Heh. Hi. I Missed Drawign Odile And As One Of My Biggest Comfort Characters I Felt Very Funny To Draw

Oh shoot, before I continue to ignore sleeping, I completely forgot I made these!! They’re sketches, so I apologize that they’re all messy,, These are about four days old. And honestly? I’m really happy with how these came out! Can you tell I like drawing claws? Haha  I freakin’ love monster designs so much, and I could only doodle so many that night, so I’d love to doodle more! I’ve got so much love to give to all of these creatures,,

*written in glitter gel pen, sorrounded by doodles of hearts* ODILE <3 <3 <3

you ever think about odile

Hi! I just wanted to say I really really love your style, it's so pleasant to look at,, And oh my gosh your expressions and lines are so good!! I love how you draw everyone,, I also have to admit that your casual outfit for Odile has captured my heart entirely, you draw her so pretty,,, I'm sorry if this is worded strange or anything; trying to translate my excited little keyboard smashes into words is hard sometimes,,

HIHIHI THANK YOU :33333 I like to think that Odile dresses somewhat formal whenever but still comfortable (and also I just see her as a butch)

GIGGLES, DW!! Means I get you to feel something over my silly sketches, it gets me happy

i feel ill

The Ishkia gave a quick nod once she was given instruction. “Got it, I can do that.” Once the bag was freed from his shoulders she gingerly grabbed it, bringing it closer as she pulled open the flap on top.

It would take her a bit to find what she was told. Not because of Myra being clueless of what to look for. More so because she wasn't flat out digging for it, instead moving things around inside the bag to make room to look further in.

Thankfully it wasn't too hard to find the much larger shirt, plucking it out of the bag's confines and making relatively quick work of the buttons. Ha, they were still flower shaped.

Once the shirt was opened and ready, she turned to face Fidelio. And she froze, but only for a moment.

She had seen injuries before, and scars, many times. Being a healer meant having to. But she didn't expect to see so many on him...She didn't dare ask right now, it wasn't a good time.

And that one on his chest, which pulled her gaze in like a magnet…While she wasn't the one to make it, that scar and any pain he felt during the healing process- or any he felt now by the look of it- that was her's. A stinging reminder that, even though she did bring him back…She caused a lot of pain, simply because she was a coward.

Now wasn't the time for that. She ripped her eyes away, bringing them to look at his own as she tried to keep focused. Her hands darting out to float close by as he stood up, just in case. And only once he was fully up did she do the same, using her leg as a brace. “O-Okay, no problem.. I'm ready.”

Well he wasn't wrong. Even though Myra couldn't vocally deny his logic, she kept shambling forth with a frustrated grumble. To her, it was a ‘damned if you, damned if you don't' situation. Cursed to draw attention and run risks no matter how she did it. Every option coming up a dead end.

Though it didn't help that she couldn't think straight either. Her exhausted mind simply dead set on getting him somewhere safe, no matter what became of her. 

 But upon the Paripus speaking again, her gaze did shift from the trek ahead to him. Her head tilted slightly as she listened to the new course of action. “I see..” 

She hadn’t even thought about the idea of leaving when Lord Louis was thought dead… Though Myra didn’t blame the two for preparing to get out of there after that. It would’ve felt hollow on the Charadrius without them, but they’d have been better off elsewhere.

...No wonder their room felt emptier.

Her eyes flicked to his bag, then to his body as she forced her brain to think it over. It was a compromise; keeping him discreet, while keeping her from having to ditch him for the night. He was right, too, and he’d be more recognized than her anyhow. 

Finally her march forward stopped, and she nodded. “Okay…Let’s do it.”

She knew trying to do all of that while holding him would be a nightmare. So she slowly, and as carefully as she could, dropped back to the ground in a one-knee kneel. Setting him down shortly after to let him rest against a tree. Then she blinked at him, hands hovering. “Um…How much am I allowed to do?” Despite the circumstances, she didn’t want to reach where she shouldn’t, be it his shirt or anything else.

(ACT 4 SPOILERS) Decided to be silly and wanted to post some sprite/ portrait Mirabelle redraws that I did for the ICAC Au!! Under the cut will be artists notes and the Speedpaint process:

GENERAL ARTISTS NOTES:

I wanted to capture the vibes of the original Mirabelle attack sprite that’s in game, but also add my own twist on it rather than just copy the exact pose verbatim. Since the original pose that the sprite is based off in game is paper/ healing I wanted it to have a sense of seriousness to it

I changed the craft sign with the hands to be both paper and scissors, since she’s a dual type and I think that the vibes of “just attack” in the original game is to go all out and not hold back. Whatever is the most efficient and quickest way to brutally take out your enemy.

This is also why the the sparkles and effects around Mira is different: She’s using both paper and scissors so she’d have the FX for both in her attack portrait.

I changed the expression to look more serious (shadowed face, the circles within circle eyes is a reference to the fact her eyes go in a spiral when she defeats the king in the canon game of ISAT.

For anyone new to the Au and didn’t catch the design details beforehand: in the ICAC au Mirabelle was the one to lose the eye protecting Bonnie from the sadness instead of Siffrin! She has a eyepatch made by Isabeau and it has the change symbol on it. Her hair usually covers the blind eye in most sprites barring few exceptions ( certain parts of act 4, Act 5 and act 6 etc.)

She also has a sharper/ pointier bow in comparison to canon isat Mirabelle. This is mainly because I noticed the pixel sprites for Mirabelle the bow looks very sharp and pointy in isat but the sprites themselves are rounded, so I thought it would be neat to play with the shape language of the design and make the bow sharper in the portraits as well

figured it was about that time again hehe

yume(taphor refantazio) feat. my metaphor ishkia oc Maeve and her cat dog boyfriend

A lone creature wanders the world; one mission on the mind.

Slay the Gods. Claim their place, their throne.

And one by one, their bodies fall. From massive land and sea serpents, to undead titan skeletons. From buzzing royalty, to a writhing wall of flesh. From human-feasting plants to the Lord of the Moon. From Sun Goddesses to fellow Devourers of Godly proportions. And from Jungle Dragons...To the Supreme. The strongest. And yet...She mentions of one, stronger still, on her supposed final breath. With neither clue nor lead on who this may be, they continue their bloodstained travels. To slay the strongest. 

They will take their place on the top.

Finally decided to man up and post fanart for one of my favorite fan games! (I apologize that it’s just a head shot) I have so much love to give yet only so many words,, So I’ll put it as simple as I can without taking too long: The main characters? Amazing! I have never felt such need to protect them, like a mom ready to attack whatever danger comes near. The music? Outstanding! I find myself subconsciously humming along to the battle music, and I always get more pulled into games whenever music is playing. The monsters/bosses? Ohh man, I love them! Such interesting and well done designs and sprites! I think they feel right at home in the art style. I also have much appreciation for our buddy Flesh Eater. Now, I think I’ve gone on long enough, I’ll be here all week if I try to put more in there. All in all, I adore this game, and I await its completion with open arms. This puppeteer will wait patiently <3