@janeopries they all speak to me. I don't know what you're talking about.
grumpy jerk and actual ray of sunshine are BFFs
mutual unrequited pining
character A falls fast and hard for character B
character A slowly falls in love with character B over the course of several years, realization hits them that they’ve been in love with B for a long time hits them like a truck
cool badass is actually a giant fucking nerd
The Power of Friendship ™
flat “what” reactions
sweet adorable characters with horrible tragic pasts
villains-turned-heroes becoming the Weird Uncle
characters that aren’t actually related having a parent-child relationship
characters that aren’t actually siblings having a sibling-like bond
“I can’t stand this person but I would die for them”
“Boring when you aren’t around,” he said with a grin. Finishing up his own food and standing, holding out a hand to her. “Indulge me for a second.”
Sadira stared at them in a silent awe, they were gorgeous. It was nearly impossible to pick which one was better. She looked up at him, and smirked. “I could always model them, and you can decide which one looks good enough to deign the Tuuli Thea’s neck.” She pulled out her hair, as her sister often wore it down, and put on rose gold necklace.
She pushed her hair out of the way and made sure it rested on the hollow of her throat before turning to him. “Well?”
Araie turned and smiled at her, happy to see she was till alive and that her brother hadn’t chased her off. “Thank you for letting me borrow Aiden, he was a great guide through the Keep.”
Ulyesses scowled and looked away. That large eye sore of a building?
Mara finished with with Ulyesses’s burn and turned back to her guests. “So, about that tea.”
A month had passed since Sadira had come to the Opries home and Araie had spent most of her nights with Aiden, dancing, laughing, and his attempts at formal courting made her only fall deeper and deeper in love with him.
Ulyesses had avoided leaving his shop the entire month, not even to venture to the nest to seek comfort from one of the dancers there. There was a banquet soon for the celebration of the new royal baby. Though not yet born, serpiente usually held a banquet in celebration of a new family member. Ulyesses did not know what to give his friend.
“Araie…I need you to tell Sadira that I…damn it, need her help with something. Make it quick.” He shooed his sister out of the stall.
art block, writer’s block, “art funk”, “burnout”, yada yada… it’s all the same thing, being a creator and wanting to create but having some kind of a wall preventing you from doing this.
this wall can take a lot of different forms, and i’m going to approach this post from the perspective of a visual artist, but no matter the medium, we all have a skill we’ve trained ourselves in and what I’m talking about will apply regardless.
Anyway as I said there’s a few different forms this wall can take. Here’s a few of them that I can think of:
Disillusionment with your current skill level
A loss of direction
Fatigue
Lack of drive
It’s really important to identify exactly what your wall is if you want to be able to dismantle it. This isn’t every way it can manifest either, just the most common ways that I see it manifesting, and you might have multiple at once!
Take some time to really self reflect on what the problem is if none of these are resonating after you’ve read the post, whatever it is you can find a way to manage it.
The most common advice I see for “defeating [creator’s] block” is committing to spending like five minutes a day working on something, anything at all. And that’s good advice! but not really for creator’s block, I think.
It’s GREAT advice if you’re lacking in discipline though, like I can easily get distracted and not work on things for months. So committing to work on comic related things for at least 30 minutes a day (and having this commitment be to other people that I’m checking in with each day, i think thats an important part) has worked really well for me, personally.
But I wasn’t dealing with any kind of a block, I just lacked discipline. I don’t think it’s very useful if for example, you hate how your art looks so you don’t want to draw anything anymore lmao
With that in mind, lets go through that list and I’ll try give you some advice from my experiences, and hopefully it’ll help give you the means to identify the problems you’re struggling with and find solutions to them if my advice isn’t quite what you need.
—
1. Disillusionment with your current skill level
So! it’s time to pull out everyone’s favourite graphic! this version was created by shattered-earth on deviantart, though the original is by Marc Dalessio
obviously this says art, but again this is applicable to all mediums. It’s an important concept to understand, the idea of a creator’s high vs a creator’s low depending on how developed your critical eye has become compared to your skill level.
If you’re not aware of it and don’t understand what’s happening, it’s REALLY easy to lose all motivation to create anything. Because why bother, if everything sucks? Definitely one of the most dangerous blocks you can run into, I think.
The solution, as with all of these walls, is to be kind to yourself.
Your critical eye improving is emotionally taxing, but it’s also an opportunity for great growth! It’s not easy, though. To get through it, you have to really confront what you don’t like about your work and target your weaknesses, and then you have to put in the time to try and improve them. That’s tough.
But self study doesn’t have to be a solo activity. Talk with your friends, seek out communities of creators, and follow resource blogs, channels, etc. I really think the best thing you can do is surround yourself with other creators, I’m in a few discords and hang out in the creative section of various forums etc
But this is really important: The act of targetting your weaknesses in order to improve them is going to make it REALLY easy for you to lose track of what you like about your work, and can in fact compound the issue and make you only focus on your flaws.
So, be kind to yourself. If you’re not happy with what you create, take the time to critically analyse your work. What don’t you like? What do you like? Don’t lose track of what you like while you study the things you’re less confident about, and with some patience and work your skill will catch up with your eye again.
I really can’t emphasise enough how important it is to not lose track of what it is you like about your work. The biggest motivation killer is always going to be falling out of love with your work, so do everything you can to prevent yourself losing the joy of creating.
Like, sure, a work might be technically perfect, but did you enjoy yourself while creating it? If you always ensure the answer to that is yes, the mismatch between your critical eye and your skills will be easier to handle because at least you’re still enjoying yourself, you know?
Keep reading
Any tips or resources on writing a hitman? I feel lost when I try to search for them by myself.
There are a lot of resources out there.
On Assassin Characters
Resources: Assassins
Assassins and Assassinations
Clevergirlhelp’s answer
Reference for Writers’ On Assassins
Thewritershelpers’ information on hitman
The life of a hitman
How does one become a hitman if you will?
Interview with a hitman
How to write compelling characters (focus on assassins)
Psychology of Killing
How soldiers deal with the job of killing
The impact of killing
25 methods of killing with your bare hands
Firearms
Gun terms for writers
Getting a handle on guns
Hiding dead bodies
Hope that helps!
Writing Tips
Punctuating Dialogue
✧
➸ “This is a sentence.”
➸ “This is a sentence with a dialogue tag at the end,” she said.
➸ “This,” he said, “is a sentence split by a dialogue tag.”
➸ “This is a sentence,” she said. “This is a new sentence. New sentences are capitalized.”
➸ “This is a sentence followed by an action.” He stood. “They are separate sentences because he did not speak by standing.”
➸ She said, “Use a comma to introduce dialogue. The quote is capitalized when the dialogue tag is at the beginning.”
➸ “Use a comma when a dialogue tag follows a quote,” he said.
“Unless there is a question mark?” she asked.
“Or an exclamation point!” he answered. “The dialogue tag still remains uncapitalized because it’s not truly the end of the sentence.”
➸ “Periods and commas should be inside closing quotations.”
➸ “Hey!” she shouted, “Sometimes exclamation points are inside quotations.”
However, if it’s not dialogue exclamation points can also be “outside”!
➸ “Does this apply to question marks too?” he asked.
If it’s not dialogue, can question marks be “outside”? (Yes, they can.)
➸ “This applies to dashes too. Inside quotations dashes typically express—“
“Interruption” — but there are situations dashes may be outside.
➸ “You’ll notice that exclamation marks, question marks, and dashes do not have a comma after them. Ellipses don’t have a comma after them either…” she said.
➸ “My teacher said, ‘Use single quotation marks when quoting within dialogue.’”
➸ “Use paragraph breaks to indicate a new speaker,” he said.
“The readers will know it’s someone else speaking.”
➸ “If it’s the same speaker but different paragraph, keep the closing quotation off.
“This shows it’s the same character continuing to speak.”
Something I have to remind myself of a lot.
You have no idea how many people lurk on your work. No idea how many times people go back to revisit your work. How big they smile when they simply think about your work. How fast their heart beats, how excited they get when they see that you posted something.
People are shy with their feedback. Sometimes it’s because they’re simply shy. Other times it’s because they assume you already know how great and talented you are. Could be both.
My point is, even if you barely have any likes or reblogs, don’t get discouraged. You have a lot of silent fans, but they are still your fans. Keep on creating. Because there is always someone out there who will love what you have made.
This is an appreciation post for the fanfic authors who aren’t included on rec lists
For the fanfic authors who don’t get art of their fics
For the fanfic authors who can’t get to 1000/500/100 hits
For the fanfic authors who don’t get comments/reviews
For the fanfic authors who write for small fandoms
For the fanfic authors who write rarepairs or gen fics
For the fanfic authors who get hate for the ships/characters/fandoms they write
For the fanfic authors who write in English despite it not being their first language
For the fanfic authors who don’t write in English
For the fanfic authors who don’t think anyone reads or likes their work
For the fanfic authors who aren’t big name fans
For the fanfic authors who don’t get requests in their inboxes
For the fanfic authors who can’t write stories that are more than a thousand words
For the fanfic authors who only write one ship
For the fanfic authors who are just starting
For the fanfic authors who have been writing fic for years
For the fanfic authors who use fanfic to practice writing
For the fanfic authors who write self-insert fics
For the fanfic authors who write about their OCs
For the fanfic authors who write to vent or cope
For the fanfic authors who are just waiting for their big break
Keep creating, I love you ❤️
I have almost 50 followers?! When the heck did that happen? Well thanks guys, I'm honored. I usually spend time on my side blog but I'll continue to post writing related things I find helpful.
What's the difference between 'enemies to friends to lovers' and 'rivalmance'?
First off, different writers will have different interpretations of certain tags/genres within fan fiction. This is my take on them:
Enemies to Friends to Lovers shows the progression of two people who start out hating each other, slowly grow closer and then fall in love. It’s a really common trope that you see in a lot of literature and film. One example: an assassin is sent to kill the protagonist, but the two of them get stuck having to work together towards a common goal, even though they don’t trust one another. Over time (usually through a couple “you saved my life when you could have run” encounters) the two of them become friends. They genuinely care for each other’s well-being and they have each other’s backs. Slowly, their feelings become romantic. The closer they become, the more their attraction grows. It may take them some time to admit to these feelings (usually held back by the fact that their circumstances should be pitting them against one another), but eventually they become lovers.
Rivalmance is a bit harder to pin down. A rivalmance could be something as tame as two people who are antagonistic and yet still love each other or something as extreme as two people who hate each other and yet have a sexual relationship. The fan fiction I’ve seen in this category more often than not sways toward the latter.
Rivalmance doesn’t usually have the same progression into kindness as Enemies to Friends to Lovers has. More often than not, the members of a rivalmance still genuinely dislike (and possibly hate) each other. Many times intimacy in a rivalmance is based upon mutual lust rather than love or tenderness. Hate sex is far more likely to show up here.
If we took the same story as above, the assassin and the protagonist still hate and distrust each other, yet there is an undeniable sexual tension between them. They are forced to work together, yet they do not build mutual trust. They may grow to care for each other’s well-being (as in, they wouldn’t want to see the other killed), but it’s more motivated by their circumstances than any real love or empathy. Their intimacy couldn’t really be mistaken for “making love”. Oftentimes there is a power struggle between the two of them throughout all of their interactions and sex is often no different. They are not particularly kind to one another, nor are they very giving unless they expect to receive something in return.
A simple blog dealing with writing, books, and authors. Writing blog is Sinedras-Snippets. Icon and header by miel1411
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