But Listen Closely…

This is totally my experience. Every piercing that I’ve had (I’ve been going since I was nine) has gotten infected - never terribly, and it’s always calmed down after a while and eventually heals, but it’s still an annoying process. I follow the instructions, and clean it, I don’t sleep on it, and still my ears hate me…

I bet my body fucking hates it whenever I get a piercing. Poor thing is like HEY THERE'S A PUNCTURE WOUND. IN THE FACE. A FOREIGN OBJECT IN THE PUNCTURE WOUND. And I'm like oh yeah lmao I know, it's there on purpose. THE FUCK YOU MEAN IT'S THERE ON PURPOSE?? Yeah I got it put there on purpose, just heal around it. THE FUCK YOU MEAN IT'S THERE ON PURPOSE. WHY IS THERE A PUNCTURE WOUND WITH AN OBJECT IN IT. ON PURPOSE.

And I'm like chill, it's sterile, we're gonna clean it twice a day so it won't get infected. I DON'T FUCKING CARE THAT IT'S STERILE. And I'm like wow the fuck you mean you don't care? Do you want it to get infected?

YOU KNOW WHAT WOULD ALSO MAKE IT NOT GET INFECTED? NOT. HAVING. WOUNDS. WITH. FOREIGN. OBJECTS. IN THEM.

I choose to believe this was intentional - it’s too funny not to be 😂. We’re definitely in good hands, Perry is as much a dork as the other four papas.

Funny story. If you misremember the number for the Corinthian in the Satanized video as Corinthian 16:9 instead of 6:19 you get this:

"For a great door and effectual is opened unto me, and there are many adversaries."

Which is really funny because it's about a door the thing Papa V Perpetua was unable to get open at first.

AHAHHAHAHHH I GOT IT >:)

figured out how to draw his hair to some degree

additional lil' Stendhal doodles

The idea of him spending hours each day brushing out and ironing his hair is freaking hilarious to me. Wtf was his hair routine before he decided "you know what. fuck it. this time can be spent more productively."

Emotional at work and probably (most definitely) way too deep into this whole thing, but... Papa V seems a lot like Tobias making peace with the past and the unpleasant things (lawsuit, near failure of the project therefore) in the past.

Where Copia was initially the anger, spite and disappointment he felt, until he grew on him and turned into something/someone so positive and warm - a really wonderful turn and message in itself -, putting a very harsh end to the previous era(s), implementing a lot of new visuals... Papa V does the opposite.

We get Primos glittery robe front, Secondos staff in the artwork, Terzos purple and claws (and parts of the face paint) and Copias chest jewelry and cape style.

It feels like Tobias made peace with it and is, kind of, reclaiming these parts? And honoring the past Papas in a wonderful (and super cunty) way.

And I absolutely love it.

(again, I'm probably reading way too much into it, sue me, I'm emotional about my Swedish satanic comfort band)

I understand this. I love how Allison isn’t the modern goth stereotype - she feels, and isn’t afraid to admit she cares. She isn’t a content loner, she wants friends - she doesn’t want to be ignored.

Leaving school recently, I’ve found myself lost. I am sometimes afraid my heart has already died. Everyone else seems excited about what adulthood will bring, but I’m just lost and sad. I have every privilege in the world, but can’t make anything of myself. Can I revive my heart?

The Breakfast Club (1985) dir. John Hughes

I often feel as though I am the only one who enjoyed the Dark Swan arc. Perhaps this is because I am a goth, and thus much prefer when characters ‘go goth’ (or really, just wear black and have cool hair), as opposed to their normal look…

Not saying that I dislike regular Emma - I love her so much - but her little ten episode goth phase was very nice.

Also, she was so dramatic! Her entrance at Granny’s was very reminiscent of 30s black and white horror film villains - very Bela Lugosi with the lighting. Or perhaps Morticia Addams, seeing as it was in colour…

dark swan text posts

At least once every day, I think about Primo’s costume and Nihil’s costume and I almost want to laugh because just look at this shit

The contrast is just wild.

Primo’s costume is exactly that: It’s made with that same shiny materials as a Disney Princess dress-up outfit is. Meanwhile, Nihil’s is all extravagant and I look at that and I’m like “Yeah, that is indeed a Satanic Pope of the Satanic Church, mhm.”

And I absolutely understand why this is. I completely understand that when Tobias started Ghost, there just wasn’t enough in the budget for something too insane. I mean, Primo’s mask is a generic old man’s. They just needed enough of the costume to communicate what they were about and, for as costumey (derogatory) as it was, it did just that. Well done, Tobias and Primo.

But then. Ghost’s costuming just gets more and more intense and ornate with each passing guy until you wind up with Copia, who is essentially a blue art deco disco ball.

So you kinda just. Have to look at Primo and try to reconcile some sort of in-universe explanation as to why his father and brothers are all dripped to the devils while he’s. Like that.

Personally, I like the idea that his devotion to Satan means he doesn’t care as much about his appearance because, in his mind, obsessing over detail distracts from his message about his god.

Or, better yet, as we recognize that Primo was actually batshit insane and hated people, he probably was just asked by the satanic tailors what touches he would like done to his chasuble and he just went “Idfc we’re all trash and are gonna die anyway, just make sure it has red on or or whatever 😒”

Very cool. As a fan of Izuru - honestly mostly due to his cool hair - it always makes me sad that he just disappears post-game, especially since co-existing with Hajime in daily life is such an intriguing concept. What does Izuru look like in his twenties? Thirties? How do the others react to him? Do they know he’s still there? So many questions to explore!

ive always interpreted postgame hajime/izuru as for the most part separate entities but with a degree of fluidity too (some days they can communicate some days they cant, they can very distinctively tell who’s fronting some days and some days they can’t at all, some memories they share and some memories they don’t and some memories may get mixed up between the two etc etc) but ive always liked to think that komaeda, with his freakishly observant nature, teaches himself how to clock which one is which pretty accurately.

hajime doesn’t always tie his tie evenly, izuru always ties it perfect. izuru always sits with either the worst or best posture youve ever seen, hajime is always somewhere in between. only hajime seems to wear casual clothes. if the tie color is any different from the usual green, that’s izuru. izuru styles his hair a bit neater, and if they’re overdue for a trim, izuru’s probably been fronting for a while. hajime likes his coffee fairly dark, izuru likes it with 10 spoonfuls of sugar.

so using this he can also tell when one is masking as the other (usually it’s izuru masking as hajime because he doesn’t want to deal with everyone —save for komaeda —being an ass/generally weird to him unprompted. theyre still working on that. but hajime has his reasons sometimes too). hajime’s tie is a little too perfect today. he’s being slightly quieter than usual. he recoiled when kazuichi leaned in to clap him on the back — but only slightly. no one else would’ve noticed.

sometimes these conflicting tells don’t indicate one pretending to be the other, but a more merged state. distinguishing that tends to have a larger margin of error, but when one masks as the other, usually the tells are consistently towards one or the other, and when they’re more merged then the tells are mixed (wearing casual clothes but having neat hair but having hajime’s posture but having izuru’s sweet tooth for example).

a couple years postgame i think komaeda learns to tell when they’re talking in headspace too, based on the tiny little changes in expression when they zone out. to tell WHAT theyre talking about komaeda definitely needs situational context (ex: if hajime randomly zones out while youre talking to him, izuru’s probably commenting on something you or he said. given enough context, komaeda can even guess what izuru says too), but he can usually at least tell when theyre talking. hajime’s subconscious facial expressions are more obvious then izuru’s, but if izuru’s brows are a little furrowed while he’s zoned out then they’re talking, and if his face is completely neutral then he’s just zoned out.

of course komaeda is wrong sometimes, because things aren’t that simple. but he tends to be freakishly accurate. once he picks up on who’s who that day, he’ll walk up and refer to them by name and get it right first try and no one knows how. sometimes komaeda only needs to see the back of him for a second or two before he can tell (that’s already three things he can observe: hair, posture, and if the back of the tie is tucked under the shirt collar properly. hajime usually forgets to check that). or sometimes he’ll go “does izuru want to add something?” if he can tell they’re talking to each other and everyone is like how could you tell.

the freakish observation is returned on hajime and izuru’s part of course, but it’s different because komaeda is no Ultimate Analyst or anything. it’s just a gay tendency.

New watch list! After the weird and off-putting poorly handled abuse analogy that was Nosferatu 2024, it’ll be nice to see some classic vampire media again.

extremely unprofessional reviews of dracula adaptations ft. my overdramatic commentary

hello and welcome to my 100% Scientific Evaluation of Various Dracula Films! my credentials are that i recently read the novel and am now firmly in the clutches of a vampire obsession, have too much free time, and never grew out of my goth phase.

ill be rating each adaptation (using a completely arbitrary and subjective 10-point scale) on how faithful it is to the book, how gothic it is in terms of aesthetics, and how much i personally liked it overall. ill also be rating - and this is crucial - how hot each film’s version of count dracula is, because im gay and i have a crush on him.

spoilers ahead.

Keep reading

I wasn’t going to reblog, but it was too cute to ignore. I love this film, and Frollo’s stupid hat.