t).

And then there’s that epiphanic moment when things start to fall into place. Why you were always so vehement that soulmates could be platonic too. Why the idea of loving someone more than your best friend is incomprehensible (because romantic love is always shown as being more. Hello amatonormativity). Why when you ship fictional pairings, there are people you want to get together romantically, people you want to be friends so bad, and the ships that you like the most are the ones that could go either way. Why you desire emotional closeness and intimacy with the people in your life, but that had always been conflated with sex and romance so you wondered if what you wanted was more than friendship. Why you want to take the expression “more than friends”and burn it to the ground because there is no vocabulary for friendship that exceeds “best friend” without crossing over into romantic and/or sexual territory.

You realize that your ideal relationship isn’t necessarily romantic. It’s best friends who cohabitate and snuggle and hold hands and go on adventures to the library together. Kissing and sex? Well, that’s more of an afterthought. A “yeah, that’ll probably happen somewhere in there.” An assumption, because you’ve been taught that primary, monogamous relationships are always romantic and sexual. You reflect and see that there are very few things that you see and inherently romantic, and that there is a lot of cross-over between things you consider platonic, sensual, and romantic. A grey area that you can’t define.

Being an aromantic asexual is weird, because while I’ve always said that you don’t need romance and sex to be happy, I now realize that it applies to me too.

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Note from mod fitz: This has to be one of the most moving descriptions of this I have ever read. This exactly describes how I felt coming to the realization that I was not straight, and I think had I read this when I first began questioning it would have made things go a lot smoother for me. Thanks so much for submitting!

Geological horror. You find a geode and crack it open and the crystal lining its walls is human blood that can't be genetically matched to anyone. You find a human skeleton but every one of the bones is made from rock, a rock that you know can't be whittled into those shapes. You find layers of clay and loam that sport ancient fossils at the top and the still-rotting corpses of modern animals at the bottom.