My only expectation going into the new chp was that it was going to get worse... and oh boy did it.
Forgot to post these here
Gif can be found here.
The beach sat in the sunset, the waves mulling over the sand endlessly. The sea was always restless, it had always returned to find something on the shore. Whether it was the remains of dead sea creatures that no longer lived, or the abandoned toys of a kid that once played there but had now succumbed to being a memory.
Lotte sat on a bench, observing the endless life of the forgotten shore. Her fingers gently held the cigarette. It was unlit, yet she would still hold it. She didn't know how to let go. If it was just there, that was enough. The tears of the sea splattered once more on the sand, curdling as it was dragged back into itself.
"You like the sea." He said, approaching her. His footsteps were muffled by the sand.
She glanced at Dazai, before looking back at the sea. She remained riddled with silence, the cigarette brought to her lips once again; no smoke followed. The sea and the sand, even with all their different hues, seemed tainted blue.
"I need the sea," She said wistfully. "I can't be somewhere without the sea. I'd be miserable."
Dazai sat next to her. "I suppose I can understand that. The sea is serene – consistently doing nothing."
Lotte looked at the waves once more. "No, it's not doing nothing. It's moving forward. It may not look like it to us, but it is."
For a moment, she became a window. She had allowed some form of understanding to be made – a translucency. Her eyes looked close to tears, yet remained firm and unchanging. The wind yawned past the two of them, the shiver of nearby trees soon halted. Everything was unwilling to move. The air was damp, the faint scent of salt haunted its being.
"I want a house by the sea." She said.
She said it like a prayer.
There was a moment's rest of silence. Dazai smiled at her, a pitiful expression painting his face. They sat for a moment, watching the same wave return to nothing.
"A house by the sea? That won't be enough for you." He said, sighing with emphasis. He peeked at her with one eye open. She snickered and nodded.
"You're right, I'm too greedy."
Something I find really beautiful about this chapter is Atsushi subconsciously finding his tendency to rely on his emotions as a strength — he had no logical conclusion as to why the ADA members were alive, but instinctively, in his heart, he knew.
The same for Akutagawa — he knew that Akutagawa would remember, in his heart, with the doubt of his mind. I believe it was a quote Atsushi had said earlier, but I believe it's the core of his character — "The head may err, but never the blood".
The heart is a mysterious thing, because it makes sense without any logical basis. The heart is a trust, a senseless trust with a sense of clarity. Dazai in Atsushi's subconscious saying, "Feel strongly. That's what you do when you want to experience the past", brings me to believe that Atsushi has become better at living. Atsushi, by only living in the present, has become the only person fit to defy the space, because the present in the agreement of the past and future.
In other words, I believe Atsushi is the heart.
beast spoilers just in case
something i’ve been thinking about is dazai’s bandages during his time in the pm vs beast dazai
i’ve seen people talk about how dazai’s right eye is covered in the pm, sort of symbolizing how he’s shut off his emotions during that period of his life.
meanwhile, in beast, the bandages cover the opposite eye. thinking about it, this does represent his motivations during the course of beast—dazai’s actions can be perceived as purely emotional by the end.
after all, dazai wanted to preserve a world where oda was able to carry out his dream of becoming a writer, even at the expense of his own life. through beast, we get to see a somewhat more emotional dazai, even if outwardly he still tries to suppress these feelings
tbh i’m struggling to fully put into words the incoherent thoughts in my brain but im hoping the bsd fans of tumblr can pick up on the brain waves im transmitting telepathically through this post ykyk
(The Greatest Living Show)
It was a great honor to make this animation for Mr. Toby’s beautiful song! Please listen to it: https://www.youtube.com/watch?v=qFow8LkHtlU
For information: https://toby.fangamer.com/show/
If you would like to buy my art book for this animation I would be very grateful…! 。゚(人´∀`*)゚。 So I can make more original productions in the future. https://www.fangamer.com/products/the-greatest-living-show-art-book?variant=41195106926649
The last bit of summer in the middle of autumn.
Personally, I think this song fits Dazai
The title translates to 'Tefu tefu', a sort of outdated way for saying 'butterfly'.
+ Obligatory Manga Screenshot
The Lyrics.
Hello!!
Something that has recently come to mind is the impeccable usage of coats in Bungo Stray Dogs, and their different meanings — so I just wanted to quickly examine them!! ( ◜‿◝ )♡
There may be spoilers for Stormbringer ahead!^^
Throughout characters such as Dazai, Tsujimura and Chuuya, we can see the pattern of open coats/jackets throughout their designs. I believe it can be summarized as 'resignation'. Within Dazai Osamu's The Setting Sun, self-resignation is a concept reappearing throughout the whole story. To resign oneself, is defined as submitting to something unpleasant in which you have no way of changing.
For Dazai, it can be taken as Oda's wish is something he must fulfill — and my particular reason for thinking it was unpleasant for him, was because of the conversation he has with Kyouka during season 2, detailing the struggle between being a good person when having a history of doing bad deeds.
Possessing a skillset which encourages him to remain Port Mafia black, how on earth is he supposed to assimilate to the light? Additionally, when he asks Atsushi, 'Do I look like such a good person?', Atsushi responds positively. His self-perception does not align with being in the ADA, but regardless — due to his friend — he has resigned himself to it.
For Tsujimura, though I have yet to read Gaiden, I believe this is the resignation she has come to after the legacy her mother left her, which she strives overcome due to her complicated relationship with her.
For Chuuya, despite the attempts of The Flags, he can only resign himself to being in the Port Mafia. Though, it is not unpleasant to him, I believe it is moreso a case of him not really seeing himself anywhere else. Though he used to be a member of The Sheep, he was betrayed and no longer held a place there. The Port Mafia is his home, in the same way one cannot help but call home, well, home due to the sentimentalities towards it.
Essentially, I believe the open coat represents a doubtful resignation to one's position, however an unwavering desire, or internal promise to remain there. Of course, this may be flawed! But that's how I've perceived it so far.
The closed jacket is one that took a while for me to understand, to be quite frank. Examining the designs of Ango Sakaguchi, Chuuya's outfit from Stormbringer, Dazai's design in The Dark Era & Atsushi's design from BEAST, it's reasonable to believe it is a shield against something internal.
Ango Sakaguchi works for the government, the Special Division, and therefore is thrown into whatever role suitable to get the job done. This was explicit in The Dark Era, where Mori and Takeda discuss his safety for the permit. His suit is a representative of how he uses his job as a defense of his guilt over Oda's death. His role gives him a sense of agency, which he can tell himself, 'I had no choice, it was for the sake of my job'. The reason I assume Ango feels guilty is because of how he takes care of Dazai, in a way. During the DOA arc, he assists Dazai. I believe it was also revealed he had went to the seventh agency to clear Dazai's list of crimes, in memory of Oda.
On Chuuya, I believe in his timeline, he was recovering from the sharp betrayal of The Sheep, and growing into his role in the Port Mafia. Though he had a similar demeanor in Fifteen, I believe it becomes more clear he is less trusting and more guarded about his relationships. His demeanor of being irritated or distant is merely a facade to keep him from being hurt once again.
With Dazai, his coat is buttoned up, which can be viewed as Dazai using his role and duty as a Port Mafia executive to shield him from the overwhelming indifference he possesses on why he should live at all. This is also voiced when he confesses it to Oda, feeling if he got closer to the raw instincts of humanity by being in the Port Mafia, he may achieve some sense of meaning.
Lastly, BEAST Atsushi was one of the points I think is most explicitly explained to the audience. He says:
In BEAST, Atsushi ensnares himself with Death to keep him from his fear of it. His jacket is zipped up, covering a portion of his face in pitch black. The cause of this is his guilt towards what he did to the orphanage director. Atsushi at his core, is a guilty person, irrespective of whether he has committed a crime or not. For BEAST, there is no alternative environment for him to atone, and leaves him isolated with Death.
Overall, I believe that the closed/buttoned up coat represents characters using their roles and duties as a shield from an internal anguish which they suffer from. Usually, this coat gets switched out for an open jacket, which could symbolize a form if closure with that chapter of their internal conflict.
As well as symbolizing authority, it may also symbolize a burden given to the character by society or another.
For example, to return to Chuuya again, he carries the burden of killing The Flags, however, it is also something that cemented him in the position of being a staple executive (that is, if he wasn't one already) due to his loyalty. I believe this is also intrinsically tied to his position as an executive, finding himself once again in a position of leadership.
Another example is Dazai, specifically at age eighteen. Mori views him as an heir of sorts, due to his intelligence and what he perceived as detachment from sentimentalities, which is a burden onto Dazai. He has no such desire or fondness of the position, constantly disregarding ranks and importance when befriending Oda and Ango. Furthermore, as he rushes to Oda's side as he bleeds out, his coat flies off his shoulders. He forsaken his authority, and loses his burden for the sake of Oda.
There are other characters with such a burden, such as Ayatsuji from Gaiden and Paul Verlaine — however I am unqualified to include them in this analysis because of my lack of knowledge on the two and their materials.
Overall, I believe it's such an interesting way to dress up characters whilst simultaneously discussing their journeys, even if that sounds pretentious. I look forward to seeing the progression of characters and, in general, the continuation of Bungo Stray Dogs.
Thank you for reading.
Say, for example, if a character were to have a story attached to them, would you want that to be uploaded alongside the main plot?
As in, the story from which the ability comes from, alongside the main story?
My special space for dumping about OCs & Art :)
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