Ok so William Shakespeare's character of Richard of Gloucester is very much the archetype for the Tyrant in western literature and I just have SO MANY THOUGHTS about the way Enver Gortash wears that particular crown... (Not to mention how the fangirl in me just loves some of Richard's dialogue and could easily see it coming out of Gortash's mouth, and I'm trying so hard NOT to write a whole ass fic just so I can get Gortash to say, "I am not made of stone.")
WHO IS RICHARD III?
In real life, he was the last Plantagenet king of England, and a controversial figure, but I'm just talking about how he's depicted as a character in William Shakespeare's play Richard III (and to a lesser degree in Henry VI) . In Shakespeare's plays he is written as the quintessential scheming, backstabbing, duplicitous tyrant who will stop at nothing to gain and keep power. He concocts a massive plan in which he will manipulate the whole of the English aristocracy into crowning him king, by creating a situation in which they will be so desperate and angry at an imagined enemy that they will beg him to assume power over them. Sound familiar?
"Since I cannot prove a lover (...) I am determined to prove a villain." They have different backgrounds, but with both Richard of Gloucester and Enver Gortash there's a driving current of otherness compared to the ranks of the nobility that they're manipulating. Gortash is from a working class family but clawed his way up to join the ranks of the well-bred elite through cunning and ingenuity (and lots of crime). Richard was born into a noble family, but is physically disabled and is often mocked or insulted for it. In context, Richard uses the phrase 'since I cannot prove a lover' less as a complaint about his love life and more as a general example of how he has doesn't fit in with his peers. Basically, "You don't accept me? I'll make that everyone's problem."
"How sweet a thing it is to wear a crown..." Both of them survived trauma and violence, which was directed at them by people against whom they were powerless at the time. Gortash was sold to Raphael as a child and spent years as a target of every kind of abuse his master deigned to throw at him. Richard saw his father and brother brutally tortured, then murdered by the queen of their country, while he could do nothing to stop it. In both cases they internalized at a young age that violence = power = safety.
"Was ever woman in this humour won? (...) I, that kill'd her husband and his father, to take her in her heart's extremest hate (...) and yet to win her, all the world to nothing!" Both Richard and Gortash are platinum-tier smooth-talkers, who are skilled at getting other people to act the way they want through use of charming words. Richard shoots his shot with Anne despite the fact that she knows full well he murdered her last husband and she literally spent the first half of the scene wishing death on him. But by the end of the scene he's convinced her to marry him. Gortash, similarly, can talk the player character around to siding with him against the Elder Brain in spite of having just spent the first 2 act of the games trying to unravel his evil plots. Why? Because they're both just. that. smooth. They both have a way of manipulating others with a smile and good cheer - they sound so reasonable, even when you KNOW you shouldn't listen to them.
"Why strew'st thou sugar on that bottled spider, whose deadly web ensnareth thee about? Fool, fool! thou whet'st a knife to kill thyself." Both of them have are underestimated partly because of their ability to be charming, and partly because of their status as outsiders. Gortash because of his working class background, and Richard because of his disabilities. In both cases, there are people who find them repulsive but generally toothless (Queen Elizabeth and Ulder Ravengard respectively) who live to regret it. In both cases there are also people who ring the alarm bell that this creep is up to no good, but who aren't heeded soon enough.
"And thou unfit for any place but hell." "Yes, one place else, if you will hear me name it." "Some dungeon." "Your bed-chamber." They both have a little bit of that freak in them and seem to get off on trying to fuck people who want them dead. See: Richard with Anne. Durgetash in general.
"I'll be at charges for a looking-glass, and entertain some score or two of tailors." Gortash and Richard are both exceptionally well-dressed, to the point of vanity. Gortash is described as handsome in the game, but even fans who dig him can admit that he has a very unconventional style of attractiveness. His teeth are discolored, his skin is blotchy, he's pushing late middle age, and he's got the sort of flat features that other fans have pointed out are typical of boxers and other people who've gotten punched in the face a lot. Similarly, Richard is described as hunchbacked and with features so deformed that 'dogs bark at (him) as (he) passes by'. Yet, despite not being conventionally pretty, both of them seem to spend a lot of money on their clothes. ... this is getting long, so I'm going to end this here. Might do a part 2 later if the brainrot is still upon me.
This really comes to play in a fun way later, after talking to Mystra. Gale will justify being given ultimate power by saying something to the effect of, "you know me to be a moral and reasonable person, right?" The very same Gale who you can convince to do atrocities and break the rules of magic with.
This is such a fun aspect of Gale that is not often talked about. He is polite, even caring towards the struggle of others, but his moral center is aligned with your character in such interesting ways. The ways that he mirrors the player characters morality makes him a real joy on both good and evil playthroughs!
now I'm curious...who is Gale morally imitating?
I know you haven't played the game so I'll write this through that lens, but I think he imitates the player! More so than the other companions, he is willing to go along with what you suggest including some pretty morally abhorrent choices (which he pushes back against... but he doesn't leave unlike two of the more explicitly good characters). He voices support for seeking power even when it's through pretty questionable means. I have often said he's more nice than good and part of that is if he develops a close relationship with the player, he'll go along with their version of morality, the prioritizes the people close to him far more than any broader moral obligations... this can be beautiful like wanting to stay with you if you become an illithid brain eating monster but also beautiful because you know he'd definitely help you source the brains to eat. he'd find a way to justify it for sure
Musings on Haladriel/Saurondriel after the season finale fight. I thought the fight itself was excellent! This more clearly matched my expectations for how Sauron and Galadriel would interact after the reveal. Adrenaline filled combat, with unresolved tensions that could be cut with a sword. Clark and Vickers were both amazing and despite the expected direction, I found myself at the edge of my seat!
Sauron clearly has a peculiar relationship with pain, as he described to Celebrimbor. His closest model for intimacy, Morgoth, made him see pain as a game, to prove whose will is greater. In that context, it's interesting how the closest emotional bonds he is shown to have are with those who push through the pain, and continue to defy him.
Both Galadriel and Celebrimbor score victories in their "contest of wills", Galadriel through turning him down again, and Celebrimbor resisting until his death. All this to say, Sauron has a type, and playing hard to get seems to work on him!
I don't think Sauron hurting Galadriel in that sense means he is unable to love her or it was purely deception. People can hurt the ones they love all the time, after all. :) What struck out to me was that after Galadriel is wounded, he doesn't try to stab her hand or otherwise take away Nenya by force. Even through their game, even though he is twisted, he wants Galadriel to choose him, to hand over her ring of her own free will. And that both leads to her escape and is agonizingly sweet!
Just the possibility of Venom Victoria is amazing. The following mental struggle between the Wretch, her Warrior Monk philosophy and the symbiote third-wheeling in is simply too good to pass up.
I do think Taylor would enjoy the Batman rogue's gallery more. The struggles between territory, once in a while S9-like attacks and the lack of trustworthy authority figures in Gotham would make her feel right at home.
Hmm.
Odd question, which one fits better for Taylor and Victoria: fighting Batman Rogues Gallery or Spider-Man Rogue Gallery (and why?)
Ultimately my opinion has shifted a bit, Danny was more in the wrong than I recalled at first. However, in the interest of discussion, I think it should be accounted for how opposite their goals here are.
If Taylor got her way, she would keep sneaking out, throwing herself into life threatening situations. Possibly without telling Danny anything. She definately wasn't going to quit even if he communicated his concern more properly.
And if Danny got his way, she would likely have to stop her crusade, tell him about her powers and accept moving schools or some other temporary solution, removing her from her most important source of support, the Undersiders.
There was no way this could have been solved without something blowing up in their faces, as ended up happening.
can you fucking believe there are people who voted that danny is a good parent in that one poll a while back
Also, the way that Danny is seen as a bad parant are the sort of things people are used to seeing as byproducts of the genre Worm takes place in. He fundamentally lacks control over Taylor, to such an extent that he can't stop her from sneaking out to rob banks or fight in a gang war.
He shares these traits with a lot of parant figures in media, who are often not portraited as moral failures. People are rarely mad at Aunt May for negligence over Peter Parker, after all.
When it comes to him confronting Taylor, he is pretty much out of options. The readers also know Taylor actually holds all the power in their relationship, even if she doesn't want to use it. Thus him wanting her to really tell him what's going on, and stopping her from leaving unitil she does, isn't seen in such a bad light.
Danny is written as a flawed person, but we know from both his and Taylor's thoughts, that they care about each other. Danny's flaws both allow the story to happen and create interesting conflict for Taylor, without framing him as a bad person. As a story parent, I would say he is alright.
can you fucking believe there are people who voted that danny is a good parent in that one poll a while back
getting other people into rarepairs is so hard. wtf am i supposed to show them?? the 30k+ multichapter fic… written by ME?? the multiple pieces of fullbody fanart… ALSO by me?? the 12hr long spotify playlist… curated by ME?? i don’t think so. nuh-uh. no sir.
A Halfling Cleric (least played race and class combo!) main character with nuanced morality, a layered backstory, and who engages in sincere, messy non-monogamy
Humor in conversations, from puns to jokes to Enver Gortash deadpan snarking at the Morninglord Lathander himself
A serious, nuanced look at how an ascension-chasing Astarion would be in a relationship
A Tavtash pairing that makes sense with the underlying character motivations while still respecting a historical (and future) Durgetash pairing
Melting hot smut in multiple pairings and scenarios that fit into the story as a whole
A full chapter dedicated to the Temple of Bhaal and the emotional Descent to the Underworld experience of a Reject-intending Dark Urge
An ending where we don't have to choose between the Emperor and Orpheus!
Roah Moonglow enjoying milk tea. Yes, that's an entire bullet point on its own. Y'all don't give enough love to her
Lots of DnD lore shout-outs, from the MC's deity to Barovian implications to reminding everyone that their favorite new-beginnings god has a cataclysm named for him
I talk up A Little Wicked a lot, and that's because it deserves it. It's a longer fic, 57,000 words in eleven easy-to-split-up chapters. It's an act 3 rewrite, with no copied scenes, but with new spins on many in-game events (let's just blow a hole in the Szarr Palace lmao,) and it's written by someone who genuinely likes and understands all the characters they write about. It's my first novel-length fic, and anyone who drops in my DMs about it raves about how emotionally invested they become, how true the characters are to the game, how this little fellow Zefira Shadebrook is someone they come to love!
I know, maybe people are like "eh, a halfling having sex" - but give me a chance, please! If you love Durgetash, if you love the bastard Enver Gortash, if you can just try one Tavtash story (that ends in Durgetash!) and give me a chance to impress you, please try reading A Little Wicked. It will be worth your time.
I'd consider this worth it. Now if only we got to see apes with rocket launchers...
What made me like the Emperor is the perspective that he acts in a lot of ways more like a "player" than a character. He is more removed from the direct action, creates an avatar to interact with the others in the world, and ends up getting more attached to his "tools" than he would have thought.
As a person before the tadpole, from what we see, Balduran was an architypical adventurer, someone who valued his freedom above all else. This likely resonates with a lot of "main character" Tavs.
In-game it is an interesting mystery to what degree the Emperor has maintained his personality post-ilithid form, and is a perspective on what might happen to Tav. It leaves a lot up to interpretation about his past and Tavs future.
I get that he is quite divisive, but Emps is a really fun character to engage with out of game, with interesting themes and questions in-game. Not every character would/should wibe with him, but personally I find him oddly likeable!
Next playthrough I gotta figure out a way to like the Emperor... what do so many people see in him... he feels like a simulator for dating a 36-year-old when you're 19
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