I've Hit My Like Limit For The Day... Quit It Tumblr I'm Doing Stuff.........

I said this months ago but I'll say it again: if you're transgender you HAVE TO LIVE

I want a womb tattoo

i bought paws at a con recently and i have been having fun rubbing my bf's cheeks with them. Like doing biscuits on his face. They're so soft!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

*show u my pawws* do u think they're cuute

*show u my paws* do u wnna touch them

*show u my paws* do u think they're soft paws

*show u my paws* do you love and care my soft paws

Alright! Let's actually talk about this waterfall thing. It is an amazing showcase of many things that I adore from late 90s graphics. I am replicating this in Blender, through mere observation of the final game, so some things might not be exactly accurate to what the PS1 does.

First off, this is what I started off with, straight from the Noesis exporter into Blender.

"Looks boring!" "What are those weird gradient quads?!" Oh we'll talk about those too, don't worry.

Let's start simple, figuring out the Layers.

We've got the base level geometry, then two layers of water, each with a different texture.

Let's focus on the bottom Water layer first. A waterfall's water falls, and the age old trick to replicate that behaviour is to scroll the texture along the mesh by offsetting the texture coordinates every frame.

Simple enough. Not too convincing yet.

Let's do the same with the other layer.

Look at it goooo!

An often-used trick to enhance the waterfall effect is to increase the distance between vertices (or squash texture coordinates) as the geometry goes down.

This affects the scrolling velocity for the texture in each section, making it look like gravity is accelerating the water.

MGS pulls yet another trick on top of that:

Vertices are subtly animated to oscillate, making the water flow seem more irregular.

It seems to be something similar to what is done to geometry when the camera goes underwater in the docks or vents area.

One opaque layer of water on top of another is no good.

Alpha Blending is an expensive technique and it'd not give the desired effect.

Additive Blending is used instead. The lower layer is rendered first, the second layer is then rendered on top, adding the color values together.

Now we get to talk about those weird quads.

They are darkening gradients! Instead of using Additive Blending, they do the opposite, the color value from the texture is subtracted from the scene that was rendered below, effectively creating shadowed areas.

Who needs HBAO+ anyway?

Lighting pass!

I just threw a few point lights to try and replicate the original vibes of the scene.

MGS, instead, uses lighting information baked into the vertices of the scene to create this mood. And what a mood it is!

Here's an additional example of the same techniques used in the bottom part of the same scene. Although the game seems to be rendering that water mesh as (almost?) completely opaque, there is an actual floor mesh under it.

There, I fixed this post. If you enjoy my posts, shit or not, consider supporting me on Ko-fi, I will appreciate it a lot 💞: https://ko-fi.com/parametricpalta

Dantioch and Polux, a love, not of Eros, but of brotherhood

Drafting the Adventure: Dungeons Without Walls

I love the idea of dungeons, but there was a significant portion of my life as a DM where they didn’t feature in my games. While Pathfinder and 5e provided a great framework for character building and tactical skirmishes that I could build story on top of, neither was really great when it came time to detour into a  dungeon. My players tended to get confused when we headed out to plunder the local ruin or cave system, spending a lot more time figuring out where they were and what they should be doing than actually doing anything. 

The problem as it turned out was limited information.  I had a picture of the dungeon in my head/notes but I couldn’t telepathically infer that to the party, and the back and forth questions where they tried to orient themselves within my mental labyrinth ate up a lot of session time prevented us from attaining that snappy pace that every table needs to keep the players invested.

Recently though I had an epiphany about overhauling exploration in d&d, and wrote up a whole post detailing how you could build and run wilderness adventures the same way you could a heist or a murder mystery. Because I was already writing a series about dungeon design it didn’t take long for me to realize that this exploration overhaul was 100% applicable, and could solve a lot of the delay and confusion my players usually faced on their next trip underground.  Spoilers: it worked amazingly.

 The key to this overhaul was giving my players enough information to see the dungeon as a sort of abstract checklist, and then giving them the power to investigate and check things off that list in whatever order they wished, when they enter a new level of the dungeon they get a new checklist to fill out which still keeps that sense of exploration. Folk love checking things off lists, and I as a dungeonmaster love it when players engage with the content I’ve spent so much energy creating even if it’s only poking their head in the door to realize they want to run away as fast as possible. Likewise, designing the dungeon this way let me tackle much larger concepts without having to sweat the details of filling up every little room as I would have to in map-centric design.

Keep reading

The classic betrayer

This is where everyone subtly knows that this guy's going to turn the other way.

The betrayer puts on a show for our heroes - kind, compassionate and supporting at first.

it just so happens that the villainthinks the heros are the bad guys.

make them actually likable.emotionally ruin the hero upon betrayal.

The remorseful traitor

whether he had bad intentions from the start or was deceived by others, the betrayer regrets his choices.

when he realizes his mistakes, it's too late to stop the evil, which introduces guilt.

throw the guilt and shame on the character.

even the protagonist can be a traitor! will others forgive him?

The Double Agent

this type of traitor will keep the readers wondering whether this guy is truly on your side.

keep your readers guessing. is that an evil smirk or a genuine smile? does he really love drinking, or is he just trying to get the hero drugged?

Snape in Harry Potter is a great example.

The guy can be good or bad - just keep balancing the two

Unrealiable narrators

these characters are not entirely betrayers, but horribly misinformed. they can make others appear like traitors - when in truth, they just have it wrong.

pit your narrow-minded narrator against his allies.

these characters are great for misunderstanding plots.

have your narrator do irreversible damage to the hero. would they forgive him?

Tragic betrayers

these are characters, due to their past wounds and trauma, cannot help but betray the group.

they confess the hero's secrets under physical/mental torment and doesn't have the backbone to do otherwise.

these characters can either be pitiful or frustrating would the hero still fight for the betrayer?

Play around with pov

you can have the readers know about the upcomong betrayal by switching points of view, building up anticipation to the moment of realization.

on the flip side, you can change povs in a way that the reader doens't see what's happening at the hero's back.

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Sister Of Chaos Undivided by Rotaken(DA)/Rotaken(Tb)

Hey. You. Trans girl who's had quite a bit of breast growth but feels insecure because of the way they sit. Most cis women's breasts don't sit naturally with perfect squished together cleavage. All cis women whos breasts do sit like that will not sit like that naturally for longer than a decade or two. It's all in the bras. Most good bras don't make your breasts sit like that because they're made to support the weight, not to display them perfectly. Get a push up bra. Trust me. If you wanna maximize the squished together eye candy factor you need to get a push up bra. There are many options to choose from because millions if not billions of cis women have that same insecurity you do. Your body isn't incorrect. Your body is perfect. You were just fed an unrealistic ideal like every other woman