inbetween
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[ID: a two page comic of serizawa and mob from mob psycho 100 during the world domination arc, taking place shortly after mobs confrontation with him. serizawa is sitting on the steps of the tower, and thinking to himself, "so... i guess i am no longer a member of claw... ...what now? how do i re-enter society? is that even possible? i hurt a lot of people. even i i did re-enter society, is that enough? how do i make up for all the wrong i did." in the next panel, there is a flashback to mob listening to serizawa. serizawa recounts, "kageyama listened to every word i said. he even told me that he had similar experiences... no one has ever done that before." further up the stairs, there is an explosion, startling serizawa. he turns around and says, " its getting bad up there..." the next page flashes back again to mob and serizawa's conversation, mob is standing up and serizawa is looking at him shocked. in the next panel, serizawa is nervously warning mob. he recounts, "he told me he had to fight the president. i tried to tell him how dangerous it was... to warn him that it was impossible to to beat him. he said-" it switches to a slightly faded mob saying "well, if i don't fight, then everyone will be in danger." then is a close-up of serizawa, looking slightly disappointed, "if only i was that brave." the next panel looks down to the spiral stair case, with noises of someone panting coming from behind the center of the stairs. in the final panel, reigen is hunched over, gripping the railing. he says "first, *pant* the damn *wheeze* marathon *pant* and now this??? END ID]
david lynch understood on a fundamental level how abusive and exploitative the world is to those with the least power, particularly women and children. he created an entire lifetime's worth of cinematically and narratively groundbreaking work trying to grapple with that hostility and abuse, trying to reconcile the evil that exists in the hearts of everyday men with the goodness he saw there as well. he made survivors of unspeakable trauma feel seen and known in a way that few artists ever have and ever will, and never once shied away from the truth he knew and believed: that we are all innocent, that what has been done to you is not who you are, and even in times of abject despair, there are people who love you, who will not forget you or stop trying to save or defend or avenge you. i don't want that to go without notice. many people are mourning him for different reasons, and i agree, he was one of the greatest and most imaginative artists to ever be given free reign to paint on a cinematic canvas. but first and foremost, david lynch was an artist of enormous empathy, and i think those of us who saw ourselves in his work because of the empathy it afforded us are grieving particularly hard today.
his memory will always be a blessing.
Ritshou angst hours
Shou’s scars from his (implied) awakening through CLAWs experiments
Okay lowkey finished the charlie doodle. Comic doodle (OOC sorry…) and cusack study sorry
I love when charlie is sad.
Serizawa is so clingy. Trust
watched mob psycho for the first time last month and got a whole new boy out of it, shigeo “mob” kageyama youre doing amazing sweetie
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