When We Sleep Our Astral Body Separates From The Etheric Body, Only Connected With The Silver Cord. When

The Qabalah describes the universe as divided into four separate “Worlds”. The first is Atziluth, the Archetypal World, the world of Pure Spirit which activates all of the other worlds which evolve from it. The second world is Briah, the Creative World, the level of pure intellect. The third is Yetzirah, called the Formative World because here are found the subtle and fleeting patterns behind matter. The final World is Assiah, the active world containing both the physical world of sensation and the unseen energies of matter.

Robert Wang, The Qabalistic Tarot: A Textbook of Mystical Philosophy

The Musica Universalis (Harmony of the Spheres) - Ratios of Orbital Distance and Orbital Periods. Musica Universalis (Music of the Spheres) is an Ancient Philosophical concept that regards Proportions in the movements of Celestial bodies of the Sun and Planets as a Form of Musica (the Medieval Latin name for Music). This “Music” is not literally Audible, but a Harmonic and Mathematical relationship between our Star and it’s Satellites. This design is inspired by theory and writings taken from Johannes Kepler’s “Mysterium Cosmographicum” (The Secret of the Universe) where he explored the relationships of Harmonies in our Solar System and sought to uncover the “Music” therein. In this graphic, the Circles represent Orbital Resonance, which occurs when two Planets have an Orbit that are a simple Integer Ratio of each other. For example, consider the Orbits of Earth and Venus (8 : 13), which means the two Planets arrive at almost the same position after 8 Earth Orbits and 13 Venus Orbits. The underlying Circles represent relationships of Orbital Distance as calculated from each Planets semi-minor Axis - which is the shortest length in a Planets elliptical Orbit around the Sun. What is most striking, is that the mirrored structure that arises in the semi-minor Axis between: - the first and last for Planets (both 4:1) - the last and first Planets (both 25 : 1) - and the fourth Planets as counted in from the 1st and last (25 : 4) - Mars from Mercury, and Saturn from Pluto In this view of the semi-minor and Orbital Resonaces overlaid, the whole Solar System takes on the appearance of a carefully Mathematically Balanced ballet of Harmonic Relationships and shared Proportions. In some instances the Ratios and Relationships depicted here are reputed to be very accurate (in terms of Cosmological distances which are vast) coming close to 99.8%.

Torus Configurations

Human consciousness is characterized by awareness, volition and cognitive reflection, operating within a neural workspace…Within this workspace, a bicyclic flow of information was envisioned…Both types of information flow provide the basis for integration of active information that returns to itself (a modality of self-consciousness), including modalities of universal consciousness.

Toroidal information flux is postulated by us to provide the basis for the existence of consciousness at the different scales of the Universe. There are distinct reasons to choose the multidimensional symmetrical aspects of the double vortex torus, a geometry that may mimic a combination of transversal, longitudinal and circular waves.

—Dirk Meijer & Hans Geesink, Consciousness in the Universe is Scale Invariant and Implies an Event Horizon of the Human Brain

The spiritual correlative of what we find externally in the world as the relations between the signs of the Zodiac and the seven planets familiar in Spiritual Science.

Rudolf Steiner, Human and Cosmic Thought: Lecture III

Rudy Rucker, Infinity and the Mind: The Science and Philosophy of the Infinite

Julian Jaynes, The Origins of Consciousness in the Breakdown of the Bicameral Mind

Alchemical drawings from Sapientia veterum philosophorum, sive doctrina eorumdem de summa et universali medicina (18th c.) BnF

The Calendarium Naturale Magicum Perpetuum is a late renaissance (c.1619 or 1620) grimoire and esoteric print of calendar engravings. Its full title is Magnum Grimorium sive Calendarium Naturale Magicum Perpetuum Profundissimam Rerum Secretissimarum Contemplationem Totiusque Philosophiae Cognitionem Complectens. It measures more than four feet long and about two feet wide, and includes an early example of a Pentagrammaton.

The “author” in the 1619/1620 Frankfurt print is given as Johann Baptist Grossschedel von Aicha, and attributes some of the engravings to Tycho Brahe. The original engraver is given as Theodor de Bry, as first published in 1582. This work predated, and influenced, the Rosicrucian furor.

The Color of Pomegranates (Նռան գույնը) , 1969