Ford Pines 🤝 Isabella Garcia-Shapiro
Fuck the triangle
I reeeeealy feel like Hunter should find Eda's dad now and learn how to create palismans, because that'll be the most opposite thing to his servese as Golden Guard. Besides, Caleb made Belos's first mask and probably keep carve on wood, so why can't Hunter bring those skills back to live?
And there's also fan theory about Caleb being married whith Clawthorne, and even crave Flapjack.... You know....
The Caphatter.
One of the Eye Witch's handmaidens, an undead creature with the power to send hallucinations. A little crow, it hunts in the forest of its mastress, tormenting its prey, but not killing it. With the smell of her incence changing the world in your eyes, you shall see the Caphatter herself. And don't let her touch you with her sore hand, unless you want to suffer from the slow-spreading bubonic plague, painful enough to turn your existence into a living Hell, but not deadly enough to kill.
Her bones are always wet and covered with the remnants of blood from the freshly-torn flesh, and her eyes are given to her mistress. She looks at the world with one glass eyepiece, her gloves and mask replace her skin. She can't speak, but her voice echoes in your head. Young age and the substances stuffed into the mask keep her forever cheerful, and the more she likes you as a toy, the sadder your fate will be.
The other day, I came across a discussion about such a movie as Blood and Honey, who doesn't know, it's a horror slasher based on Winnie the Pooh. A bad horror slasher based on Winnie the Pooh. And since then, I've been thinking in the back of my mind about what makes a slasher good. I'm not a fan of this genre myself, but both in my own opinion and in the opinion of most fans I meet, there are two main ingredients in a successful slasher: creativity and unhinged immoral fun. A semi-crack idea emerged from this:
Classic, a bunch of teenagers played by thirty-year-olds, a secluded location and a maniac. Or better yet, a few. It's only after the first attack that it turns out that at least one of the children is also a psychopath, and will gladly hack the monster in retaliation in an equally sophisticated way. He manipulates a friend to set himself up and play the bait. Not only will he survive the first of the attacks, but he will also gore a monster from bad guy's team along the way. And the child does all this with genuine delight and pleasure. So now we don't have the capture of defenseless victims one at a time, but a full-fledged struggle, where the monster, while preying on teenagers, tries at the same time not to become prey itself. Something from the category of "bite the vampire first to establish dominance."
The traditional Last Girl successfully escapes only because the teenager and the monster are fighting for the right to deal with the last remaining victim.
It would be called Lamb's skin.