Writers

I wanted to write an indulgent story, where most of the characters were strong women. But as I was planning out a story, (a fantasy one where only women have magic) I realized that what a white woman wants to see in a strong woman might be different from anyone else, but I have no idea how to research that. Do you have any advice? (Sorry if this is worded awful! I hope you understand but it’s alright if you don’t.)

Writing Powerful Women of All Races

It’s great that you recognize that women’s representation is not one size fits all. What makes for good representation for white women is not the same for Women of Color.

Let’s consider how society handles women across the board:

White Women: 

Traditionally, white women are treated as delicate beings, meant to be protected and romanced by men. White women are the standard of femininity and beauty. Women of Color can be attractive, too, but in a “different” way. Most positive roles for white women depict them breaking from these definitions, either embracing sexual labels or evading them by throwing out the need to be dolled-up, gentle, or in a relationship.

Even these problems come with privilege as there is this need to “dirty” oneself up and prove physical and emotional strength. 

Anger in white women is seen as powerful. Anger in non-white women is either sexualized (see: the Spicy Latina) or seen as hostility and bitterness typical of their race (see: the Angry Black Woman). 

White women embracing sexuality and the “Slut” role is groundbreaking. That doesn’t always translate well for WoC who are inherently seen as overly sexual and impure, and have the highest rates of sexual assault to show for it.

Black Women: 

Black women are most often placed into the role of strong and independent, with an emotional and physical hardness that resists love and tenderness. They don’t need support, but they’ll be more than willing to use their backs to uplift others, no matter the gender, all and any races. Black women are rarely portrayed with classical softness or femininity. Note how Black women are so hard and impenetrable…except when it comes to helping everyone but themselves. Then they are your Mammy, warm and lovable and always there to support you, despite how much self-care they must neglect.

Asian Women: 

Comparably, Asian women, especially East Asian women but other Asian women are affected too, are placed in juxtaposition to Black women. Asian women are fragile and need shielding, but that comes with a sinister dose of fetishization. They are often viewed as submissive, and are given gross comparisons to dolls as if items to place on display and control. They’re desirable, but in an “exotifc” way, and of course are not seen to have the same worth as white women.

This is often depicted in works, both old and modern: The white man falls in love with the Asian woman. After he’s had his fun, he abandons her to settle down with a white woman. The Asian woman ends her life as it is worth nothing without him.

On the flip side: Asian women are fragile and worth protecting…except when they’re not. The Dragon Lady stereotype features Asian women (Mainly East Asian) who manipulate and dominate others. This stereotype is often depicted by them dominating white men for Yellow Peril ends. 

Native women: 

Native women are seen as simple and animalistic, their “simpler” culture relating to “primal” needs. The narrative starts with Pocahontas, a scantily clad Disney princess who shows a white settler the wonders of the “natural” world, and continues all throughout Halloween costumes, Noble Savage, and Animalistic Natives. This very exact fetishization makes them prime targets for toxic masculinity’s view that women actively desire the more “beastly”/forcible sex, basically assuming Native women will behave like animals in heat— because that’s what society believes Natives are: a type of animal. 

Women of Color: 

Although this is grouping a number of women into one, they share a common thread of being exotified and fetishized. From the Spicy Latina to the brown-skinned temptress. They’re fun and sexy, and on the same hand promiscuous and impure. WoC are often portrayed as mistresses and homewreckers.

Women of Color are treated as Other, and are rarely the default. Notice in media that there’s a reluctance to call Women of Color beautiful. Words like “Striking” “Stunning” and “Exotic” are often used in its place, with an overemphasis on certain features more common to the ethnicity. And when they are more certainly called attractive, you’ll often find qualifiers such as the Dark Beauty or “Pretty for a Black Girl.”

While there is a lot of desexualizing in association with Black women (e.g. mammy), there’s another side where a Black woman’s body (see: curves and full lips) are inherently sexual to the point where even teenagers are labeled as “ho’s” and “Thots” who seek to tempt men for simply wearing shorts.

It’s no wonder Women of Color are assaulted at the highest numbers. Native American women lead in those statistics, and are at risk for sexual assault at twice the rate of others. For more stats, follow the link: (X) 

A shared thread between all of these Women of Color is that, more often in not, people will not be content with these women being anything but their expected stereotypes. Also, there’s often a grumble by racist audiences when WoC are presented in relationships outside of their own race, particularly if they go anywhere near beloved white characters.

It’s time to break free of limited, dated molds and make society uncomfortable.

How do I represent these women, respectively?

I love your story concept, with all of these women having powers. Just keep in mind: what will work as positive representation for your white women may not work for Women of Color. We all have different histories that inform the struggles we have in society and what counts as proper representation.

Develop characters without applying what works for white women to all women. That is White Feminism. Intersectional feminism exists to consider Women of Color + other marginalizations and their needs as well. 

Create customized representation that uplifts each women.

Develop personalities that don’t play into stereotypes. Choose powers that reflect individuality for each woman, not what is assumed about Black women, Mexican women, etc. What we hear and see in media informs our creative thought process, so your first idea may not be the most fitting one. Brainstorm! As a starting point, do opposite of the stereotypes and go from there. At the same time, find a balance to avoid extremes. 

For example, the fragile Asian woman’s opposing extreme is Dragon Lady. The Strong Black Woman’s opposing extreme leads to infantilization aka making her utterly helpless.

And even then! Consider that sometimes people do have traits that may seem stereotypical. If that’s the case, it’s your job as the author to show that there’s more to them. They are human and not a label. 

You can be physically strong, and still bubble with kindness, emotional softness and femininity.

Pink nail polish does not weaken a punch, or define someone as too girly or weak. It means you like pink.

You can show emotional vulnerability, fall in love and be loved in return, and still remain powerful and whole without becoming the Strong Black Women.

You can be gentle and worthy of protection while having self-worth and confidence.

You can be sensual and desirable without becoming an exotic commodity, but instead someone who is more than sexual, is in control, and 100% deserving of respect.

You can also just not be sexual, but that shouldn’t mean void of love to give and receive in return.

More reading: Stereotyped vs Nuanced Characters and Audience Perception  

Research

There’s many places for you to start your research, and tons of it has been written right here on this page as well as all across the web in articles, blogs, vlogs, books etc. Seek topics on representation and intersectional feminism for the races you wish to portray. The best sources are written by the same people you’re reading about. Check out our Stereotypes & Tropes Navigation and the TVTropes List so you can recognize the displeasing ways WoC have been represented so you can avoid or amend it, and showcase people the way they want to be represented.

I also recommend you check out POC Profiles for the types of representation people who have submitted here are asking for. The WWC mods have also written on the topic in the Mod Wishlist post. 

–WWC 

dragontameroutofcharacter, saw this today and immediately thought of you. Though much cuter in person.

You know what I don’t get?  When fanfic authors apologize for long chapters.  It’s like?  You gave me bonus content, for free, and you’re sorry about it?  Bruh.  I have already named my firstborn after you.  Dude.

Friendly reminder that fan-made content (fanart, fanfic, fanvids, etc) are:

extremely time consuming. Remember someone actually took time out of their life to create that, time they could’ve used to, idk, sleep, for example

entertainment you’re consuming for free. I can’t stress this enough: you’re enjoying someone else’s craft for free. You paid exactly zero money to look at/read/watch it.

S H A R E D  with you, not made for you. This is the most important point: someone created that, put it online and you found it. No one forced you to consume that fanwork, you C H O S E  to do it. 

Whenever you feel like leaving a mean comment, anonymous hate or make a ~clever post about how ‘lol look at all of these overused tropes every fic writer crams into their fics’ remember you’re being a dick to someone who shared their work with you. You’re not being funny, you’re not being edgy, you’re not being brave for calling something out - you’re being a dick.

What's the difference between 'enemies to friends to lovers' and 'rivalmance'?

First off, different writers will have different interpretations of certain tags/genres within fan fiction. This is my take on them:

Enemies to Friends to Lovers shows the progression of two people who start out hating each other, slowly grow closer and then fall in love. It’s a really common trope that you see in a lot of literature and film. One example: an assassin is sent to kill the protagonist, but the two of them get stuck having to work together towards a common goal, even though they don’t trust one another. Over time (usually through a couple “you saved my life when you could have run” encounters) the two of them become friends. They genuinely care for each other’s well-being and they have each other’s backs. Slowly, their feelings become romantic. The closer they become, the more their attraction grows. It may take them some time to admit to these feelings (usually held back by the fact that their circumstances should be pitting them against one another), but eventually they become lovers.

Rivalmance is a bit harder to pin down. A rivalmance could be something as tame as two people who are antagonistic and yet still love each other or something as extreme as two people who hate each other and yet have a sexual relationship. The fan fiction I’ve seen in this category more often than not sways toward the latter.

Rivalmance doesn’t usually have the same progression into kindness as Enemies to Friends to Lovers has. More often than not, the members of a rivalmance still genuinely dislike (and possibly hate) each other. Many times intimacy in a rivalmance is based upon mutual lust rather than love or tenderness. Hate sex is far more likely to show up here. 

If we took the same story as above, the assassin and the protagonist still hate and distrust each other, yet there is an undeniable sexual tension between them. They are forced to work together, yet they do not build mutual trust. They may grow to care for each other’s well-being (as in, they wouldn’t want to see the other killed), but it’s more motivated by their circumstances than any real love or empathy. Their intimacy couldn’t really be mistaken for “making love”. Oftentimes there is a power struggle between the two of them throughout all of their interactions and sex is often no different. They are not particularly kind to one another, nor are they very giving unless they expect to receive something in return. 

For any of you who are writing ‘across the pond’-here is a little guide I put together of some common differences between British and American English!

You own everything that happened to you. Tell your stories. If people wanted you to write warmly about them, they should have behaved better.

Anne Lamott

Writing Tip #5

Try stepping away from your work for a bit. If you come back to it in a week or two, you'll be distanced enough to notice mistakes or discrepancies in the piece. It can also help with writer's block; stressing over ideas is actually counterproductive.

I know not everyone wants to read the books, but I think more people should read this passage from the masked empire specifically. Especially those who are struggling to understand modern elves being oppressed and the evanuris having been oppressors.

@janeopries sound familiar?

My hobbies include making OC’s and making AU’s of those OC’s