Sometimes I Wonder How People Are So Creative. Like Take Something Like Kirby For Example, How The Hell

Sometimes I wonder how people are so creative. Like take something like Kirby for example, how the hell did someone come up with something like Kirby??? Did they do drugs? Did they just come up with random stuff as they were making the gameplay?? How????????

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5 months ago

Tumbr keeps crashing for no reason. Clearly this means the media is trying to silence me

8 months ago

CHAPTER 9 - ACT 5

I just barely got this out on loop/siffrins birthday. Yippee!

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4 months ago

A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Do I look like a fool?” said the frog. “You’d sting me if I let you on my back!”

“Be logical,” said the scorpion. “If I stung you I’d certainly drown myself.”

“That’s true,” the frog acknowledged. “Climb aboard, then!” But no sooner than they were halfway across the river, the scorpion stung the frog, and they both began to thrash and drown. “Why on earth did you do that?” the frog said morosely. “Now we’re both going to die.” 

“I can’t help it,” said the scorpion. “It’s my nature.”

___

…But no sooner than they were halfway across the river, the frog felt a subtle motion on its back, and in a panic dived deep beneath the rushing waters, leaving the scorpion to drown.

“It was going to sting me anyway,” muttered the frog, emerging on the other side of the river. “It was inevitable. You all knew it. Everyone knows what those scorpions are like. It was self-defense.”

___

…But no sooner had they cast off from the bank, the frog felt the tip of a stinger pressed lightly against the back of its neck. “What do you think you’re doing?” said the frog.

“Just a precaution,” said the scorpion. “I cannot sting you without drowning. And now, you cannot drown me without being stung. Fair’s fair, isn’t it?”

They swam in silence to the other end of the river, where the scorpion climbed off, leaving the frog fuming.

“After the kindness I showed you!” said the frog. “And you threatened to kill me in return?”

“Kindness?” said the scorpion. “To only invite me on your back after you knew I was defenseless, unable to use my tail without killing myself? My dear frog, I only treated you as I was treated. Your kindness was as poisoned as a scorpion’s sting.”

___

…“Just a precaution,” said the scorpion. “I cannot sting you without drowning. And now, you cannot drown me without being stung. Fair’s fair, isn’t it?”

“You have a point,” the frog acknowledged. “But once we get to dry land, couldn’t you sting me then without repercussion?”

“All I want is to cross the river safely,” said the scorpion. “Once I’m on the other side I would gladly let you be.”

“But I would have to trust you on that,” said the frog. “While you’re pressing a stinger to my neck. By ferrying you to land I’d be be giving up the one deterrent I hold over you.”

“But by the same logic, I can’t possibly withdraw my stinger while we’re still over water,” the scorpion protested.

The frog paused in the middle of the river, treading water. “So, I suppose we’re at an impasse.”

The river rushed around them. The scorpion’s stinger twitched against the frog’s unbroken skin. “I suppose so,” the scorpion said.

___

A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Absolutely not!” said the frog, and dived beneath the waters, and so none of them learned anything.

___

A scorpion, being unable to swim, asked a turtle (as in the original Persian version of the fable) to carry it across the river. The turtle readily agreed, and allowed the scorpion aboard its shell. Halfway across, the scorpion gave in to its nature and stung, but failed to penetrate the turtle’s thick shell. The turtle, swimming placidly, failed to notice.

They reached the other side of the river, and parted ways as friends.

___

…Halfway across, the scorpion gave in to its nature and stung, but failed to penetrate the turtle’s thick shell.

The turtle, hearing the tap of the scorpion’s sting, was offended at the scorpion’s ungratefulness. Thankfully, having been granted the powers to both defend itself and to punish evil, the turtle sank beneath the waters and drowned the scorpion out of principle.

___

A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Do I look like a fool?” sneered the frog. “You’d sting me if I let you on my back.”

The scorpion pleaded earnestly. “Do you think so little of me? Please, I must cross the river. What would I gain from stinging you? I would only end up drowning myself!”

“That’s true,” the frog acknowledged. “Even a scorpion knows to look out for its own skin. Climb aboard, then!”

But as they forged through the rushing waters, the scorpion grew worried. This frog thinks me a ruthless killer, it thought. Would it not be justified in throwing me off now and ridding the world of me? Why else would it agree to this? Every jostle made the scorpion more and more anxious, until the frog surged forward with a particularly large splash, and in panic the scorpion lashed out with its stinger.

“I knew it,” snarled the frog, as they both thrashed and drowned. “A scorpion cannot change its nature.”

___

A scorpion, not knowing how to swim, asked a frog to carry it across the river. The frog agreed, but no sooner than they were halfway across the scorpion stung the frog, and they both began to thrash and drown.

“I’ve only myself to blame,” sighed the frog, as they both sank beneath the waters. “You, you’re a scorpion, I couldn’t have expected anything better. But I knew better, and yet I went against my judgement! And now I’ve doomed us both!”

“You couldn’t help it,” said the scorpion mildly. “It’s your nature.” 

___

…“Why on earth did you do that?” the frog said morosely. “Now we’re both going to die.”

“Alas, I was of two natures,” said the scorpion. “One said to gratefully ride your back across the river, and the other said to sting you where you stood. And so both fought, and neither won.” It smiled wistfully. “Ah, it would be nice to be just one thing, wouldn’t it? Unadulterated in nature. Without the capacity for conflict or regret.”

___

“By the way,” said the frog, as they swam, “I’ve been meaning to ask: What’s on the other side of the river?”

“It’s the journey,” said the scorpion. “Not the destination.”

___

…“What’s on the other side of anything?” said the scorpion. “A new beginning.”

___

…”Another scorpion to mate with,” said the scorpion. “And more prey to kill, and more living bodies to poison, and a forthcoming lineage of cruelties that you will be culpable in.”

___

…”Nothing we will live to see, I fear,” said the scorpion. “Already the currents are growing stronger, and the river seems like it shall swallow us both. We surge forward, and the shoreline recedes. But does that mean our striving was in vain?”

___

“I love you,” said the scorpion.

The frog glanced upward. “Do you?”

“Absolutely. Can you imagine the fear of drowning? Of course not. You’re a frog. Might as well be scared of breathing air. And yet here I am, clinging to your back, as the waters rage around us. Isn’t that love? Isn’t that trust? Isn’t that necessity? I could not kill you without killing myself. Are we not inseparable in this?”

The frog swam on, the both of them silent.

___

“I’m so tired,” murmured the frog eventually. “How much further to the other side? I don’t know how long we’ve been swimming. I’ve been treading water. And it’s getting so very dark.”

“Shh,” the scorpion said. “Don’t be afraid.”

The frog’s legs kicked out weakly. “How long has it been? We’re lost. We’re lost! We’re doomed to be cast about the waters forever. There is no land. There’s nothing on the other side, don’t you see!”

“Shh, shh,” said the scorpion. “My venom is a hallucinogenic. Beneath its surface, the river is endlessly deep, its currents carrying many things.” 

“You - You’ve killed us both,” said the frog, and began to laugh deliriously. “Is this - is this what it’s like to drown?” 

“We’ve killed each other,” said the scorpion soothingly. “My venom in my glands now pulsing through your veins, the waters of your birthing pool suffusing my lungs. We are engulfing each other now, drowning in each other. I am breathless. Do you feel it? Do you feel my sting pierced through your heart?”

“What a foolish thing to do,” murmured the frog. “No logic. No logic to it at all.”

“We couldn’t help it,” whispered the scorpion. “It’s our natures. Why else does anything in the world happen? Because we were made for this from birth, darling, every moment inexplicable and inevitable. What a crazy thing it is to fall in love, and yet - It’s all our fault! We are both blameless. We’re together now, darling. It couldn’t have happened any other way.”

___

“It’s funny,” said the frog. “I can’t say that I trust you, really. Or that I even think very much of you and that nasty little stinger of yours to begin with. But I’m doing this for you regardless. It’s strange, isn’t it? It’s strange. Why would I do this? I want to help you, want to go out of my way to help you. I let you climb right onto my back! Now, whyever would I go and do a foolish thing like that?”

___

A scorpion, not knowing how to swim, asked a frog to carry it across the river. “Do I look like a fool?” said the frog. “You’d sting me if I let you on my back!”

“Be logical,” said the scorpion. “If I stung you I’d certainly drown myself.”  

“That’s true,” the frog acknowledged. “Come aboard, then!” But no sooner had the scorpion mounted the frog’s back than it began to sting, repeatedly, while still safely on the river’s bank.

The frog groaned, thrashing weakly as the venom coursed through its veins, beginning to liquefy its flesh. “Ah,” it muttered. “For some reason I never considered this possibility.”

“Because you were never scared of me,” the scorpion whispered in its ear. “You were never scared of dying. In a past life you wore a shell and sat in judgement. And then you were reborn: soft-skinned, swift, unburdened, as new and vulnerable as a child, moving anew through a world of children. How could anyone ever be cruel, you thought, seeing the precariousness of it all?” The scorpion bowed its head and drank. “How could anyone kill you without killing themselves?”


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2 years ago

How to find a variety of posts on tumblr.

Step 1. Follow @haikubot

7 months ago
An animated gif.

It depicts a mock up of the title screen of the game "In Stars and Time"

Instead of the usual character there, Siffrin, Isabeau is in their place. He's standing under a tree as leaves fall around him and gentle wind sways away. He has one hand up to his face with his eyes closed, seemingly lost in thought.

The title reads "In Repetition and Change" with the game's options are under it.

ALRIGHT, I ASKED FOREVER AGO, BUT WHO WANTS TO HEAR ABOUT MY ISA LOOPS AU??

Heads up this contains a lot, and I mean A LOT of spoilers for In Stars And Time. Including: = Act 6 spoilers, including main mystery and secret encounter = Minimal Act 5 stuff = And a bunch of extra stuff that happens through Act 3 and 4. SO BASICALLY ALMOST EVERYTHING, FINISH THIS GAME COMPLETELY BEFORE READING (ESPECIALLY THAT ACT 6 ENCOUNTER, IT WILL LITERALLY BE THE FIRST THING I MENTION UNDER THE CUT)

With all those warnings out of the way-

IN REPETITION AND CHANGE

Initial Concepts:

Sketch of a humanoid character.

Their face only shows their eyes, emotionless and distant. Their face is round and fluffy. Two big leaves sprout from the back of their head going downwards. They seem to resemble a white dandelion.
Their body is a gradient from light to black, with stary dots all over. At the center of their chest there is a bright four pointed star.

The character's name is Roboro, and they turning away and crossing their arms, seemingly unapproving.

Next to that sketch, there is another sketch of Roboro.
In it their eyes look more frantic and worried. Their body language seems more jittery, as their leaves flow behind them, and seeds from their head fly in the wind.
A rough sketch of Isabeau (from "In Stars And TIme") and Roboro.

Isabeau is smiling wide, eyes closed and looking happy. Next to him there are bullet points that read "bubbly. loud. supportive. positive"

Next to him there's Roboro. looking way more calm, with half lidded eyes and a resting expression. There's more bullet points next to them. "a little cold/dry. distant. quiet. realist leaning on pessimism??"

Under both of them there's more text that reads "both straight forward (blunt). both smart"

From the "both smart" text, there are two arrows. One points to Isabeau saying "doesn't show it", the other points to Roboro with "does show it."
A sketch comic of Isabeau.

The first image shows him standing in a field of dandelions. He seems to be surprised, as he has one hand slightly raised. He's looking onto the dandelions with tears in his eyes. There is light in the distant sky

The second image shows the source of the light, a glowing dandelion, descent upon Isabeau. He reaches up to hold it.
The sketch comic of Isabeau continues.

He lowers the glowing dandelion a little, and looks down on it. The light around him seemingly getting darker.

The last sketches depict him eating the dandelion.

I feel it's important to show these sketches because they were the first ideas I ever had. I wasn't even entirely sure I wanted to make an AU at this point, I didn't even know how I'd approach it. But I started sketching and it's been on my mind since- SO! Isa is stuck in the timeloop. I know what his wish is and he DOES have a Loop equivalent! The grumpy dandelion guy is Roboro (it/they/he). Their name is a very small play on Ouroboros and they call Isa "Seedling". However, this post is not about them, as I'm gonna talk about it and Isa's dynamic in a separate post. In short, Isa is his normal loud self up until Act 3, right? They beat the King, they reach the end, and whoops, the loop isn't broken. So now, what happens is that Isa starts getting his brains out. He starts thinking more analytically and tries to problem solve.

The more stuck he gets in his head, the less he's able to perceive his friends as real people, and more like them holding him back. Because even if Isa explains that he's smart, that they shouldn't be surprised if he says something, shock of all shocks, reasonable- They'll forget it the next loop.

So Isa is stuck with trying to portray his confident, loud, supportive facade- Which is fine! It wouldn't be the first time! But it progressively gets more and more frustrating, as he tries to find answers and simply looses the energy to pretend to be stupid.

TL;DR: Isa in the timeloop, unlike Siffrin, becomes more distant and cold rather then something more akin to Sif's mania.

NOW, MORE ART!!!

KILL KILL KILL:

A drawing of Isabeau (a comic, continues onto the next image)

He's semi-facing away from the camera. His face unseen. The arm closest to the camera seemingly reaching to something off screen, and the other is raised in the air in a fist. He seems to have just punched something hard.
The comic continues.

Isabeau starts slowly turning towards the camera. The hand closest to the camera comes up to reveal that it's a fist. His other hand going down and off camera.

We can now see his eye. It's cold and neutral and calculative.
The comic continues.

Isabeau brings his forefront fist up higher, flashing a big grin and a seemingly excited expression. His eyes are devoid of light.

Under the image there is a text that reads "See? We got this!!!"
The comic continues.

The drawing depicts the rest of Isabeau's friends and party looking different kinds of upset.

Odile is at the forefront, holding a hand over the rest. She looks cautious and protective. Clinging onto her sleeve Bonnie looks on with a wide-eyed expression.
Further back there's Mirabelle looking extremely upset and scared, bringing both her hands up to her mouth in shock.
And next to her there's Siffrin who is clutching their hat further down their face, as they look worried and confused.
The comic continues.

A close up shot of Isabeau, his eyes wide and upset. His smile has gotten smaller, he's started to sweat, and the wrinkles under his eyes are more noticeable. There's a shadow over his face. He looks mildly conflicted and scared.

I imagine Isa didn't have this encounter the same way that Sif did. Yeah, frankly, Isa is pissed with the sadness- But that's not why he goes through with this.

In this moment, Isa is trying to kill two birds with one stone. He's trying to get through this quickly, as well as reassure Mira that they can do this! If he shows how strong he is, then she'll feel safe right???

Poor Isabeau forgot that whenever he shows that he thinks ahead, he scares people. How could he forget that? How could he forget that he's inherently---

Family Quest:

A new comic of Isabeau.

The drawing depicts him looking back towards the camera. Again, his eyes hollow, his expression frighteningly resting. His earrings fly in the wind as he turns around.

This image would usually be accompanied with the text "You couldn't change your expression fast enough."
The comic continues.

Isabeau's friends look at him from a far in worry, confused. Notably, Siffrin is the only one smiling, trying to hide their distress.

There's a panel next to them. showing a close up of Isabeau at an angle. His eyes wide but empty and there's a small frown on his face. There's a shadow over his eyes.
The comic continues.

Isabeau's friends seem to recoil in pain from something, hands going to clutch at their heads of chests. The background behind them getting darker and glitchier.

Isabeau looks the same as the previous image.
The comic continues.

The friends rush towards Isabeau, the background getting darker, more glitchy. At the far back Odile is calling out to them. Bonnie is ahead of her, hands at their cheeks looking scared and frightened. Ahead is Mira, holding up her skirt, running towards Isabeau, and the furthest in front is Siffrin, who looks frightened, yelling out for Isabeau with an outstretched hand, trying to reach him.

Isabeau looks almost the same as before, however, his hand is in shot, seemingly trying to reach out for Siffrin as well.
An extra to the comic.

The shot with the friends looks the same as the last image. However, Isabeau isn't reaching out, and instead has a wide grin on his face, light in his eyes. He seems happy, even as his friends are panicking.

This is an extra achieved through going through this ending more then once.

I still think Odile is the one to call out to him (same with sus quest).

The hangouts I'm still figuring out, cause I don't think they'd too similar to base game- But, fun fact, at the end of this run, everyone agrees to keep travel together!

Isabeau brings it up, can't hurt if you can fix your mistakes right? And everyone agrees. The relief on Siffrin is the most palpable thing Isabeau has ever seen.

In this moment they love you. In this moment they all love you. In this moment---

Death Screen:

A gif depicting a simple drawing of Isabeau floating in a void. There's echos of him in the background.

Text under him reads "(It doesn't add up.)" and bellow that text, there's game options for "Start again" and "Quit."

He loops back anyways. (This is one of the initial concepts that I ended up animating. This line in particular is when he reaches the end)

Act 5 Tarot Card:

A drawing of Isabeau

He stands tall at a down-top angle. He's tearing a card to pieces. The torn shards show people looking up at something, reaching out. 

Isabeau's expression is dark. Calculative, yet angry. Half of his face is covered in pitch black shadow.

Notably the background behind him has a mild red hue to it.

There's text above the image in the game's text box that reads "(You've had enough judgement for one lifetime.)"

NOW TO SEE MORE OF HIS PASSIVE AGRESSIVE SIDE

Thanks to @the-bitter-ocean for prescribing tarot cards to Isa (THEY ALL FUCK SO HARD) and for the RAW ASS LINE

If interacted with in act 5, predictably, Isa tears it apart. He doesn't need the divine judgement upon him, he's faced everyone's perception his entire life.

However, he tears it methodically. Tears it once in even pieces, twice, three times, and one of the pieces once more. In a way he isn't even getting his emotions out, it's like he's actively trying to tear it apart so it stops nagging him, like he wants to shut it up. Though, the Judgement card symbolizes rebirth, absolution and inner calling. In Act 6 he'd be able to look at it and find comfort and confidence in the card.

Act 5 Mirror:

A drawing of Isabeau.

It shows a mostly empty room, with flowing particles and only a door at the far end. However, at the side, Isabeau can be seen. His face shrouded in darkness, and his hand clutching at his arm. No expression can be made out, and the body language is minimal.

And lastly, I have the Act 5 mirror picture. I haven't quite figured out how to make the normal ones work yet, however, I couldn't let go of the idea that Isa would not want to be in the picture.

The idea of seeing himself at all makes his head hurt and his stomach squeeze. The memory haunts him as he stands to the side and says the word. He didn't think the mirror would catch him.

AAAAND THAT'S ALL THE ART STUFF FOR NOW!!

I still have quite a bit of it to post, especially about Roboro, but I'm gonna leave it here for now.

I still gotta figure out the hangouts and potentially the dagger equivalent- but I have ideas for Bad Touch, the glass equivalent, and some extra little things that didn't happen in Siffrin's loops.

I needed to yap about this, because I've been slowly stacking up ideas and writing and I needed to share it at some point- If anyone read all this and has questions and stuff I fully welcome 'em!!


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1 year ago

I love New Years! It’s the only time of year where I can hear numerous gunshots and explosions from the comfort of my own home!


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1 year ago

I just found a fanfic for tadc that was two au’s fused together and while the concept was interesting I am growing more and more concerned that tadc is gonna become a self perpetuating fandom like the undertale during the au renaissance. I imagine it’s only gonna get stronger the more episodes released too. I’m torn about whether it’s good or bad that the show is so popular it already has an au spiderweb.


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2 years ago

sometimes you ship something ironically (Yknow for the meme) but then you slowly realize that it’s not ironic anymore.


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1 year ago

I think there should be a feature to let you add more notes on a post even after you’ve liked, shared, reposted, and commented. Maybe a button that adds 1 note if you press it 100 times.

  • athena-ash-photography
    athena-ash-photography liked this · 1 year ago
  • rocktoo
    rocktoo reblogged this · 1 year ago
rocktoo - Rock
Rock

Hello whoever you are. Im rock and my pronouns are she/her. also im autistic. In my free time I play videogames collect rocks. 18+

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