Y’know an awful lot of Terry Pratchett’s books are concerned with how powerful women are when they get angry and how important anger is as a driving force to defend what is right and to tackle injustice.
A lot of his most interesting and most deeply moral characters are angry ones. Granny Weatherwax, Sam Vimes, Tiffany Aching. All are to a large extent driven to do good by anger.
And that honestly means a lot to me.
Absolute beginner adult ballet series (fabulous beginning teacher)
40 piano lessons for beginners (some of the best explanations for piano I’ve ever seen)
Excellent basic crochet video series
Basic knitting (probably the best how to knit video out there)
Pre-Free Figure Skate Levels A-D guides and practice activities (each video builds up with exercises to the actual moves!)
How to draw character faces video (very funny, surprisingly instructive?)
Another drawing character faces video
Literally my favorite art pose hack
Tutorial of how to make a whole ass Stardew Valley esque farming game in Gamemaker Studios 2??
Introduction to flying small aircrafts
French/Dutch/Fishtail braiding
Playing the guitar for beginners (well paced and excellent instructor)
Playing the violin for beginners (really good practical tips mixed in)
Color theory in digital art (not of the children’s hospital variety)
Retake classes you hated but now there’s zero stakes:
Calculus 1 (full semester class)
Learn basic statistics (free textbook)
Introduction to college physics (free textbook)
Introduction to accounting (free textbook)
Learn a language:
Ancient Greek
Latin
Spanish
German
Japanese (grammar guide) (for dummies)
French
Russian (pretty good cyrillic guide!)
this poem. bro
(by joseph fasano)
It’s easy to forget JRR Tolkien was a fairly prolific academic translator with an interest in early medieval literature and philology. It’s so inspiring that he found time to write The Hobbit while fighting for his life over Beowulf.
I cry when I go to the beach because I really really love sitting in windy places, it makes me feel clean and loved at the same time. I don't know how to sail but one day I want to learn more about sailing and boats.
I love Jimmy Buffett - Cheeseburger in Paradise is a banger that my whole family sings on roadtrips, but Changes in Latitudes, Changes in Attitudes or A Pirate Looks at Forty or Son of a Son of a Sailor are all some beautiful songs about life, he sounds like he's singing to friends.
I had a massive horse phase in elementary school that I've stopped talking about, except to laugh at my horse statue collection. I never quite left the horse phase, or at least I rediscovered it when I saw someone reference The Black Stallion series a month ago. The Black Stallion was my favorite, but Black Beauty, National Velvet, bunch of others I'm currently forgetting, I read a bunch of fiction about them. The nonfiction was interesting, but the horse phase centered around a truly irrational and excessive love for horse souls and motifs of freedom, which the nonfiction stuff didn't cover.
I love Russell Crowe's Javert because I saw the movie before I ever saw a theatre production of Les Miserables, and I've never quite been convinced that I'm wrong. I love the music in Les Mis a ton, but I appreciate how, in the movie, the singing can explore soft, conversational volume instead of having to belt everything in a theatrical style. For songs like 'Stars', I think that introspective tone is more intimate and more effective.
I have a theory that being angry and complaining online is the default for most because it's inherently scarier to be earnest and vulnerable. So I invite whoever reads this to reblog and tell me about something you love un-ironically that doesn't make you look more intelligent or conventionally hip.
The rules are if I see anyone giving each other shit over a thing someone likes I'm going to send them an ask that's just a picture of wet, sad cat with zero context. Same if someone claims that they like to complain and it's their god-given right to do it as often as they like and wherever they want. Of course you do. It is not interesting to defend your right to talk about all the small things you hate when no one is really challenging them in the first place. You can complain forever until you die and that's totally fine.
Anyways I'll start.
I love Jimmy Buffett.
It's not because his music is so bad I think it's amusing. I actually think his music is really good. If he was still alive I'd absolutely spend money on a Jimmy Buffett concert because that sounds like a super fun time.
Fruitcakes is a fucking banger. Breathe In, Breathe Out, Move On is only one of his many songs that give big Good Dad energy when shit is rough. People mostly only know him for Cheeseburger in Paradise - but honestly? That rocks too. Sometimes I also want a cheeseburger.
People try to give me shit because he sold his likeness to the Margaritaville restaurants and hotels. I'm not even upset about this. The man struggled to be financially stable enough to play music in the beginning of his career, and sold his name to get money to make music and play concerts. He did a good handful of charity shows. He delivered tents to Haiti after the earthquake. He's not like known for philanthropy, but the vibe I get from him is that he's a pretty good guy who just wanted to make music and hang out with his loved ones.
He was literally in the middle of finishing an album when he died last year. He just made music as often as he could right up until it was his turn to go. His last words, according to one of his daughters, were have fun.
You can tell me you don't like his music, but you can't listen and tell me you don't think he'd be a fucking chill hang when the only real answer I got from searching "Jimmy Buffett controversy" is that he got caught with a bunch of ecstacy in '06 and paid a fine before being released. I don't even do ecstacy but holy shit my one exception would be trying it with Jimmy Buffett can you imagine??
Anyways. Your turn, friends.
big fan of: used bookstores, and 80s fantasy covers
Not really an ask, but I just wanted you to know that I finally read Deep Wizardry at the age of 26 and the ending hit me like a truck and it took me multiple days to recover.
Thank you for letting me know.
It wasn't easy at this end, either. ...Which is possibly one reason why so many people feel this is the best of the YW books; and why I'm not going to argue with them.
Here are 20 positive and negative trait pairs that can create compelling character dynamics in storytelling:
1. Bravery - Recklessness: A character is courageous in the face of danger but often takes unnecessary risks.
2. Intelligence - Arrogance: A character is exceptionally smart but looks down on others.
3. Compassion - Naivety: A character is deeply caring but easily deceived due to their trusting nature.
4. Determination - Stubbornness: A character is persistent in their goals but unwilling to adapt or compromise.
5. Charisma - Manipulativeness: A character is charming and persuasive but often uses these traits to exploit others.
6. Resourcefulness - Opportunism: A character is adept at finding solutions but is also quick to exploit situations for personal gain.
7. Loyalty - Blind Obedience: A character is fiercely loyal but follows orders without question, even when they're wrong.
8. Optimism - Denial: A character remains hopeful in difficult times but often ignores harsh realities.
9. Humor - Inappropriateness: A character lightens the mood with jokes but often crosses the line with their humor.
10. Generosity - Lack of Boundaries: A character is giving and selfless but often neglects their own needs and well-being.
11. Patience - Passivity: A character is calm and tolerant but sometimes fails to take action when needed.
12. Wisdom - Cynicism: A character has deep understanding and insight but is often pessimistic about the world.
13. Confidence - Overconfidence: A character believes in their abilities but sometimes underestimates challenges.
14. Honesty - Bluntness: A character is truthful and straightforward but often insensitive in their delivery.
15. Self-discipline - Rigidity: A character maintains strong control over their actions but is inflexible and resistant to change.
16. Adventurousness - Impulsiveness: A character loves exploring and trying new things but often acts without thinking.
17. Empathy - Overwhelm: A character deeply understands and feels others' emotions but can become overwhelmed by them.
18. Ambition - Ruthlessness: A character is driven to achieve great things but willing to do anything, even unethical, to succeed.
19. Resilience - Emotional Detachment: A character can endure hardships without breaking but often seems emotionally distant.
20. Strategic - Calculative: A character excels at planning and foresight but can be cold and overly pragmatic in their decisions.
These pairs create complex, multi-dimensional characters that can drive rich, dynamic storytelling.
The fact is, Batman might be the team leader, but he's not always around, and I firmly believe that every group of siblings is going to work out their own dynamic. Without further ado, the roles of the batkids among themselves:
Dick: keeps them together
Jason: keeps them motivated
Tim: tries to fix everyone
Damian: pushes them
Stephanie: keeps them honest
Cass: keeps them kind
Duke: steadies them
O: You’re quite a writer. You’ve a gift for language, you’re a deft hand at plotting, and your books seem to have an enormous amount of attention to detail put into them. You’re so good you could write anything. Why write fantasy?
Terry: I had a decent lunch, and I’m feeling quite amiable. That’s why you’re still alive. I think you’d have to explain to me why you’ve asked that question.
O: It’s a rather ghettoized genre.
Terry: This is true. I cannot speak for the US, where I merely sort of sell okay. But in the UK I think every book— I think I’ve done twenty in the series— since the fourth book, every one has been one the top ten national bestsellers, either as hardcover or paperback, and quite often as both. Twelve or thirteen have been number one. I’ve done six juveniles, all of those have nevertheless crossed over to the adult bestseller list. On one occasion I had the adult best seller, the paperback best-seller in a different title, and a third book on the juvenile bestseller list. Now tell me again that this is a ghettoized genre.
O: It’s certainly regarded as less than serious fiction.
Terry: (Sighs) Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire— Was it you who wrote the review? I thought I recognized it— Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus.
Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. Up to a few hundred years ago no one would have disagreed with this, because most stories were, in some sense, fantasy. Back in the middle ages, people wouldn’t have thought twice about bringing in Death as a character who would have a role to play in the story. Echoes of this can be seen in Pilgrim’s Progress, for example, which hark back to a much earlier type of storytelling. The epic of Gilgamesh is one of the earliest works of literature, and by the standard we would apply now— a big muscular guys with swords and certain godlike connections— That’s fantasy. The national literature of Finland, the Kalevala. Beowulf in England. I cannot pronounce Bahaghvad-Gita but the Indian one, you know what I mean. The national literature, the one that underpins everything else, is by the standards that we apply now, a work of fantasy.
Now I don’t know what you’d consider the national literature of America, but if the words Moby Dick are inching their way towards this conversation, whatever else it was, it was also a work of fantasy. Fantasy is kind of a plasma in which other things can be carried. I don’t think this is a ghetto. This is, fantasy is, almost a sea in which other genres swim. Now it may be that there has developed in the last couple of hundred years a subset of fantasy which merely uses a different icongraphy, and that is, if you like, the serious literature, the Booker Prize contender. Fantasy can be serious literature. Fantasy has often been serious literature. You have to fairly dense to think that Gulliver’s Travels is only a story about a guy having a real fun time among big people and little people and horses and stuff like that. What the book was about was something else. Fantasy can carry quite a serious burden, and so can humor. So what you’re saying is, strip away the trolls and the dwarves and things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I’ve got a serious novel. But you don’t actually have to do that.
(Pauses) That was a bloody good answer, though I say it myself.
HERE I'M RIGHT HERE
All this hype for interview with a vampire whare are my Those Who Hunt the Night girlies and guylies and theydies