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Thank you so much!

okay sorry thinking about false guinevere again and I think I get it now. like if you were raised alongside your beautiful sister, the beautiful daughter of the king, and she gets everything and everyone loves her and she marries the guy who pulls the sword out of the stone and she’s the queen now and everyone’s looking to her and knights are dying for her and you look exactly like her and you have her same face, your father’s face, but the man who raised you isn’t him because no one can talk about what the king did to your mom and everyone pretends it’s normal but actually they all know you were born from violence and you were never supposed to be born and there she is, your sister, with your same name, your same face, the most desired woman alive, and she is everything you’re not. i might also do something evil tbh

From Le Roman des Franceis (AKA Li Romanz des Franceis or Arflet) by André de Coutance, in which the poet is very concerned about the widespread(?) slanderous accusations that King Arthur was killed and replaced as king by a giant cat.

That is the start of William F. Skene's translation of "Cad Goddeu". Here are others for comparison (with a couple more lines because I like them):

I was in a multitude of forms before I was unfettered: I was a slender mottled sword made from the hand. I was a droplet in the air, I was the stellar radiance of the stars, I was a word in writing, I was a book in my prime. I was the light of a lantern For a year and a half…"

--Marged Haycock

I was in many a guise before I was disenchanted. I am a grey-cowled minstrel : I believe in illusion. I was for a time in the sky : I was observing the stars. I was a message in writing : I was a book to my priest. I was the light of the altar-horns, for a year and a half.

--John Gwenogvryn Evans (who translated the title as "The Battle of the Scrub" rather than "The Battle of the Trees")

I was woven  in so many forms before this one.  I was a sword drawn, high and long against sky, and I was its tear in the air, the dullest of stars.   I was the word among letters, the story’s breath within the book, the light of lanterns.   For a year and a half I was the continuing bridge...

--Órlaith on Wordpress

There are a number of others out there; these are just a few which struck me as being distinctive in an interesting way.

‘I have been a multitude of shapes, Before I assumed a consistent form. I have been a sword, narrow, variegated, I have been a tear in the air, I have been in the dullest of stars. I have been a word among letters, I have been a book in the origin.’ Taliesin .. c. 534 – c. 599

💔 for Mordred if you will?

I have a headcanon that Mordred is a little magical, like Gawain and some of his other relatives. I don’t think he’s been trained to use magic, at least not in any grand capacity, or he’d use it in plot-altering ways. Magic is just something that happens to him, like when he doesn’t drown during the May Day massacre. 

Where does the angst come in? I headcanon that his powers, which aren’t really within his control, have a dark edge—the shadow to Gawain’s sun. Being around Mordred for too long can do weird things to people, and his presence makes them a bit queasy, even if they like him. Everything around him dies a little. It’s always been that way, he knows it, and it’s part of what drives his arc down: if he acts like a monster, well, some part of him always thought he was one, anyway; and if he’s doomed, well, given what he does, it’s only fair.

Lucan's doing well post camlann i guess

you seem like the right person to ask about jewish knights and judaism in general in arthurian legend

Hello! Apologies for how long it has taken me to respond to this! Throughout the Middle Ages and the early modern period, there were a number of Arthurian texts written by and for Jewish people in Jewish languages. The one I specialize in is an Old Yiddish text called Vidvilt, which is part of the Fair Unknown tradition and based off an earlier German text called Wigalois. This text was super popular in the Yiddish-speaking world for about three centuries or so and was reworked and reprinted a number of times. I already discussed some of those adaptations a while ago in response to this ask.

Predating Vidvilt, there was a Hebrew Arthurian text written in the 13th century which is now commonly known as Melekh Artus. This was based on Old French sources and tells the story of Arthur's birth and Lancelot's affair with Guinevere before breaking off unfinished. The most common edition of the text used today is the one by Curt Leviant, though I just read a fascinating article in the latest issue of the Journal of the International Arthurian Society calling into question some of his transcription choices and the conclusions he draws in his analysis of the text.

I also recently read that a fragment of an Arthurian text in Judeo-Catalan was recently discovered, but I'm afraid I don't know much about it as yet other than that it's apparently a late medieval adaptation of Jaufre.

Chivalric romances of both Christian and Jewish origin were extremely popular among medieval and early modern Jews in general. There were a number of non-Arthurian knight stories that were very popular as well; for example, the most famous and influential work of early Yiddish literature was a chivalric epic called Bovo d'Antona, and a survey I read of the literature in Jewish households in early modern Italy shows that the most popular non-religious work among Jews at that time was Orlando Furioso.

It is worth noting that, even though some of these texts were written by and for Jews, that doesn't necessarily mean that the characters in them were Jewish. Jewish writers generally tended to modify their Christian source materials by gliding over or obscuring references to religion, rather than depicting Judaism directly (the reasons for this are complex and could constitute a whole paper, so I won't get into it here). That being said, medieval Jewish knights did exist in real life, too! There are a few medieval historians who do research into exactly when, where, and under what circumstances Jews were allowed to bear arms, but it definitely wasn't exclusively a literary thing.

any platonic ships?

I like the wacky friendship between Galahad and the Grail Heroine. They’re both such weirdos (affectionate) that he thinks nothing of wearing a belt which she made of her own hair which she had previously been carrying around in a box because she had a prophecy. He needed a belt. She had hair. That’s just how they are. 

When it comes to not-canon-anywhere friendships in not-canon-anywhere timelines, I think that it would be entertaining if Galahad was also friends with Mordred but either Galahad strenuously denied it to himself until he couldn’t any longer or was somehow unaware of or unable to comprehend the absolute havoc wreaked by his friend.

💚😏🗡️ <for arthuriana ask game =)

Favorite quest/story arc:

That’s a tough one. Basic as it is, one of my favorites would have to be the Grail quest. It’s been told in so many different ways, it has so much potential for interpretation and reinterpretation, and if you look around, its influence is everywhere in pop culture. I also really like Galahad, Percival, and the Grail Heroine (though reading T. H. White left me with an anti-Bors bias I’ve never been able to shake).

Gawain: 

The way I got into Arthuriana was a seventh-grade GVC assignment where I had to write an alliterative paragraph, drew “G” out of a hat, started writing about Gawain, never got to a stopping point, decided to write a novel, decided I had to do research for the novel…you get the idea. He isn’t my all-time favorite, but I like Gawain. I find his revenge quest interesting when it’s done well, but I think that it’s become too ubiquitous. There are so many stories about him and there’s so much more to him than the man in The Once and Future King whose main traits are “angry” and “Scottish” (though I do love it when he calls Galahad “yon lily laddie”).

Who Are You Betting On In This Month's Tournament?

I think it depends on which canon it is and who’s in town. If I could choose from every Arthurian character I know of, I would say the Knight of the Lantern, hands down. At the start of The Story of the Crop-Eared Dog, he defeats and ties up everyone on Arthur’s hunting trip who he thinks is worth fighting—which adds up to well over seven thousand knights—in one afternoon. Later on, he’s defeated by his older brother Alastrann (who’s in monster-dog form), but when their father dies, Alastrann becomes the King of India, and he can’t very well casually jaunt over to the far end of another continent when he has a country to run. The Knight of the Lantern also returns to India, but he has unparalleled magical powers and less responsibility, so he could probably swing by for a tournament.

Thanks for the ask!

The Superpowers of Queen Guinevere

(a compliment for my Superhuman Knights post)

Giantess/Superhuman Strength (and Size) - British Folk Myths/Welsh Lore

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Sorcery/Prophecy - De Ortuu Waluuanii/Enfances Gauvain

Preternatural Hair - Knight of the Cart

Ageless Beauty - Vulgate Cycle

...so, writers, where is my Muscle Witch Rapunzel-type Queen?

Amusingly, these funfacts give a solid reason why Morgan needs something like the Green Knight to assassinate Guinevere, particularly the giantess thing from Welsh Myth: Morgan doesn't stand a chance against Guinevere face-to-face.

Bonus Attributes:

Wisdom and Graciousness

Conte du Graal/Perceval - Gawain's description

Vulgate Cycle - Merlin's description

Vulgate Cycle - Guinevere being compared to the God-blessed Grail Maiden

The Queen's Knights

(Give Gwen back her warriors!)