The Besties Of All The Time!!!

Gakuen Bungou Stray Dogs - The First Half (Part 2/2)

Previous Part: Part ½

<Thanks for lovely cover page @bsduwu​)

Sorry it took me so long but I finally finished the first half of the au novel that was included as a bonus in the DVD/BD of the anime. The novel is called Gakuen Bungou Stray Dogs  (Bungou Stray Dogs School) and is consisted of 2 parts, the first half is included in DVD/BD Vol 2 and the second half is in Vol 8. It is about 80 pages in total. It has also been adapted into a story in the game Bungou Stray Dogs: Tales of the Lost so you may find the story familiar.

Below is some of the notes I would like to read before proceeding.

- Please buy the DVD/BD to support the authors if you can.

- I don’t mind if you use bits of it for analysis or credits, but do not repost the whole thing out of Tumblr.

- Feel free to retranslate it if you want, but keep in mind that my translation is not perfect as I am not fluent in neither English nor Japanese.

- I am translating casually at my pace so I can’t promise when the next part will come out. But I will make time for it when I can.

That’s it. Happy reading!

Continuar lendo

Divine Being Amenogozen and the horror of the wrath of God

I wanted to talk about the current main threat to the BSD cast because I feel like not many people talk about him and how terrifying he is and also what he symbolises.

His creation/abilities:

So Divine Being Amenogozen was created via the 'Tripolar singularity' - a combination of 3 abilities/ability infused items. These are the Amenogozen sword (or the Space-Time sword), The Holy Sword Soluz Levni and Fukuchi's ability Mirror Lion. In short, Amenogozen can stab/move through space and time, the Holy Sword can infuse people's abilities into their bodies, and Mirror Lion strengthens any weapon by 100 times.

In terms of skills, Divine Being Amenogozen (who I will now refer to as Gozen) possesses the abilities of the Space-Time sword (liquification/absorption of people/abilities and energy blasts), as well as superhuman speed/swordsmanship, Levitation, self-healing and the ability to generate blades from himself to match his sword. He's already a powerhouse of an oppenent with just these skills that makes him an insane enemy for the characters to fight, but it's some of his other skills I want to draw attention to - mainly, spatial manipulation and his higher-dimensional existence (although I may bring mention to the others too).

As opposed to the others, I single out spatial manipulation as it is one of the things that makes him most intimidating alongside his physical appearance/actions. He's able to disappear and reappear in various places in the blink of an eye, something which really adds to the general horrifying nature of him as an antagonist.

The main aspect I want to talk about is him existing on a higher dimension than every other character in the series. Fyodor specifically says that Gozen is a fourth-dimensional being, whereas the rest of them are third-dimensional, and that Gozen's form is simply a shadow of his true self. Essentially, Gozen exists at a higher level of existence that is inconceivable to the rest of the cast, operating at this higher level not only in consciousness but also in ability/skill. It is why all of his skills are so heightened that they surpassed perhaps every single character in the current BSD canon.

To simplify the idea of dimensions, i'm pretty sure that a three-dimensional object is something that can be specifically located via 3 units (or dimensions) - usually this is the scales of height, width and depth in a physical space. A four-dimensional object also adds another variable scale (usually time I think) that you can see. In essence, Gozen is able to perceive the scales of height, width, depth and time (which implies that he can see through time itself).

[I want to clarify that this is not a topic I am very knowledgeable on, and I am kind of teaching myself the basics as I write this. So please feel free to correct me if I've got this wrong.]

So Gozen is able to travel across space and time, as well as manifest himself in multiple places at one via the past and present versions of himself (as if writing with two hands on a piece of paper, as Fyodor describes it). Fyodor describes Minkowski Space as part of his skills, a concept that I can't quite figure out how to explain so I recommend you give it a bit of research tbh). And Fyodor uses that to essentially kill the ability users that stand in his path and intimidate Atsushi into leading him to the book. It's also important to note that Fyodor, due to the seal marked on his hand from the Holy Sword, has seemingly complete control over the actions and abilities of Gozen. It is interesting to combine these concepts of Gozen's character with the general ruthlessness of his actions because it to me acts as a visualisation of the wrath of God.

Religious connotations and the wrath of God

Fyodor as a character has always been associated with religious imagery from his introduction. I don't know what specific sect of religion he's usually associated with, but for the sake of this post I'll talk about Gozen and his links to Christian imagery (since Christianity is the religion i'm most familiar with).

[My understanding is also quite limited so please don't take what i say is complete fact in case i'm completely wrong 😭]

Gozen as a higher-dimensional being to me brings associations with the concept of God and his omnipotent power. God is often said to know all, see all and have immense power (enough to create, for example, worldwide flooding). Gozen also exhibits similar concept:

- when he faces kunikida he is aware of his previous injuries (his hands being destroyed by the explosion in escape from the Hunting Dogs), despite not having been known to exist until much later.

- Gozen uses huge blades to chop down any buildings in a large area around the airport, showing he has power on a huge scale.

- Since he can present in multiple places at the same time (by manifesting past and present versions of himself at the same time) he can perceive through time.

Now, Gozen is not specifically like the Christian God. The christian God is said to have created the world we know and have complete control over it. Gozen doesn't show any evidence of this. Gozen seems more similar to a God present in a religion with multiple Gods that are worshipped by different people for different purposes. I seem to bring this towards the Christian God because often I know more about it (Christian primary school core) and see many depictions of the Christian God as one who is surprisingly ruthless - weather it be in stories surrounding Adam and Eve or The Great Flood for example. It's the inherent horror associated with this wrath (great anger and/or a desire to punish) that I bring to attention.

It is the inherently horror of being punished by someone of a higher existence and power that I focus on. I can see how Fyodor summoning Gozen to rid of his enemies here and his plan to unite humanity via the removal of the 'curse' of ability users can feel similar to the concept of Judgement day, where God is to come down and judge humanity for their actions and send them either to heaven or to hell. Fyodor however is more about force and violence in his methods, suggesting that he has perhaps invoked the more violent aspects of Gozen's wrath.

And there's a huge element of horror in fighting against a being who exceeds you in every single aspect and is at a completely inconceivable level and has so far basically killed anyone it has come in contact with before you but yet it decides to spare you and intimidate you instead because you serve, in its opinion, a greater purpose. Because that's what Atsushi is facing. Gozen is drawn in such an intimidating way at many points when facing atsushi too - I'm adding some because I think his design is so interesting too (might make a separate post on that because this is getting long).

Essentially, Gozen is terrifying because he is above and beyond everything any of these characters have ever known and possibly will ever know. He is a godly being who is ruthless in his directed pursuits and operates with such an intimidating air because of his inherent power and higher-dimensional existence. He is terrifying because he is so inconceivable and invincible in the eyes of the characters in universe, and to them Fyodor has essentially invoked the wrath of a God upon them for the 'crime' of being ability users that dare oppose him.

[This post started to fall apart towards the end because I only have a limited understanding of God's presentation in Christianity but I wanted an excuse to talk about how interesting and terrifying Gozen is as a character concept... I kind of love him as an antagonist despite him being so overpowered.Sorry that this became a bit of a mess towards the end but feel free to add anything to this idea - whether corrections or new ideas!]

He’s had a rough three years

Asagiri loves fake out deaths so much that both Yosano and Fyodor's abilities are, LITERALLY, fake out deaths.

I've been thinking about the moment where Douma suddenly confesses an attraction to Shinobu while the two were in limbo. It's short, and semi-serious, but I think it's a genuine - and tragic - feeling on Douma's part, and it hits him right at this moment.

From his earliest memories, Douma has been surrounded by suffering people, people who latched onto him for peace. He was raised to believe that he lived alone in a world of suffering people, and that his purpose was nothing but to ease their pain. There was no room for himself as a person. He had to be a saviour. People needed him. They latched onto a child and drained him dry emotionally so they could feel better, because they were dependant.

But Shinobu doesn't need him, not even for revenge, not anymore. Shinobu is content.

Douma is entranced. He took to Kotoha, Inosuke's mother, and liked her well enough to want her around, but she was still a dependant, like the rest of his followers. She was still a suffering person who relied upon him like everyone else. She fit neatly into his warped view of the world and its people, and could be discarded when necessary.

Shinobu is unlike anything Douma has ever seen before. He has never known contentment, not for anyone around him and especially not himself. He has lived more than a century believing that just pretending to be that purposeful, happy person was enough. But as Kanao rightly said, he is empty, and he knows it, and it haunts him.

Douma spent his entire life forcing himself to like and enjoy a role he was forced into in spite of his own feelings, and at the end he realised that it amounted to absolutely nothing. He was still empty, unfulfilled and miserable.

So the sight of a person, even the woman who killed him, showing the genuine joy of an ambition and life fulfilled, how could Douma not be smitten by it?

It's not true love, not based on Shinobu as an individual and certainly not healthy, but it's a sensation born from witnessing the purest iteration of the state of being that has so long eluded him. He now knows that such a thing is achievable, possible, and so should heaven and hell.

For more than a century, Douma knew that his life was a lie. He was not a seer, he could not hear the gods, but had to pretend otherwise because everyone believed - or said - otherwise. Living this lie developed a deep cynicism towards those things which people said were true, like salvation and peace.

Douma knew deep down that what he did was not salvation, and therefore believed that it was unachievable no matter how much he said otherwise.

But Shinobu proved him wrong. And no matter how Douma wants to hold onto the thing that proved him wrong, all that awaits him is hell. It was all too late.

A detail that I always found curious in bsd is how in fifteen Dazai needs to consciously activate his ability, but in the current time of the story he doesn't. At first I just thought Dazai had trained his own ability to the point where he could keep it active all the time, but Dazai's ability doesn't really seem very important to his work in the mafia, because we only see him using No Longer Human a few times during the light novels that take place during the time he was in the Port Mafia, so I don't believe this was something trained by Dazai, but rather the effect that All Men Are Equal has on him.

We know that Fukuzawa's ability is a suppression ability that influences the abilities of ADA members, allowing the agents themselves to adjust and control their powers, so it makes sense that joining after the ADA, Dazai made No Longer Human always be activated, so he couldn't be affected by abilities attacks even if he was caught by surprise.

The fact that the agents themselves can adjust their abilities with the help of All Men Are Equall made me think about the other ADA members, and how they are affected by Fukuzawa's ability. In Yosano's flashback, it's never said that she can only heal people with fatal wounds, and when Yosano refuses to heal Tachihara's brother (who Mori says is not seriously injured) she says that she doesn't want to heal him, not that she can't, so I believe that after everything Yosano went through in the war and with Mori, she herself chose to only be able to heal people who were almost dying, so she doesn't feel like she was reducing the value of the lives of those she heals, and so that others detectives of the agency understand the value that their lives and wounds have, and don't end up like the soldiers in war.

In Kenji's fight against Tetchou, we have a flashback of a conversation between Kunikida and Atsushi, and Kunikida says that Kenji's ability is driven by his anger, the angrier he gets, the more powerful he will be, however, his hunger can calm him, and I wonder if that might have something to do with Fukuzawa's skill. Kenji is a very calm person, and Kunikida says that this prevents his monstrous strength from coming out, so creating a way to calm him down so that his ability doesn't go out of control may have been Kenji's own choice when he joined the agency.

Kunikida only using his ability in his notebook of ideals may also have been his own choice. We know how connected to his ideals Kunikida is, and he says that all of his future and ideals are written in that notebook, so it makes sense that he would want his ability, an important part of his life, to be in his notebook too. On the other hand, All Men Are Equal could be the reason why Kunikida can only create objects the size of his notebook, but I can't see a specific reason for this choice.

I don't see many ways in which Fukuzawa's ability can affect Tanizaki's Light Snow, other than limiting the area in which he can use his ability. We know that Tanizaki can be very aggressive if provoked, so the fact that his ability can only be used at a short or medium range may be to prevent him from doing more damage than necessary when angered.

I believe all of these assumptions make a lot of sense, based on what we've seen of the influence of Fukuzawa's ability on Atsushi (forbiding him from fully transforming into a tiger, and from losing his mind while using his ability) and Kyouka (allowing her to control Demon Snow without her phone), and I really hope this topic is explored at some point during the manga.

happy birthday to our strongest warrior

(He did it on purpose to piss them off specifically) I think the MADS people are easily the most wretched horrible people in this story. They are also, unfortunately, potentially some of funniest. And I wish them nothing but misery for my own entertainment. [Original Post]

Something about Vegapunk using the dna and blood of a caged and experimented on child to create more caged child experiments and the cycles we perpetuate.

Because what does it mean that all that King has left as proof, that the lunarians were real, that they existed as a tribe, as a people, are seven manufactured children he doesn’t even know about, enslaved as weapons to the government that wiped out the culture they’ll never get to be a part of, and Alber himself another enslaved child lost to something he’ll never fully know.

And what of the warlords? Already young once and hurt by their government, young again and slaves to it. Boa looking at a version of her practically pulled out of time stuck in her worst nightmare or Jimbei looking at a version of himself living out a past he escaped by the skin of his teeth but so many he loved didn’t, even Doffy once again at the mercy of the people that already abandoned him, has Kuma not suffered enough? Given enough, is this child version of him doomed to repeat the same path he already could not escape from . Property of the world government, beholden to the celestial dragons, this version of me that cannot go free?

It’s interesting that Vegapunk joined the government so that he could do the most good, but look at the long line of people right infront of him that he’s hurt with his own hands.

"Don't try to find a reason for somebody's love!"