A list I made just to satisfy my vain cravings for resonating mottos for a secret society I'm working on. Enjoy!
abi in malam crucem: to the devil with you!
ad astra per ardua: to the star by steep paths
ad augusta per angusta: to honors through difficulties
aegis fortissima virtus: virue is the strongest shield
amor vincit amnia: love conquers all things
animo et fide: by courage and faith
arbitrium est judicium: an award is a judgement
aut mors aut victoria: either death or victory
aut vincere aut mori: either victory or death
bello ac pace paratus: prepared in war and peace
bibamus, moriendum est: let us drink, death is certain (Seneca and Elder)
bonis omnia bona: all things are good to the good
cede nullis: yield to no one
cito maturum, cito putridum: soon ripe, soon rotten
consensus facit legem: consent makes law
data fata secutus: following what is decreed by fate (Virgil)
durum telum necessitas: necessity is a hrad weapson
dux vitae ratio: reason is the guide of life
e fungis nati homines: men born of mushrooms
ego sum, ergo omnia sunt: I am, therefore all things are
pulvis et umbra sumus: we are but dust and shadow
quae amissa salva: things lost are safe
timor mortis morte pejor: the fear of death is worse than death
triumpho morte tam vita: I triumph in death as in life
tu vincula frange: break your chains
vel prece vel pretio: for either love or for money
verbera, sed audi: whip me, but hear me
veritas temporis filia: truth is the daughter of time
vero nihil verius: nothing is truer than the truth
vestigia nulla restrorsum: foosteps do not go backward
victus vincimus: conquered, we conquer (Plautus)
sica inimicis: a gger to his enemies
sic vita humana: thus is human life
─── ・ 。゚☆: *.☽ .* . ───
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Reference: <Latin for the Illiterati: a modern guide to an ancient language> by Jon R. Stone, second edition, 2009
On Love and Community
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One of the most important lessons I ever learned about art was when I became a late addition to the editorial board for the literature part of my high school's lit/art magazine, which nobody ever read.
Because I realized after a couple of meetings that my moments of baffled distress during them were centering around a pattern of our votes electing by majority to reject most of the good, interesting stuff and agree to publish the very bland.
So I was looking around this room of people I mostly liked or respected if not both, trying to figure out what the fuck when there was no reasonable way of asking, until the day we by majority vote sent definitely the best thing submitted all year back pending 'revisions' which of course would not be made, because the poet would definitely either become demoralized or know for damn sure she was too good for our stupid journal. I have no idea which it was; it's a question of mindset, and the submissions were anonymous.
This good poem was rejected for two reasons, both of which were actually manifestations of it being good. One was that it had made a couple of the board uncomfortable--not by having any shocking subject material, mind, just by provoking emotions with unusual descriptive language and indirectness--and they'd transmitted that uneasiness throughout the group during discussion.
And the other, seized upon as an excuse in light of the first, was that by being complex in terms of both structure and notion it had drawn several of us in, interested enough to engage critically and respond in depth, and so we'd marked it up with lots of places we thought a word choice could have been a little stronger, a line break had been a little odd; ways we thought it could have been a more excellent version of the poem we perceived in it. None of them ways it was actually bad. Just places we felt it could have been better.
At the same meeting, we voted to accept a poem that was an utterly tepid rectangle of predictable nothing-in-particular, because no one could find anything in it to object to.
It wasn't good. It wasn't noticeably bad, either, though; it was one consistent level of mediocrity clear through, and thus no part of it stood out as a weakness, and therefore the committee found it more acceptable than the poem that was superior in every way, but which by being daring and interesting had left itself covered in vulnerable places.
The understanding I reached as a result of this experience was multi-layered and difficult to articulate, but the most important part, I think, to share is that the value and quality of a work are not, in fact, very well measured by how many negative things you can find to say about it.
Finding it a bit hard to connect to a certain character in your story? Here are 7 ways to get over that hump →
Start with the little things Every person has their own quirks, and so should your characters. A character might fall flat in your vision because of an absence of these small unique traits. Lean into this, think of habits they fall to when they get emotional, or weird little obsessions they linger on.
Give them a small trait of your own Don’t misinterpret this advice as writing yourself into the story! What I mean by this is to pick a small trait or a habit of your own to add a bit of yourself into a character you’re finding it difficult to connect with. This is a great trick to use if you’re writing a type of personality that differs from your own, and helps layer out character too!
Figure out what they want most Knowing a character's motivation - or what it is that actually drives them forward in the story, is one of the key things you should know about any character. If you’re finding it hard to connect to one of them, think about whether you’ve given them clear and tangible motivation within your story world.
And then figure out why they can’t get that Once you know what your character wants, what their goal might be, think of a reason why they can’t get it, or what that process of achieving the goal might be difficult for them. Usually, this works great if it comes from within - meaning that your character carries a flaw that stops them from acting on their goal.
Don’t underestimate kindness Flawed and morally gray characters are great. But don’t underestimate the power of a kind, positive trait. It’s what makes readers fall in love, and what will ultimately help you fall in love with the character, too. We don’t fall in love with a character’s snark, but with the emotions they hide behind the snark.
Give yourself time to get to know them Sometimes you don’t immediately click with all your characters, and that’s okay. That happens. It takes time to get to know what makes them tick, sometimes it takes writing them in a scene, then rewriting them in a different way in the same scene to feel out what’s most natural to them. If a character feels distant to you, let yourself explore a different approach to how you write them.
Don’t rush into who they are It can be really fun to keep a mystery about someone. And sometimes that’s all it takes for readers to be intrigued and feel connected to a character. This can work really well for you as the author, too. Don’t rush into writing down everything about your character in the first few chapters, keep a few details for later and work up to them.
writing tip: searching "[place of origin]ish names" will get you a lot of stuff and nonsense made up by baby bloggers.
searching "[place] census [year]" will get you lists of real names of real people who lived in that place.
too many stories about turning yourself into a monster as a metaphor for pretending to be something you aren't and losing yourself in the process. not enough stories about turning yourself into a monster as a metaphor for choosing to openly embrace yourself even if it's strange to other people
Okay, real post time (but keep those boops booping) - You want to do NaNoWriMo tomorrow, but you don't want to go anywhere near the main organization and their website. Here's a list of alternatives you can try:
Rogue Writers - International group launched to provide an alternative for writers. Their website has challenges, free tools, and more.
myWriteClub - Word tracking tool.
Novlr - A writing app designed to help you meet your writing goals.
WriteTrack - Word tracking tool.
Shut Up and Write - Find in-person or online groups to write together with!
NoQuWriCo - A November writing challenge with tools, tips, and encouragement to make it through the month! (Thanks to someone letting me know - this is a Christian alternative. Try another if that does not appeal to you!)
Writing Month - Write. A Month. Do It.
Your local library - If you did NaNo events through your library, chances are they're still doing it this year. Make sure you check in with all the resources you've used in the past, as they're likely still around.
Whatever you decide to do tomorrow, good luck! And remember, if you want to still use the NaNo website but don't like their AI policies and the rest of it, just don't give them money! Laugh to yourself, evilly, as you update your word count. It's very validating.
(Now back to booping.)